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Whether efficient public transit, climate change, or air and water pollution, marginalized communities are regularly denied access to healthy environments. Differences in power and political voice create differential impacts of our changing environment—natural and built—on these communities, compromising access to basic necessities like clean water and breathable air. Legislation to redress these differential impacts requires policymakers to work hand in glove with the communities they represent.
Dr. Abdul El-Sayed - physician, epidemiologist, and newly appointed Director of the Wayne County Health, Human & Veterans Services Department, and a former Ford School Towsley Policymaker in Residence - for a conversation with policymakers at the intersection of social justice and environmental concerns. Dr. El-Sayed was joined by Congresswoman Rashida Tlaib and Michigan Senator Stephanie Chang (MPP/MSW '14) to reflect on their work to address environmental injustice in Michigan and beyond, and the challenges and opportunities ahead. for more info: Fordschool.umich.edu
If you live back east you will notice the ear size difference. Ours have longer ears for heat dissipation. A little different to have baby cottontails this late.
After the introduction of GST, indirect taxation policy of India will be subsumed under GST because a line of various taxes will be included in a single tax law which is GST (Goods and Service Tax).
Before GST, the main indirect taxations were VAT, Service Tax, Excise etc.
Where VAT is a tax which is added at every point, from production to the time of sale.
In this informative Video, you will find some details of GST VS VAT, Brief Summary of Both the Taxation Policy, Return to be Filed, Input Tax Credit etc.
For More Information Please Visit : blog.saginfotech.com/gst-vs-vat-differences
A tribute band with a difference King give Queen music a metal twist
Lead singer
Julien Jacquemond
Guitars
Adrien Bornand
Bass guitar
Brice Berrerd
Drums
Grégoire Galichet
Keyboard, vocals
Benjamin Dupré
Vocals
Camille Grimaud
Vocals
Marie Joannon
most events i attend in and around and associated with the bay area are all over flickr the next day. maybe it's just too early, but i'm a little disappointed. i didn't take any shots myself since we were standing on a porch with a bright light and there were street lights in the way. we could see the fireworks just fine, but it wouldn't have made for good photos.
i have a number of friends out on the playa this holiday but i'm on call and didn't have enough vacation time to go. i can't show you the pictures, but at least i can say *with certainty* our fireworks display was safer.
:-)
© Ania Domanska / transmediale
Moderator by Timothy Druckrey (us)
Discussion with Inke Arns (de), Wolfgang Ernst (de), Jussi Parikka (fi/uk) and Siegfried Zielinski (de)
With such an array of histories whirling through the media sphere over the past decades, it seems important to tackle some questions about how these methodologies have and are inflecting an equally wide range of artistic practices that incorporate, re-evaluate, rethink, spoof, or re-invent technologies under rubrics ranging from “archaeology” to “variantology”. This “Open Conversation” brings together a range of participants whose work traverses historiographic and contemporary curatorial practices that resonate with assessments and contributions to this debate. In a sphere with such varied approaches to artistic production – geneaologies, archaeologies, and other approaches to revive, extend, reconsider, etc., previous techniques or media – this “conversation” will attempt to bridge differences, clarify methodologies, and, most importantly, ask what is the relevance of all this historiography in the working spheres where art is being made.
1. I took these at 3 am. It's meant to portray how people see me and how I feel in actuality.
2. Key Element is Space
3. Key Principle is Movement
4. Basic edit, upped the contrast, edited out the wall texture
5. Infinite Depth
6. Direction of light is South, directly in front
7. Additional Notes: Self Timer is difficult to use.
Serge Spitzer 'Re/Search:Bread and Butter with the ever present Question of How to define the difference between a Baguette and a Croissant (II)', between 1995-2010, Palais de Tokyo, Paris
I think they may have been between exhibitions; they didn't have much art…
View above wallpapers in difference sizes visit - harekrishnawallpapers.com/sri-sri-radha-govind-close-up-i...
They say we're both football goals, but you know it's not the same. Somehow I just don't see this working out between us.
Differences between the Sigma 50mm 1.4 and the Canon 50mm 1.8.
I also realized that there is no good way to get a picture of the top of the lens without seeing yourself in there...so here is my SP for the week! Hehe!
Nome científico: Eustoma grandiflorum.
Família: Gentianaceae.
Nomes populares: lisianto, lisianthus, genciana-do-prado.
Etimologia: Lise e Anthos – flor de análise, a destruição – provavelmente associada a alguns dos princípios venenosos existentes em outras espécies da mesma família.
Origem: Estados Unidos.
Características gerais: planta herbácea bienal, de caule ereto, pouco ramificada, de 30 a 60 cm de altura. As flores são em forma de sino, simples ou dobradas e de diversas cores simples ou mistas, que ocorrem na primavera-verão. A folhagem é ereta, pouco ramificada e as folhas são oval-lanceoladas, opostas, de coloração verde acinzentada.
Condições de cultivo: devem ser cultivadas à meia-sombra, em solo fértil e enriquecido com matéria orgânica, com regas regulares. Apesar de serem plantas bienais, devem ser cultivadas como plantas anuais, pois perdem a beleza com o tempo. Exige clima mais ameno para desenvolvimento e tolera bem a geadas.
Propagação: por sementes.
Usos: comercializada como flor envasada ou flor-de-corte. Pode ser cultivada no jardim, em maciços ou bordaduras informais.
Curiosidades: pode apresentar três cores básicas: azul, rosa e branca. Há diferenças de preferência entre os mercados consumidores: o europeu prefere o azul-escuro, enquanto o japonês e o brasileiro preferem o branco com bordas azuis. As cultivares são divididas em flores simples e dobradas, sendo que o mercado europeu e o japonês preferem as flores simples, já o americano e o brasileiro, as flores dobradas. A cultivar Echo é a mais comum no Brasil.
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Scientific Name: Eustoma grandiflorum.
Family: Gentianaceae.
Popular names: lisianthus, lisianthus, gentian-the-meadow.
Etymology: Lise and Anthos - flower analysis, destruction - probably associated with some of the poisonous principle existing in other species of the same family.
Source: United States.
General Features: herbaceous biennial, erect stem, slightly branched, 30-60 cm tall. The flowers are bell-shaped, single or double and single or mixed different colors that occur in the spring-summer. The foliage is erect, little branched and the leaves are oval-lanceolate, opposite, gray-green color.
Culture conditions: they must be grown in dappled shade, in fertile soil and enriched with organic matter, with regular watering. Although they are biennial plants, must be cultivated annual plants such as beauty lost with time. Requires milder climate for the development and tolerate frost.
Propagation: by seed.
Uses: marketed as potted flower or flower cut-off. It can be grown in the garden, in solid or informal borders.
Trivia: You can have three basic colors: blue, pink and white. There are differences in preference among consumer markets: the European prefers the dark blue, while the Japanese and Brazilian prefer white with blue edges. Cultivars are divided into single and double flowers, while the European market and the Japanese prefer the simple flowers, as the U.S. and Brazil, the double flowers. The cultivar Echo is the most common in Brazil.
Il Danubio fa riflettere.
Il Danubio mi ha illuminata. In poco tempo, tante cose. Tante cose fantastiche. Tante cose orribili. Budapest è la città delle cose strane. Budapest è la città delle cose diverse. E' la città delle cose terribili e delle cose fantastiche.
Dove la povertà e la ricchezza si scontrano in quel grezzo e romantico scambio di battute fra lo smog e la pietra bianca usata nell'architettura di tutta la città.
Un'ora in barca. E la solitudine, l'amore, la ricchezza e la povertà si sono manifestate. Assieme, come in una visione.
Il suo smog non mi piace. E' tutto il resto che mi affascina e permea il sentimento che ho per lei di un scivoloso orgoglio che lascia l'amaro e il dolce in bocca. Come una torta al cioccolato e cianuro.
Vancouver East Side -------
infrared cuts through haze - darkens blue sky's - red colors are rendered white and a infrared picture is black and white COMPARE the two picture and see the difference
View above wallpapers in difference sizes visit - harekrishnawallpapers.com/jagannath-baladeva-subhadra-isk...
CONTAINS
[re]design
Ever thought about the ‘ingredients’ that go into making the stuff you invite into your home?
CONTAINS explored the stories behind the products we use every day – the people who make them, the materials they use, the energy consumed, the miles travelled – in an innovative, inspiring and accessible exhibition showing how design can make a difference.
CONTAINS housed 100 thought-provoking, sustainable designs from cutting-edge UK designers in shipping containers at Newcastle’s Monument – you couldn’t miss it!
Difference between Rational and Irrational Number can be expressed as a ratio of two integers. They can be in fraction, decimal or whole number from. Example of rational number:- 1/2, 3/4 , -7/2, 8/1. On the other side, irrational numbers are those numbers that cannot be expressed as a ratio of two integers. Example of irrational number: - √2, π, 5/0. Apart from definition, there are some other differences also, which are given as Rational numbers are all positive and negative fraction, including integer and improper fraction. An irrational number is a real number that cannot be written as a simple fraction.Rational number can be expressed as the ratio of two integers. An irrational number is any real number that is not rational.