View allAll Photos Tagged dislocation

Whilst enjoying a relaxing Sunday morning I received a phone call to tell me that Kieran was being taken to hospital in an ambulance as he'd dislocated his shoulder playing football. When I arrived in A&E the lovely paramedic came and found me and said that she thinks he might need me. He was in absolute agony and a bad cannula meant the morphine they'd given wasn't working. He was the sedated with propofol and fentanyl whilst the doctors reduced his shoulder. He was so sleepy afterwards but managed so say 'this would be a great 365 picture'. The paramedics and doctors and nurses in A&E were brilliant, thank you for fixing my broken boy!!!

The space between the base of the 2nd metatarsal and the 1st metatarsal/cuneiform (at the white arrow) is seen in a lisfrancs injury.

this is driving me up the wall. might need surgury. the actual cast will go from my armpit to my fingers. six weeks min eitherway ...

To All My Friends:

 

I'm sorry that I haven't been around at all for a while. First I hurt my pointer finger on my right hand and couldn't use it. Then last Wednesday I dislocated my big toe. Unless I stay pretty doped up on codeine the pain is almost unbearable. I have surgery next Wednesday to insert a pin and put the bones back into alignment.

Dislocation Complex is an Audioreactive Augmented Reality App & Mixed Reality Installation initiated and inspired by Fuckhead’s Dislocation-album,….released on 15th December 2017 through Noise Appeal Recs in 2017.

 

An audioreactive scenario is summoned, the main topic of the album was translated to alienesque avatars (agents 666, 667 & 444) who seem to be busy with otherworldly issues somewhere in virtual no-man’s-land.

 

Download the free app Dislocation Complex at Google Play (Android) - or Apple App (iOS) - Store, focus your mobile device camera on the LP/CD /Digital Download/Poster or T-Shirt-Cover-Artwork of Dislocation (or download the trigger images here) to bring the scene to life.

 

The instrumental audio track Bad Luck is taken from the Dislocation CD/Digital Download-Release, afterwards the mobile device camera microphone stays active and receives audioreactive signals (latency depends on your mobile device).

 

CREDITS:

 

Bad Luck written by Fuckhead (Didi Bruckmayr, Michael Strohmann, Didi Kern, Alex Joechtl), taken from Dislocation CD/Digital Download - Release, Noise Appeal Records - 2017. Mixed and mastered at Audiobomber’s Castle Mastering.

 

LP/CD/Digital Download/Poster-Cover Artwork & A.R. App programming by Bobby Rajesh Malhotra

 

LP/CD-Cover Design by Dominik Uhl

 

Audioreactive Code-parts based upon Keijiro Takahashi’s Open Source Repository, Open Source License.

 

A.R.-App programmed with Unity3D & Vuforia - Non Commercial Licenses.

 

App-Store Releases

 

iOS: released through Tina Muliar Developer/Seller Account

Android: released through Ragdoll Twins Developer/Seller Account

 

All material used with permission, all rights reserved.

 

COLLECTED PROJECT INFORMATION: dislocationcomplex.tumblr.com

Black & White Acrylic Painting

1/7 Of A Series

Size: 25.3 x 38.1 cm

 

MY ARTWORK QUESTIONS THROUGH BOTH CITY AND BUSH LANDSCAPES MY PLACE IN SOCIETY AND EXPLORES IDEAS OF A DISPLACED IDENTITY. CONCEPTUALLY I WAS INFLUENCED BY CONTEMPORARY ABORIGINAL ART AND THE ARTIST LIN ONUS, BOTH WHICH STRONGLY EMPHASISE DISPLACEMENT & DETACHMENT WITHIN SOCIETY.

CHOOSING TO PAINT IN BLACK & WHITE, STRIPS COLOUR FROM BOTH ENVRIONMENTS CREATING AN EERIE AND HAUNTING PARALLEL REFLECTING DISCONSOLATE EMOTIONS OF MYSELF.

THE LONE WHITE-OUT FIGURE PORTRAYS MY ISOLATION AND DETACHMENT FROM BOTH ENVIRONMENTS, NOT BEING A PART OF EITHER. BY CONTRASTING TWO VERY DIFFERENT LANDSCAPES SHOWS A CONFUSION OF SELF AND TIRELESS SEARCH FOR HOME.

 

Memory and Meaning of the Fall of Singapore, 1942 exhibition at the National Museum of Singapore.

A verisyse lens decentered in this 42 year old male 6 years after traumatic implantation which also saw the tearing of the iris superiorly. The repair involved both the placement of two Maccannel sutures and then re-enclavation of the Verisyse lens.

Go to Page with image in the Internet Archive

Title: A practical treatise on fractures and dislocations

Creator: Hamilton, Frank Hastings, 1813-1886

Publisher: Philadelphia : Blanchard and Lea

Sponsor: U.S. National Library of Medicine

Contributor: U.S. National Library of Medicine

Date: 1863

Language: eng

Description: Final 32 p. are publisher's catalog

Includes bibliographical references and index

Microfilm

will digitize

 

If you have questions concerning reproductions, please contact the Contributing Library.

 

Note: The colors, contrast and appearance of these illustrations are unlikely to be true to life. They are derived from scanned images that have been enhanced for machine interpretation and have been altered from their originals.

 

Read/Download from the Internet Archive

 

See all images from this book

See all MHL images published in the same year

See all images from U.S. National Library of Medicine

The 2015-2016 Art, Technology, and Culture Colloquium launched on Sept 28, 2015, with a lecture by Vito Acconci. Sponsored by the Berkeley Center for New Media, ARC | Arts + Design Initiative, UC Davis Mellon Sawyer Seminar on Surveillance Democracies, and Art Practice Department.

Artlab Gallery

November 25 - December 9, 2021

 

I left parts of myself everywhere* transforms the gallery into a moving image environment. The interconnected installations speak to the experience of dislocation and fractured relationship to body, language, and place. They trace the deep yet precarious connections that emerge between human and nonhuman bodies and ecosystems; connections that are constantly both found and severed. The exhibition maps an experiential space that is both permeated with vitality and haunted by personal and ecological loss.

 

Eeva Siivonen’s experimental moving image practice engages with strategies of documentary, essay, and found footage film practices. She employs these strategies to construct affective and immersive moving image installations and single-channel works. Her practice describes subjective experience in ways that resist separation between self and other, interior and exterior, human and nonhuman, and living and nonliving. The ethos of her practice is to create space for empathy by embracing the impossibility of gaining knowledge of ourselves and others, and our place in the world.

 

Eeva Siivonen is originally from Helsinki, Finland. She has received MFA degrees in Video Art from Syracuse University and Documentary Film from Aalto University in Helsinki. She exhibits her work internationally at film festivals and gallery exhibitions. Most recently, her work has been screened at San Francisco Cinematheque’s Crossroads festival, DOBRA International Festival of Experimental Cinema in Rio de Janeiro, and Transient Visions Festival of Moving Image in Johnson City, NY. She has also received multiple international residency fellowships and recently spent two months in the Sangre de Cristo Mountains as an artist-in-residence at the Helene Wurlitzer Foundation in Taos, New Mexico.

 

*The exhibition title is borrowed from the poem “St. Thomas Aquinas” by Serbian American poet Charles Simic.

 

Artlab Gallery

JL Visual Arts Centre

Western University

London, Ontario, Canada

 

© 2021; Department of Visual Arts; Western University

They couldn't take all the sutures out. So no hockey....that the doc knows of ;)

Fomapan 100 Classic in D-76 ; She's trying hard to get that arm back on.

I broke it when I was 14. Got hit by a car. Compound fracture and dislocation.

 

In goes the pins and plate.

Installation view of Text and Territory: Navigating through Immigration and Dislocation

Go to Page with image in the Internet Archive

Title: A treatise on dislocations, and on fractures of the joints [electronic resource]

Creator: Cooper, Astley, Sir, 1768-1841

Creator: Grainger, R. D. (Richard Dugard), 1801-1865 former owner

Creator: South, John Flint, 1797-1882 former owner

Creator: Guy's Hospital Medical School former owner

Creator: Webb Street School of Anatomy and Medicine, former owner

Creator: St. Thomas's Hospital. Medical School Library former owner

Creator: King's College London

Publisher: London : Longman, Hurst, Rees, Orme and Brown

Sponsor: Jisc and Wellcome Library

Contributor: King's College London, Foyle Special Collections Library

Date: 1822

Language: eng

Description: Copy of this work from the library of St. Thomas's Hospital Medical School (no. 2010032178) has spine title: "Cooper on dislocations"

Final leaf of errata

Printed marginal notes

This material has been provided by King’s College London. The original may be consulted at King’s College London

King’s College London

 

If you have questions concerning reproductions, please contact the Contributing Library.

 

Note: The colors, contrast and appearance of these illustrations are unlikely to be true to life. They are derived from scanned images that have been enhanced for machine interpretation and have been altered from their originals.

 

Read/Download from the Internet Archive

 

See all images from this book

See all MHL images published in the same year

Dislocation Complex is an Audioreactive Augmented Reality App & Mixed Reality Installation initiated and inspired by Fuckhead’s Dislocation-album,….released on 15th December 2017 through Noise Appeal Recs in 2017.

 

An audioreactive scenario is summoned, the main topic of the album was translated to alienesque avatars (agents 666, 667 & 444) who seem to be busy with otherworldly issues somewhere in virtual no-man’s-land.

 

Download the free app Dislocation Complex at Google Play (Android) - or Apple App (iOS) - Store, focus your mobile device camera on the LP/CD /Digital Download/Poster or T-Shirt-Cover-Artwork of Dislocation (or download the trigger images here) to bring the scene to life.

 

The instrumental audio track Bad Luck is taken from the Dislocation CD/Digital Download-Release, afterwards the mobile device camera microphone stays active and receives audioreactive signals (latency depends on your mobile device).

 

CREDITS:

 

Bad Luck written by Fuckhead (Didi Bruckmayr, Michael Strohmann, Didi Kern, Alex Joechtl), taken from Dislocation CD/Digital Download - Release, Noise Appeal Records - 2017. Mixed and mastered at Audiobomber’s Castle Mastering.

 

LP/CD/Digital Download/Poster-Cover Artwork & A.R. App programming by Bobby Rajesh Malhotra

 

LP/CD-Cover Design by Dominik Uhl

 

Audioreactive Code-parts based upon Keijiro Takahashi’s Open Source Repository, Open Source License.

 

A.R.-App programmed with Unity3D & Vuforia - Non Commercial Licenses.

 

App-Store Releases

 

iOS: released through Tina Muliar Developer/Seller Account

Android: released through Ragdoll Twins Developer/Seller Account

 

All material used with permission, all rights reserved.

 

COLLECTED PROJECT INFORMATION: dislocationcomplex.tumblr.com

Left: aftermath from the jump, Right: after Dr. Renouard reset it.

 

Anterior dislocation because I can't stick my landings. That 50 minute drive from Timberline to the nearest health clinic was torture. Thanks Jason for driving me around and everything! Appreciate it dude!

 

Dr. Douglas Renouard of Gresham Urgent Care, the guy's good. Go see him if you mess yourself up at Timberline.

this time i did it indoor skydiving

Dislocation Complex is an Audioreactive Augmented Reality App & Mixed Reality Installation initiated and inspired by Fuckhead’s Dislocation-album,….released on 15th December 2017 through Noise Appeal Recs in 2017.

 

An audioreactive scenario is summoned, the main topic of the album was translated to alienesque avatars (agents 666, 667 & 444) who seem to be busy with otherworldly issues somewhere in virtual no-man’s-land.

 

Download the free app Dislocation Complex at Google Play (Android) - or Apple App (iOS) - Store, focus your mobile device camera on the LP/CD /Digital Download/Poster or T-Shirt-Cover-Artwork of Dislocation (or download the trigger images here) to bring the scene to life.

 

The instrumental audio track Bad Luck is taken from the Dislocation CD/Digital Download-Release, afterwards the mobile device camera microphone stays active and receives audioreactive signals (latency depends on your mobile device).

 

CREDITS:

 

Bad Luck written by Fuckhead (Didi Bruckmayr, Michael Strohmann, Didi Kern, Alex Joechtl), taken from Dislocation CD/Digital Download - Release, Noise Appeal Records - 2017. Mixed and mastered at Audiobomber’s Castle Mastering.

 

LP/CD/Digital Download/Poster-Cover Artwork & A.R. App programming by Bobby Rajesh Malhotra

 

LP/CD-Cover Design by Dominik Uhl

 

Audioreactive Code-parts based upon Keijiro Takahashi’s Open Source Repository, Open Source License.

 

A.R.-App programmed with Unity3D & Vuforia - Non Commercial Licenses.

 

App-Store Releases

 

iOS: released through Tina Muliar Developer/Seller Account

Android: released through Ragdoll Twins Developer/Seller Account

 

All material used with permission, all rights reserved.

 

COLLECTED PROJECT INFORMATION: dislocationcomplex.tumblr.com

Artlab Gallery

November 25 - December 9, 2021

 

I left parts of myself everywhere* transforms the gallery into a moving image environment. The interconnected installations speak to the experience of dislocation and fractured relationship to body, language, and place. They trace the deep yet precarious connections that emerge between human and nonhuman bodies and ecosystems; connections that are constantly both found and severed. The exhibition maps an experiential space that is both permeated with vitality and haunted by personal and ecological loss.

 

Eeva Siivonen’s experimental moving image practice engages with strategies of documentary, essay, and found footage film practices. She employs these strategies to construct affective and immersive moving image installations and single-channel works. Her practice describes subjective experience in ways that resist separation between self and other, interior and exterior, human and nonhuman, and living and nonliving. The ethos of her practice is to create space for empathy by embracing the impossibility of gaining knowledge of ourselves and others, and our place in the world.

 

Eeva Siivonen is originally from Helsinki, Finland. She has received MFA degrees in Video Art from Syracuse University and Documentary Film from Aalto University in Helsinki. She exhibits her work internationally at film festivals and gallery exhibitions. Most recently, her work has been screened at San Francisco Cinematheque’s Crossroads festival, DOBRA International Festival of Experimental Cinema in Rio de Janeiro, and Transient Visions Festival of Moving Image in Johnson City, NY. She has also received multiple international residency fellowships and recently spent two months in the Sangre de Cristo Mountains as an artist-in-residence at the Helene Wurlitzer Foundation in Taos, New Mexico.

 

*The exhibition title is borrowed from the poem “St. Thomas Aquinas” by Serbian American poet Charles Simic.

 

Artlab Gallery

JL Visual Arts Centre

Western University

London, Ontario, Canada

 

© 2021; Department of Visual Arts; Western University

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