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Тахо-Годи Х. М. Стереофотография в криминалистике / Тахо-Годи Х. М.. ; научн. рук. доктор медицинских наук, профессор Прозоровский В.И. и доцент Кубицкий Ю.М. ; Государственный научно-исследовательский институт судебной медицины Министерства здравоохранения Союза ССР : диссертация … кандидата юридических наук. – М, 1950. – 223 с. – стереопары. 107 отд. фотографий и стереоскоп в коробке.
Диссертация на соискание кандидата юридических наук Тахо-Годи Хаджи Мурата Аликбековича была защищена в 1950 году в институте судебной медицины и была посвящена новой методике своего времени в судебной фотографии, а именно – стереофотографии. Автор в научной работе показывает и доказывает обоснованность применения данного метода на практике. В диссертации излагаются данные экспериментальных исследований и их результаты. В работе представлены стереофотографии, которые оформлены как приложения. Фотоснимки сделаны по правилам судебной фотографии и объективно фиксируют данные, которые были обнаружены в ходе следствия. Именно эти данные помогли в своё время установить истину по делу и потому, по мнению автора, являются одним из видов доказательств.
Li Lin Doctoral dissertation, from the University of Electronic Science and Technology of China, participating on the Joint Program of Doctor of Management between UESTC and ISCTE-IUL.
The doctoral dissertation took place at ISCTE-IUL on the 18th of May of 2012. Hugo Alexandre Cruz photography.
Jianqiang's friends & colleagues gathered to share this exciting and important moment. L-R: Jimmy, Hongzhong, Patricia, Jianqiang, Xiaoli, Craig.
And rumor has it that he advises me as well. Often referred to as "the JC", you shouldn't let that hipster beard fool you. The Bossman doesn't just know how to speak in tongues, he knows how to speak math to biologists. It should be noted that he will serve you some tasty kool-aid when asked to speak about debuggers or pretty code design.
Sometimes he has strange realizations of complex notions, like the one he describes above.
NOTE: Recorded at low volume, turn up your audio a bit.
Морозов Г. М. Бокс в Соединенных Штатах Америки: (Организация, техника, тактика, методика обучения и тренировки). / Морозов Г.М. ; науч. рук. канд. пед. наук, доцент, заслуженный мастер спорта К.В. Градополов : диссертация … канд. пед. наук.– Москва, 1954.– Т.1. – 347 с. ; Т.2. Приложение. – 104 с. ; Т.3. Альбом иллюстраций: приложение ; фотографии. ; Ч.1.– 30 л. ; Ч.2. – 22л.
Диссертация Морозова поражает основательностью подхода к изучению выбранной темы. Автор детально анализирует технику, тактику и тренировку американских боксеров для того, чтобы ознакомить с американской тренерской практикой советских тренеров по боксу, готовящих боксеров к участию в XVI Олимпийских играх. Большой интерес представляют приложения к диссертационной работе, в которых автор составил англо-русский словарь боксерской терминологии и жаргона на 2500 слов, а также альбом фотографий в 2-х частях, иллюстрирующих содержание работы, с включением кинограмм отдельных элементов техники боя из встреч на первенство мира лучших профессиональных боксеров. В преддверии XVI Олимпийских игр и учитывая, что американские боксеры были главными нашими соперниками, эта диссертация носила актуальный характер.
For those who waited almost a week: There was a good reason for my long silence in this place! I finished the register of my PhD manuscript. Along the way I found a remarkable amount of mistakes. And I don't want to think about how many more there probably are still in the text. But everything has to come to a close, so today I put the thick letter into the post box. And with a bit of luck, in early 2007 the world will celebrate the release of the this milestone work on the Society of Friends!
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I just took this photo 5 minutes ago. It is me, in front of my laptop, open to my best sentence of the day dissertation blog -- www.bestsentence.blogspot.com -- and the look on my face is the look of stunned relief that i have just finished writing the entire dissertation draft., most of which has been approved by my two co-chairs and is being read now by my other two committee members. my last 3 chapters still need to be read by everyone so there may still be some revisions but omg omg omg omg omg omg omg omg omg
Куклин Н. И. Использование древесины основных лиственных пород Дальнего Востока в производстве строганой фанеры / Куклин Н.И. ; науч. рук. канд. техн. наук., доцент И.Д. Пахомов ; Дальневосточный научно-исследовательский институт лесного хозяйства : диссертация … канд. сельскохоз. наук. – Хабаровск, 1968. – Т.1. – 216 с. ; Т.2. Приложение ; фотографии.
Работа автора Куклина очень оригинальна с точки зрения оформления. Диссертация издана в 2-х томах. Первый том – объемный научный труд, включающий большое количество приложений: схем, чертежей, фотографий и даже миниатюрные образцы фанеры. Второй том – это альбом, каждая страница которого – лист фанеры из древесины дальневосточных пород: ясень маньжурский, ильм долинный, береза железная… Титульный лист этого уникального тома выполнен в виде карты лесов Дальнего Востока, рельеф карты выделяется разными породами дерева.
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I finally got around to sending my dissertation for bounding, almost a year after it was finished and signed.
A bit thin, ain't it? should have asked for some empty pages inserted in the middle. Nobody will ever actually look inside.
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2008- This project was about transforming an old prison buiding taking into account the surrounding green areas and an ancient temple. This section contains a Turkish temple constructed during the Byzantine era which is now being used as an exhibition and concert hall. Right next to it, there is the city’s old prison building, which has been abandoned and is now falling apart. This section of land constitutes one of the main hubs of the city, while at the same time encapsulates great architectural and historic interest.
What is very characteristic about this section of land is the intensity of the citizen’s activity, who tend to move around and through both the temple and the derelict prison building, which is also regarded as one of the main poles of touristic attraction of the city.
The aura of the temple and the aesthetic beauty of the green fields that surround the area come in contrast with the gaunt look of the old prison and the feelings of emptiness this abandoned space creates. The complexity and the diversity of the building’s identities and the way they interact in the space create two distinct zones :
Temple zone : -Intense mobility.
-Interactive relationships among the citizens
Prison zone: -Diminished motion.
-Untapped space.
Main objective of the research was to create an interconnection between these two zones. The initial idea and the basic aim of my architectural dissertation was to create a pole of attraction for the citizens in the exact area where the old prison is situated.
I wanted to create a space of interest for the people who would like to share their time between the area of the temple that is full of life and the isolated area of the former prison.
I designed a set of different routes that start from the building that housed the old prison and, through multiple junctions, these routes end at the point where the temple is now situated. This leads to an optical and virtual connection of these two spaces.
The old prison building is being replaced by a new high-end structure which nonetheless keeps some basic conception of the interior spaces and the floor plan of the old building.
The new building is going to be the city’s cultural center and has been designed to host lectures, art exhibitions and conferences. The surface with glass gives the impression of wrapping the inner steel infrastructure like a veil and offers a form of a building that is weightless.
A visual illusion of continuity among different spaces is also achieved, because the interior spaces are separated with glass dividers which enable the visitor to have a perspective of each elevation. From a structural point of view, the whole building gives the impression of floating in space. This is achieved through the extended use of glass material and the few number of beams and columns in the interior, which have been replaced by a specialized steel structure that frames the “skin” of the building, so that it does not require the presence of columns in the center of the structure.
Another objective was to create a visual continuity among the temple and the new building. I, hence, laid emphasis on the element of transparency rendering it the most important characteristic of the new structure and the new route. Every separate area inside the building is the continuity of another.
The glass façade is characterized by two great 7m high and 6m long openings.
These form the main entrance and exit of the cultural center. The glass canopy seems almost hollow in the inside and the structure integrates an open plan. Once the visitor is inside the building, he/she has a view of the temple almost from every side of the building.
The interior building plan incorporates a complexity of multiple use of spaces in an area of 4.400 square meters altogether: Amphitheater/Lobby area/Exhibition spaces/Library/Reading department Studios for painting,sculpting/Video art/performance studios/Bar-Restaurant.
As the visitor exits the building, a number of routes lead to the temple and the outdoor amphitheater that is located above the city’s river. The small outdoor amphitheater has been designed so as its floor would be placed just above the water level.
The audience is going to be able to watch a performance while they are seating just above the main river of the city. At the same time, visitors can reach this point through multiple routes that are made of wooden decks, which can lead them to the opposite side of the river.
One can notice a continuous movement between the initial two zones, the zone of the temple and the zone of the cultural center. An interface is achieved of the main routes and paths. These main routes are part of a common design plan. The absence of mobility around the abandoned prison has now given its place to an area that has novel identity and which allows for extended social interaction. The new cultural building does not try to obscure the brilliance of the temple but on the contrary to elevate it.
2008- This project was about transforming an old prison buiding taking into account the surrounding green areas and an ancient temple. This section contains a Turkish temple constructed during the Byzantine era which is now being used as an exhibition and concert hall. Right next to it, there is the city’s old prison building, which has been abandoned and is now falling apart. This section of land constitutes one of the main hubs of the city, while at the same time encapsulates great architectural and historic interest.
What is very characteristic about this section of land is the intensity of the citizen’s activity, who tend to move around and through both the temple and the derelict prison building, which is also regarded as one of the main poles of touristic attraction of the city.
The aura of the temple and the aesthetic beauty of the green fields that surround the area come in contrast with the gaunt look of the old prison and the feelings of emptiness this abandoned space creates. The complexity and the diversity of the building’s identities and the way they interact in the space create two distinct zones :
Temple zone : -Intense mobility.
-Interactive relationships among the citizens
Prison zone: -Diminished motion.
-Untapped space.
Main objective of the research was to create an interconnection between these two zones. The initial idea and the basic aim of my architectural dissertation was to create a pole of attraction for the citizens in the exact area where the old prison is situated.
I wanted to create a space of interest for the people who would like to share their time between the area of the temple that is full of life and the isolated area of the former prison.
I designed a set of different routes that start from the building that housed the old prison and, through multiple junctions, these routes end at the point where the temple is now situated. This leads to an optical and virtual connection of these two spaces.
The old prison building is being replaced by a new high-end structure which nonetheless keeps some basic conception of the interior spaces and the floor plan of the old building.
The new building is going to be the city’s cultural center and has been designed to host lectures, art exhibitions and conferences. The surface with glass gives the impression of wrapping the inner steel infrastructure like a veil and offers a form of a building that is weightless.
A visual illusion of continuity among different spaces is also achieved, because the interior spaces are separated with glass dividers which enable the visitor to have a perspective of each elevation. From a structural point of view, the whole building gives the impression of floating in space. This is achieved through the extended use of glass material and the few number of beams and columns in the interior, which have been replaced by a specialized steel structure that frames the “skin” of the building, so that it does not require the presence of columns in the center of the structure.
Another objective was to create a visual continuity among the temple and the new building. I, hence, laid emphasis on the element of transparency rendering it the most important characteristic of the new structure and the new route. Every separate area inside the building is the continuity of another.
The glass façade is characterized by two great 7m high and 6m long openings.
These form the main entrance and exit of the cultural center. The glass canopy seems almost hollow in the inside and the structure integrates an open plan. Once the visitor is inside the building, he/she has a view of the temple almost from every side of the building.
The interior building plan incorporates a complexity of multiple use of spaces in an area of 4.400 square meters altogether: Amphitheater/Lobby area/Exhibition spaces/Library/Reading department Studios for painting,sculpting/Video art/performance studios/Bar-Restaurant.
As the visitor exits the building, a number of routes lead to the temple and the outdoor amphitheater that is located above the city’s river. The small outdoor amphitheater has been designed so as its floor would be placed just above the water level.
The audience is going to be able to watch a performance while they are seating just above the main river of the city. At the same time, visitors can reach this point through multiple routes that are made of wooden decks, which can lead them to the opposite side of the river.
One can notice a continuous movement between the initial two zones, the zone of the temple and the zone of the cultural center. An interface is achieved of the main routes and paths. These main routes are part of a common design plan. The absence of mobility around the abandoned prison has now given its place to an area that has novel identity and which allows for extended social interaction. The new cultural building does not try to obscure the brilliance of the temple but on the contrary to elevate it.
Cover for my dissertation on liminality in the films of David Lynch.
Liminality refers to the state of existing between discrete categories, hence the Venn diagram over his face (three circles for three chapters/topics).
For my upcoming dissertation I will have to do a lot of research, so to motivate myself to do it I made a special notebook. The pages are partly printed preparation, partly scrap paper I had at home from various old notebooks and school exercise books.
i am basically drowning in papers and documents. i have written 3 theses before, but this is nowhere near as complicated as writting a doctoral dissertation. coordinating all the ideas and arguments is the main challenge.
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Пушнин А. Т. Без названия, без текста, только живопись / Пушнин А.Т. ; Институт им. И.Е. Репина : диссертация … кандидата искусствоведения. – Б.м, б.г. – 20 л. – фотографии.
Пушнин Александр Тихонович - русский, советский художник, педагог. Профессор Ленинградского института живописи, скульптуры и архитектуры им. И.Е. Репина.
Автор портретов, жанровых и исторических композиций, пейзажей, этюдов с натуры. Живописную манеру отличали широкое свободное письмо, интерес к сложным ракурсам. В совершенстве владел техникой рисунка. Сдержанный колорит работ строился на искусной передаче богатых оттенков цвета и отношений теплых и холодных тонов. Произведения А.Т. Пушнина находятся в Государственном Русском музее, в музеях и частных собраниях России, Франции, Германии, США и других стран. Интересно, что диссертация Пушнина А.Т. представлена только томом иллюстраций, без текста, без титульного листа, без содержания.
Jianqiang shakes hands with committee member, Jim Mayfield as he gets the news that he passed the defense.
Before employment,our dissertation writers undergo rigorous training and assessment to ensure they familiarize with different institutional writing requirements.
Нейфельдт И. А. Птицы южной Карелии / Нейфельдт И.А. ; науч. рук. доктор биологических наук, профессор А.И. Иванов ; Зоологический институт Академии наук СССР : диссертация … кандидата биол. наук.– Ленинград, 1958. – Т.1. – 433 с. ; Т.2. Приложение. – С. I-XXXI ; фотографии.
Данная диссертация посвящена исследованию орнитофауны юга Карелии (главным образом, Онежско-Ладожского перешейка). Автор детально описывает видовой состав птиц, анализирует особенности их распределения по лесным биотопам, характеризует сроки размножения, миграции, кочевки, линьки и других периодических явлений в жизни птиц, подробно изучает рацион их питания. Нейфельдт И.А. описывает природу названного края, которая имеет ряд специфических черт, оказывающих непосредственное влияние на состав и распределение авиафауны. Огромный интерес, даже у не специалистов в этой области, вызывает второй том диссертации, который представлен великолепным фотоальбомом нестандартного размера. В нем размещены авторские фотографии птиц южной Карелии и мест их обитания.