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i was a Sweet Transfestite from Transexual-vainia for Rocky
I think i might get back in the game (I lose)
I'm in a much better mood
i've been playing my guitar a lot more (Probably because i got a kick ass distortion pedal.)
Digitech Hardwire distortion+Dunlop Crybaby Wah= Orgasam
I'm finally 17
I'm getting my prescription glasses here soon
My birthday party is July 25
I'm getting Hookah and that makes me happy, i finally get to see what Taylor looks like when she has a Hookah buzz
Thank you
-Dr. Sam R. Perkins
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Organize e proteja seu setup com os Pedal Boards F!RE.
Disponível em 2 tamanhos, eles comportam de 8 (o pequeno) a 12 (o grande) pedais de tamanho padrão. A superfície é revestida em Velcro®, dando a perfeita fixação dos pedais à plataforma. Os Pedal Boards são produzidos em MDF*, por isso podem também ser perfurados para adaptações diversas de acordo com a criatividade e necessidade de cada músico e têm alças para facilitar o manuseio em palcos e estúdios. As plataformas têm perfil inclinado, facilitando o acesso aos pedais que forem colocados na parte de trás do setup.
Os Pedal Boards F!REvêm num bag luxuoso produzido com os melhores materiais disponíveis no mercado, proporcionando proteção, praticidade no transporte e maior durabilidade ao seu setup, com um visual muito mais estiloso.
*Medium-density fiberboard é um material derivado da madeira e é internacionalmente conhecido por MDF. Em português a designação correta é “placa de fibra de madeira de média densidade”.
Ibanez TS9 Tube Screamer
MXR EVH Eddie Van Halen Phase 90
Boss CE-5 Chorus Ensemble
DigiTech HardWire DL-8 Delay/Looper
Robert Keeley Boss TR-2 Mod Tremolo
Boss CS-3 Compression Sustainer
Boss TU-2 Pedal Tuner
Dunlop Crybaby 535Q Multi-Wah
ISRAEL FERREYRA - Guitar
BIOGRAPHY:
Born in April 18, 1985 in San Martin, Mendoza. He started to study music at the age of 13 with classical guitar for 6 years, then because of his musical preferences decided to purchase his first electric guitar. By not getting a proper teacher for the style and way of playing that he wanted (Heavy Metal), decides to base his studies in books and guitar clinics, becoming an autodidact. At 16 he had his first musical experience in a “Black Metal” band where he played the keyboard, then at the age of 17 plays as guitarist in a “Thrash Metal” band. Later he decides, with musicians from those bands, to form Nephelim, a “Power Metal” band in which he played several years until its dissolution. Since 2011 he is a member of the band “Blood Dress” where he plays the guitar.
BIOGRAFIA:
Nacido el 18 de Abril de 1985 en San Martín, Mendoza. Comienza sus estudios musicales a la de edad de 13 años con guitarra clásica durante 6 años, luego debido a preferencias musicales decide adquirir su primera guitarra eléctrica. Al no conseguir un profesor adecuado para al estilo y la forma de tocar que deseaba (Heavy Metal), decide basar sus estudios en libros y clínicas de guitarra, convirtiéndose en un autodidacta. A los 16 años tiene su primera experiencia musical en una banda de “Black Metal” donde ocupa el rol de tecladista. Luego, a la edad de 17 incursiona como guitarrista en una banda de “Thrash Metal”. Al pasar el tiempo decide junto con músicos de aquellas bandas formar “Nephelim”, banda de “Power Metal” donde toco varios años hasta su disolución. Desde el año 2011 forma parte de la banda “Blood Dress” donde se desempeña como guitarrista.
INFLUENCES / INFLUENCIAS:
Guitarists / Guitarristas:
Yngwie Malmsteen
Michael Romeo
Dimebag Darrell
Chuck Schuldiner
Christian Muenzner
Bands / Bandas:
Necrophagist
The Faceless
Obscura
Gorod
Spawn of Possession
Sleep Terror
EQUIPMENT / EQUIPAMIENTO:
Guitars / Guitarras:
Dean Razorback
Dean Dime
Jackson PS4
Bc Rich Warlock NT
Ovation Electroacustica Demented
Amplification / Amplificación:
Randall RH 100
Randall R412CX
Pedals / Pedales:
Boss GT 10-LS 2
Dunlop Dime Cry Baby From Hell
Line 6 DM4
Electro Harmonix Soul Preacher-LPB1
Marshall EH1
Korg Df10
Digitech Whammy
This is my current (and favorite) guitar & amplifier rig. The guitar is an Epiphone Sheraton II, which I've customized with gold Gibson speed knobs and a vintage amber switch cap. The signal then goes to a chain of stompboxes and pedals, in order: DigiTech Whammy -> Boss DD-3 or DD-6 (delays) -> Boss DS-1 Distortion -> Boss BD-2 Blues Driver (a more natural, tube-like overdrive). I use the "Crunch" channel on the amp for most of my distorted tones, but I'll use the DS-1 for lead sounds, and the BD-2 for slightly overdriven sounds. In the studio, I'll use either a DigiTech GNX300 or a DigiTech RP150 (shown here, kind of), for recording direct, though I prefer the Boss analog pedals for live use or mic'd recording. Eventually, I'll get a Boss ME-50, an all-analog stompbox type multi-effects floor processor, for convenience. Notice the lack of a chorus unit. The Whammy pedal generates a great sounding chorus effect on the "shallow detune" setting. The signal goes directly to the front end of the Rhino Tone Ranger amp. The amplifier is a 100 watt 2 X 12" dual channel combo, made by Rhino Guitar Amplification. Sadly, the company is no longer in business, and finding one of these is really rare. The factory used to be here in El Paso, and I remember going and watching them being put together and tested. I had always wanted one of these, and now I have my very own Rhino. This probably makes it a collector's piece, especially in the condition that it's in, but it just sounds too good to not play through it.
The primary difference between this version of my board and the last version is the Eventide ModFactor. After not very exhaustive non-scientific lab work, I determined it should go in the effects loop, rather than in front of the amp. Therefore, it needed to go on the top level, displacing the amp footswitch to the bottom level, where the Phase 90 used to be.
I'm about ready to sell every modulation pedal I own (and that is a good number of pedals). The ModFactor renders them obsolete. Sure, it's probably not a perfect clone of all of my old pedals, but it sounds great anyway. Man...I haven't heard flanging like this since the last time I hooked up my A/DA Flanger.
Next up (as soon as I can raise the funds by selling some of the aforementioned pedals), a PitchFactor!
Fender 60's Series Telecaster w/ Bigsby [Figsby]
Ibanez RG4EXFM1
Fender Twin Reverb '68 Reissue
Many pedals.
New @digitech Whammy Ricochet: triggered pitch sweeps! bit.ly/23d5eYT #musikmesse #musikmesse2016 #musikmesse16 #musikmessefrankfurt #effectsdatabase #fxdb #geartalk #gearphoria #iheartguitar #guitarnoize More from Musikmesse at bit.ly/1V6vClC, via Instagram: bit.ly/23d5gQs
I don't put too much about my music on Flickr because Flickr isn't a medium to share audio...but it is a huge part of my life and when I'm not out taking pictures I'm up in my room messing around with the six stringer...check out the notes to get a lil more technical....
As far as bands that I can tell that have had an influence on my style...the list would go something like this:
The Fall Of Troy
Don Caballero
The Mars Volta
At The Drive-In
Minus The Bear
Tera Melos
Frank Zappa
Botch
Rage Against the Machine
Hella
The Smashing Pumpkins
I'm trying to do more with some "minimalistic" ideals right now...I use my delay (looper technically) to throw some foundation out there and just start screwing around with some really simple crap that would sound boring were it not for some background noise (about as close as you can get to the idea behind Don Caballero)....
I suck at writing...there is a lot more I'd like to say and share with all of you but I guess thats why I'm a musician and not a writer!
Voted as no.6 for the best 101 stomp boxes of all time ever!...
It's a must have pedal...
For this subject, I used my high powered porta studio twin head kit.
About:
Subject: DigiTech Whammy Pedal
Strobist Info:
Inter fit INT182 EX150 MK II Home Studio Twin Head Kit;
1xTranslucent umbrella fired at 1/1 power set on top right side
1x 60 cm (24") soft box fired at 1/8 power set top left
Wireless Flash Trigger Receiver by BV&Jo
Camera Settings:
Camera: Sony Alpha DSLRA300K
Lens: Sigma 17-70mm f/2.8-4 DC Macro
Exposure: 1/10sec
Aperture: f/8
Focal Length: 28 mm
ISO Speed: 100
Program: Manual
current pedalboard setup is:
bass > sans amp bddi > ashdown compressor > xotic xblender (in) > (loop send) > morely dual bass wah > digitech whammy 4 > clone of boss sg-1 slow gear > frostwave funk-a-duck > (loop return) > xblender (out) > ashdown envelope filter > danelectro spring king > ernie ball vpjr 25k volume pedal > boomerang phaser sampler > aphex bass xciter > amp/pa
machine quilted w jacobs ladder by dave hudson from digitech designs
pattern inspired by cherry house quilts
Organize e proteja seu setup com os Pedal Boards F!RE.
Disponível em 2 tamanhos, eles comportam de 8 (o pequeno) a 12 (o grande) pedais de tamanho padrão. A superfície é revestida em Velcro®, dando a perfeita fixação dos pedais à plataforma. Os Pedal Boards são produzidos em MDF*, por isso podem também ser perfurados para adaptações diversas de acordo com a criatividade e necessidade de cada músico e têm alças para facilitar o manuseio em palcos e estúdios. As plataformas têm perfil inclinado, facilitando o acesso aos pedais que forem colocados na parte de trás do setup.
Os Pedal Boards F!REvêm num bag luxuoso produzido com os melhores materiais disponíveis no mercado, proporcionando proteção, praticidade no transporte e maior durabilidade ao seu setup, com um visual muito mais estiloso.
*Medium-density fiberboard é um material derivado da madeira e é internacionalmente conhecido por MDF. Em português a designação correta é “placa de fibra de madeira de média densidade”.