View allAll Photos Tagged dislocation

Campers and rental cars in New Zealand. I didn't get it.

Soon after I took this I had a fall and dislocated my right shoulder. I tried to protect my camera, lens and filters rather than myself and as a result, fell awkwardly! Hence the name! For this shot, I had to wait ages for the sun to come from behind a cloud and then had about 1-2 minutes before the sun set below the horizon. The low angle of the sun meant the tussocks that were illuminated kept changing so I literally did have to chase the light. Was it worth a dislocated shoulder for?

Kodak Gold 200 with Mamiya 645 Pro and Sekor 50 mm Shift

Kodak Ektar 100 with Mamiya RB67 and Sekor 50 mm

Oil on canevas

57x45 inches (146x114 cm)

November 2088

Old barn wall.... repaired!

Kodak Portra 160 with Mamiya 645 Pro and Sekor 50 mm Shift

Kodak Ektar 100 with Mamiya 645 Pro and Sekor 35 mm

Breathe 2021

#breathe

#breatheinbreatheout

#breathedeep

#breatheheavy

#masks

#facemask

#throwback

#covid19

#coronavirus

#dublin

#ireland

#displacement

#defaced

#socialdistancing 2020/21

#coronavirus

#covid19

#isolated

#isolation

#dislocation

#displacement

#urban

#urbanspace

#urbanliving

#place

#memory

#space

#publicspace

#containedmemories

#temporarymemories

#traces

Kodak Ektar 100 with Mamiya 645 Pro and Sekor 50 mm Shift

Kodak Gold 200 with Olympus XA4

Kodak Portra 160 with Mamiya 645 Pro and Sekor 80 mm

Yesterday I shared a photo of this same road taken from the same location. One looks east and the other (this one) west. I just swung the camera around 180 degrees.

 

It's not a perfect picture, but it's not about that.

  

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'Dislocation'

 

Camera: Chamonix 45F-2

Lens: Steinheil Rapid Antiplanet 6,5; 27cm

Film: Fomapan 100

Exposure: f/22; 1sec

Process: 510-Pyro; 1+500; 60min

 

October 2023

Washington

Fomapan 100 with AGFA Isolette III and Solinar 75 mm

Kodak Portra 160 with Zenza Bronica SQ-Ai and Zenzanon 40 mm

Kodak Portra 160 with Mamiya 645 Pro and Sekor 45 mm

Kodak Portra 400 with Mamiya 645 Pro and Sekor 50 mm Shift

Fomapan 100 with Mamiya RB67 and Sekor 50 mm

Fomapan 100 with Mamiya RB67 and Sekor 50 mm

Ilford XP2 super with Mamiya 645 super and Sekor 45 mm

Shadows and reflections in the school playground

 

B l a c k M a g i c

Fomapan 100 with Mamiya 645 Pro and Sekor 35 mm

Kodak Portra 160 with Mamiya 645 Pro and Sekor 45 mm

Ilford FP4 with Mamiya 645 super and Sekor 35 mm

 

thriller by Jeremy Saulnier 2015

 

Kodak Ektar 100 with Mamiya 645 Pro and Sekor 35 mm

The Aftermath Dislocation Principle (ADP) is a trilogy of artworks by Jimmy Cauty on a nationwide tour across the UK.

 

Each artwork is a 1:87 scale model housed in a shipping container.

 

The models are viewed through tiny observation ports in the sides of the containers.

 

ADP 1 is a 40ft container that houses a vast post-apocalyptic landscape populated only by the police and media crews. The landscape is set somewhere in Bedfordshire and is known as 'Old Bedford'.

Fuji Pro 400H with Mamiya RB67 and Shift L 75 mm

Ilford XP2 super with Mamiya 645 Pro and Sekor 35 mm

Kodak Portra 400 with Mamiya 645 Pro and Sekor 80 mm

TIAGE PHOTO FOMASPEED MATT

WORK AND LEAVE IN WATER FOR MORE THAN 24 HOURS

Kodak Portra 160 with Mamiya 645 Pro and Sekor 35 mm

Fuji NPZ 800 expired 11/2003 with Mamiya 645 super and Sekor 35 mm

How about a simple shot for Friday? With all the wind the night before, the dunes had plenty of nice lines in them. Many of the lines looked nearly perfect but occasionally you'd find a small dislocation. I thought adding the dislocation as the subject would make for an interesting abstract photo.

Kodak Ektar 100 with Mamiya RB67 and Sekor 50 mm

Fomapan 100 with Mamiya 645 Pro and Sekor 150 mm

The Aftermath Dislocation Principle (ADP) is a trilogy of artworks by Jimmy Cauty on a nationwide tour across the UK.

 

Each artwork is a 1:87 scale model housed in a shipping container.

 

The models are viewed through tiny observation ports in the sides of the containers.

 

ADP 1 is a 40ft container that houses a vast post-apocalyptic landscape populated only by the police and media crews. The landscape is set somewhere in Bedfordshire and is known as 'Old Bedford'.

Ilford XP2 super with Mamiya 645 super and Sekor 45 mm

Kodak Portra 160 with Mamiya 645 Pro and Sekor 50 mm Shift

Kodak Portra 160vc expired 02/2003 with Mamiya 645 super and Sekor 35 mm

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