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1 of 2 copies
www.discogs.com/Various-The-Best-Of-Newport-In-New-York-7...
The Best Of Newport in New York '72 Vol.3 - Live Philharmonic Hall, Radio City Music Hall, Yankee Stadium - Roberta Flack, Curtis Mayfield, BB King, Herbie Mann, Billy Eckstine, Dizzy Gillespie, Les McCann, Master Henry Gibson, Scott Harris, Craig McMullen, Ron Levy, Milton Hopkins, Wilbert & Sonny Freeman, Joseph Burton, Ed Rowe, Louis Hubert, Bobby Forte, Earl Turbinton, Reggie Ferguson, Donald Dean, Jimmy Rowser, Buck Clarke, Sonny Stitt, Kai Winding, David 'Fathead' Newman, Pat Rebillot, Sonny Sharrock, David Spinozza, Art Koenig, Bobby Tucker, Lucky Scott, Charlie Persip, Andy Muson, Cobblestone, Kory Records KK 2002
www.discogs.com/release/3121552-John-Williams-John-Willia...
1 of 2 copies
Best of John Williams Guitar: Bach - Gavotte, Tarrega - Recuerdos de la Alhambra, Villa-Lobos - Prelude No.2, Telemann - Bourree Alla Polacca, Praetorius - La Volta, Scarlatti - Sonata in E Major L.23, El Testamen de Amelia, Vivaldi - Concerto in D Major, Ponce - Scherzino Mexicano, Granados - Spanish Dance No.5, Falla - Miller's Dance, Albeniz - Asturias, Sagreras - El Colibri, Lauro - Vals Criollo, English Chamber Orch., Carlos Bonell GuitarBrian Gascoigne, Morris Pert Marimbas & Vibraphone, Keith Marjoram Bass, CBS Classics 61843
Vinyl LP (1966)
Label: Capitol Records
Catalog No.: ST-2459
Stereo
out-of-print
Rear cover (and liner notes): here.
▶ A fortuitous find —the vinyl in good condition— in a St. Augustine, Florida, thrift shop (2018).
▶ Closeup: here.
**************
▶ Tracks:
☞ Side 1
1. Stormy Monday 3:05
2. Southside Blues (Monologue) 2:50
3. Tobacco Road 5:55
4. St. James Infirmary 4:04
5. The Shadow of Your Smile 4:18
6. I'd Rather Drink Muddy Water 2:33
☞ Side 2
1. Goin' to Chicago Blues 2:53
2. In the Evening When the Sun Goes Down 6:21
3. The Girl from Ipanema 4:30
4. I Got It Bad and That Ain't Good 3:44
5. Street Corner Hustler's Blues (Monologue) 3:40
6. World of Trouble 3:30
*************
▶ Personnel:
Bass – Jimmy Bond
Drums – Earl Palmer
Guitar – Herb Ellis
Piano – Tommy Strode
MC [Announcer] – Jay Rich, Johnny Mangus
Cover Photo– George Jerman
Producer – David Axelrod
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▶ Review:
"Lou Rawls Live" was recorded in front of a 'live' studio audience in 1966. A then 33-year-old singer, Lou Rawls belts out AND croons with a smooth baritone, a story-telling cadence, and a firm, bluesy command. There's his Hollywood-smooth "Shadow of Your Smile, a smirky "Girl from Ipanema," a jazzy "I Got it Bad and That Ain't Good" ("that's Duke Ellington, folks"), and a gritty-as-gneiss "I'd Rather Drink Muddy Water." And, in his extended spoken monologue, "Street Corner Hustler's Blues," Mr. Rawls out-beats the beats, daddy-o.
The studio quartet is tight and crisp: among the group, the great Herb Ellis is on guitar. It's my bad that I had never before heard 'Lou Rawls Live!' Thanks to a thrift store, that's my loss no more.
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▶ Photo by Yours For Good Fermentables.com.
▶ For a larger image, type 'L' (without the quotation marks).
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www.discogs.com/JS-Bach-Gidon-Kremer-Academy-Of-St-Martin.... Gramophone Review 1985:
This is among the most vigorous of Bach playing, of superlative quality within its chosen style. The quality extends both to the soloist and the strings of the orchestra. It probably would have done, too, to the harpsichordist if he had been audible; but only one or two distant chords in the finale of the Double Concerto suggested, without certainty, that indeed there was one there at all. The deficiency is not wholly decisive in these particular pieces; and anyway the ear is riveted by the propulsive style and strong, rich tone of all the string-players. The propulsive rhythm survives the absence of a separate conductor, and the ritardandos at cadences are mostly managed very well: just once, perhaps, the ritardando seemed a trifle tentative. And just once, perhaps, the strings seemed actually too strong, with overpowering accompanying detached chords, in F, in the middle movement of the A minor Concerto. But where, in this concerto and elsewhere, the cadences needed decorating Kremer leaps into action most effectively, with stylish, short amplifications of Bach's outline.
The recording is also of splendid quality, matching the strong string tone ideally. Yet in spite of this marvellous sound two questions should be raised before unreserved recommendation is made. One is that the vigour itself, applied pretty impartially throughout, might better have been modified, given way to a more lyrical style in some passages, some movements even. "Twice too fast," some will say of the Double Concerto's first movement; the arithmetic will be exaggerated, but the reaction will be quite a natural one. The other question is more a psychological one; it is whether, in this Double Concerto, the performance (however good) of both solo parts by the same player is not antipathetic to the spirit of the conversation between two living, human beings envisaged by Bach. Music is a marvellous release of the human spirit, for musician and listener alike; and it may be that in an increasingly mechanical world a few rearguard actions in favour of humanity, may here and there be in place.
For those still, very reasonably, in doubt about a decision, it should perhaps be added that the E major Concerto is split between the two record sides. M . M .
The Double Concerto is here making its fourth appearance on CD (itself some kind of record) but this is the first version in which the same soloist uses overdubbing techniques to perform both parts. Gidon Kremer is thus able to match phrases and 'dialogue' passages with precision; yet we do lose a sense of interplay between two individual artists. More to the point are the fast tempos and full-toned sound throughout all three works. Our reviewer MM describes the performances above as "vigorous" and there is indeed little relaxation even in the slow movements. Overall sound, however, is of high-fidelity standards with the bright acoustic contributing to a recording of exceptional clarity.
JOHN BORWICK.
www.discogs.com/Fania-All-Stars-Live-At-The-Cheetah-Vol-2.... Fania All Stars - Live at the Cheetah, Vol.2 - Ray Barretto, Willie Colon, Larry Harlow, Johnny Pacheco, Roberto Roena, Bobby Valentine, Santos Colon, Hector Lavoe, Ismael Miranda, Pete "El Conde" Rodriguez, Adalberto Santiago, Bobby cruz, Jose "Cheo" Feliciano, Ricardo Ray, Renaldo Jorge, Roberto Rodriguez, Barry Rodgers, Larry Spencer, Yomo Toro, Orestes Vilato,Hector Zarzuela
This classic 1971 Fania All-Stars concert album (for many, the original cast of this legendary band) is the result of the fusion of six of Fania Records’ most popular bands and soloists. And their anthological performance at the Cheetah Club on August 21, 1971, is not only considered the birth of the legend that still defines the stellar band to this day, but also the birth of the 1970’s salsa boom. This performance also yielded four equally anthological products: the classic movie Our Latin Thing and its soundtrack and the two volumes of the Live at Cheetah albums. You’re holding volume two in your hands right now.
By 1971, and with the then seven-year-old Fania label running at full potential, supported mainly by the popularity of the bands led by Ray Barretto, Willie Colón, Larry Harlow, Johnny Pacheco (Fania’s co-founder), Roberto Roena, Bobby Valentín, and the new and highly sought after addition Ricardo Richie Ray, label president Jerry Masucci revisits the idea of his All-Stars, a concept he already presented in 1968 at the defunct Red Garter Club. Harlow suggests the idea of filming the new performance and making a movie, which Masucci agreed to. But the idea garnered little feedback from club owners back then, who thought a Fania All-Stars night wouldn’t be profitable. Only Ralph Mercado, a successful Dominican impresario whose resume listed clubs like the recognizable Three-and-One (made popular in the late 1960’s by Richie Ray on his tune 3 and 1 Mozambique, and who at the time ran the Cheetah Club, was attracted by Masucci’s idea. Assuming he’d lose money on this bet, Mercado negotiated the final conditions: the gig would be on a Thursday and he’d keep the ticket revenues, which Masucci agreed to since no one else was buying.
On that night of August, a whopping 4,000 attended the show, doubling the club’s capacity, in addition to a large number of people who could not enter the venue, a line, that according to those who witnessed the event, stretched two blocks long. Masucci’s gamble was a total success… and the preface of bolder, bigger plans for Fania’s president.
This second volume of “Live at Cheetah” starts with an impromptu rumba jam where the chorus salutes a certain Ruben in the audience.The chant: A donde está Ruben, a donde está?) for years has been mistakenly credited as dedicated to Ruben Blades, who wasn’t even in New York at the time. The actual person referenced here is a dancer named Ruben Santiago. Then Harlow takes the microphone and introduces Richie Ray and Bobby Cruz to a standing ovation, as they perform their own song “Ahora Vengo Yo”, composed especially for this show, with Ray’s younger brother and trumpet virtuoso Ray Maldonado sitting in. “Estrellas de Fania”, which was actually that concert’s opener, introducing singers Adalberto Santiago, Hector Lavoe, Ismael Miranda, Pete El Conde Rodriguez and Santos Colón. (Note: the original LP notes credit the trombone solo to Reynaldo Jorge, but the actual soloist is Willie Colón)
“Que Barbaridad” is Miranda’s page in this songbook and it has its own story too—the band was having a hard time rehearsing this track earlier that day as Miranda had arrived to late to the sessions from the barber shop, which resulted in Pacheco dubbing him with the moniker El Niño Bonito, a curse that will mark Miranda forever. “Ponte Duro”, which became All Stars’ closing tune from that night on, is an open jam showcasing Roena’s skills on bongo. The lengthy “Macho Cimarrón” is a tour de force for El Conde’s prowess, with Pacheco, Harlow and Colón’s soloing as the icing on the cake. A reprise of the band’s intro theme brings this glorious night to its end.
1 of 2 copies, not identical.
www.discogs.com/Ravel-Werner-Haas-Alceo-Galliera-Monte-Ca...
Gramophone Review:
This _does not supplant the Collard/Maazel/ French National Orchestra performances of these pieces (HMV ASD3845, 6/80), which gained a Gramophone Record Award for 1980, but Haas and Galliera's interpretations have long been regarded as exceptional. When they first appeared, in 1970, Haas, a Gieseking pupil, was not well known, and surprise was expressed over the high quality of the Monte-Carlo orchestra's work. The pianist displays precise control throughout the G major Concerto, romantic feeling in some passages, and in others a pretty fair response to the jazz elements. A magical quiet is attained in the Adagio, while the finale is a true presto, yet very cleanly played. All this applies as much to the orchestra as to the soloist, and Galliera is most perceptive. The opening of the Lefthand Concerto was recorded with remarkable clarity for the period, and Haas's playing exhibits now electric precision, now tender sensuousness.
M. H.
The Transmat Records studio is located in Detroit's Eastern Market. Transmat is the imprint of Derrick May, one of the original producers of the Detroit Techno sound.
See also: Juan Atkins (Metroplex Records) and Kevin Saunderson (KMS Records).
Click here to see where this photo was taken.
.
www.discogs.com/Belgrado-Belgrado/release/2944359
[crop from photo taken with Rollei 35 SE + Ilford Delta 3200. slightly pushed] 31.01.2014. RSFBelgrado2
Mozart, Schubert, Brahms, Debussy - Inge Spinette & Jan Michiels Piano
www.discogs.com/Wolfgang-Amadeus-Mozart-Franz-Schubert-Jo...
Handel - 4 Organ Concertos - Gabor Lehotka Orgel Orgue, Budapest Strings, Karoly Botvay, Neues Bachisches Collegium Musicum, Max Pommer. www.discogs.com/Georg-Friedrich-H%C3%A4ndel-Les-Fleurs-4-...
Bach - Orgelbuchlein BWV 599-644 - Wolfgang Zered Organ Orgue. www.discogs.com/Johann-Sebastian-Bach-Wolfgang-Zerer-Orge...
Mendelssohn & Brahms - Violin Concertos op.64 & op.77 - Dmitri Sitkovetsky Violin, Academy St.Martin, Marriner. www.discogs.com/Dmitry-Sitkovetsky-Sir-Neville-Marriner-A...
Coldplay - LeftRightLeftRightLeft. www.discogs.com/Coldplay-Left-Right-Left-Right-Left/relea...
Gesualdo - Madrigali Libro I & III - Kassiopeia Quintet, Rare Record
www.discogs.com/release/23866397-The-Kassiopeia-Quintet-C...
www.discogs.com/release/23866643-The-Kassiopeia-Quintet-C...
Barbara Bonney - The Radiant Voice
www.discogs.com/release/11995963-Barbara-Bonney-The-Radia...
The Juliana Hatfield three - Become what you are
www.discogs.com/release/898757-The-Juliana-Hatfield-Three...
Second Viennese School - Schoenberg, Webern, Berg - Simon Rattle, EMI Box, Rare Record
www.discogs.com/release/18530953-Simon-Rattle-Schoenberg-...
Festival d'Opera Vol.2 & 3 - Mozart, Verdi, Catalani, Giordano, Puccini, Wagner, Beethoven, Rossini - Montserrat Caballe, Merella Freni, Kiri Te Kanawa, June Anderson, Placido Domingo, Luciano Pavarotti, Leo Nucci, Cecilia Bartoli, Joan Sutherland, Frederica von Stade, Jose Carreras, Rene Kollo, Giacomo Aragall, Not on D
Mozart, Debussy, Stravinsky - Girshenko & Belotserkovskaja,
Louis Toebosch - Maghet Uitvercoren - Kamerkoor Ad Parnassum, Rare Record
www.discogs.com/release/12113688-Louis-Toebosch-Kamerkoor...
The Muses Garden - Robert Jones, Emma Kirkby & Anthony Rooley, Not on D
Chant Gregorien - Dominica Resurrectionis - Nova Schola Gregoriana, Alberto Turco, Arion, Rare Record
www.discogs.com/release/11250977-Nova-Schola-Gregoriana-D...
Sacrum Chant - Missa in Gallicantu - The Tallis Scholars, Peter Phillips, Gimell
www.discogs.com/release/6357277-The-Tallis-Scholars-Peter...
Gregorian Chant - Tod & Auferstehung - Benediktiner Abtei Munsterschwarzach, Godehard Joppich
www.discogs.com/release/11509847-Benediktinerabtei-M%C3%B...
Berlioz - La Damnation de Faust, 400 Jaar Opera - Josephine Veasey, Nicolai Gedda, Jules Bastin, Richard van Allan, LSO & Chorus, Sir Colin Davis, 1 of 2 copies
www.discogs.com/release/14642529-H-Berlioz-Josephine-Veas...
Het mooiste uit 400 jaar Opera, not on D
La Chitarra Romantica - Italy - Vincenzo Saldarelli Guitar, Tiziana Tramonti Soprano, Alberto Bologni Violin, Olga Arzilli Viola, Christophorus World 1st Recording, Rare Record
www.discogs.com/release/19490314-Vincenzo-Saldarelli-Tizi...
Rodrigo - Conciertos - Pepe Romero Guitar, Academy St.Martin, Marriner, Philips, Rare Record
www.discogs.com/release/10637083-Pepe-Romero-Joaqu%C3%ADn...
Archirana, CEMDUC, Peru, Not on D
Musica de Roberto Carpio - Pontificia Universidad Catolica del Peru, Not on D
Ultimate Collection - Julian Bream & John Williams - Together, 2CD
www.discogs.com/release/2027397-Julian-Bream-John-William...
1 of 2 copies. www.discogs.com/Johann-Sebastian-Bach-Concertgebouw-Orche...
Bach - Chore & Chorale aus Matthaus-Passion Matthew Matthieu BWV 244 - Agnes Giebel, Marga Hoffgen, Marijke Smit Sibinga Cembalo Harpsichord Clavecin, Bernard Bartelink Orgel Organ OrgueNederlands Omroepkoor, Knabenchor Boyschoir Jongenskoor St.Willibrords-Kerk Amsterdam, Concertgebouw Orch., Eugen Jochum, Philips 802 786 LY
www.discogs.com/Various-Top-Ten-Classics/release/10050245. Mozart - Symphony No.40 KV550 - LSO, Colin Davis,
Bach - Suite No.3 BWV 1068 - Raymond Cohen Violin, Leslie Pierson Cembalo, English Chamber Orch., Raymond Leppard,
Bach - Suite No.2 BWV 1067 - Richard Adeney Flute, English Chamber Orch., Raymond Leppard,
Dvorak - Serenade in d op.44 - Dutch Wind Ensemble, Edo de Waart,
Beethoven - Symphony No.9 op.125 - Hilde Gueden, Aafje Heynis, Fritz Uhl, Heinz Rehfuss, Lamoureux Orch., Igor Markevitch,
Khachaturian - Gajane, Sabledance - Residency Orch., Witold Rowicki,
Rodrigo - Concierto de Aranjuez - Angel Romero Guitar, San Antonio SO, Victor Alessandro, Rachmaninov - Prelude op.3 No.2 - Siegfried Stockigt Piano, Leipzig RSO, Robert Hanell,
Albinoni - Adagio - Maria Teresa Garatti Orgel Organ Orgue, I Musici,
Saint-Saens - Danse Macabre op.40 - ConcertGebouw Orch., Bernard Haitink, Philips 6833 040
1 of 2 copies. www.discogs.com/Stefan-Askenase-Fr%C3%A9d%C3%A9ric-Chopin...
Gramophone review 1957:
If George Sand were comparing the above recordings in these columns, I am pretty certain she would root wholeheartedly for Mr. Askenase. His charmingly wayward performances suggest an eager female audience of another age, as easily melted by the hesitations as fired by the sudden bravura passages. For all I know, this is how Chopin himself played, and certainly Mr. Askenase conveys something of that improvisatory character of Chopin's playing of which so many of his contemporaries wrote. But no one would call him a virile pianist. In the very first waltz, the one in E flat, he broods over the music in gentle contemplation, and though I am quite sure the composer meant this piece to sound as elated and joyous as the pianist can make it, the effect is not unpleasant. I feel less enthusiasm for his slow tempo in the G flat (why, bless me, I can play it at that speed myself), for the staccato notes in the " alto " line of the posthumous D flat, and for his over-use of the soft pedal in the " Minute " waltz. Also he is inclined to use too much sustaining pedal, notably in the A minor. Frankly I prefer Rubinstein's more masculine approach and more controlled rhythm in these pieces ; not to mention his more assured technique. But if you like your Chopin capricious, Askenase is your man. The very last waltz of all is most exquisitely played, and indeed all through this disc there are moments of enchanting grace and poetic feeling that will, for many listeners, more than outweigh his rather flaccid attitude to the music as a whole. R.F.
www.discogs.com/Various-Muziek-Uit-De-Zeventiende-Eeuw/re...
Muziek uit de 17e eeuw - Sweelinck, Schutz, Buxtehude, Praetorius, Purcell, Lully, Charpentier - Willem Retze Talsma Orgel Bonifaciuskerk Medemblik, Regensburger Domspatzen, Hamburger Blaserkreis Alte Musik, Ulsamer Collegium, Hanns-Martin Schneidt, Helmut Tramnitz Compenius-Orgel Frederiksborg, Collegium Terpsichore, Fritz Neumeyer, Patricia Johnson, Margaret Baker, Margaret Lensky, Monteverdi Chor Hamburg, Kammerorchester NDR, Charles Mackerras, Paul Kuentz Chamber Orch., Adolf Scherbaum, MOW-004, DGG
www.discogs.com/Cappella-Amsterdam-Jan-Boeke-Hodie-Christ...
Anneke Boeke Renaissance Flute, Saskia van der Wel Violoncell JN le Clerc 1769Saskia Straver- Marineke Thissen- Marion van Zonneveld -Wilke te Brummelstroet- Yolanthe Schaap- Alide Verheij, Margriet Agricola -Kees Langeveld -Bouke Lettinga -Ruth Winsemius, Mark Howard-Willem de Jong- Ton Kluizenaar-Han de Roos, Keimpe Algra-Peter Booij- Willem Hering - Daniel Reuss, Kistorgel Grote Kerk Edam, Barend Smit & Matthijs Verhofstad & Flentrop, SCA 101-2 Digitaal
1 of 3 copies
www.discogs.com/Giuseppe-Verdi-Carlos-Kleiber-Ileana-Cotr...
Review:
The best Traviata on disc?
If not, it's within hailing distance. This set offers the best all-round combination of excellent sound, fine singing, and dynamic conducting. Ileana Cotrubas is a wonderfully spontaneous Violetta, conveying the passion and vulnerability of the character. Only Callas among her starry rivals on disc can match Cotrubas's emotional and vocal mastery here. Domingo sings with ardor, and Milnes uses his beautiful voice to good effect as Germont. But it's Carlos Kleiber's show, and that enigmatic conductor leads the most energetic Traviata since Toscanini. Tempos are fast, but his sense of theatricality is unerring--this is one of those studio recordings that captures the sense of being at the opera house listening to one of those rare performances when everything clicks.
Ileana Cotrubas will break your heart. Her sweet, silvery voice makes a delicate and touching Violetta. She sings a very sparkling and lovely "Sempre libera." Her voice is beautiful--far lovelier than Maria Callas's. And her interpretation of the role will leave you in tears, especially in her duets with Sherill Milnes' incomparable Germont. And in her "Addio del passato." Listen to the emotion in her voice when she reads Alfredo's letter....
Placido Domingo is the perfect Alfredo with his warm, romantic tenor voice.
Don't miss this one.
www.discogs.com/Ravel-Orchestre-De-Paris-Jean-Martinon-Al.... Bolero, Sheherazade, Scheherazade, Rhapsodie Espagnole, Rapsodie, La Valse, Daphnis et Chloe, Tzigane, Valses Nobles et Sentimentales, Ma Mere l'Oye, Le Tombeau de Couperin, Pavane pour une infante defunte, Alborada del Gracioso, Menuet Antique, Une Barque sur l'Ocean, Konzert fur die linke Hand, Left, Klavierkonzert G-Dur, Piano Concerto G Major, Marcel Galiegue, Michel Garcin-Marrou, Andre Sennedat, Jean-Claude Malgoire, Choeurs Theatre Nat. Opera Paris, Jean Laforge, EMI Electrola C 191-02 583/87Q. Rare Record
Duet – Doris Day And André Previn With The André Previn Trio
Vinyl LP (1962)
Label: Columbia
Catalog No.: CS 8552
Stereo
out-of-print
▶ Back cover: here.
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☞ Side 1
1. Close Your Eyes 3:07
2. Fools Rush In 3:50
3. Yes 3:24
4. Nobody's Heart 3:52
5. Remind Me 3:58
6. Who Are We To Say 2:58
☞ Side 2
1. Daydreaming 3:06
2. Give Me Time 3:27
3. Control Yourself 2:55
4. Wait Till You See Him 3:03
5. My One And Only Love 3:38
6. Falling In Love Again 2:52
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Vocals – Doris Day
Piano – André Previn
Bass – Red Mitchell
Drums – Frank Capp
Arrangements – André Previn
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▶ Doris Day (3 April 1922 – 13 May 2019) died last week at the age of 97. A very successful girl-next-door film actor, Ms. Day began her career as a big band singer. In the 1940s, she recorded two Top 40 hits with Les Brown and his Band of Renown.
She never discarded her singing career (even starring as a singer in Alfred Hitchcock's "The Man Who Knew Too Much"). In 1962, Ms. Day collaborated with pianist/arranger André Previn for a jazz album, "Duets" (named that despite a trio of piano/bass/drums backing her up).
Previn would soon thereafter become internationally regarded as a classical symphony orchestra conductor, but piano jazz remained a love for him. Here, he provides tasteful, cool accompaniment. As for Ms. Day, she's sweetly on point and closely-miked. Think June Christy but with less nudge-nudge-wink-wink.
An album comprising mostly standards, Duet's only clunker is a hackneyed show-tune-esque "Control Yourself," but one out of twelve ain't bad. Of those, standouts include "Falling in Love Again," "Close Your Eyes," and "Daydreaming" —itself like a distaff but booze-less "One More for the Road": ("Daydreaming, just daydreaming. Well it's kind of fun for one who's out alone").
Previn wrote the music and singer/songwriter Dory Langdon wrote its lyrics (and those of two other songs on the album). At the time, she was married to Previn. He was a cad. A few years later, he would cheat on her with Mia Farrow. Mr. Previn died earlier this year.
Rounding out the musicians are Red Mitchell on (do I have to say "acoustic"?) bass and Frankie Capp on drums. Mitchell was a studio musician and successful 'West-Coast' jazzman in his own right. Capp was a jazz timekeeper, first and foremost, but, to pay the bills, he also was a drummer in a loosely associated coterie of sought-after studio musicians for rock 'n' roll and Top 40 recordings during the 1960s-70s, later referred to as the "Wrecking Crew."
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▶ Photo by Yours For Good Fermentables.com.
▶ For a larger image, type 'L' (without the quotation marks).
— Follow on Twitter: @Cizauskas.
— Follow on Facebook: YoursForGoodFermentables.
— Follow on Instagram: @tcizauskas.
▶ Camera: Olympus Pen E-PL1.
▶ Commercial use requires explicit permission, as per Creative Commons.
www.discogs.com/release/10175369-Handel-Simon-Preston-Yeh... Handel - The Organ Concertos (Complete) - Simon Preston Orgel Organ Orgue, Colin Tilney, Valda Aveling Harpsichord Clavecin Cembalo, Bath Festival Orch., Yehudi Menuhin Festival Orch., Merchant Taylors' Hall, Queen Elisabeth Hall, Great Packington Parish Church Warwickshire, St.Paul's Girls School Hammersmith, EMI SLS 824, Box 4 Lp, 1968 1969 1970 1971
www.discogs.com/Johann-Sebastian-Bach-Karl-Richter-Passio...
1 of 4 copies, not identical
Bach - Passio Secundum Matthaeum - Matthaus Matthew St.Matthieu, BWV244 - Ernst Haefliger, Kieth Engen, Antonie Fahberg, Max Proebst, Irmgard Seefried, Herta Topper, Dietrich Fischer-Dieskau Bass, Walther Theurer, Wolfgang Haag, Edgar Shann,Kurt Hausmann, Otto Buchner, Oswald Uhl, Karl Kolbinger,Franz Ortner, Ekkehard Tietze, Hedwig Bilgram - Munchener Bach-Chor & Chorknaben & Orchester, Karl Richter, DGG Archiv Box 4Lp