View allAll Photos Tagged displaycase
kaohsiung, taiwan
1972
street restaurant
part of an archival project, featuring the photographs of nick dewolf
© the Nick DeWolf Foundation
Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com
This is a tabletop charging station we designed and built for Minotaur Mazes in Seattle. It is designed to display handheld GPS units and charges them when not in use. The curved lid closes and locks to keep the GPS units secure.
Having uploaded loads of photos of the exterior, stairs etc of the Ashmolean in Oxford I thought I should uplad a few of the Galleries themselves even if I don't consider them to be amongst my best shots. The Human Image Gallery seen here differs from a lot of the other galleries by bringing together human images from a wide range of historical period thereby enabling visitors to compare and contrast the different approaches.
kaohsiung, taiwan
1972
street restaurant
part of an archival project, featuring the photographs of nick dewolf
© the Nick DeWolf Foundation
Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com
kyoto, japan
fall 1972
restaurant display
(damaged negative)
part of an archival project, featuring the photographs of nick dewolf
© the Nick DeWolf Foundation
Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com
Some misc figures shown in the display case. My Circle Orboros army on the left, Menoth and misc on the right.
Yosemite key chain my Grandfather owned which was passed down to me. The significance it held with my Grandfather died with him in 1989.
slideshow 12, slide 43/73
hong kong, china
1972
part of an archival project, featuring the photographs of nick dewolf
© the Nick DeWolf Foundation
Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com
Display of t-shirts in the breakfast room at Lemon Tree, Chandigarh. I am not sure if they sold t-shirts, we didn't ask, and there was no gift shop on the property. The hotel tried to make up for their botched reservations by offering us a free dinner or lunch- we opted for breakkie on the last day instead due to my brother's Delhi Belly. It's over breakkie that I learned from my bro and sis in law that botched reservations was not the only problem- they had suffered leaking faucets, a continuously dripping tap, and water not draining off etc. in their bathroom. I was a tad luckier on that score, all I had to endure was stale cigarette smoke! All in all, I don't think we would return to Lemon Tree again. (Chandigarh, north India, Nov. 2017)
View at Artefact Festival, STUK, Leuven, february 2010.
The File Room is a temporary physical installation and a permanent, expandable database on the internet, with all the information referring to artistic or cultural censorship. Visitors can view the site and add censorship cases. The black-metal-cabinet-walls and the darkness in the space evoke associations with oppressive institutional memory and authority. This installation, like many other Muntadas projects, brings with it in its execution, evolution and maintenance a collective spirit that is open to a public and a social space of dialogue, discussion and successive contributions. The File Room does not presume the role of a library, an encyclopedia, or even a copyeditor, in the traditional sense. It claims no scholarly, editorial or scientific authority, but instead proposes alternative methods for information collection, processing and distribution, to stimulate dialogue and debate around issues of censorship and archiving. Censorship is a crude, blatant realisation of social restraints. Such repression when public, forced and obvious is censorship. When internal, automatic, and unconscious, it is ideology.
The File Room is now considered one of the classic early works created for the internet. Muntadas’s TVE: Primer Intento; was one of the first cases posted on the site, when the artist himself was confronted with censorship. Muntadas also described it as a reaction to the political and cultural controversies in the US around artists like Mapplethorpe and Serrano, in addition to the public debate about the internet and freedom of speech in the public domain. A significant aspect of the initial installation presented in Chicago was the visitor’s access to the internet at a time when a relatively small percentage of the US population was online.
Text source :
www.artefact-festival.be/programme/detail/57525
See also :
12-30-2015
Hot melt glued Everbilt Bright Brass Decorative Corners on the corners
Master Tools Display Case
Item No. 09801
Inside dimentions:
19 3/4"L x 5 7/8"W x 4 5/8"H
With added Everbilt 5/8 in. x 1-3/4 in. Bright Brass Decorative Corners
bought at Home Depot
Model # 19734, Internet # 204485782, Store SKU # 1000020949
Visitors entering the Nagasaki Atomic Bomb museum, reflected in display case with a clock stopped at 11:02. The wall clock was found in a house near the Sanno Shrine in Sakamoto-machi, which is around 800m southeast of the hypocenter.
Description: Mineral exhibits at the 1876 Centennial Exhibition in Philadelphia with other exhibits visible in the background. The Smithsonian coordinated all of the U.S. Government exhibits and prepared a display on its activities and collections for the exposition.
Creator/Photographer: Unidentified photographer
Medium: Black and white photographic print
Dimensions: 8 in x 10 in
Date: 1876
Repository: Smithsonian Institution Archives
Accession number: 72-2376
kaohsiung, taiwan
1972
street restaurant
part of an archival project, featuring the photographs of nick dewolf
© the Nick DeWolf Foundation
Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com