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Copyright © Kevin Cooper Photoline NUJ: Making Planning Work: Working with developers, meeting communitiesâ great expectationsâ on Wednesday 17 May 2017 in Riddel Hall, Queenâs University Belfast, Stranmillis. Seamus McKee, BBC Radio Ulster, Chairmanâs Welcome to Session One, Expectation and reality: where are we now? Alderman Jim Dillon, Chair, NILGA Planning Working Group, speaking on View from the Councils: Balancing the needs of developers and communities. Angus Kerr, Director of Planning Policy, Department for Infrastructure, speaking on View from the Department: Does planning practice within the 11 councils match government expectations? Richard Harwood OBE QC, Barrister, 39 Essex Chambers speaking on Great Expectations Part 1: How Councils can deal with developers and communities. Great Expectations Part 2: The stakeholder perspective: Colm Bradley, Director, Community Places, Conor Mulligan, Managing Director, Lagan Homes (NI), and John Armstrong, Managing Director, Construction Employersâ Federation. Voices from the floor & panel discussion: Angus Kerr, DFI, Richard Harwood, OBE QC, 39 Essex Chambers, Colm Bradley, Community Places, Conor Mulligan, Lagan Homes (NI), and John Armstrong, CEF, followed by Coffee Break and opportunity to network. Session Two âExpectations for the future: how do we get thereâ? Karen Blair, Managing Director, Cleaver Fulton Rankin, and Paul Duffy, Head of Planning, Mid and East Antrim Borough Council, speaking on Vision and Compliance: Key Issues. Emma Walker, Director, Turley and Phil Williams, Director of Planning and Place, Belfast City Council, speaking on Developer Contributions and Section 76: Policy and Practice. Karen Blair, Cleaver Fulton Rankin, Paul Duffy, Mid and East Antrim Borough Council, Emma Walker, Turley, Phil Williams, Belfast City Council, speaking on Voices from the floor & panel discussion. Derek McCallan, Chief Executive, Northern Ireland Local Government Association, speaking on Seminar outcomes: resolution and follow-up. Failure remarks by Seamus McKee.
Mixed at 1+9, I use 50ml developer to 450ml water when developing 120 film. The stuff can be nasty so be careful with it. Wash your hands regularly and if you're a clumsy oaf, get some glasses or safety specs on.
I'm usually pretty careful so have a bit of a cavalier attitude when mixing.
Link to chemistry stuff I use: www.patersonphotographic.com/patersondarkroom.htm
I decided to compare the four different film developers I've got in stock. They are: HC-110 (dil. B), Pyrocat HD (1+1+100), Rodinal (1+50), and Xtol (replenished stock). This is a comparison of the results. Can you tell which is which? All times were taken from the Massive Dev Chart. Scanned in Vuescan with the multi exposure option checked.
In order, they are:
Top left: Kodak HC-110 (B)
Top right: Agfa Rodinal (1+50)
Bottom left: Pyrocat HD
Bottom right: Kodak Xtol (replenished)
Taken at the Pennsylvania Military Museum in Boalsburg, PA.
Camera: Hasselblad 500C/M
Film: Ilford HP5+
FuGenX Technologies is a web and mobile apps development company Delhi, working on both native and hybrid app development. They provide services on various platforms like Android, iOS, Windows, BlackBerry.
Dreamforce 2011, Salesforce.com's user and developer conference at the Moscone Convention Center in San Francisco held from August 30 to September 2, 2011. (© Photo by Jakub Mosur)
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This little house is within a mile of The ReBuilding Center in Portland, Oregon, which could have hand-dismantled the whole house and saved most of the parts. The developer chose instead to knock it all over and send it to the dump. They're not even sorting or recycling it. Grrrrrrr.
Graflex Speed Graphic 2 1/4" x 3 1/4" (6x9), Kodak Ektar f 4.5/101mm lens. ADOX CHX 25 film.
Developer test, no differences in exposure.
Upper negative: Caffenol-C, 15min. (agitation 3x/min).
Lower negative: Caffenol (no C), 35min. stand development.
Copyright © 2012 fotosnostock.com
Safari 4 is slightly faster than Chrome 4, at least on my machine, but Chrome has a WONDERFUL Developer Tools GUI that I really like. (Safari's got something similar, but I prefer Chrome's)
Safari has better integration with contextual menu tools, bookmarks management, etc.
Chrome has a really small CPU footprint and is fast and clean UI.
Competition is good for all of us.
You can make T-H-I-S much money on the Ribbit Platform. Sunday, March 16, 2008 - developer.ribbit.com
There has been an underlying assumption that because humans are so inherently flexible and adaptable, it is easier to let them adapt themselves to the machine, rather than vice versa.
Developers traditionally have been more comfortable working with the seemingly ‘‘black and white,’’ scientific, concrete issues associated with systems, than with the more gray, muddled, ambiguous issues associated with human beings.
Developers have historically been hired and rewarded not for their interpersonal, ‘‘people’’ skills but for their ability to solve technical problems.
The most important factor leading to the neglect of human needs has been that in the past, designers were developing products for end users who were much like themselves.
There was simply no reason to study such a familiar colleague.
Jeff Rubin, Dana Chisnell, "Handbook of Usability Testing"
Maybe it would have been better not to ask for this question: « what’s new do you have at the moment?» to my local photo store, because Christine grab underneath the counter, stating « I have that … » . What a beast ! A Nikon F4 in the exact state of the Nikon brochure year 1990, presented with the standard AF Nikkor 1:1.4 f=50mm. I was already hooked by the machine. After two days, I decided to buy it even with some little common issues found on early Nikon F4 (see below), fortunately not affecting the whole, numberous functions of this incredibly complex professional SLR of the year 1990’s.
Nikon F4 came to the market on September 1988 starting with the serial number 2.000.000. Fully manufactured in Japan (modules came from 3 different Nikon factories) the F4's were assembled in Mito, Ibaraki (North to Tokyo) Nikon plant (no more in the mother factory of Tokyo Oi like the Nikon’s F). When I lived in Tokyo in 1990-1991, Nikon F4 was the top-of-the-line of Nikon SLR camera’s. I saw it in particular in Shinjuku Bic Camera store when I bought there, in December 1990 my Nikonos V.
Nikon F4 incorporates many astonishing engineering features as the double vertical-travel curtain shutter capable of the 1/8000s. Compared to the Nikon F3, the F4 was an AF SLR operated by a CCD sensor (200 photo sites). The film is automatically loaded, advanced with to top speed of 5,7 frame/s !! With the MB-21 power grip (F4s version). The F4 is a very heavy camera (1.7kg with the AF Nikkor 1.4/50mm), incredibly tough and well constructed. This exemplary is devoid of any scratches or marks, and in a condition proving that it was not used for hard professional appliances, for those it was however intended. The camera has still it original Nikon neck strap, the original user manual in French. The lens is protected by a Cokin (Franc) Skylight 1A 52mm filter and the original Nikon front cap. The two small LCD displays (one on the F4 body, one in the DP-20 finder) are both affected by the classical syndrome of « bleeding ». Fortunately, all information could still be read. One says that 70% of the early Nikon F4 suffer from this problem but also found on other models.
According its serial number and the production rate of about 5000 units/month, this Nikon F4s was probably manufactured in Mito, Ibaraki, Japan in May 1989.
After a carefully study and complete detailing of the beast, I did a test film.
The camera was loaded with a FOMAPAN 200 exposed for 160 ISO, using the various exposing modes found very consistent with the reading of my trusted Minolta AutoMeter III external lightmeter. The Nikon F4 is incredibly confortable in hands despite its weight. Every function are precise and accurate. It's a real joy to use.
"La Vogue des Marrons" ** ,November 3, 2024
Boulevard de la Croix Rousse
69004 Lyon
France
** About "La Vogue des Marrons" : *About "La Vogue des Marrons":
"La Vogue des Marrons" is a traditional Lyon funfair and a major event in Croix-Rousse district, from October to mid-November. Installed every year for about a month, it is the latest fashion of the year, and extends over a good part of the Boulevard de la Croix-Rousse, the entire Place de la Croix-Rousse and Place des Tapis, and blocks the exit from the rue Terme tunnel. This is a perfect occasion to taste the first grilled chestnuts of the year there. Born more than 150 years ago, it has become a Lyon tradition alongside the food market, traboules or authentic bistros.
After completion, the film wasrewound (in the manual mode to keep the film leader outside the cartridge), and developed using 300 mL of Adox Adonal (Agfa Rodinal) developer prepared at the dilution 1+50 for 10min at 20°C.
Digitizing was made using a Sony A7 camera (ILCE-7, 24MP) held on a Minolta Auto Bellows with the Minolta slide duplication accessory and Minolta Macro Bellow lens 1:3.5 f=50mm. The light source was a LED panel CineStill Cine-lite.
The RAW files obtained were inverted within the latest version of Adobe Lightroom Classic version 14 and edited to the final jpeg pictures without intermediate file. They are presented either as printed files with frame or the full size JPEG's together with some documentary smartphone color pictures.
Ilford ilfospeed multigrade developer. Half 5 litre bottle 10 years old ( opened 10 years ago). 100ml developer 900ml water at 26C. 4 minutes continius agitating the tray. Normal stop and fix.
Paper Kodak polycontrast 8x10. Film FP4. Camera Mamiya C220 lens 105mmDS wilth yellow/green filter.
Because Cabinet won the International Design Competition at the Third Conference on Appliance Design, 3AD, I created a little gift for my two big developers in this pod(casting)ready custom-made iPod Shuffle with Cabinet logo on it.
Video game and virtual reality (VR) developers will soon benefit from an increased tax credit for the interactive digital media industry in B.C.
“Video games are big business in our province, supporting thousands of jobs,” said Premier David Eby. “We want to keep growing our tech sector to create even more opportunity for British Columbians. This tax credit will help game developers hire, attract new investment and keep building some of the best games in the world.”
Learn more: news.gov.bc.ca/32545
Hidden Brains review by Mr. Marc Nobel from Germany, sharing his experience about his iPhone App & PHP based Automobile Website, developed by expert and dedicated iPhone App developers and PHP Developers of HiddenBrains Infotech.
Flex Crash Course led by Adobe's Ted Patrick at the Ribbit Spawn- Sunday, March 16, 2008 - developer.ribbit.com