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James Cauty – The Aftermath Dislocation Principle Part V
Fonteijne, Vlissingen 2014
“The Aftermath Dislocation Principle Part V” van James Cauty ziet eruit als een verwoest, verlaten, vernietigd en verbrand landschap. In de overblijfselen zijn 5.000 politiemannen achtergebleven. Iedereen is opgepakt en weggevoerd, waarschijnlijk niet zonder slag of stoot. De politie heeft niemand meer om in de gaten te houden, op te pakken of te controleren. De ultieme politiestaat?
James Cauty's roguish and voluble approach has earned him a cult following for work that remains radical, responsive and darkly comical. He produces work that draws on and responds to contemporary culture, very often sampling it and sending/selling it back as recoded realities. In billboard and stamp projects Mickey Mouse was sent to Iraq in 'Operation Magic Kingdom' whilst Julie Andrews danced across vast rubbish heaps, crushed cars were sold to second hand car dealers as art and riots have been rendered as tiny models in jam jars.
His most recent work has been focussed on the making of 1:87 riotous scale models as small world re-enactments, often displayed in upturned jam jars as A Riot in A Jam Jar. His new exhibition The Aftermath Dislocation Principle continues this preoccupation with small world re-enactments as a vast 1:87 scale-model landscape (equivalent to 1 sq mile in miniature) which has been desolated, deserted, destroyed, burnt and is devoid of life apart from 5000 or so model police that attend this apocalyptic aftermath; a kind of bizarre twisted model village experience, where Cauty continues his fascination with subversion, consumerism and entertainment through creative exploration and dark humour.
James Cauty – The Aftermath Dislocation Principle Part V
Fonteijne, Vlissingen 2014
“The Aftermath Dislocation Principle Part V” van James Cauty ziet eruit als een verwoest, verlaten, vernietigd en verbrand landschap. In de overblijfselen zijn 5.000 politiemannen achtergebleven. Iedereen is opgepakt en weggevoerd, waarschijnlijk niet zonder slag of stoot. De politie heeft niemand meer om in de gaten te houden, op te pakken of te controleren. De ultieme politiestaat?
James Cauty's roguish and voluble approach has earned him a cult following for work that remains radical, responsive and darkly comical. He produces work that draws on and responds to contemporary culture, very often sampling it and sending/selling it back as recoded realities. In billboard and stamp projects Mickey Mouse was sent to Iraq in 'Operation Magic Kingdom' whilst Julie Andrews danced across vast rubbish heaps, crushed cars were sold to second hand car dealers as art and riots have been rendered as tiny models in jam jars.
His most recent work has been focussed on the making of 1:87 riotous scale models as small world re-enactments, often displayed in upturned jam jars as A Riot in A Jam Jar. His new exhibition The Aftermath Dislocation Principle continues this preoccupation with small world re-enactments as a vast 1:87 scale-model landscape (equivalent to 1 sq mile in miniature) which has been desolated, deserted, destroyed, burnt and is devoid of life apart from 5000 or so model police that attend this apocalyptic aftermath; a kind of bizarre twisted model village experience, where Cauty continues his fascination with subversion, consumerism and entertainment through creative exploration and dark humour.
Riot in a jam jar: Kettle 2
James Cauty – The Aftermath Dislocation Principle Part V
Fonteijne, Vlissingen 2014
“The Aftermath Dislocation Principle Part V” van James Cauty ziet eruit als een verwoest, verlaten, vernietigd en verbrand landschap. In de overblijfselen zijn 5.000 politiemannen achtergebleven. Iedereen is opgepakt en weggevoerd, waarschijnlijk niet zonder slag of stoot. De politie heeft niemand meer om in de gaten te houden, op te pakken of te controleren. De ultieme politiestaat?
James Cauty's roguish and voluble approach has earned him a cult following for work that remains radical, responsive and darkly comical. He produces work that draws on and responds to contemporary culture, very often sampling it and sending/selling it back as recoded realities. In billboard and stamp projects Mickey Mouse was sent to Iraq in 'Operation Magic Kingdom' whilst Julie Andrews danced across vast rubbish heaps, crushed cars were sold to second hand car dealers as art and riots have been rendered as tiny models in jam jars.
His most recent work has been focussed on the making of 1:87 riotous scale models as small world re-enactments, often displayed in upturned jam jars as A Riot in A Jam Jar. His new exhibition The Aftermath Dislocation Principle continues this preoccupation with small world re-enactments as a vast 1:87 scale-model landscape (equivalent to 1 sq mile in miniature) which has been desolated, deserted, destroyed, burnt and is devoid of life apart from 5000 or so model police that attend this apocalyptic aftermath; a kind of bizarre twisted model village experience, where Cauty continues his fascination with subversion, consumerism and entertainment through creative exploration and dark humour.
James Cauty – The Aftermath Dislocation Principle Part V
Fonteijne, Vlissingen 2014
“The Aftermath Dislocation Principle Part V” van James Cauty ziet eruit als een verwoest, verlaten, vernietigd en verbrand landschap. In de overblijfselen zijn 5.000 politiemannen achtergebleven. Iedereen is opgepakt en weggevoerd, waarschijnlijk niet zonder slag of stoot. De politie heeft niemand meer om in de gaten te houden, op te pakken of te controleren. De ultieme politiestaat?
James Cauty's roguish and voluble approach has earned him a cult following for work that remains radical, responsive and darkly comical. He produces work that draws on and responds to contemporary culture, very often sampling it and sending/selling it back as recoded realities. In billboard and stamp projects Mickey Mouse was sent to Iraq in 'Operation Magic Kingdom' whilst Julie Andrews danced across vast rubbish heaps, crushed cars were sold to second hand car dealers as art and riots have been rendered as tiny models in jam jars.
His most recent work has been focussed on the making of 1:87 riotous scale models as small world re-enactments, often displayed in upturned jam jars as A Riot in A Jam Jar. His new exhibition The Aftermath Dislocation Principle continues this preoccupation with small world re-enactments as a vast 1:87 scale-model landscape (equivalent to 1 sq mile in miniature) which has been desolated, deserted, destroyed, burnt and is devoid of life apart from 5000 or so model police that attend this apocalyptic aftermath; a kind of bizarre twisted model village experience, where Cauty continues his fascination with subversion, consumerism and entertainment through creative exploration and dark humour.
James Cauty – The Aftermath Dislocation Principle Part V
Fonteijne, Vlissingen 2014
“The Aftermath Dislocation Principle Part V” van James Cauty ziet eruit als een verwoest, verlaten, vernietigd en verbrand landschap. In de overblijfselen zijn 5.000 politiemannen achtergebleven. Iedereen is opgepakt en weggevoerd, waarschijnlijk niet zonder slag of stoot. De politie heeft niemand meer om in de gaten te houden, op te pakken of te controleren. De ultieme politiestaat?
James Cauty's roguish and voluble approach has earned him a cult following for work that remains radical, responsive and darkly comical. He produces work that draws on and responds to contemporary culture, very often sampling it and sending/selling it back as recoded realities. In billboard and stamp projects Mickey Mouse was sent to Iraq in 'Operation Magic Kingdom' whilst Julie Andrews danced across vast rubbish heaps, crushed cars were sold to second hand car dealers as art and riots have been rendered as tiny models in jam jars.
His most recent work has been focussed on the making of 1:87 riotous scale models as small world re-enactments, often displayed in upturned jam jars as A Riot in A Jam Jar. His new exhibition The Aftermath Dislocation Principle continues this preoccupation with small world re-enactments as a vast 1:87 scale-model landscape (equivalent to 1 sq mile in miniature) which has been desolated, deserted, destroyed, burnt and is devoid of life apart from 5000 or so model police that attend this apocalyptic aftermath; a kind of bizarre twisted model village experience, where Cauty continues his fascination with subversion, consumerism and entertainment through creative exploration and dark humour.
James Cauty – The Aftermath Dislocation Principle Part V
Fonteijne, Vlissingen 2014
“The Aftermath Dislocation Principle Part V” van James Cauty ziet eruit als een verwoest, verlaten, vernietigd en verbrand landschap. In de overblijfselen zijn 5.000 politiemannen achtergebleven. Iedereen is opgepakt en weggevoerd, waarschijnlijk niet zonder slag of stoot. De politie heeft niemand meer om in de gaten te houden, op te pakken of te controleren. De ultieme politiestaat?
James Cauty's roguish and voluble approach has earned him a cult following for work that remains radical, responsive and darkly comical. He produces work that draws on and responds to contemporary culture, very often sampling it and sending/selling it back as recoded realities. In billboard and stamp projects Mickey Mouse was sent to Iraq in 'Operation Magic Kingdom' whilst Julie Andrews danced across vast rubbish heaps, crushed cars were sold to second hand car dealers as art and riots have been rendered as tiny models in jam jars.
His most recent work has been focussed on the making of 1:87 riotous scale models as small world re-enactments, often displayed in upturned jam jars as A Riot in A Jam Jar. His new exhibition The Aftermath Dislocation Principle continues this preoccupation with small world re-enactments as a vast 1:87 scale-model landscape (equivalent to 1 sq mile in miniature) which has been desolated, deserted, destroyed, burnt and is devoid of life apart from 5000 or so model police that attend this apocalyptic aftermath; a kind of bizarre twisted model village experience, where Cauty continues his fascination with subversion, consumerism and entertainment through creative exploration and dark humour.
James Cauty – The Aftermath Dislocation Principle Part V
Fonteijne, Vlissingen 2014
“The Aftermath Dislocation Principle Part V” van James Cauty ziet eruit als een verwoest, verlaten, vernietigd en verbrand landschap. In de overblijfselen zijn 5.000 politiemannen achtergebleven. Iedereen is opgepakt en weggevoerd, waarschijnlijk niet zonder slag of stoot. De politie heeft niemand meer om in de gaten te houden, op te pakken of te controleren. De ultieme politiestaat?
James Cauty's roguish and voluble approach has earned him a cult following for work that remains radical, responsive and darkly comical. He produces work that draws on and responds to contemporary culture, very often sampling it and sending/selling it back as recoded realities. In billboard and stamp projects Mickey Mouse was sent to Iraq in 'Operation Magic Kingdom' whilst Julie Andrews danced across vast rubbish heaps, crushed cars were sold to second hand car dealers as art and riots have been rendered as tiny models in jam jars.
His most recent work has been focussed on the making of 1:87 riotous scale models as small world re-enactments, often displayed in upturned jam jars as A Riot in A Jam Jar. His new exhibition The Aftermath Dislocation Principle continues this preoccupation with small world re-enactments as a vast 1:87 scale-model landscape (equivalent to 1 sq mile in miniature) which has been desolated, deserted, destroyed, burnt and is devoid of life apart from 5000 or so model police that attend this apocalyptic aftermath; a kind of bizarre twisted model village experience, where Cauty continues his fascination with subversion, consumerism and entertainment through creative exploration and dark humour.
James Cauty – The Aftermath Dislocation Principle Part V
Fonteijne, Vlissingen 2014
“The Aftermath Dislocation Principle Part V” van James Cauty ziet eruit als een verwoest, verlaten, vernietigd en verbrand landschap. In de overblijfselen zijn 5.000 politiemannen achtergebleven. Iedereen is opgepakt en weggevoerd, waarschijnlijk niet zonder slag of stoot. De politie heeft niemand meer om in de gaten te houden, op te pakken of te controleren. De ultieme politiestaat?
James Cauty's roguish and voluble approach has earned him a cult following for work that remains radical, responsive and darkly comical. He produces work that draws on and responds to contemporary culture, very often sampling it and sending/selling it back as recoded realities. In billboard and stamp projects Mickey Mouse was sent to Iraq in 'Operation Magic Kingdom' whilst Julie Andrews danced across vast rubbish heaps, crushed cars were sold to second hand car dealers as art and riots have been rendered as tiny models in jam jars.
His most recent work has been focussed on the making of 1:87 riotous scale models as small world re-enactments, often displayed in upturned jam jars as A Riot in A Jam Jar. His new exhibition The Aftermath Dislocation Principle continues this preoccupation with small world re-enactments as a vast 1:87 scale-model landscape (equivalent to 1 sq mile in miniature) which has been desolated, deserted, destroyed, burnt and is devoid of life apart from 5000 or so model police that attend this apocalyptic aftermath; a kind of bizarre twisted model village experience, where Cauty continues his fascination with subversion, consumerism and entertainment through creative exploration and dark humour.
James Cauty – The Aftermath Dislocation Principle Part V
Fonteijne, Vlissingen 2014
“The Aftermath Dislocation Principle Part V” van James Cauty ziet eruit als een verwoest, verlaten, vernietigd en verbrand landschap. In de overblijfselen zijn 5.000 politiemannen achtergebleven. Iedereen is opgepakt en weggevoerd, waarschijnlijk niet zonder slag of stoot. De politie heeft niemand meer om in de gaten te houden, op te pakken of te controleren. De ultieme politiestaat?
James Cauty's roguish and voluble approach has earned him a cult following for work that remains radical, responsive and darkly comical. He produces work that draws on and responds to contemporary culture, very often sampling it and sending/selling it back as recoded realities. In billboard and stamp projects Mickey Mouse was sent to Iraq in 'Operation Magic Kingdom' whilst Julie Andrews danced across vast rubbish heaps, crushed cars were sold to second hand car dealers as art and riots have been rendered as tiny models in jam jars.
His most recent work has been focussed on the making of 1:87 riotous scale models as small world re-enactments, often displayed in upturned jam jars as A Riot in A Jam Jar. His new exhibition The Aftermath Dislocation Principle continues this preoccupation with small world re-enactments as a vast 1:87 scale-model landscape (equivalent to 1 sq mile in miniature) which has been desolated, deserted, destroyed, burnt and is devoid of life apart from 5000 or so model police that attend this apocalyptic aftermath; a kind of bizarre twisted model village experience, where Cauty continues his fascination with subversion, consumerism and entertainment through creative exploration and dark humour.
Since the physio last week when I discovered I had been trotting around with a dislocated ankle, its been quite sore still.
On a followup visit today, we discovered it had re-dislocated in the other direction (it's a thing called a "cuboid" bone and apparently it is VERY rare for it to do this).
So, we had the fun of putting it back in (again) - won't tell you what i said inside my head....and it wasn't "ouch".
Then more ultrasound and acupuncture followed by yet more strapping.
So, what does one do when one is required to lay still for 10 mins with needles hanging out of ones leg? Well, take pictures with ones mobile of course!
James Cauty – The Aftermath Dislocation Principle Part V
Fonteijne, Vlissingen 2014
“The Aftermath Dislocation Principle Part V” van James Cauty ziet eruit als een verwoest, verlaten, vernietigd en verbrand landschap. In de overblijfselen zijn 5.000 politiemannen achtergebleven. Iedereen is opgepakt en weggevoerd, waarschijnlijk niet zonder slag of stoot. De politie heeft niemand meer om in de gaten te houden, op te pakken of te controleren. De ultieme politiestaat?
James Cauty's roguish and voluble approach has earned him a cult following for work that remains radical, responsive and darkly comical. He produces work that draws on and responds to contemporary culture, very often sampling it and sending/selling it back as recoded realities. In billboard and stamp projects Mickey Mouse was sent to Iraq in 'Operation Magic Kingdom' whilst Julie Andrews danced across vast rubbish heaps, crushed cars were sold to second hand car dealers as art and riots have been rendered as tiny models in jam jars.
His most recent work has been focussed on the making of 1:87 riotous scale models as small world re-enactments, often displayed in upturned jam jars as A Riot in A Jam Jar. His new exhibition The Aftermath Dislocation Principle continues this preoccupation with small world re-enactments as a vast 1:87 scale-model landscape (equivalent to 1 sq mile in miniature) which has been desolated, deserted, destroyed, burnt and is devoid of life apart from 5000 or so model police that attend this apocalyptic aftermath; a kind of bizarre twisted model village experience, where Cauty continues his fascination with subversion, consumerism and entertainment through creative exploration and dark humour.
photographer: Dave Ormerod
model: Eleanor Cooper
dress: Julien MacDonald
headdress: Velvet Eccentric by Della Reed
shoes: From stylist’s studio
stylist: Minna Attala
hair: Doubravka Marcinkova
makeup: Erin Kristensen
stylist’s assistant: Claudia Walder
I DID say it was hurting like a bitch! Frequently i believe....
and just quietly - it hurt a damned site more going back in :(
all taped up now for a few weeks. /sigh
oh, and STILL no idea how i did this.....we are thinking........Jacob's Ladder......the hell continues.
Check this out for the original saga suehickton.wordpress.com/2009/01/04/death-by-242-steps-he...
Well, there goes my idea of a physio free year!
Featuring:
Hans-Jörg Baumann - Partner, StepStone Group
Tavneet Bakshi - Partner, Signal Capital Partners
Ashwin Krishnan - Managing Director, Co-Head of North America Private Credit, Head of Opportunistic Credit, Morgan Stanley Investment Management
Zach Lewy - CEO, CIO, Arrow Global
Reji Vettasseri - Lead Portfolio Manager – Private Markets, DECALIA Asset Management
Two beam image of Dislocation lines in nano-structured twins after compressing.
Courtesy of Qiuhong Lu
Image Details
Instrument used: Titan Family
Dislocation substructure in directionally-solidified alumina-based eutectic composite
Courtesy of Fredy A. Huamán Mamani
Image Details
Instrument used: CM Series
Magnification: 55000x
Horizontal Field Width: 5 micrometers
Voltage: 200 kV
Spot: 2.0
Zurich Bahnhofstrasse and Paradeplatz (home to the Swiss banks Credit Suisse and UBS and several Zurich prime shops) remain a no-go-area for participants of the official labour day rally at Bürkiplatz (the far end of Bahnhofstrasse, at lake Zurich).
Zurich metro police blocks all passages to Bahnhofstrasse and Paradeplatz. Phalanx like single and double rows of officers in riot gear span across the streets. Facing Bürkliplatz, a mobile water cannon is in position on Bahnhofstrasse.
Zurich May Day, 2010
A stumble and reflexive attempt to stop my fall led to a surprisingly low-pain dislocation of one finger.
Go to Page with image in the Internet Archive
Title: A treatise on dislocations and on fractures of the joints [electronic resource]
Creator: Cooper, Astley, Sir, 1768-1841
Creator: Carrie, Amcotts, active 19th cent? former owner
Creator: Hughes, Ernest Crammer, 1878-1950 former owner
Creator: Townsend, Edward Richard, -1897 former owner
Creator: Pitts, Mr. active 19th century former owner
Creator: Smith, James, active 19th century former owner
Creator: Guy's Hospital Medical School former owner
Creator: St. Thomas's Hospital. Medical School Library former owner
Creator: Webb Street School of Anatomy and Medicine, former owner
Creator: King's College London
Publisher: London : Longman, Rees, Orme, Brown, and Green,...S. Highley,...T. & G. Underwood,...Burgess and Hill,...& Cox & Son
Sponsor: Jisc and Wellcome Library
Contributor: King's College London, Foyle Special Collections Library
Date: 1826
Language: eng
Description: Spine title on copy of this work from the library of St. Thomas's Hospital Medical School:"Cooper on dislocations & fractures"
Printed marginalia
First published in 1822
This material has been provided by King’s College London. The original may be consulted at King’s College London
King’s College London
If you have questions concerning reproductions, please contact the Contributing Library.
Note: The colors, contrast and appearance of these illustrations are unlikely to be true to life. They are derived from scanned images that have been enhanced for machine interpretation and have been altered from their originals.
Read/Download from the Internet Archive
the atomic line defects known as dislocations can be seen in everyday life such as in corn on the cob. notice that the rows of corn kernels deviates into crooked lines in the middle left part of the image...
Photo Description: Dislocations in a sample of Austenitic Stainless Steel below an ion irradiated layer
Image taken by: Dhriti Bhattacharyya, Australian Nuclear Sci & Tech Organization
Hello !
Collymore is playing Hide And Seek with his bestest imaginary friend, Nobby, when suddenly his deep and abiding love for his friend causes Nobby to take physical form. Of course, it was unwise to play such a game so close to the Beam Me Up Scotty machine which, although it is switched off, has strange powers that work their wonders as they will, as it were.
"Eeee !" cries Nobby "I am a robot like creature and I feel unfamiliar urges..."
"Blimey !" says Collymore, he is surprised.
"Yes, I feel that I should worship you, Collymore, as my gawwd, yet also that I should adopt a stance of strict philosophical materialism (I distance myself immediately from Cameron and his Oids) which would make the former impossible...it is a dilemma ! Guide me !"
"Oh, er, yes !" says Collymore "I am a reformed love-rat and not worthy of worship..."
"Phew ! My circuits sense that my incipient emotions are relieved by your humbletiness and I think that all will be well, in time..."
Oh, how beautiful ! I see that a lasting friendship will be formed and once again the Beam Me Up Scotty Machine has made the world that little bit less naff, isn't that good ? It is, yes.
Walk Tall !
There are many ways in which we can feel like we are out of place, we can appear to stand out, and something or someone in general can seem to not make much sense against its surroundings. My concept is dislocation; dislocation is a disturbance from something’s proper, expected state. Through my series, I hope to have broken down these instances in life and exaggerated them. I want my photos to make the viewer ponder their symbolism. I took pictures that show dramatic, striking, and meaningful dislocation.
Throughout all of the pictures, color and shape play a huge role to make subjects look visually out of place. Intense black in the midst of dreamy pink hues contrasts with the innocence of the room (5); the girl in the photo is a smudge of darkness amongst the whimsical trinkets and hazy pink lighting. This gives photo 5 a feeling of rebellion. If we feel we are being overlooked and pushed into the backround, we may choose to rebel in attempt to be seen as a more grown-up individual. Bright color also pops against a shabbier backround (1, 2, 4) to create a strong emphasis on some of the focal points. Pictures 1 and 2 both have a pretty girl draped in elegant blue fabric amongst a mess of dirty, dull, chaotic, smashed-up industrial rubble. However, 1 has more of a triumphant message, symbolizing the one person that will rise up and keep trying, while 2 has a rather trapped, isolated, even broken mood of not yet being where you are meant to be. The electric yellow smiley face pillow (4) being wrapped in a dark, extremely gloomy room conveys the way people sometimes hold onto happiness, even if it is fake or stupid to do so, in a contrastingly dark world. In others (1, 3), the shape defines the focal point. The organic twigs lead to the unnaturally smooth, clean bulb in 3, showing how technology is starting to invade on places that were once untouched by human development. In 1, the girl’s delicate frame and cloth skirt are striking perched on top of the bold, heavy assortment of shapes below. The focal points of the photos show clear contrast with deeper meanings that translate to the nature of things being out of place. This is dislocation.
Dislocations in nanocrystalline yttria after Spark Plasma Sintering
Courtesy of Rachel Marder
Image Details
Instrument used: Tecnai Family
Magnification: 19500
Voltage: 200
a solar plate of the first xray taken of my leg after my accident. looks pretty gnarly huh? that's because it's broken in two (technically 3 places) and is dislocated at the ankle.
*Friendly reminder: look for pedestrians (this includes bikes) when you pass through an intersection; especially if it is a goddamn 3 way stop. Thank you :)