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www.discogs.com/Georg-Friedrich-H%C3%A4ndel-Xerxes/releas...
1 of 3 copies
From Operanews.com:
HANDEL: Serse
Forrester, Popp, Lehane, Miller, Tyler; Hemsley, Brannigan; Vienna Academy Chorus, Vienna Radio Orchestra, Priestman. Text and translation. Deutsche Grammophon CD 477 8339 (3)
opera news
Deutsche Grammophon has delved into its vaults to reissue the very first "complete" studio recording of Handel's Serse. (Absent are one recitative and the B section of Serse's aria "Più che penso," crossed out in Handel's autograph score.) Recorded in 1965 and originally issued on the Westminster label, this fine performance has never been available on CD, nor has it previously been issued complete on LP outside of the United States. Its return to the catalogue is most welcome.
Maureen Forrester's rich, lustrous tone brings an ideal gravity to the role of Serse that aurally distinguishes her from the rest of the cast. While a high note may occasionally present a challenge that is not entirely surmounted, the Canadian contralto's musicianship, vocal power and ability to spin out amazingly long phrases always win the day.
It is pure joy to hear Lucia Popp's girlish Romilda, recorded at the beginning of her career and just a year after her triumphant Queen of the Night for Klemperer on EMI. Her voice is fresh, effortlessly produced and used with the sensitivity and musicality that would always characterize her singing. Melismatic passages, such as those found in "Se l'idol mio," are rendered flawlessly and with deceptive ease, and her singing is completely free of the "note squeezing" mannerism she would later develop. Marilyn Tyler is superb as Romilda's sister Atalanta, her dusky soprano providing a clear contrast to Popp's gleaming tone, and she exhibits an impressive range up to a brilliantly finessed high D in the final cadenza of "Voi mi dite." Distinguished vocal contributions also come from Maureen Lehane as Arsamene, particularly impressive in rapid-fire coloratura, and Mildred Miller as the perpetually disguised Amastre. Thomas Hemsley and Owen Brannigan are satisfactory as Ariodate and Elviro, respectively. Conductor Brian Priestman's tempos seem spot-on throughout the work, and he leads the Vienna Radio Orchestra - playing on modern instruments - in a surprisingly stylish performance for this vintage. Martin Isepp's harpsichord riffs are inventive and always enjoyable, if occasionally rather amusingly over the top.
The stereo sound, newly remastered from original master tapes, is mostly superb, with plentiful orchestral detail and a robust lower range, although occasionally some very mild distortion dims the brilliance of the higher frequencies. The wide soundstage employed suggests character movement, and several sound effects are used to add further theatricality. (The Act II thunder effect is successful, but the subsequent "swordfight" is hopelessly silly.) Popp's angelic offstage singing at the beginning of the opera is beautifully realized, with a glowing aura of ambience surrounding the voice. It is totally believable that Serse could fall in love with Romilda at first listen - just as one will probably fall in love with the many charms of this performance.
Depeche Mode - Where's the Revolution
Depeche Mode are an English electronic band that formed in 1980 in Basildon, Essex. The group consists of founders Dave Gahan (lead vocals, occasional songwriter since 2005), Martin Gore (guitar, keyboards, vocals, main songwriter since 1982), and Andy Fletcher (keyboards, bass guitar). Depeche Mode released their debut album Speak & Spell in 1981, bringing the band onto the British new wave scene. Original band member Vince Clarke (keyboards, guitar, main songwriter from 1980 to 1981), left the band after the release of the album, leaving the band as a trio to record A Broken Frame, released the following year. Gore took over the lead songwriting duties and, later in 1982, Alan Wilder (keyboards, drums, bass guitar, occasional songwriter) officially joined the band to fill Clarke's spot, establishing a line up that would continue for the next 13 years. Depeche Mode have been a trio again since 1995, when Wilder left.
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www.discogs.com/release/8082203-Various-Second-Internatio...
1963 sofia Bulgaria, Nancy Tatum, Ava Cooper, Nikola Guselev, Franco Pagliazzi, L. Tschkonja, Pavel Gerdjikov, Blagovesta Karnobatlova, Cristine Pakulska, Gladys Kriese, Milka Eftimova, Alberto Remedios, Nadejda Kniplova, Bogdan Mugur,
Depeche Mode - Where's the Revolution
Depeche Mode are an English electronic band that formed in 1980 in Basildon, Essex. The group consists of founders Dave Gahan (lead vocals, occasional songwriter since 2005), Martin Gore (guitar, keyboards, vocals, main songwriter since 1982), and Andy Fletcher (keyboards, bass guitar). Depeche Mode released their debut album Speak & Spell in 1981, bringing the band onto the British new wave scene. Original band member Vince Clarke (keyboards, guitar, main songwriter from 1980 to 1981), left the band after the release of the album, leaving the band as a trio to record A Broken Frame, released the following year. Gore took over the lead songwriting duties and, later in 1982, Alan Wilder (keyboards, drums, bass guitar, occasional songwriter) officially joined the band to fill Clarke's spot, establishing a line up that would continue for the next 13 years. Depeche Mode have been a trio again since 1995, when Wilder left.
depeche mode collection, somebody depeche mode, depeche mode translation, depeche mode group, depeche mode ice machine, depeche mode surrender, depeche mode higher love, depeche mode last album, the complete depeche mode, depeche mode here is the house lyrics, youtube music depeche mode, depeche mode singles 81 98, depeche mode lyrics somebody, depeche mode violator remastered, depeche mode songs list, discogs depeche mode, depeche mode the best of volume 1, depeche mode no disco, depeche mode live, depeche mode studio, depeche mode dirt, depeche mode zippyshare, depeche mode 1st album, lyrics depeche mode personal jesus, question of time depeche mode, best depeche mode album, black celebration depeche mode lyrics, lyrics depeche mode dream on, depeche mode members, depeche mode wrong live, depeche mode concert schedule, depeche mode 1982, depeche mode precious mp3, depeche mode 86, where is depeche mode from, depeche mode everything counts mp3, depeche mode a question of lust, depeche mode blue dress, depeche mode videos, higher love depeche mode lyrics, depeche mode i just cant get enough, route 66 lyrics depeche mode, depeche mode master and servant video, depeche mode tshirt, recoil depeche mode, depeche mode lyrics enjoy the silence, depeche mode freelove lyrics, fletcher depeche mode, youtube depeche mode somebody, depeche mode new order
www.discogs.com/Hoffnung-Festival-1-Concert-Public-Au-Roy...
Yvonne Arnaud, Malcolm Arnold, Francis Baines, Dennis Brain, Norman del Mar, Dr. Gordon Jacob, Leopold Mozart, Grande Ouverture, Concerto Popolare, Symphony No.94 'La Surprise' Haydn, Allocution Gerard Hoffnung, Mazurka No.47 op.68, Lochinvar, Variations 'Annie Laurie', HM768
1 of 2 copies. www.discogs.com/Rian-De-Waal-Liszt-Tausig-Balakirev-Godow...
Liszt - Prelude & Fugue BWV543 & Liebeslied Widmung op.25 No.1 Schumann, Meine Freuden Moja Pieszczotka op.74 No.12 Chopin, Grande Etude Paganini No.3 'La Campanella', Tausig - Das Geisterschiff-Ghost Ship-Vaisseau Fantome op.1, Balakirev - The Lark-Die Lerche-L'Alouette Glinka, Godowsky - Kunstlerleben-Artist's Life-Vie d'Artiste op.316 - Etcetera ETC 1016, 1983
Beethoven - Piano Sonata No.8, No.14 & No.22, No.23 - Eduardo del Pueyo Piano www.discogs.com/release/29853994-Beethoven-Eduardo-Del-Pu...
Bach - Matthaus Passion BWV 244 - Guy de Mey, Peter Kooy, Barbara Schlick, Kai Wessel, Christoph Pregardien, Klaus Mertens, Nederlandse Bach Vereniging, Jos van Veldhoven, Sacrementskoor Breda, Walther Cantryn, Amsterdam Baroque Orch., Ton Koopman, Erato www.discogs.com/release/10121867-JS-Bach-Ton-Koopman-Bach...
Not on D Bach - 6 Schubler Chorales BWV 645-BWV 650, BWV 564, BWV 540 - Ton Koopman Orgel Organ Orgue 1983, DGG Archiv Masters,
Bach - BWV 632, BWV 622, N.Bruhns, Buxtehude, Mendelssohn, Kodaly - Organ Works at St.Bavo - Piet Kee Orgel Orgue, 1978 www.discogs.com/release/19780177-Piet-Kee-Organ-Works-At-...
Satie, Beethoven, Field, Chopin, Elgar, Schubert, Cimarosa, Mozart, Massenet, Bach/Gounod - France Clidat, Eduardo del Pueyo, Aldert Vermeulen, Hanna Jaszyk, Hans Oudenaarden, Jorg Demus, Roberte Mamou, Cyprien Katsaris, Youri Egorov, Wolfgang Manz, Jorge Bolet - De Romantische Piano www.discogs.com/release/3677161-Various-De-Romantische-Piano
Traumerei - Wilhelm Kempff, Christoph Eschenbach, Tamas Vasary, Stefan Askenase, Geza Anda, Martha Argerich, DGG Favorit www.discogs.com/release/1277126-Various-Tr%C3%A4umerei
Grieg & Schumann - Piano Concerto op.16 & op.54 - Marian Lapsansky Piano, Slovak Phil. Orch., Bystrik Rerucha www.discogs.com/release/15272797-Grieg-Schumann-Piano-Con...
Rare Record Liszt - Tarantelle, Ungarische Rhapsodie No.2, Sonata h-moll, Piano Concerto No.2 - Jean Dube - Piano, Live in Utrecht, Franz Liszt Piano Competition 2002, Netherland RSO, John Storgards www.discogs.com/release/19529431-Franz-Liszt-Jean-Dub%C3%...
Chopin - Piano Concerto No.1 op.11, Mozart - Piano Concerto No.26 KV537 Coronation - Dubravka Tomsic Piano, Ljubljana SO, Anton Nanut, Marko Munih www.discogs.com/release/14537061-Dubravka-Tomsic-Chopin-P...
www.discogs.com/Johann-Sebastian-Bach-G%C3%BCnther-Ramin-...
Rare Record. Gramophone Review:
With a dozen versions of the St. Matthew Passion in the current catalogue, it is an eye-opener to go back half a century, when this recording—the very first in German—was made, and discover how this great work was then viewed. The move towards 'authenticity' had only recently, and tentatively, got under way: here a harpsichord is employed for the continuo (albeit a Neupert, complete with massive 16-foot tone), but the gamba had to be omitted; big rallentandos are made at the end of every number; the string playing is nearly always legato, with little articulation, and the violin solo in "Erbarme dich" is, to our ears, smearily sentimental.
Yet, otherwise, objectivity seems to have been the guiding principle. There are no appoggiaturas, recitatives are strictly metrical (though relaxed slightly in Part 2), chorales are sung non-expressively, speeds are reverentially slow, and the work's dramatic aspect is played down—the competent but over-sober chorus, sluggish in such numbers as "Es ist des Todes schuldig", doesn't catch fire until near the end of Part 1, with the cries of "Lasst ihn! Bindet nicht!". The whole moves at so deliberate a pace (the Matthew chorale "0 Haupt vol I Blut" has probably never been sung more slowly) that the 1941 producer, already doubtful about issuing so long a work on 78rpm discs, decided to present it in abbreviated form: recitatives were reduced, do capos cut down or eliminated, and seven arias were omitted (including the soprano's No. 19 with the two oboi d'amore and the alto's No. 70 with the two oboi da caccia). Even so, the issue ran to 31 sides, and the producer, having to bear in mind the four and-a-half minute limitations of a side, was forced to juggle with the order so as not to split long arias over more than one disc.
This has been straightened out for CD (which retains only slight vestiges of the original surface scratch, but of course cannot reproduce Bach's antiphonal effects of his double choir and orchestra) and which, despite all reservations arising from what is said above and this performance's distance from present-day ideals, succeeds in conveying a spirit of devoted commitment to the music. To a great extent this is due to the soloists, all of whom (except for Schulze, an ex member of the St Thomas Choir and then a student of medicine) were established artists of considerable experience and reputation: they are given forward microphone placing. Karl Erb had retired from the operatic stage a decade earlier but continued to be recognized as a leading Evangelist: although in his mid-sixties in 1941, his voice shows little sign of ageing, his high register is free and true, and his enunciation is exemplary: it is not his fault but Ramin's that "Ich will bei meinem Jesu wachen" plods. Even more distinguished is Gerhard Misch, whose beauty and nobility of tone, musicianly phrasing and, again, clarity of enunciation make his contribution outstanding. Friedel Beckmann is a fine, tonally steady alto with a good sense of style (though she shouldn't have been allowed to take breath between the words "meiner" and Zähren" each time in "Erbarme dich"), and able to cope successfully with Ramin's slow tempo in "Buss' und Reu' ".
The soprano Tiana Lemnitz, touchingly angelic voiced as she is, seems to belong to the lyrical operatic sphere rather than the oratorio, and her words are less distinct than those of her colleagues. All in all, a performance of undoubted historical interest and with many rewarding points, even if not ideal by present criteria. L.S.
Artwork: Albrecht Durer 1513
www.discogs.com/Various-Phase-4-Stereo-La-Carte/release/6.... Stereo a la Carte - Edmundo Ros, Ted Heath, Werner Muller, Johnny Keating, Frank Chacksfield, Stanley black, Roger Laredo, Maurice Larcange, Robert Farnon, Alan Tew, Roland Shaw, London Festival Orch., Buckingham Banjos, Los Machucambos, Ronnie Aldrich Piano, Decca XNU 375 012 Phase 4
www.discogs.com/Vivaldi-Maurice-Andr%C3%A9-Vittorio-Negri.... Vivaldi - Concerto Ut majeur P.16 - Arndt Schone, Wilfried Gartner, Roland Zimmer, Franz Just, Erhard & Elisabeth Fietz, Manfred Weise & Hans Tuppak, Alfred Schindler, Joachim Zindler, Friedrich Franke, Artur Meyer, Clemens Dillner, Staatskapelle Dresden, Hans Otto, Christoph Albrecht Organ Orgel Orgue, Vittorio Negri & $ Seasons - Gianna Cernuschi Violon, Europa Chamber Orch., Alessandro Balestri & Concerto Trompette, Violon & Cordes - Rouen Chamber Orch., Albert Beaucamp
www.discogs.com/Michel-Banabila-Sound-Years/release/11142927
Music: Michel Banabila, Oene van Geel, Machinefabriek.
Photography: Gerco de Ruijter.
Design: Rutger Zuydervelt.
C020TR.
CHAIN D.L.K.:
To someone unfamiliar with Banabila’s work, this is a seriously impressive and accomplished retrospective. A wide orchestral palette and some absolutely top-notch production, with a beautiful sense of space and an ability to shift subtly between warm and cold atmospheres, makes this an aural joy in its own right. The transitions are seamless and this absolutely stands up as its own work, without any of the unsatisfying incompleteness you sometimes get in compilations. Several of the original albums from which these tracks are sourced are legitimately available to download for free online, and this compilation will definitely make you want to peruse things further. (Stuart Bruce)
NORMAN RECORDS staff review:
The results are greater than the sum of these parts though, of course. The sounds he makes are spectacularly gorgeous and immaculately crafted, so let’s get into it now... (Jamie)
AMBIENTBLOG:
A soft, warm, comfortable selection that is slightly unnerving and ‘outerworldish’ at the same time. Sound Years can perhaps be seen as Banabila‘s companion to KLF’s ‘Chill Out’ album: a slow walk through quiet (yet alien) landscapes. Unknown, full of surprises, yet always vaguely familiar. (Peter van Cooten)
HEAR AND NOW:
Frequent collaborators musician/sound-artist Machinefabriek and violinist/improvisor/composer Oene van Geel both share moments on this side too. Their inclusion reinforces the avant and "orchestral" feels present here. In the closing moments of the B-side there is a return to similar musical themes from the A-side through Yarra, from the memorable 2013 release, Travelog. It features a lovely Bayaka like cooing warble. It closes on a poignant piano melody. In all, Sound Years is a great way to traverse a decade or so of Michel's ouevre. (Perry Holt)
FELTHAT:
This is just a base to tiny little delights that this album has e.g. oriental acoustic instrumentation in the first track, rich and lush synth textures, drone ambience, piano work, a bit whimsical, gentle vocals. What is most striking is whatever Michel is playing - he can embellish it as a master - you can see his craft in each little corner. Delights... (Hubert Heathertoes)
www.discogs.com/Bach-Sonia-Ansch%C3%BCtz-Klavierb%C3%BCch...
Gramophone Review :
BACH. Klavierbuchlein fur Wilhelm Friedemann Bach—complete.
Das wohltemperierte Klavier: Preludes and Fugues Nos. 14-24, BWV859-869. Sonia Anschutz (piano) . Iramac Q 6514 0 6514 (12 in., 32s. 3d. plus 5s. 3d. PT).
No wonder he grew up spoilt, autocratic and dissolute. What Sultan's child ever received gifts half so precious as the little keyboard pieces which make up the Klavierbuchlein? But to this Christopher Robin of music they were probably not so much gifts as exercises. They are that too, of course, and very steeply graded ones; but none (at least of Bach's own contributions) is without a deep sense of musical poetry. Of the sixty-two items in the book, Sonia Anschutz plays the first twenty-four beginning with the opening finger exercise (Applicatio), including the two chorale preludes, two jolly Allemandes (Friedemann's own?) and a little minuet sequence (probably the joint work of father and son) and ending with the eleven preludes which are early versions of some of the '48. (The comparison of both versions, I need hardly say, is fascinating.)
Sonia Anschutz is a new name to the catalogue. A former child-prodigy from Antwerp, her teachers range from Marcel Maas to Annie Fischer; but her spiritual mentor for this repertoire is clearly Rosalyn Tureck. Her approach to Bach may be described as 'sensationally stiff'. What classical dignity, you say or are meant to say; what Olympian grandeur! Boring ? Perhaps, but in an imposing, monumental way like the Arizona desert. On the positive side, Miss Anschutz has neat finger-work, uses sustaining pedal unobtrusively, and achieves a nice, springy rhythm in the allegros. In the matter of dynamics, she permits herself a wide range; but apart from the occasional emphatic ritardando (as distinct from the expressive one), she never deviates by a hair's breadth from her chosen metronome setting. This may not harm, say, Friedemann's own allemandes, but you can imagine what it does to the C sharp minor Prelude, one of the pieces which shows Bach most vividly as the ancestor of the German Romantic movement. All Schumann is here, and a good part of Brahms. In Miss Anschutz's hands it becomes like Maud in the poem: "faultily faultless, icily regular, splendidly null". I will not say that such treatment is wrong, only that I find it utterly incomprehensible. Equally baffling is her dissection of the melody of the D major Prelude into little groups of four notes, each perching primly on a staccato quaver in the bass. Surely, too, it is a little cavalier of her to disregard Bach's instructions for the performance of the grace-notes, and to use the modern mordent (principal note/upper note/principal note) which has no place among them. It is not as if there were any ambiguity about the rules on page one.
The recording quality is grateful to the ear and suitably spacious. If there seems to be an undue amount of surface noise at the beginning of Side 2, this is because Miss Anschutz believes (on what evidence, she alone knows) that the first prelude should start at ppp and end
J.B.
Vivaldi - Jaroussky, Biondi, Alessandrini, Lemieux, Savall, Spinosi
Chopin - Lang Lang Piano www.discogs.com/release/5568589-Chopin-Lang-Lang-Wiener-P...
Lang Lang Piano - Memory www.discogs.com/release/4728886-Lang-Lang-Memory
Brahms - Nikolaj Znaider Violin, Yefim Bronfman Piano, Youssou N'Dour - From Village to Town Brahms - Nikolaj Znaider Violin, Yefim Bronfman Piano,
Youssou N'Dour - From Village to Town www.discogs.com/release/1980821-Youssou-NDour-Joko-From-V...
Prima Donna - The First Ladies of Opera, Decca www.discogs.com/release/8068461-Various-Prima-Donna-The-F...
Astor Piazzolla - Adios Nonino www.discogs.com/release/6064020-Astor-Piazzolla-And-The-N...
Beethoven - Patricia Kopatchinskaja Violin, rare record www.discogs.com/release/3337508-Beethoven-Patricia-Kopatc...
Itzhak Perlman - Klezmer in the Fiddler's House www.discogs.com/release/3810556-Itzhak-Perlman-Brave-Old-...
Grieg - Piano Concertos - Claudio Arrau Piano, Boston SO, Sir Colin Davis www.discogs.com/release/10977729-Grieg-Schumann-Claudio-A...
Satie - Early Piano Works Vol.1 - Reinbert de Leeuw www.discogs.com/release/1641263-Erik-Satie-Reinbert-de-Le...
Bach - Goldberg Variations - Glenn Gould Piano www.discogs.com/release/2098444-JS-Bach-Glenn-Gould-Goldb...
Bach Transcriptions - Schweitzeriana - Matthijs Verschoor Piano www.discogs.com/release/8913757-Matthijs-Verschoor-Schwei...
Chopin - Etudes op.10 & op.25 - Murray Perahia Piano www.discogs.com/release/1308385-Fr%C3%A9d%C3%A9ric-Chopin...
Mozart - Christian Zacharias Piano www.discogs.com/release/8033745-Mozart-Christian-Zacharia...
Bach - Brandenburg Concerto, Italian Concerto, Concerto Flute & Piano - Murray Perahia Piano www.discogs.com/release/4531622-Murray-Perahia-Plays-Bach...
Fons Plasschaert Piano www.discogs.com/release/31107854-Fons-Plasschaert-Fons-Pl...
West Side Story - NY Phil., Leonard Bernstein www.discogs.com/release/3197521-Leonard-Bernstein-Te-Kana...
Schubert - Symphony No.3, No.5, No.7 - ConcertGebouw Orch., Nikolaus Harnoncourt www.discogs.com/release/18234037-Schubert-Nikolaus-Harnon...
Not on D Cecilia Bartoli - Portret - Box
Mark Owen - Green Man www.discogs.com/release/934043-Mark-Owen-Green-Man
Sheryl Crow - The Globe Sessions www.discogs.com/release/13840059-Sheryl-Crow-The-Globe-Se...
Herbert Gronemeyer - Luxus www.discogs.com/release/7607467-Herbert-Gr%C3%B6nemeyer-L...
John Legend - Get Lifted www.discogs.com/release/485695-John-Legend-Get-Lifted
Eurythmics - Touch www.discogs.com/release/908706-Eurythmics-Touch
www.discogs.com/Willem-Pijper-Oscar-van-Hemel-Henri-Pouss...
1 of 2 copies. Willem Pijper - Strijkkwartet No.5 & Oscar van Hemel - Strijkkwartet No.4 - Nederlands Strijkkwartet & Henri Pousseur - Madrigal III - Juillard Ensemble, Dennis Russell Davies & Stravinsky - Octet for Wind instruments - Nederlands Blazersensemble, Edo de Waart, Muziek onder Woorden Philips MOW 042-1, Georges Braque: Le Violon,
Got the Andy Tielman cd and SW trooper from my good friend Roelof, thanks dude! :D Also happy as a camper with that Klingonz album, been wanting that one for a while :P
New episode on Youtube; nr 4 'Weird music'. www.youtube.com/watch?v=hBWVo57Fm-U
Beethoven - Piano Sonata No.8, No.14 & No.22, No.23 - Eduardo del Pueyo Piano www.discogs.com/release/29853994-Beethoven-Eduardo-Del-Pu...
Bach - Matthaus Passion BWV 244 - Guy de Mey, Peter Kooy, Barbara Schlick, Kai Wessel, Christoph Pregardien, Klaus Mertens, Nederlandse Bach Vereniging, Jos van Veldhoven, Sacrementskoor Breda, Walther Cantryn, Amsterdam Baroque Orch., Ton Koopman, Erato www.discogs.com/release/10121867-JS-Bach-Ton-Koopman-Bach...
Not on D Bach - 6 Schubler Chorales BWV 645-BWV 650, BWV 564, BWV 540 - Ton Koopman Orgel Organ Orgue 1983, DGG Archiv Masters,
Bach - BWV 632, BWV 622, N.Bruhns, Buxtehude, Mendelssohn, Kodaly - Organ Works at St.Bavo - Piet Kee Orgel Orgue, 1978 www.discogs.com/release/19780177-Piet-Kee-Organ-Works-At-...
Satie, Beethoven, Field, Chopin, Elgar, Schubert, Cimarosa, Mozart, Massenet, Bach/Gounod - France Clidat, Eduardo del Pueyo, Aldert Vermeulen, Hanna Jaszyk, Hans Oudenaarden, Jorg Demus, Roberte Mamou, Cyprien Katsaris, Youri Egorov, Wolfgang Manz, Jorge Bolet - De Romantische Piano www.discogs.com/release/3677161-Various-De-Romantische-Piano
Traumerei - Wilhelm Kempff, Christoph Eschenbach, Tamas Vasary, Stefan Askenase, Geza Anda, Martha Argerich, DGG Favorit www.discogs.com/release/1277126-Various-Tr%C3%A4umerei
Grieg & Schumann - Piano Concerto op.16 & op.54 - Marian Lapsansky Piano, Slovak Phil. Orch., Bystrik Rerucha www.discogs.com/release/15272797-Grieg-Schumann-Piano-Con...
Rare Record Liszt - Tarantelle, Ungarische Rhapsodie No.2, Sonata h-moll, Piano Concerto No.2 - Jean Dube - Piano, Live in Utrecht, Franz Liszt Piano Competition 2002, Netherland RSO, John Storgards www.discogs.com/release/19529431-Franz-Liszt-Jean-Dub%C3%...
Chopin - Piano Concerto No.1 op.11, Mozart - Piano Concerto No.26 KV537 Coronation - Dubravka Tomsic Piano, Ljubljana SO, Anton Nanut, Marko Munih www.discogs.com/release/14537061-Dubravka-Tomsic-Chopin-P...