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This shows the difference after the FBA, notice the armhole shape hasn't changed it is just raised to a better position.
Our annual Women and Men Making a Difference Luncheon was held on October 9, 2015 at the Colville Community College. Tom Thelen, bullying prevention speaker, was this year's keynote. Tom also traveled to four schools to provide anti-bullying assemblies. The four schools (Wellpinit, Springdale, Valley and Colville) also received his book, DVD and curriculum. Wo+men Making a Difference raises funds for Rural Resources Victim Services and Kids First Children's Advocacy Center. Without the support of our community, we could not provide the breadth of services currently available. Thank you to all who support our mission of ending abuse in Stevens and Ferry Counties!
Rural Resources Victim Services' mission is to "create an abuse-free environment in Stevens and Ferry Counties." Rural Resources Victim Services offers advocacy to victims of domestic violence, sexual assault, child sexual abuse, elder abuse and all crimes. Rural Resources Victim Services also offers free prevention and awareness education to the public. www.ruralresources.org
Call for help 24 hours a day 1-844-509-SAFE(7233)
Differences Between Chickenpox and Bed Bugs t.co/TTIxWe1mFi (via Twitter twitter.com/bedbugexterm1/status/901130694428160001)
Wentworth Woodhouse
The Vanity of Small Differences
An exhibition by Turner-Prize-winning, Grayson Perry, one of the UK’s best-known artists,
The series of six large and exuberant tapestries are inspired by 18th-century painter William Hogarth’s A Rake’s Progress.
en.wikipedia.org/wiki/A_Rake%27s_Progress
Grayson created the tapestries after his 2012 Channel 4 TV series, All in the Best Possible Taste with Grayson Perry, which journeyed through Sunderland, Tunbridge Wells and The Cotswolds to explore the British fascination with class and what is – or isn’t – deemed good taste. The artist wove the characters, incidents and objects encountered along the way into his tapestries, which are now in the Arts Council Collection.
The tapestries hang in four of the mansion’s State Rooms.
wentworthwoodhouse.org.uk/whats-on/grayson-perry-exhibition
#Lamentation
by Grayson Perry
2012
The scene is the aftermath of a car accident at an intersection near a retail park.
Tim lies dead in the arms of a stranger. His glamorous second wife stands stunned and bloodstained amidst the wreckage of his Ferrari. To the right, paramedics prepare to remove his body. To the left, police and firemen record and clear the crash scene. Onlookers take photos with their camera phones to upload to the internet. His dog lies dead. The contents of his wife's expensive handbag spill out over a copy of Hello magazine that features her and Tim on the cover. At the bottom of Rogier van der Weyden's Lamentation (c.1460), the painting that inspired this image, is a skull, this has been substituted with a smashed smartphone, which refers back to the first tapestry in the series, where Tim reaches for his mother's phone. This scene also echoes the final painting of Hogarth's A Rake's Progress (1733), where Tom Rakewell dies naked in The Madhouse.
...between these two bits of BBC stock library footage used next to each other in the same news report about the credit crunch and mortgage defaults.
More here.
Wormholes vs Portals: What is the difference?
1 of 5:
Over the years I have taken well of 60,000 micro photos of pigment images embedded within the surfaces of stones from this Ancient North American Mound site, and initially the images are near impossible to decipher; some extremely clear and others not so much.
Then one day the images become clearer as soon as you realize that these images were not meant for us; perhaps the images on these stones were just like photos out of a modern photo album meant for only a select group of celestials; regardless, these images were only meant for those involved with the building, the functioning, and the eventual upkeep of these Energy Grid Mounds that exist across the globe. These images are so far removed from our modern field of experience; it is now clear that these images were not intended for our greater clarity and enjoyment; and perhaps because of my persistence, I just happened to have unintentionally stumbled upon these images eventually coming to understand them??? Perhaps finding these images is like going to an auction and purchasing a box of old photos of someone who recently passed away; and after going through the box of miscellaneous photos you slowly learn of a family's life you never never knew or had the opportunity to know before and eventually developing a familial connection with after studying the photos?
I intentionally tackled this image field first because it is the least clear, however perhaps the most important. The lower quadrant appears to be a "U" shaped 'arc' (segment of a circle/sphere) perhaps referring to the mound system on Earth?? In the lower apex of this 'arc' is what appears to be a sphere with a ring around it mirroring a gyroscope or perhaps the planet Saturn with the rings around it with luminescent figural symbols to the right of the sphere with rings. Just above and to the left of the Sphere with outer rings is a pyramid or perhaps a four-sided polygon (portal) with a portal appendage each marked with a series of micro symbols and ascending from the pyramidal polygon mirroring the portal/wormhole appendage in the previous micro photo in this series from the green glass/porcelain artifact.
This portal appendage appears to be entering a rotational circular entity from a slightly different perspective of the circular rotational entity found on the navigation stone (ref: navigation stone album). The image field then ascends to an elevated celestial orb following the directional passage through a secondary central bulge or pyramidal structure in the center of the circular rotation; perhaps referring to the center bulge of our galaxy like the center of a rotating wheel with spokes?
Is this micro diagram an instructional navigation map left on the peak of this mound for someone from this celestial sub-culture to find their way home???
Lets go to the next photo in this series of 5 ....Work in Progress
Just a thought.
North America, 35x's magnification
You’ve probably seen a number of different HTTP errors over the years while browsing the web: 401 Unauthorized, 403 Forbidden, 404 Not Found, 500 Internal Server Error, 503 Service Unavailable, and so on. But there’s a new error message that you probably haven’t seen...
www.solutionssquad.com/blog/what-is-error-451-and-how-can...
I am not used to editing my pics, though something had to go! I have not done a very good job at it, as I said, it's not something I tend to do!!!!!
You don't realise how big the Oasis of the Seas really is till you see her next to an average sized cruise liner.
This picture shows the difference in sice of the two Osmia females in my garden. They are nectaring on the same plant of Nepeta.
O.caerulescens is much smaller, but their descriptions from books are exactly the same:
Osmia aurulenta ♂ 7-10mm / ♀ 8-11mm
Osmia caerulescens ♂ 7-9mm / ♀ 8-11mm
borrowed a friends 5d mk ii, the first portrait I ever shot with a full frame sensor, what a difference.
Older legwarmer on the left, which gets floppy when worn. Newer legwarmer with tighter tension on the right, stays up all by itself. Loom knit. Yarn is Colinette Prism in the Lagoon colourway.
James Cole Jr., Deputy Secretary of Education, US Department of Education, delivers opening remarks.
Credit: POV / The American Documentary Inc.
Protester holds up a sign saying "No matter what our differences are, we are all Egyptians. We will complete our revolution and protect it! Victory or Martyrdom!"
thanks to FGR, a lot of my contacts have been doing "find the 6 differences" posts, so I thought I'd do one a little tongue in cheek... there are definitely AT LEAST 6 differences here!
so tell me, what differences do you see between Addy and Alex?
Created with fd's Flickr Toys.