View allAll Photos Tagged discogs
www.discogs.com/Various-Festliches-Barock/release/4781900
Jean-Joseph Mouret - Fanfares in D Major - Adolf Scherbaum Trumpet, Paul Kuentz Chamber Orch. & Handel - Jubilate - Geraint Jones Singers & Orch. & Bach - Brandenburg Concerto No.2 F Major - Adolf Scherbaum, Hans-Martin Linde, Helmut Winschermann, Rudolf Baumgartner, Festival Strings Lucerne & Telemann - Concerto 2 Horns & Orch. 'Tafelmusik', Erich Penzel, Umberto Baccelli, Schola Cantorum Basiliensis, August Wenzinger, DGG Archiv 104 810, Masterworks of the Baroque, Grand Prix Du Disque
www.discogs.com/Various-Welcome-The-Rock-People/release/2.... 1 of 2 copies
Johnny Winter, Sweathog, Niemen, Blue Oyster Cult, Titanic, Jeff Beck Group, REO Speedwagon, Bob Dylan, Barry Mann, Fishbaugh, Fishbaugh & Zorn, Colin Blunstone, Argent, Cane & Able, Blood Sweat & Tears, Dreams, Chase, Emergency, Boz Scaggs & Band, David Clayton-Thomas, Edgar Winter's White Trash, Poco, New Riders of the Purple Sage, The Byrds, Kenny Loggins with Jim Messina, Kris Kristofferson, Taj Mahal, The Mahavishnu Orchestra with John McLaughlin, Fields, Santana, Spirit, It's a Beautiful Day, Compost, Home, Mylon, Redbone, Grin, Dr.Hook & the Medicine Show, Genya Ravan, The Chambers Brothers, Grootna,1972
"Discogs Turns Record Collectors’ Obsessions Into Big Business" by BEN SISARIO via NYT t.co/hsbGalKdHt (via Twitter twitter.com/felipemassone/status/681779539681349632)
Duet ‎– Doris Day And André Previn With The André Previn Trio
Vinyl LP (1962)
Label: Columbia
Catalog No.: CS 8552
Stereo
out-of-print
â–¶ Front cover: here.
**************
☞ Side 1
1. Close Your Eyes 3:07
2. Fools Rush In 3:50
3. Yes 3:24
4. Nobody's Heart 3:52
5. Remind Me 3:58
6. Who Are We To Say 2:58
☞ Side 2
1. Daydreaming 3:06
2. Give Me Time 3:27
3. Control Yourself 2:55
4. Wait Till You See Him 3:03
5. My One And Only Love 3:38
6. Falling In Love Again 2:52
*************
Vocals – Doris Day
Piano – André Previn
Bass – Red Mitchell
Drums – Frank Capp
Arrangements – André Previn
*************
"Doris Day and André Previn had never met before they began to prepare this album —they must have just missed each other countless times in many Hollywood studios.
At their first meeting, Doris and André discovered many mutual interests —such as sodas, animals, and ballads. In fact, that first afternoon, Doris sang some of André's songs, three of which —Yes, Daydreaming, and Control Yourself— with lyrics by Dory Langdon [Previn's then wife], are heard in this album.
The Day-Previn duo rehearsed many times after that first encounter. Then, with Red Mitchell, bass, and Frank Capp, drums, they came to Columbia's Hollywood studios, where, in a single wonderful afternoon, this album was made.
No musician has had more experience in the very special field of vocal accompaniment than André Previn, whose music for motion pictures and for records has created superb settings for singers. No singer is more persuasive in this intimate style and setting than Doris Day.
In Duet, Doris enchants and André plays with immense pleasure."
****************
Me:
---> No need to claim the ultimate for either of the two. In fact, it's an easily refutable boast. (For example, just Teddy Wilson, June Christy, respectively.) Better to simply praise it as an enjoyable, tasteful, intimate performance.
Standouts include Falling in Love Again andClose Your Eyes. And Dory Langdon's Daydreaming —like a distaff but boozeless "One More for the Road": ["Daydreaming, just daydreaming. Well it's kind of fun for one who's out alone"]— which deserves more recordings
Ms. Day, better known for her film career, died earlier this year (April 3, 1922 – May 13, 2019) at age 97. Mr. Previn, better known for his subsequent career as a symphony orchestra conductor, also died earlier this year (April 6, 1929 – February 28, 2019) at 89.
***************
â–¶ Photo by Yours For Good Fermentables.com.
â–¶ For a larger image, type 'L' (without the quotation marks).
— Follow on Twitter: @Cizauskas.
— Follow on Facebook: YoursForGoodFermentables.
— Follow on Instagram: @tcizauskas.
â–¶ Camera: Olympus Pen E-PL1.
â–¶ Commercial use requires explicit permission, as per Creative Commons.
www.discogs.com/Peter-Kraus-3-Mark-Bird-Satie-For-Two-Gui.... Gramophone Review 1976:
Satie's piano music is monochrome, like etchings, and its intimacy makes it doubly suitable to the guitar's quiet voice. Two guitars seem particularly apt in the case of the Sarabandes, with their large, rich chords, but it is the simplest pieces, the Gymnopedies, that come off best here. As one might expect, the Gnossiennes are not far behind, and I especially admire the teamwork on No. 2. A pity Nos. 4-6 of this set had to be separated from Nos. 1-3, which are on the disc's other side, and there is other foolish programming, such as the separation of the third Sarabande from the first two. The transcriptions for two guitars are quite good, faithful to the original texts except in missing things like Satie's contrast between single-note and octave phrases in the first of the "Airs a faire fuir", and in ignoring some of the composer's dynamic markings. Many of the sudden, and important, contrasts between f and p in the Sarabandes are missed, for instance, and in general there is insufficient variety of volume. Also, the tempos are sometimes unduly brisk. The "Airs A faire fuir", for example, are remote, unhappy pieces that do not respond to being jollied along. The rhythmic pulse is on occasion rather inflexible, too, although in other respects Kraus and Bird play excellently, are well balanced and vividly recorded. M.H. No backside
www.discogs.com/Mozart-Schubert-Haydn-Beethoven-Clifford-.... Mozart - Clarinet Quintet KV581, March KV445, Minuets KV103 No.11-19, 5 Contredances KV609 & Schubert - Piano Quintet D.667 Trout Forellen, Octet D.803 & Haydn - String Quartet op.33 No.2 & Beethoven - Septet op.20 - Vienna Chamber Music Festival - Clifford Curzon Piano, Willi Boskovsky Violin, Vienna Octet, Vienna Mozart Ensemble, Weller Quartet, Decca, SXL 6238-41 (LXT 6238-41), Box 4 Lp
1 of 2 copies. www.discogs.com/release/23084921-Claude-Debussy-Maurice-R...
Debussy, en blanc et noir, trois morceaux pour deux 2 pianos, a mon ami a.kussewitsky, Au Lieutenant Jacques Charlot tue a l ennemi en 1915 le 3e mars, a mon ami igor strawinsky, 6 epigraphes antiques pour piano a quatre mains four hands, Ravel, ma mere l oye, 5 pieces enfantines pour piano a quatre mains 4 hands, pavane de la belle au bois domant, petit poucet, laideronnette Imperatrice des Pagodes, Les Entretiens de la belle et la Bete, Le Jardin Feerique, Saint-Saens, Scherzo op.87 pour deux 2 pianos, CBS 71091
Rare Record. 1 of 2 copies
www.discogs.com/Various-Beroemde-Romantische-Pianomuziek/...
Barcarolle op.60, Etude op.25 No.4, Etude op.10 No.8, Etude op.25 No.6, Andante Spianato, Grande Polonaise op.22, fur Elise, Turkish Marsh, Moment Musicaux op.94 No.3, Traumerei op.15, Nocturne op.9 No.3, Schmetterling Butterfly, Gnomenreigen, Polonaise No.5 op.44, 4 Preludes op.28 No.21-24 ,Prelude No.25, Polonaise op.53, Lied Ohne Worte op.19 No.1, Impromptu No.3,Klavierstuck op.posth. D946/1, Intermezzo op.4 No.1, Impromptu op.90 No.2, Etude op.10, An den Fruhling, Lied ohne Worte op.67 No.4, Humoreske op.101 No.7, Scherzo op.39, La Campanella,Melodie in F op.3, Waldesrauschen, Barcarole, Chor der Spinnerinnen 'Fliegende Hollander',Andras Schiff ,Danielle DechenneGarrick Ohlsson, Henk Lagendaal, j.Rohmann, Maurizio Pollini, Vladimir Ashkenazy
Rare Record
www.discogs.com/David-Oistrakh-Wolfgang-Amadeus-Mozart-Dm...
Mozart, Shostakovich, Tchaikovsky, Sarasate - David Oistrakh Violin - The World's Leading Interpreters Of Music - Violin Viola Cello, Melodia C10-17501-4 (2Lp) - Violin Concerto No.5 KV219 European Youth Orch., Karajan, West-Berlin 1972 Live, Violin Concerto No.2 op.129 - Moscow Phil. SO, Rozhdestvensky Live Moscow Conservatory 1968, Violin Concerto op.35 - Philadelphia Orch., Eugene Ormandy 1960, Navarra-Spanish Dance op.33 - Igor Oistrakh on 2nd Violin, Gewandhaus Orch. Leipzig-Franz Konwitschny 1957
Rare Record. www.discogs.com/Antonio-Vivaldi-La-Stravaganza-12-Concert.... Gramophone Review:
Just over four years ago Monica Huggett and the Academy of Ancient Music recorded the same set for L'Oiseau-Lyre. These were lyrical performances full of warmth and insight to the music, above all from Huggett, herself, whose readings of the slow movements of the A minor Concerto (No. 4) and the G major Concerto (No. 12) were outstandingly beautiful. The new set from Simon Stand age and The English Concert capitalizes on the weaknesses of the other, yet does not always match its strengths. Where I generally prefer The English Concert is in outer movements; here Pinnock injects a characteristic vitality, amounting even, at times, to passionate fervour. Such is the case in the opening Concerto in B flat whose outer movements are as energetic as anything else I know by Vivaldi. Pinnock understands this urgent side of the music and realizes it with fiery enthusiasm. The lyrical intervening Largo makes an affecting contrast and Standage does it justice with limpid, solo violin playing, poised and eloquent both in phrasing and ornamentation. Standage is comparably expressive in many of the remaining slow movements though sometimes I felt the ripieno element, when and where it occurs, a shade too assertive. Sometimes, too, I found a hint of astringency in Standage's tone as for example in the opening allegro of the A minor Concerto; but it is an occasional feature and, in the end, a small price to pay for so much else that is excellent.
Nevertheless, my preference is for Huggett and the Academy of Ancient Music in the exquisitely crafted slow movement of this concerto whose suspensions, chromaticisms and wistful melody evoke an air of fairy-tale enchantment. Likewise in the concluding concerto of the set, in G major, with its outstandingly beautiful slow movement I prefer Hogwood's more intimate performance to Pinnock's weightier interpretation. Perhaps the Largo is a fraction too fast but, nevertheless, the lighter tread and greater sensibility of the ensemble reveals the poetry of this inspired movement more convincingly than the new performance.
Rare Record
www.discogs.com/This-Mortal-Coil-Sixteen-Days-Gathering-D....
Michael Conroy Bass Modern English, Elizabeth Frazer Cocteau Twins, Robin Guthrie Guitar Cocteau Twins, Gary McDowell Modern English, Gordon Sharp Eindytakk, Martyn Young Colour Box, Ivo & John Fryer, 1983, 4AD. Rare Record
www.discogs.com/Clara-Schumann-Clara-Schumann/release/792... 1 of 3 copies. Not identical. Rare Record
1 of 3 copies, not identical
www.discogs.com/W-A-Mozart-RIAS-Kammerchor-Berliner-Motet...
Mozart - Die Zauberflote, Magic Flute - Josef Greindl, Walter Franck, Ernst Haefliger, Sebastian Fischer, Rita Streich, Maria Stader, Ruth Hellberg, Dietrich Fischer-Dieskau, Walter Bluhm, Lisa Otto, Martin Vantin, Wolfgang Spier, Marianne Schech, Margot Leonhard, Liselotte Losch, Marion Degler, Margarete Klose, Alice Decarli, Howard Vandenburg, Kim Borg - RIAS-Kammerchor, Berliner Motettenchor, RIAS SO Berlin, Ferenc Fricsay DGG 19 194 LPEM
www.discogs.com/Vivaldi-Bach-Musica-Antiqua-Amsterdam-Olv.... Vivaldi - Cello Concerto R.418, Flute Concerto R.429, Oboe Concerto R.451 & Bach - Concerto 4 Harpsichords Clavecins Cembalos BWV 1065 - Anner Bylsma, Wilbert Hazelzet, Ku Ebbinge, Ton Koopman, Tini Mathot, Fredericke Ernst, David Collyer - Musica Antiqua Amsterdam, Ton Koopman, Philips 9598 013
Hemisphere No More - Various Artists www.discogs.com/release/1692215-Various-Hemisphere-No-More
Jim Croce - I Got A Name www.discogs.com/release/2520411-Jim-Croce-I-Got-A-Name
Anakin - Various Artists www.discogs.com/release/401735-Various-Anakin-1998-A-Preview
Mozart - Piano Concertos KV271 "Jeunhomme" & KV449 - Dezso Ranki Piano, Liszt Fernc Chamber Orch., Janos Rolla, Hungaroton www.discogs.com/release/10315708-Mozart-Dezs%C5%91-R%C3%A...
Mike Scott - Bring 'em all in www.discogs.com/release/4116892-Mike-Scott-Bring-Em-All-In
Nina Simone - Greetings from Nijmegen www.discogs.com/release/9280282-Various-Greetings-From-Ni...
Rare Record Jim Croce - You Don't Mess Around With Jim www.discogs.com/release/2655785-Jim-Croce-You-Dont-Mess-A...
Not on D Chopin Festival - Ivo Pogorelich,
Clavicenter Test-Case www.discogs.com/release/11572968-Various-Clavicenter-Test...
Goksel Yilmaz Ensemble - Gezgin www.discogs.com/release/23328677-G%C3%B6ksel-Y%C4%B1lmaz-...
Zenamon - "Park Of Attraction" www.discogs.com/release/1467441-Zenamon-Park-Of-Attractions
Beethoven - Piano Sonaten "Waldstein, Appasionata, Les Adieux"- Wilhelm Kempff Piano, DGG Galeria www.discogs.com/release/4834933-Ludwig-van-Beethoven-Wilh...
Chopin - Mazurkas - Cor de Groot Piano www.discogs.com/release/12137779-Chopin-Mazurkas
Liszt - Piano Concerto No.1 & No.2, Totentanz - Gyula Kiss Piano, Hungarian State Orch., Janos Ferencsik & Tamas Pal, Fidelio (rare record) www.discogs.com/release/9930118-Franz-Liszt-Gyula-Kiss-Hu...
Bach - Concertos for 1,2 & 3 Violins - Kalman Kostyal, Janos Rolla, Zoltan , Hungaroton www.discogs.com/release/4773300-J-S-Bach-K%C3%A1lm%C3%A1n...
www.discogs.com/Handel-Kings-College-Choir-Cambridge-With.... Handel - Messiah - King's College Choir Cambridge, James Bowman Alto, Robert Tear Tenor, Benjamin Luxon Bass, John Wells James Lancelot Organ Orgel Orgue, Ian Hare Harpsichord Cembalo, Kenneth Heath Cello, John Gray Double Bass Contrabass, John Wilbraham Trumpet Trompette, Academy St.Martin, Neville Marriner & David Willcocks, EMI SLS 845, 1973, Box 3lp
www.discogs.com/Chopin-Tchaikovsky-Roger-D%C3%A9sormi%C3%.... Review Gramophone 1952:
This record makes delightful entertainment. Les Biches (a title which, the note tells us, cannot be decently translated into English, but has been rendered as "The House Party" !) was a Diaghilev production, at Monte Carlo, of 1924: a ballet with songs, and with scenery designed by Marie Laurencin. Poulenc re-orchestrated the music in 1939-40 and in this Suite the vocal material is, of course, omitted, and the Overture (which contains an attractive waltz tune) is also left out.
Poulenc himself (and later Phyllis Sellick) recorded the Adagietto in its piano version (many of us have since played the attractive little piece in this form) but this record shows not only how much more effective it is in orchestral dress but also how the sudden discordant passage, so harsh on the piano, blends into its context in a natural way. The pretty parts of the facile score, with their occasional asperities, have worn better than the Chanson dansee (which is all dans& and no chanson, and so misses a great deal of its point) or the Rag-Mazurka, perhaps because we know our Stravinsky too well now and the orchestration in these numbers is rather shop soiled. But it would be foolish to take this pastiche of styles seriously and it is enough that it is ingenious, amusing, and tuneful. The other numbers are a charming Andantino (which quotes the Adagietto) and a lively Finale (which quotes the Rondeau).
The music is played expertly, in exactly the right style, by Desorrniere and the orchestra, and not a point is missed. The recording is bright and alive, but the violins in loud passages above the stave have an unpleasantly metallic quality. Fortunately Poulenc never writes for them long in this register. Five numbers from the balletsuite The Good-Humoured Ladies, with Tommasini's orchestration of the chosen Scarlatti sonatas are on the reverse. The disc note tells the story of the ballet but only gives the time markings of the five sonatas, not the keys or the Longo numbers. The celebrated Tempo di ballo (in D major) 0 is here (L463) and the exquisite slow sonata in B minor (L33), the rest I have not had time to identify. The playing has great style and is most sensitive in the B minor sonata, and, except for the thin tone of the strings, the recording is excellent.
A.R.