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Consejo Directivo de la CAR. / Ago. 17, 2022. (Fotografía Oficial Ministerio de Ambiente y Desarrollo Sostenible / Emilio Aparicio Rodríguez).
Esta fotografía oficial del Ministerio de Ambiente y Desarrollo Sostenible está disponible sólo para ser publicada por las organizaciones de noticias, medios nacionales e internacionales y/o para uso personal de impresión por el sujeto de la fotografía. La fotografía no puede ser alterada digitalmente o manipularse de ninguna manera, y tampoco puede usarse en materiales comerciales o políticos, anuncios, correos electrónicos, productos o promociones que de cualquier manera sugieran aprobación por parte del Ministerio de Ambiente y Desarrollo Sostenible.
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Goodwill of Greater Washington ha
Goodwill of Greater Washington felt they were losing donations to scrappy upstarts. They wanted, through direct mail, to catch the recipients attention and remind them t
Goodwill of Greater Washington felt they were losing donations to scrappy upstarts. They wanted, through direct mail, to catch the recipients attention and remind them that Goodwill drop off spots were convenient located through the region. I wrote the copy and pulled together a collage of "junk"
Goodwill of Greater Washington felt they were losing donations to scrappy upstarts. They wanted, through direct mail, to catch the recipients attention and remind them that Goodwill drop off spots were convenient located through the region. I wrote the copy and pulled together a collage of "junk" to underscore it.
@rixtah - an instagram friend - noted this looks like a dude wearing a crown and directing traffic. I snapped it because of the crown. LOVE his take on the visual. Didn't see it until he did. Love it!
We send our Technician to exhibiting site and direct how install about our large animatronic dinosaur.
After our client see how we install large animatronic dinosaur, relatively simple to later maintain.
Direct intracoastal view from this updated 2 bedroom, 2 bath condo in North Palm Beach, FL. Ask for details!
After the successful initial test film, I was pleased to do a second film with my captivating year-1965 Leningrad camera equipped this time with a wide-angle lens Jupiter-12, direct descendant of the Carl Zeiss Biogon 1:2.8 f=3.5cm designed in the 30’s in Germany for the Zeiss Ikon Contax (see below for the details). The lens was fitted with a Hoya HMC anti-UV filter (40.5mm) for the first part of the film on February 10, 2025 and a Hoya Yellow x2 filter for the second part on Feb. 12, 2025. Since the viewfinder of the Leningrad is a bit narrower than the field of a 35mm lens, I used also the KMZ ( Красногорский механический завод, Krasnogorskiy Mechanicheskiy Zavod) multi-focal finder (left-handed version for the Zorki) to have as a reference the whole area covered by the lens.
I loaded the Leningrad with a Rollei RPX 400 film exposed for its nominal sensitivity of 400 ISO. The light metering was done using my external light meter Minolta Autometer III with the 10° viewer for selective metering privileging the shadows areas.
The Lugdunum Roman Theaters, February 12, 2025
Fourvière
69005 Lyon
France
After completion, the film was rewound and processed using 350 mL of Adox Adonal (Agfa Rodinal) developer prepared at the dilution 1+25 for 12min30 at 20°C.
Digitizing was made using a Sony A7 camera (ILCE-7, 24MP) fitted to a Minolta Auto Bellows III with the Minolta slide duplication accessory and Minolta Macro Bellow lens 1:3.5 f=50mm. The diffuse light source was a LED panel CineStill Cine-lite.
The RAW files obtained were inverted within the latest version available of Adobe Lightroom Classic (version 14.2) and edited to the final jpeg pictures without intermediate file. They are presented either as printer files with a frame or the full size JPEG's together with some documentary smartphone color pictures.
About the camera :
After several months, my local repair shop gave up to repair my first exemplary of Leningrad camera. I got that GOMZ Leningrad for less than the price of the lens (50€) a year ago (February 24, 2024, flic.kr/s/aHBqjBftyP) at the monthly collector meeting in Saint-Bonnet-de-Mure, near Lyon, France. I looked then again for a working one.
Leningrad’s are fascinating Russian range-finder 35mm camera’s produced in Leningrad (USSR) / Saint-Petersburg, from 1956 to 1968 at about 76.000 units. It is not really a rare camera but appears only from time-to-time in the classical collector’s networks.
The Leningrad camera project was developed by GOMZ company (ГОМЗ, Государственный оптико-механический завод, Ленинград = Gosularstvennyi Optiko-Mekhanicheskii Zavod =State Optical-Mechanical Factory), Leningrad, USSR. The Leningrad ’s were constructed to a very high degree of precision and likely the most advanced rangefinder ever made at that time in Russia. At the 1958 World Exposition in Brussels, the Leningrad was awarded the "Grand Prix de Bruxelles”. Modified Leningrads were also used in the Soviet space program. In addition to a complex parallax-compensated multi-focal (for 3.5, 5, 8.5 and 13.5cm) collimated system, the camera has a built-in spring-powered mechanical motor for an automated film advance after each view taken. The Leningrad monts the 39mm Leica-type thread lenses, especially of the Jupiter series of lens derived of classical Carl Zeiss lenses designed for the Contax (Biogon 3.5cm and Sonnar’s 5, 8.5 and 13.5cm).
In 1965, GOMZ became LOMO ( ЛОМО, Ленинградское oптико-механическое oбъединение (Leningradskoïe Optiko-Mekhanitcheskoïe Obiedinienie) that is still existing, producing instrumental optical devices (www.lomo.ru).
On eBay, I focused on a LOMO Leningrad year 1965 in working condition but without the original film plate. I got the camera for 130€ including the leather bag and a standard lens Jupiter-8 1:2 f=5cm. The seller adapted cleanly a different film plate that looked to work, but my idea was to use the camera back of my faulty Leningrad. This film plate may a precision glass plate special designed for optimum film transport and optical planarity. I received my new Leningrad on January 31, 2025 in good condition.
After a very careful inspection and a detailled cleaning, I decided to make a test film using a FOMAPAN 200 black-and-white film. On the Leningrad it is said that there is absolutely no way to check the correct film advance during the shooting session. The rewind should not be up since the mechanical forces induced would be too high for the spring-powered spooling barrel. The film should be also in a quality not too tight film cartridge and should be checked before use. This stressful machine should be manipulated with maximum care when not familiar with it.
About the lens LZOS Jupiter-12 :
I got this lens in collection, in June 2023 among a kit of optics for my Zorki-4K camera. The Jupiter-12 is a copy of the pre-war Carl Zeiss Biogon 3.5cm f/2.8 for the Contax that Russia produced since 1948 to around 1980. Biogon is of course a non-retro focus lens that penetrate deeply in the camera body with a protruding last glass element that should be protected with the special rear lens cap that came with. The lens was manufactured in 1975 by LZOS company (Lytkarinski Zavod Opticheskogo Strekla) the site company of KMZ, located in Lytkarino (Moscow region). It is an export version engraved « Made in USSR » on the aluminum barrel. The front lens is quite recessed and no additional shade hood is necessary.
These drawings showcase the use of block shapes. I also began to collage to introduce colour in to my project.
Again i was trying to capture movement and the passing of time in the first two drawings included in this slide. I think they were both successful in doing that. The collaged drawing has inspired a series of weave designs and showcases my colour palette for this project.
Mediums - Quink ink, pro marker and collage.