View allAll Photos Tagged discogs
www.discogs.com/George-Gershwin-Das-Gro%C3%9Fe-George-Ger...
Concerto in F, Songs, Fascinating Rhythm, Someone To Watch Over Me, The Man I Love, Embreceable You, 's Wonderful, Ouverture Porgy & Bess, An American in Paris, Summertime, I Got Plenty O' Nuttin', Bess, You Is My Woman Now, Rhapsody in blue, Lawrence Winters, Marjorie Mitchell, Grace De La Cruz, Hans Carste - Ariola Eurodisc 78337 XK
Handel - Ode for St.Cecilia's Day - Concentus Musicus Wien, Harnoncourt www.discogs.com/release/11177466-Georg-Friedrich-H%C3%A4n...
Haydn - 7 Last Words of Christ, Hungarian State Orch., Ferencsik www.discogs.com/release/10073281-Haydn-Veronika-Kincses-K...
Brahms - The 3 Violin Sonatas - Arthur Grumiaux & Gyorgy Sebok Violin www.discogs.com/release/25664023-Brahms-Arthur-Grumiaux-G...
Dvorak & Bruch - Cello Concerto & Kol Nidrei - Lynn Harrell Cello, Ashkenazy www.discogs.com/release/4748442-Dvo%C5%99%C3%A1k-Bruch-Ly...
Haydn - Die Schopfung - Mathis, Araiza, van Dam, Wiener Phil., Karajan, Box www.discogs.com/release/7909636-Haydn-Wiener-Philharmonik...
Bach - Preludes & Fugues - Wolfgang Rubsam Organ www.discogs.com/release/3178418-J-S-Bach-Wolfgang-R%C3%BC...
Schubert - Octet - Mozzafiato & L'Archibudelli www.discogs.com/release/8907737-Schubert-Mozzafiato-LArch...
Schumann - Violin & Piano Sonatas - Eva Graubin & Paraskivesco www.discogs.com/release/13397250-Eva-Graubin-Schumann-The...
Lola Mees Violist
Mozart - Die Zauberflote - Oelze, Schade, Sieden, Finley, Peeters, Gardiner, Box, 1 of 2 copies www.discogs.com/release/9102494-Mozart-Christiane-Oelze-M...
Bach - Goldberg-Variationen - Gustav Leonhardt www.discogs.com/release/11617261-Johann-Sebastian-Bach-Gu...
Beethoven - Symphony No.9 - Norman, Fassbaender, Domingo, Berry, Wiener Phil., Bohm www.discogs.com/release/1839085-Ludwig-van-Beethoven-Jess...
Mozart - Symphony No.40 & No.41 - Cleveland Orch., Szell www.discogs.com/release/11856012-Mozart-George-SzellCleve...
Bach - Messen BWV 233,234 - Speiser, Russ, van Kesteren, Faulstich, Stampfli, Bach-Collegium, Helmut Rilling www.discogs.com/release/10244432-Johann-Sebastian-Bach-Me...
Verdi - La Traviata, Carlos Kleiber, Box, www.discogs.com/Giuseppe-Verdi-Ileana-Cotrubas-Placido-Do...
Vinyl LP (1966)
Label: Capitol Records
Catalog No.: ST-2459
Stereo
out-of-print
â–¶ Front cover: here.
***************
▶ A fortuitous find —the vinyl in good condition— in a St. Augustine, Florida, thrift shop (2018).
â–¶ Close-up: here.
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â–¶ Tracks:
☞ Side 1
1. Stormy Monday 3:05
2. Southside Blues (Monologue) 2:50
3. Tobacco Road 5:55
4. St. James Infirmary 4:04
5. The Shadow of Your Smile 4:18
6. I'd Rather Drink Muddy Water 2:33
☞ Side 2
1. Goin' to Chicago Blues 2:53
2. In the Evening When the Sun Goes Down 6:21
3. The Girl from Ipanema 4:30
4. I Got It Bad and That Ain't Good 3:44
5. Street Corner Hustler's Blues (Monologue) 3:40
6. World of Trouble 3:30
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â–¶ Personnel:
Bass – Jimmy Bond
Drums – Earl Palmer
Guitar – Herb Ellis
Piano – Tommy Strode
MC [Announcer] – Jay Rich, Johnny Mangus
Cover Photo– George Jerman
Producer – David Axelrod
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â–¶ Liner notes
"It was a night to remember. The handsome young star was a big-time success on records and in personal appearances. He had been called by one critic, 'the greatest soul-jazz singer of the '60s;' by another, 'the entertainer with the finest phrasing since Sinatra;' by still another 'a bluesman who carries on the traditions of Nat Cole and Ray Charles.' And, as Low Rawls spontaneously demonstrated on this night, he is all this and more. He is an artist whose deep-moving performances take the audience with him wherever he goes ...from the bittersweet rhythms of his famous 'Tobacco Road' to the hauntingly romantic melodies of his eloquent 'The Shadow of Your Smile.'
The assembled audience was the challenging kind singers dream of. These were fellow jazz musicians, recording engineers, people 'in the business,' their wives and friends. They are hard to impress but when they are impressed, a performance becomes an event. And that's exactly what happened. Low Rawls' first session before a 'live' audience was an event long to be remembered by everyone there.
As the slim, tastefully-dressed figure stepped to the mike, Lou's group took up their instruments: James Bond, bass; Earl Palmer, drums; Tommy Strode, piano, piano; Herb Ellis, guitar. Their contributions from first set to last were to prove just what great backing is and what it means to a star.
But it was Lou Rawl's night all the way. He rocked the room with his big-beat rendering of those 'Going to Chicago Blues.' He edged his soulful blues with sadness (listen to St.James Infirmary'). And he chortled right through 'World of Trouble' happily he had the audience stomping for more.
That's how things developed through set after set on that memorable night ...a mutual love affair between the gifted young star and the audience who came to hear him. During an intermission, Lou is quoted as saying: 'I try to build my repertoire so it will complement the atmosphere. I'm trying to reach everyone, young and old alike.' He need have no doubts. The sensational LOU RAWLS LIVE! does just that!"
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â–¶ Photo by Yours For Good Fermentables.com.
â–¶ For a larger image, type 'L' (without the quotation marks).
— Follow on Facebook: YoursForGoodFermentables.
— Follow on Instagram: @tcizauskas.
â–¶ Camera: Olympus Pen E-PL1.
— Lens: Lumix G 20/F1.7 II.
— Settings: 20 mm | 1/15 sec | ƒ/8.0 | ISO 200.
— Edit: Photoshop Elements 15.
â–¶ Commercial use requires explicit permission, as per Creative Commons.
1 of 3 copies
www.discogs.com/J-und-M-Haydn-Albrechtsberger-Daniel-Chor...
Gramophone Review 1984:
A wonderful outpouring of cloudlessly happy music, actually written when the 17-year-old Haydn was unemployed, penniless and almost starving. Among the odd jobs which kept him from going under completely was playing the organ for the Brothers of Mercy in Eisenstadt. Chorzempa uses the same instrument for the Hob XVIII/5 Concerto. His playing is sheer delight and the German Bach Soloists are warm and fulsome in their loving accompaniments. The other two Eisenstadt organs are thought to have been at Haydn's disposal during these lean years. The bright reverberant sound is first class. An Outstanding achievement. G. R.
www.discogs.com/Various-Festliches-Barock/release/4781900
Jean-Joseph Mouret - Fanfares in D Major - Adolf Scherbaum Trumpet, Paul Kuentz Chamber Orch. & Handel - Jubilate - Geraint Jones Singers & Orch. & Bach - Brandenburg Concerto No.2 F Major - Adolf Scherbaum, Hans-Martin Linde, Helmut Winschermann, Rudolf Baumgartner, Festival Strings Lucerne & Telemann - Concerto 2 Horns & Orch. 'Tafelmusik', Erich Penzel, Umberto Baccelli, Schola Cantorum Basiliensis, August Wenzinger, DGG Archiv 104 810, Masterworks of the Baroque, Grand Prix Du Disque
www.discogs.com/Various-Welcome-The-Rock-People/release/2.... 1 of 2 copies
Johnny Winter, Sweathog, Niemen, Blue Oyster Cult, Titanic, Jeff Beck Group, REO Speedwagon, Bob Dylan, Barry Mann, Fishbaugh, Fishbaugh & Zorn, Colin Blunstone, Argent, Cane & Able, Blood Sweat & Tears, Dreams, Chase, Emergency, Boz Scaggs & Band, David Clayton-Thomas, Edgar Winter's White Trash, Poco, New Riders of the Purple Sage, The Byrds, Kenny Loggins with Jim Messina, Kris Kristofferson, Taj Mahal, The Mahavishnu Orchestra with John McLaughlin, Fields, Santana, Spirit, It's a Beautiful Day, Compost, Home, Mylon, Redbone, Grin, Dr.Hook & the Medicine Show, Genya Ravan, The Chambers Brothers, Grootna,1972
"Discogs Turns Record Collectors’ Obsessions Into Big Business" by BEN SISARIO via NYT t.co/hsbGalKdHt (via Twitter twitter.com/felipemassone/status/681779539681349632)
www.discogs.com/Mozart-Kiri-Te-Kanawa-Mitsuko-Uchida-Engl.... KV384, KV87, KV527, KV505, KV369, KV384 - Peter Bronder, Jose-Luis Garcia, Charles Tunnell, William Bennett, Neil Black, Frank Lloyd, Philips 420 950-1
Duet ‎– Doris Day And André Previn With The André Previn Trio
Vinyl LP (1962)
Label: Columbia
Catalog No.: CS 8552
Stereo
out-of-print
â–¶ Front cover: here.
**************
☞ Side 1
1. Close Your Eyes 3:07
2. Fools Rush In 3:50
3. Yes 3:24
4. Nobody's Heart 3:52
5. Remind Me 3:58
6. Who Are We To Say 2:58
☞ Side 2
1. Daydreaming 3:06
2. Give Me Time 3:27
3. Control Yourself 2:55
4. Wait Till You See Him 3:03
5. My One And Only Love 3:38
6. Falling In Love Again 2:52
*************
Vocals – Doris Day
Piano – André Previn
Bass – Red Mitchell
Drums – Frank Capp
Arrangements – André Previn
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"Doris Day and André Previn had never met before they began to prepare this album —they must have just missed each other countless times in many Hollywood studios.
At their first meeting, Doris and André discovered many mutual interests —such as sodas, animals, and ballads. In fact, that first afternoon, Doris sang some of André's songs, three of which —Yes, Daydreaming, and Control Yourself— with lyrics by Dory Langdon [Previn's then wife], are heard in this album.
The Day-Previn duo rehearsed many times after that first encounter. Then, with Red Mitchell, bass, and Frank Capp, drums, they came to Columbia's Hollywood studios, where, in a single wonderful afternoon, this album was made.
No musician has had more experience in the very special field of vocal accompaniment than André Previn, whose music for motion pictures and for records has created superb settings for singers. No singer is more persuasive in this intimate style and setting than Doris Day.
In Duet, Doris enchants and André plays with immense pleasure."
****************
Me:
---> No need to claim the ultimate for either of the two. In fact, it's an easily refutable boast. (For example, just Teddy Wilson, June Christy, respectively.) Better to simply praise it as an enjoyable, tasteful, intimate performance.
Standouts include Falling in Love Again andClose Your Eyes. And Dory Langdon's Daydreaming —like a distaff but boozeless "One More for the Road": ["Daydreaming, just daydreaming. Well it's kind of fun for one who's out alone"]— which deserves more recordings
Ms. Day, better known for her film career, died earlier this year (April 3, 1922 – May 13, 2019) at age 97. Mr. Previn, better known for his subsequent career as a symphony orchestra conductor, also died earlier this year (April 6, 1929 – February 28, 2019) at 89.
***************
â–¶ Photo by Yours For Good Fermentables.com.
â–¶ For a larger image, type 'L' (without the quotation marks).
— Follow on Twitter: @Cizauskas.
— Follow on Facebook: YoursForGoodFermentables.
— Follow on Instagram: @tcizauskas.
â–¶ Camera: Olympus Pen E-PL1.
â–¶ Commercial use requires explicit permission, as per Creative Commons.
www.discogs.com/Peter-Kraus-3-Mark-Bird-Satie-For-Two-Gui.... Gramophone Review 1976:
Satie's piano music is monochrome, like etchings, and its intimacy makes it doubly suitable to the guitar's quiet voice. Two guitars seem particularly apt in the case of the Sarabandes, with their large, rich chords, but it is the simplest pieces, the Gymnopedies, that come off best here. As one might expect, the Gnossiennes are not far behind, and I especially admire the teamwork on No. 2. A pity Nos. 4-6 of this set had to be separated from Nos. 1-3, which are on the disc's other side, and there is other foolish programming, such as the separation of the third Sarabande from the first two. The transcriptions for two guitars are quite good, faithful to the original texts except in missing things like Satie's contrast between single-note and octave phrases in the first of the "Airs a faire fuir", and in ignoring some of the composer's dynamic markings. Many of the sudden, and important, contrasts between f and p in the Sarabandes are missed, for instance, and in general there is insufficient variety of volume. Also, the tempos are sometimes unduly brisk. The "Airs A faire fuir", for example, are remote, unhappy pieces that do not respond to being jollied along. The rhythmic pulse is on occasion rather inflexible, too, although in other respects Kraus and Bird play excellently, are well balanced and vividly recorded. M.H. No backside
www.discogs.com/Mozart-Schubert-Haydn-Beethoven-Clifford-.... Mozart - Clarinet Quintet KV581, March KV445, Minuets KV103 No.11-19, 5 Contredances KV609 & Schubert - Piano Quintet D.667 Trout Forellen, Octet D.803 & Haydn - String Quartet op.33 No.2 & Beethoven - Septet op.20 - Vienna Chamber Music Festival - Clifford Curzon Piano, Willi Boskovsky Violin, Vienna Octet, Vienna Mozart Ensemble, Weller Quartet, Decca, SXL 6238-41 (LXT 6238-41), Box 4 Lp
1 of 2 copies. www.discogs.com/release/23084921-Claude-Debussy-Maurice-R...
Debussy, en blanc et noir, trois morceaux pour deux 2 pianos, a mon ami a.kussewitsky, Au Lieutenant Jacques Charlot tue a l ennemi en 1915 le 3e mars, a mon ami igor strawinsky, 6 epigraphes antiques pour piano a quatre mains four hands, Ravel, ma mere l oye, 5 pieces enfantines pour piano a quatre mains 4 hands, pavane de la belle au bois domant, petit poucet, laideronnette Imperatrice des Pagodes, Les Entretiens de la belle et la Bete, Le Jardin Feerique, Saint-Saens, Scherzo op.87 pour deux 2 pianos, CBS 71091
Rare Record
www.discogs.com/David-Oistrakh-Wolfgang-Amadeus-Mozart-Dm...
Mozart, Shostakovich, Tchaikovsky, Sarasate - David Oistrakh Violin - The World's Leading Interpreters Of Music - Violin Viola Cello, Melodia C10-17501-4 (2Lp) - Violin Concerto No.5 KV219 European Youth Orch., Karajan, West-Berlin 1972 Live, Violin Concerto No.2 op.129 - Moscow Phil. SO, Rozhdestvensky Live Moscow Conservatory 1968, Violin Concerto op.35 - Philadelphia Orch., Eugene Ormandy 1960, Navarra-Spanish Dance op.33 - Igor Oistrakh on 2nd Violin, Gewandhaus Orch. Leipzig-Franz Konwitschny 1957
Rare Record. 1 of 2 copies
www.discogs.com/Various-Beroemde-Romantische-Pianomuziek/...
Barcarolle op.60, Etude op.25 No.4, Etude op.10 No.8, Etude op.25 No.6, Andante Spianato, Grande Polonaise op.22, fur Elise, Turkish Marsh, Moment Musicaux op.94 No.3, Traumerei op.15, Nocturne op.9 No.3, Schmetterling Butterfly, Gnomenreigen, Polonaise No.5 op.44, 4 Preludes op.28 No.21-24 ,Prelude No.25, Polonaise op.53, Lied Ohne Worte op.19 No.1, Impromptu No.3,Klavierstuck op.posth. D946/1, Intermezzo op.4 No.1, Impromptu op.90 No.2, Etude op.10, An den Fruhling, Lied ohne Worte op.67 No.4, Humoreske op.101 No.7, Scherzo op.39, La Campanella,Melodie in F op.3, Waldesrauschen, Barcarole, Chor der Spinnerinnen 'Fliegende Hollander',Andras Schiff ,Danielle DechenneGarrick Ohlsson, Henk Lagendaal, j.Rohmann, Maurizio Pollini, Vladimir Ashkenazy
Rare Record. www.discogs.com/Antonio-Vivaldi-La-Stravaganza-12-Concert.... Gramophone Review:
Just over four years ago Monica Huggett and the Academy of Ancient Music recorded the same set for L'Oiseau-Lyre. These were lyrical performances full of warmth and insight to the music, above all from Huggett, herself, whose readings of the slow movements of the A minor Concerto (No. 4) and the G major Concerto (No. 12) were outstandingly beautiful. The new set from Simon Stand age and The English Concert capitalizes on the weaknesses of the other, yet does not always match its strengths. Where I generally prefer The English Concert is in outer movements; here Pinnock injects a characteristic vitality, amounting even, at times, to passionate fervour. Such is the case in the opening Concerto in B flat whose outer movements are as energetic as anything else I know by Vivaldi. Pinnock understands this urgent side of the music and realizes it with fiery enthusiasm. The lyrical intervening Largo makes an affecting contrast and Standage does it justice with limpid, solo violin playing, poised and eloquent both in phrasing and ornamentation. Standage is comparably expressive in many of the remaining slow movements though sometimes I felt the ripieno element, when and where it occurs, a shade too assertive. Sometimes, too, I found a hint of astringency in Standage's tone as for example in the opening allegro of the A minor Concerto; but it is an occasional feature and, in the end, a small price to pay for so much else that is excellent.
Nevertheless, my preference is for Huggett and the Academy of Ancient Music in the exquisitely crafted slow movement of this concerto whose suspensions, chromaticisms and wistful melody evoke an air of fairy-tale enchantment. Likewise in the concluding concerto of the set, in G major, with its outstandingly beautiful slow movement I prefer Hogwood's more intimate performance to Pinnock's weightier interpretation. Perhaps the Largo is a fraction too fast but, nevertheless, the lighter tread and greater sensibility of the ensemble reveals the poetry of this inspired movement more convincingly than the new performance.
Rare Record
www.discogs.com/This-Mortal-Coil-Sixteen-Days-Gathering-D....
Michael Conroy Bass Modern English, Elizabeth Frazer Cocteau Twins, Robin Guthrie Guitar Cocteau Twins, Gary McDowell Modern English, Gordon Sharp Eindytakk, Martyn Young Colour Box, Ivo & John Fryer, 1983, 4AD. Rare Record
www.discogs.com/Clara-Schumann-Clara-Schumann/release/792... 1 of 3 copies. Not identical. Rare Record
1 of 3 copies, not identical
www.discogs.com/W-A-Mozart-RIAS-Kammerchor-Berliner-Motet...
Mozart - Die Zauberflote, Magic Flute - Josef Greindl, Walter Franck, Ernst Haefliger, Sebastian Fischer, Rita Streich, Maria Stader, Ruth Hellberg, Dietrich Fischer-Dieskau, Walter Bluhm, Lisa Otto, Martin Vantin, Wolfgang Spier, Marianne Schech, Margot Leonhard, Liselotte Losch, Marion Degler, Margarete Klose, Alice Decarli, Howard Vandenburg, Kim Borg - RIAS-Kammerchor, Berliner Motettenchor, RIAS SO Berlin, Ferenc Fricsay DGG 19 194 LPEM