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An Evening With Die Antwoord at the Nerdist theater at Meltdown Comics.
11.13.12
© Atrossity Photography
Picture shows: Skip & Die performing live at Huize Maas during the Eurosonic festival in Groningen, The Netherlands, January 10th 2013.
Write up and full photo gallery: www.dennisstempher.nl/?p=3721
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Der Bau der heute nicht mehr existierenden Eisenbahnverbindung von Berchtesgaden nach Schönau am Königssee, Ortsteil Königssee, deren Fertigstellung der 29. Mai 1909 war, ließ aufgrund der verbesserten Verkehrsanbindung eine Steigerung der Königsseebesucher erwarten. Die Zeit über die Einführung einer Motorschifffahrt zu entscheiden drängte.
Mit Zustimmung des Prinzregenten Luitpold bestellte der Obersthofmeisterstab im Januar 1909 vier Boote, nämlich ein Elektroboot und zwei mit Petroleum befeuerte Dampfmaschinenboote und ein kleines Elektroboot ausschließlich für Hofdienstzwecke.
Eröffnet wurde die Motorschifffahrt auf dem Königssee schließlich am 15. Juli 1909 mit dem von der Firma Siemens-Schuckert gelieferten Elektromotorboot Accumulator. Es fasste 38 Personen, war 12 m lang und 2,15 m breit. Der Bootskörper und die Kajüte waren aus Mahagoniholz. Die Motorleistung betrug etwa 15 PS. Die erforderliche Energie lieferte ein Bleiakkumulator, was bei einer Geschwindigkeit von 10 km/h einen Aktionsradius von rund 100 km ermöglichte. Einige Tage nach der Indienststellung der Accumulator wurden die beiden Dampfmaschinenboote Tristan und Isolde für je 18 Personen, 8,50 m lang und 1,75 m breit, gewassert. Das entsprechend seiner Bestimmung für hofdienstliche Zwecke hochherrschaftlich ausgestattete Elektromotorboot Gemse kam wenig später hinzu und war für 20 Personen bestimmt. Obwohl es zunächst für Hofdienstzwecke bestimmt war, wurde dieses Boot schon bald auch zur Fahrgastbeförderung eingesetzt. Die Motorbootzeit war damit auch am Königssee endgültig angebrochen, die Fahrzeiten über den See haben sich mehr als halbiert. Die Eröffnung der Motorschifffahrt auf dem Königssee brachte einen allgemeinen Aufschwung des Fremdenverkehrs. Weitere Elektromotorboote wurden angeschafft. Diese hatten sich wegen ihres ruhigen Dahingleitens, ihrer Abgasfreiheit und wegen der geringen Betriebskosten schon bald auf dem Königssee durchgesetzt. Die günstige Stromversorgung mit nächtlicher Aufladung der Batterien war durch den Bau der „Königssee-Eisenbahn“ möglich geworden.
Seit 1. April 1934 betreibt der Bayerische Staat die Schifffahrt auf dem Königssee in Eigenregie.
Die Tamoil 6 ein G1000BB, steht abfahrbreit mit die Rübenganzzug mit 20 Containerwagen bei die Rübernverlademachine.
Die Antwoord
Citysound 2014
Ippodromo del Galoppo, Milan Italy IT
20th June 2014
This image is copyright © Roberto Finizio. All right reserved. This photo must not be used under ANY circumstances without written consent.
for info and photos visit my website www.robertofinizio.it
Questa immagine è protetta da copyright © Roberto Finizio. Tutti i diritti sono riservati. L'immagine non deve essere utilizzata in nessun caso senza autorizzazione scritta dell'autore.
per info e materiale fotografico visita il mio sito www.robertofinizio.it
St Mary and St Peter, Barham, Suffolk
The large, combined village of Barham and Claydon sits to the north of Ipswich, as near to being a suburb as can be without actually joining on. It has two hilltop churches, half a mile apart at each end of the village, above the high street. St Peter, Claydon, the more southerly of the two, sits by bungalows, new housing and Claydon High School. But it was declared redundant in the 1970s, and Barham church, out on the western edge on the way to Hemingstone, serves the whole community alone. Its dedication of St Mary has been extended to include that of Claydon church.
The hilltop setting here is quite different to that of the church that formerly served the Claydon part of the parish. Here, the church is above the houses, above the village, in a vast open graveyard, one of the biggest in Suffolk. You climb the narrow lane up the hill, and then cross from the corner of the graveyard to the big church. There is a comfortable bulkiness to the church, the massive south tower forming a porch as many do in the Ipswich area. The southern face of it has been generously decorated with flushwork, the first indication of the thorough yet restrained 1860s restoration by Edward Hakewill. Curiously, the nave has a clerestory on the south side, but no aisle. The view from the west is singular, the tower/porch balanced across the stark western face of the nave by the modern meeting room on the highest point to the north. The early 16th Century terracotta window on the north side of the vestry was probably made at the same time as those of the original Shrublands Hall - there is another one in the church at Henley nearby. The reason for its location will be revealed inside.
At one time, Barham church was kept locked, and there was a very good reason for this, as we shall see. But CCTV has been installed, and since the end of July 2019 the church has been open every day. You step beneath the tower down into a richly coloured interior. Hakewill's restoration has been softened by the feel of the ritualism of the early part of the 20th century. The western end of the nave is raised and carpeted to form a baptistry, the font a 19th Century reimagining of the kind of wide fonts of the early 14th Century that you more commonly find outside of East Anglia, in areas where no 15th century wealth could provide a replacement.
As mentioned earlier, there is no south aisle, but the Middleton chapel forms a raised aisle on the north side of the church. The aisle was built by the custodians of Shrublands Hall, and what is now the vestry at the eastern end of the aisle was their chantry chapel, hence the placing of the terracotta window. The western end of the aisle has been enclosed by part of the 15th Century roodscreen, and between the two sits one of the most striking objects in any Suffolk church. This is the Claydon war memorial, a sculpture of the Madonna and Child, by Henry Moore. It was moved here under Moore's direction when Claydon church closed and the two parishes combined. It must have been quite something, getting it in and out the churches, up and down the hills. Mary sits patiently, quietly, her arms relaxed but encircling her son protectively, pondering things in her heart.
The chancel was largely rebuilt in the 19th century, and obviously designed for shadowy, ritualist worship. However, it still contains a tall mid-17th Century memorial with the recumbent figures of John and Margaret Southwell. If moving Henry Moore's work from one end of the village to the other in the 1970s seems an extraordinary feat, then consider the inscription on the Southwell monument, which reveals that this memorial is sente over from the cittie of Limrick Ireland by Sir Richard Southwell K second sonne of John Southwell of Barham Esq and Margrett his wife as a pious remembrance of them to be left to their posteri(tie) An Do 1640. She raises herself on one elbow, looking into the face of her husband who stares heavenward, holding a small skull in the left hand.
Enclosing the sanctuary, the communion rails are striking and memorable. They are richly carved with angels, sea creatures, flowers and fruit, and one panel is dated 1700. Mortlock thought they were probably Italian. Do they perhaps show another connection with Shrublands Hall? The glass is largely by Ward & Hughes for Hakewill's restoration, and if it is not exciting it contributes to a harmonious whole. The exception is a rather good window set high in the clerestory. The vinework suggests it is by Powell & Sons. It depicts Christ with his hand on the head of a small child, and remembers Henry Pye Phillips who died at the age of ten in 1895. Oddly, the glass is not glazed into the clerestory as you might expect, but set in front if it.
Barham church provides a stark contrast with the church at Claydon, now in the care of the Churches Conservation Trust, looked after but no longer home to a community. And half a mile to the south of Claydon church is a third church, St Mary Akenham, also now redundant and in the care of the Churches Conservation Trust. In contrast with its neighbours Akenham is a lost and lonely place, half a mile from the nearest road with only an abandoned farmhouse and a couple of cottages for company. As the survivor of the three, Barham church now serves a community of not far short of 4,000 people, and it is obvious to any visitor that is well-used and well-loved, a happy eventuality.
you can't remember who i once was, all you can recall is who i am now.
it's been a rough past 3 days... it hasn't been like this in a while. i can't even figure out what to do to make myself happy. a few weeks ago a girl told me she felt as if she had a connection with me. it turns out it's a girl who lives in my neighborhood. it feels good to talk to her sometimes because she knows exactly what's going on. but sometimes it's best to talk to someone with no idea whatsoever. i hate talking about feelings.
listen. makes me want to cry.
[june 29, 2010]
223/365
My attic/bedroom is a Man-Den and i have been sorting out display shelves etc for my die cast models.
Foto: Johannes Dietschi © Hochschulkommunikation ZHdK. Freie Verwendung im Rahmen von Ankündigung und Berichterstattung zur Produktion
A nossa estrela, o Sol, vai ter um fim tranquilo. Como o Sol é dotado de massa mediana em termos estelares, quando tiver consumido todo o seu combustível de hidrogênio, daqui a 5 bilhões de anos, as suas camadas mais externas vão se desprender e se dispersar, ao passo que o núcleo vai ficar cada vez mais compacto, até a estrela se tornar o que chamamos de anã branca – uma luz vagando no Cosmo. Text from terra.com.br