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Title: A treatise on dislocations and on fractures of the joints [electronic resource]
Creator: Cooper, Astley, Sir, 1768-1841
Creator: Carrie, Amcotts, active 19th cent? former owner
Creator: Hughes, Ernest Crammer, 1878-1950 former owner
Creator: Townsend, Edward Richard, -1897 former owner
Creator: Pitts, Mr. active 19th century former owner
Creator: Smith, James, active 19th century former owner
Creator: Guy's Hospital Medical School former owner
Creator: St. Thomas's Hospital. Medical School Library former owner
Creator: Webb Street School of Anatomy and Medicine, former owner
Creator: King's College London
Publisher: London : Longman, Rees, Orme, Brown, and Green,...S. Highley,...T. & G. Underwood,...Burgess and Hill,...& Cox & Son
Sponsor: Jisc and Wellcome Library
Contributor: King's College London, Foyle Special Collections Library
Date: 1826
Language: eng
Description: Spine title on copy of this work from the library of St. Thomas's Hospital Medical School:"Cooper on dislocations & fractures"
Printed marginalia
First published in 1822
This material has been provided by King’s College London. The original may be consulted at King’s College London
King’s College London
If you have questions concerning reproductions, please contact the Contributing Library.
Note: The colors, contrast and appearance of these illustrations are unlikely to be true to life. They are derived from scanned images that have been enhanced for machine interpretation and have been altered from their originals.
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the atomic line defects known as dislocations can be seen in everyday life such as in corn on the cob. notice that the rows of corn kernels deviates into crooked lines in the middle left part of the image...
Photo Description: Dislocations in a sample of Austenitic Stainless Steel below an ion irradiated layer
Image taken by: Dhriti Bhattacharyya, Australian Nuclear Sci & Tech Organization
Hello !
Collymore is playing Hide And Seek with his bestest imaginary friend, Nobby, when suddenly his deep and abiding love for his friend causes Nobby to take physical form. Of course, it was unwise to play such a game so close to the Beam Me Up Scotty machine which, although it is switched off, has strange powers that work their wonders as they will, as it were.
"Eeee !" cries Nobby "I am a robot like creature and I feel unfamiliar urges..."
"Blimey !" says Collymore, he is surprised.
"Yes, I feel that I should worship you, Collymore, as my gawwd, yet also that I should adopt a stance of strict philosophical materialism (I distance myself immediately from Cameron and his Oids) which would make the former impossible...it is a dilemma ! Guide me !"
"Oh, er, yes !" says Collymore "I am a reformed love-rat and not worthy of worship..."
"Phew ! My circuits sense that my incipient emotions are relieved by your humbletiness and I think that all will be well, in time..."
Oh, how beautiful ! I see that a lasting friendship will be formed and once again the Beam Me Up Scotty Machine has made the world that little bit less naff, isn't that good ? It is, yes.
Walk Tall !
Dislocations in nanocrystalline yttria after Spark Plasma Sintering
Courtesy of Rachel Marder
Image Details
Instrument used: Tecnai Family
Magnification: 19500
Voltage: 200
a solar plate of the first xray taken of my leg after my accident. looks pretty gnarly huh? that's because it's broken in two (technically 3 places) and is dislocated at the ankle.
*Friendly reminder: look for pedestrians (this includes bikes) when you pass through an intersection; especially if it is a goddamn 3 way stop. Thank you :)
This is my very own Tate Modern Turbine Hall Guerilla installation. That's Liz down there, a lot of waiting was required.
A detail of Emma Johnson's (emmaporium) work "Dislocation Series: British Isles". Please see the set description for more details.
Surgical dislocation of the hip and amputation of the leg by Nicolas Henri Jacob from 'Traité complet de l'anatomie de l'homme' by Marc Jean Bourgery, 1831. ~~ ift.tt/1VphbGV ~~ ift.tt/2gj7M4P ift.tt/2mIDn7X
In conjunction with AxS Festival 2014 | Curiosity, Big City Forum hosted a conversation with artists Connie Samaras and Soo Kim on the theme of curiosity and a changing landscape. Big City Forum is currently in residence at Armory Center for the Arts.
Connie Samaras - Runway part of Spaceport America - 2010Connie Samaras lives and works in Los Angeles. She was born in Albuquerque, New Mexico. Working primarily in photography and video, she employs a variety of interdisciplinary frames and aesthetic strategies in developing projects. Her ongoing interests include: the variable membrane between fiction and real world; political geographies and psychological dislocation in the everyday; speculative landscapes and architectural narratives; science fiction genres and future imaginaries; the legacy of U.S. social change movements in a shifting global economy; paradox and the political unconscious; desire, popular culture, feminist and queer theory; art as historical artifact, the aesthetics of time, and differing systems of cataloguing history. In addition to an extensive record of art exhibitions, lectures, reviews, and awards, she’s also published writings, narrative and critical, on a range of topics.
(The woman bows, smiles, and leaves)Centering on the subtraction of visual information from the picture plane through the techniques of cutting and layering photographic prints, and introducing areas of absence or disruption, Soo Kim attempts to address issues of photographic transparency, ubiquity, and the rapid consumption of images. Through these cuts and subtractions, there is a “slowness” in the reading of an image that makes evident the materiality of the medium as well as the time of labor and deliberation, marked by imperfection, that works against the speed and perfection of changing technologies.
Kim is an artist and educator whose work has been exhibited internationally. Her works are in many public and private collections, including the Getty Museum, Los Angeles County Museum of Art, Albright-Knox Art Gallery, and The Broad Foundation, among others. She is represented by Angles Gallery, Los Angeles, and is the Director of the Photography program at Otis College of Art and Design. She received her BA in Art from UC Riverside, and her MFA in Art, Critical Writing, and Film/Video from the California Institute of the Arts.
Big City Forum (BCF), founded in 2008 by Los Angeles-based artist, educator, and activist Leonardo Bravo and co-directed with artist/graphic designer River Jukes-Hudson since 2013, is an independent, interdisciplinary project that explores the intersection between design-based creative disciplines within the context of public space, the built environment, and social change. Big City Forum’s 15-month residency at Armory Center for the Arts is made possible by a grant from the National Endowment for the Arts.
Visit the Armory’s website: armoryarts.org/bcf
Images courtesy of the Pasadena Arts Council
Skipped day #8 due to travelling and other stuff. Met with the doc last Friday, she agreed with my initial ER doc that leaving the dislocated bone as is, and letting it heal, then seeing what's what was the best course of action. I understand that a closed reduction (resetting the dislocation) may not be successful, but I wonder if it's worth trying? If the bone re-dislocates, would I be worse off than I am now? At any rate, I asked about physical therapy and was told that it wouldn't be needed unless there is something I am unable to do. I was also told that an "open reduction" (surgery) may be a future option. I'm having all sorts of miserable thoughts like "Will I be able to ride a bike again?" and "OK, maybe I'll be able to ride a bike again, but will I be able to ride OFF ROAD?" and even "Well, if I can ride off road, will I ever be able to wear a Camelbak again?" or even "Bah, I might have to resign myself to riding recumbents"! I have to wear the figure 8 brace for at least 3 more weeks. It might take a full 12 weeks for all the "soft tissue" (ligaments and cartilage) to heal, too. Sigh. I'm going back in for a CT scan on Monday to see more details of the injury over what the X-rays reveal. And to pick up more painkillers.
Ride your bike NOW, TODAY -- you never know what tomorrow may bring!
act59. imminent starvation. human dislocation. cd / boxset. ant-zen
imminent starvation forges industrial-strength style techno with barbaric schizophrenia. they construct impenetrable walls of distorted technoid rhythm atop a foundation of horrific soundscapes. intelligent, technoid industrial & ambient noise.
bandcamp:
ant-zen.bandcamp.com/album/human-dislocation
discogs:
www.discogs.com/Imminent-Starvation-Human-Dislocation/mas...
act59. imminent starvation. human dislocation. cd / boxset. ant-zen
imminent starvation forges industrial-strength style techno with barbaric schizophrenia. they construct impenetrable walls of distorted technoid rhythm atop a foundation of horrific soundscapes. intelligent, technoid industrial & ambient noise.
bandcamp:
ant-zen.bandcamp.com/album/human-dislocation
discogs:
www.discogs.com/Imminent-Starvation-Human-Dislocation/mas...
Dislocation (LP/CD/Digital Download), Noise Appeal Records (noise 50/60), 2017...
Rejoice! Sinister quartet FUCKHEAD is back in the tourbus, not only racing right into their 30th year together, but also straight into the dirt. Dirty boys Bruckmayr, Jöchtl, Kern and Strohman will put on their very best fishnet underwear and present their new record 'Dislocation' as stylish as style can be.
Dislocation Complex (#AugmentedReality-App for iOS & Android)...
'Dislocation Complex' is an audioreactive augmented reality app & mixed reality Installation initiated and inspired by the album. An audioreactive scenario is summoned, the main topic of the album was translated to alienesque avatars (agents 666, 667 & 444) who seem to be busy with otherworldly issues somewhere in digital no-man’s-land. Download the free app 'Dislocation Complex' at Google Play (Android) - or Apple App (iOS) - Store, focus your mobile device camera on the LP/CD /Digital Download/Poster or T-Shirt-Cover-Artwork of 'Dislocation' to bring the scene to life (the app also works on-screen). The instrumental audio track 'Bad Luck' is taken from the 'Dislocation' CD/Digital Download-Release, afterwards the mobile device camera microphone stays active and receives audioreactive signals.
Buy album (LP/CD/Digital Download): store.noiseappeal.com/…/…/vinyl/fuckhead-dislocation/ |
Download the free Augmented Reality-app 'Dislocation Complex' at Apple App (iOS)- or Google Play (Android)-Store, trigger-images and more info can be found here: dislocationcomplex.tumblr.com
Fuckhead are Didi Bruckmayr, Michael Strohmann, Didi Kern, Alex Joechtl;
Mixed & mastered at AUDIOBOMBER's Mastering Castle;
Cover-Artwork & A.R.-app programming by Bobby Rajesh Malhotra;
Cover-Design by Dominik Uhl;
A detail of Emma Johnson's (emmaporium) work "Dislocation Series: British Isles". Please see the set description for more details.
A detail of Emma Johnson's (emmaporium) work "Dislocation Series: British Isles". Please see the set description for more details.
What do I see here?
This is a scanning transmission electron micrograph of hot-rolled, polycrystalline tungsten. To become transparent to electrons, the metal had to be thinned to less than 100 nm thickness, which was done by electrochemical polishing in this case. The image is formed by scanning a narrowly focused (~1 nm) electron beam across the sample and recording the transmitted electrons with a detector on the opposite side. This bright-field image displays regions that transmit many electrons straighth true as bright regions. If less electrons are transmitted or if they are sufficiently deflected from the straight path, this pixel appears dark.
The field of view shown here has nearly uniform thickness, and consists of only a single material, so electron beam attenuation is about the same everywhere. The darrk lines and patches are dislocations, i.e., crystal defects, which diffract the electron beam out of the narrow acceptance angle of the bright field detector.
The jumping dolphin apparent in this image is a densely packed, more or less ordered patch of dislocations. It represents part of a low-angle grain boundary that was cut out from the block of tungsten by the sample thinning process.
EXIF:
Microscope: FEI HELIOS NanoLab 600i
Acceleration voltage: 30 kV
Lens mode: 2 / high-resolution immersion lens
Magnification: 120000x
Detector: STEM-II bright field
Acknowledgement:
The image was acquired at and with equipment owned by the Max Planck Institute for Plasma Physics, Garching, Germany.
Knee dislocations can be classified into high-velocity and low-velocity categories. High-velocity knee dislocations are generally caused by a violent force, such as vehicular accidents. Meanwhile, low-velocity knee dislocations often occur in sports settings.
Knee dislocation occur in athletes when the foot is planted on the floor and a rapid change of direction or twisting motion occurs. This is common in sports like soccer, cycling, skiing, gymnastics, and the long jump.
A detail of Emma Johnson's (emmaporium) work "Dislocation Series: British Isles". Please see the set description for more details.
Shanaathanan:
Thamotharampillai Shanaathanan's exhibition of paintings - High Security Zones in North-East, diaspora - will be inagurated on the 5th of January at the Paradise Gallery in Colombo 3, Sri Lanka. It will go on till 27th of January 2006, from 10 AM to Midnight.
More Pictures: shanaathanan.blogspot.com/
Also: www.tamilweek.com/Shanaathanan_art_exhibition_0101.html