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TVET Symposium 2019 : Developing Talent for the Digital Economy
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Integrity • Innovative • Sincerity • Perseverance • Collegiality
Universiti Malaysia Sarawak
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Developed by a sports enthusiast recovering from back surgery who was unable to reach for a drink without calling for help. The Hydrant's unique, one piece, cap/handle/clip attaches securely onto beds, chairs, wheelchairs, car seats, belts, rucksacks, bikes, desks, etc. giving the user instant access to fluids allowing them to drink at any time without assistance.
The 44" (112.6 cm) long tube with mouthpiece comes with a convenient clothing clip. Metric markings on the outside allow for easy and accurate monitoring of fluid intake.
1 liter plastic bottle; dishwasher safe (bottle and lid only).
www.maddak.com/the-hydrant-p-27999.html?osCsid=ls1ldvolvd...
Developed in conjunction with Around the Table, the San Jose Museum of Art's community initiative, Sip. Do Not Gulp. examines the interconnectedness of food and water throughout Santa Clara Valley's long history. Created by Bay Area artist Michele Guieu, the site-specific installation calls attention to the shifting patterns and practices of water usage in this area. Once an abundant resource, agricultural development, population increase, and urban sprawl have placed stress on fresh water availability. Comprised of a painted mural, a documentary video, and a symbolic acorn "rug," Guieu highlights the preciousness of water as a local resource and draws salient connections to food production in this region: if there is no water, there is no food.
the de Saisset Museum
Santa Clara university
Santa Clara, CA.
January 17 - March 16, 2014
Exhibition Reception February 13, from 7:00 to 8:30pm.
www.scu.edu/desaisset/exhibitions/Food-and-Water.cfm
Also on view:
A Serving of Shapes: An Exploration in 3D Printing by Corinne Takara
- See more at:http://www.scu.edu/desaisset/exhibitions/servingshapes.cfm
TVET Symposium 2019 : Developing Talent for the Digital Economy
Like • Share • Follow
#UNIMASofficial
#UNIMAS
Integrity • Innovative • Sincerity • Perseverance • Collegiality
Universiti Malaysia Sarawak
more info : www.unimas.my
facebook: www.facebook.com/UNIMASofficial
twitter : www.twitter.com/UNIMASofficial
Instagram : www.instagram.com/unimasofficial_instagram
Youtube : www.youtube.com/UNIMASofficialMedia
Flickr : www.flickr.com/UNIMASimage
Appster
Level 2, 377 Lonsdale Street
Melbourne, Victoria, Australia 3066
1800 709 291
Appster is Australia's fastest growing App Development company. With offices in 3 continents from Melbourne to New York we have a focus on working with people with incredible ideas.
Twitter; twitter.com/Appsterhqusa
Facebook: www.facebook.com/pages/Appster-News/901576756535779
Linked in: www.linkedin.com/company/appster
Google Plus Page : plus.google.com/117177620319268457969/posts
Dribbble: dribbble.com/Appster
These thunderstorms are commonin the tropics, but most of them pass you by without so much as a drop of rain. Mountainous islands cause updrafts, so they get more clouds than low islands or open sea.
TVET Symposium 2019 : Developing Talent for the Digital Economy
Like • Share • Follow
#UNIMASofficial
#UNIMAS
Integrity • Innovative • Sincerity • Perseverance • Collegiality
Universiti Malaysia Sarawak
more info : www.unimas.my
facebook: www.facebook.com/UNIMASofficial
twitter : www.twitter.com/UNIMASofficial
Instagram : www.instagram.com/unimasofficial_instagram
Youtube : www.youtube.com/UNIMASofficialMedia
Flickr : www.flickr.com/UNIMASimage
The Fairchild Republic A-10-C Warthog The Thunderbolt II is an American twin-engine, straight wing jet aircraft developed by Fairchild-Republic in the early 1970s. It entered service in 1976, and is the only United States Air Force production-built aircraft designed solely for close air support, including attacking tanks, armored vehicles, and other ground targets.
The A-10 was designed around the 30 mm GAU-8 Avenger rotary cannon that is its primary armament. The A-10's airframe was designed for durability, with measures such as 1,200 pounds (540 kg) of titanium armor to protect the cockpit and aircraft systems, enabling it to absorb a significant amount of damage and continue flying. Its short takeoff and landing capability permits operation from airstrips close to the front lines, while its simple design enables maintenance at forward bases with limited facilities.[4] The A-10A single-seat variant was the only version built, though one A-10A was converted to an A-10B twin-seat version. In 2005, a program was begun to upgrade remaining A-10A aircraft to the A-10C configuration.
The A-10's official name comes from the Republic P-47 Thunderbolt of World War II, a fighter that was particularly effective at close air support. The A-10 is more commonly known by its nicknames "Warthog" or "Hog". Its secondary mission is to provide forward air controller - airborne (FAC-A) support, by directing other aircraft in attacks on ground targets. Aircraft used primarily in this role are designated OA-10. With a variety of upgrades and wing replacements, the A-10's service life may be extended to 2028.
Developed Ideas for my A2 product design course. These drawings are for the second page of the Alice in wonderland pop-up book.
Developed at UCI, the Student Leadership Institute for Climate Resilience (SLICR) is a three-day residential intensive that provides participants with an overview of some of the major challenges and opportunities we face in building community climate resilience, as well as tools for action.
Developed in conjunction with Around the Table, the San Jose Museum of Art's community initiative, Sip. Do Not Gulp. examines the interconnectedness of food and water throughout Santa Clara Valley's long history. Created by Bay Area artist Michele Guieu, the site-specific installation calls attention to the shifting patterns and practices of water usage in this area. Once an abundant resource, agricultural development, population increase, and urban sprawl have placed stress on fresh water availability. Comprised of a painted mural, a documentary video, and a symbolic acorn "rug," Guieu highlights the preciousness of water as a local resource and draws salient connections to food production in this region: if there is no water, there is no food.
the de Saisset Museum
Santa Clara university
Santa Clara, CA.
January 17 - March 16, 2014
Exhibition Reception February 13, from 7:00 to 8:30pm.
www.scu.edu/desaisset/exhibitions/Food-and-Water.cfm
Also on view:
A Serving of Shapes: An Exploration in 3D Printing by Corinne Takara
- See more at: www.scu.edu/desaisset/exhibitions/servingshapes.cfm
On December 24, 2024, I picked up my venerable Leica M3 year 1956 (see below for details) for a photowalk in Lyon city, France. I went to Fourvière, enjoying a not too cold (6°C) and clear sunny weather.
My Leica was loaded with a 36-exposure Ilford HP5+ film. I equipped the Summicron 2/5cm lens with a Hoya HMC AUV screw-on 39mm protective filter plus the Leitz shade hood for all indoor scenes, and outdoor I mounted a push-on 42mm FOCA (France) Yellow x2.5 filter and a generic cylindrical stainless steel hood that, unfortunately, induced some vignette if not perfectly aligned, that should be corrected during the processing). I should find a 39mm screw-on filter more safe to use with my Summicron 2/5cm,
Expositions were determined for the indicated 400 ISO (28 DIN) using an Autometer III Minolta light meter fitted with a 10° finder for selective measurements privileging the shadow areas and erected for the filter absorption if any.
The outside temperature was about 6°C with a bright sunny weather in the afternoon. Typically exposures outdoor were made at 1/250s with apertures ranging from f/8 to 11 and 1/50s or 1/25s at full aperture f/2 or f/2.8 indoor.
Documentary smartphone picture
La Saône et la Croix Rousse au Pont Bonapartre, December 24, 2024
69005 Lyon
France
After exposure, the film was processed in Adox Adonal (Agfa Rodinal) developper at dilution 1+25 and 20°C for 6 min. The film was then digitized using a Sony A7 body fitted to a Minolta Slide Duplicator installed on a Minolta Auto Bellows III with a lens Minolta Bellow Macro Rokkor 50mm f/3.5. The RAW files obtained were processed without intermediate files in LR and edited to the final jpeg pictures. All views of the film are presented in the dedicated album either in the printed framed versions and unframed full-size jpeg accompanied by some documentary smartphone Vivio Y76 color pictures.
About the camera and the lens :
This Leica M3 circa 1956 (Ref. Leitz ISUMO), double stroke, was sold to me with a Leitz Wetzlar Summicron collapsible normal lens 1:2 f=5cm of the same period equipped with a 39mm screw-on protective filter, a 42mm push-on Leica lens cap and an original Leitz shade hood (Ref. Leitz IROOA).
The camera was serviced in Paris, France, in 2018 by Gérard Métrot at Photo-Suffren, (a Leica boutique) who worked on the maintenance of camera's of famous French photographers as Henri Cartier-Bresson and Robert Doisneau. The camera was inspected by Odéon-Photo, Paris, another historic Leica place in Paris, in April 2024.
I sourced at the same time in Germany a stunning Leitz Leica leather bag (Ref; Leitz IDCOO) of the same model that appeared on the back cover page go the Leica brochure year 1954. This bag can accommodate the camera and a mounted Leica-Meter type M. The interior in covered with a carmin velvet in perfect condition.
The Leica M3 is one of the most iconic range-finder 35mm camera of the 50's and the 60's. It was produced in Wetzlar, Germany, in different versions at 226178 exemplars, between 1954 (n° 700000) and 1966 (n° 1164865, www.summilux.net/materiel/Leica-M3) . The Leica M3 was the result of the study of a "super-Leica" that was started before WWII and only achieved in the 50'S.
The greater improvement of the M3 compared the classical Leica's was in a magnificent and very complex range-finder combined to the view finder permitting the framing with the two eyes open, integrating the frame in the real and normal vision. The shutter integrates too the normal and the slow speeds in the same barillet. The film advance of this version of Leica M3 is also the typical "double-stroke" advance that was exclusive to the Leica M3 first versions.
The camera was transported to me from Paris to Lyon, France on April 26, 2024 and the bag arrived the day after.
Banner interativo "Quebrando Barreiras".
Rafael Miza: Direção de arte.
Marlon Lemes: Design de interface | Flash + Actionscript 2.
Marcus Vinicius: Vídeos/Animação.
Agência: TA Comunicação. 2010.
We are developing a beer-tasting experience for the Tasting Table. These pictures are of our second tasting with the prototype of our beer tasting wheel and local brewery Steelbender.
Not that rainbows are very spectacular in black and white, but... :) Ilford HP-5 400, Developed in Kodak XTol.
On December 24, 2024, I picked up my venerable Leica M3 year 1956 (see below for details) for a photowalk in Lyon city, France. I went to Fourvière, enjoying a not too cold (6°C) and clear sunny weather.
My Leica was loaded with a 36-exposure Ilford HP5+ film. I equipped the Summicron 2/5cm lens with a Hoya HMC AUV screw-on 39mm protective filter plus the Leitz shade hood for all indoor scenes, and outdoor I mounted a push-on 42mm FOCA (France) Yellow x2.5 filter and a generic cylindrical stainless steel hood that, unfortunately, induced some vignette if not perfectly aligned, that should be corrected during the processing). I should find a 39mm screw-on filter more safe to use with my Summicron 2/5cm,
Expositions were determined for the indicated 400 ISO (28 DIN) using an Autometer III Minolta light meter fitted with a 10° finder for selective measurements privileging the shadow areas and erected for the filter absorption if any.
The outside temperature was about 6°C with a bright sunny weather in the afternoon. Typically exposures outdoor were made at 1/250s with apertures ranging from f/8 to 11 and 1/50s or 1/25s at full aperture f/2 or f/2.8 indoor.
Théâtres Romains à Fourvière, December 24, 2024
69005 Lyon
France
After exposure, the film was processed in Adox Adonal (Agfa Rodinal) developper at dilution 1+25 and 20°C for 6 min. The film was then digitized using a Sony A7 body fitted to a Minolta Slide Duplicator installed on a Minolta Auto Bellows III with a lens Minolta Bellow Macro Rokkor 50mm f/3.5. The RAW files obtained were processed without intermediate files in LR and edited to the final jpeg pictures. All views of the film are presented in the dedicated album either in the printed framed versions and unframed full-size jpeg accompanied by some documentary smartphone Vivio Y76 color pictures.
About the camera and the lens :
This Leica M3 circa 1956 (Ref. Leitz ISUMO), double stroke, was sold to me with a Leitz Wetzlar Summicron collapsible normal lens 1:2 f=5cm of the same period equipped with a 39mm screw-on protective filter, a 42mm push-on Leica lens cap and an original Leitz shade hood (Ref. Leitz IROOA).
The camera was serviced in Paris, France, in 2018 by Gérard Métrot at Photo-Suffren, (a Leica boutique) who worked on the maintenance of camera's of famous French photographers as Henri Cartier-Bresson and Robert Doisneau. The camera was inspected by Odéon-Photo, Paris, another historic Leica place in Paris, in April 2024.
I sourced at the same time in Germany a stunning Leitz Leica leather bag (Ref; Leitz IDCOO) of the same model that appeared on the back cover page go the Leica brochure year 1954. This bag can accommodate the camera and a mounted Leica-Meter type M. The interior in covered with a carmin velvet in perfect condition.
The Leica M3 is one of the most iconic range-finder 35mm camera of the 50's and the 60's. It was produced in Wetzlar, Germany, in different versions at 226178 exemplars, between 1954 (n° 700000) and 1966 (n° 1164865, www.summilux.net/materiel/Leica-M3) . The Leica M3 was the result of the study of a "super-Leica" that was started before WWII and only achieved in the 50'S.
The greater improvement of the M3 compared the classical Leica's was in a magnificent and very complex range-finder combined to the view finder permitting the framing with the two eyes open, integrating the frame in the real and normal vision. The shutter integrates too the normal and the slow speeds in the same barillet. The film advance of this version of Leica M3 is also the typical "double-stroke" advance that was exclusive to the Leica M3 first versions.
The camera was transported to me from Paris to Lyon, France on April 26, 2024 and the bag arrived the day after.