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I recommend zooming in with L or just tapping the picture on the phone to see the detail. Yee Haw!!!
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The scant remains of a pigeon in the churchyard at Steeple Claydon, Buckinghamshire. I guess due to a fox.
From latest wave of Chinese (SY) bootleg minifigures. This wave is great quality (relatively speaking) and you have to give them some credit for giving us some unique designs, some long wanted characters and great headgear.
This one is Galactus. This is my favorite of the 16 figures that came out in this recent SY wave. They even did a nice job on the face - his square-pupiled eyes showing perfectly through the helmet. The one on the right is how he comes. On the left, I swapped out for official Lego arms (SY arms have those broad shoulders).
We demolished the Maulers in the playoffs 7 - 1. It always feels good to beat them.
Doubly so in the playoffs.
26/08/2012
365 Days. Day 969
Year 3. Day 239
About Devour Phoenix:
Devour Phoenix is a citywide, non-profit coalition of select, independent restaurants operating under the Local First Arizona umbrella. Devour Phoenix is working to maintain a forum for sharing ideas, purchasing power, and marketing dollars to advance dining in the Phoenix area; create an image for Phoenix that is a respected destination for dining and culinary exploration; share resources to strengthen and grow restaurants in Phoenix; manage and host events such as culinary festivals and restaurant crawls that will strengthen business and build awareness for all Phoenix restaurants and identify and encourage the use of local agriculture and local artisans as a means for increasing sustainability in the region.
30" x 24" (no grout)
Gospel of Thomas (7)
Blessings on the lion if a human devours it, making the lion human.
Cursed is the human if a lion devours it, making the lion human.
Jean-Baptist Carpeaux
French, 1827-1875
Ugolino and His Sons, 1860, cast c. 1871
Bronze
The dramatic and macabra subject of this sculpture is based on a description found in Dante's Inferno, Ugolino, condemned to starvation, staves off hunger by devouring the bodies of his dead sons. The moment depicted is pregnant with tension and drama. Ugolino is in anguish as his sons desperately plead to sacrifice themselves rather than watch their father suffer. When the sculpture was made, the French Academy attacked Carpeaux's emphasis on the male nude, as well as the bizarre theme. The controversy around Ugolino boosted Carpeaux's career, leading to a number of prominent commissions and securing an ongion demand for reproductions of this work. A plaster version of the work is in the Reves Collection on the Museum's third floor.