View allAll Photos Tagged develope
Busto Arsizio Luglio 2022
Olympus OM-2n
Olympus Zuiko OM Zoom 28-48 mm f4,0
Fomapan 100
R09 Studio 1+31 x 10 min
Roma - scorcio urbano
Maggio 2023
Olympus 35 RD
F.Zuiko 40mm f1,7
Kentmere 400@640
R09 Studio 1+30 x 10 min
Busto Arsizio
Febbraio 2019
Leica CL
Summicron-c 40mm f2
Ilford FP4+
Studional 1+31 x 7 min
Album flic.kr/s/aHsmacWJEg
Roma - scorcio urbano
Maggio 2023
Olympus 35 RD
F.Zuiko 40mm f1,7
Kentmere 400@640
R09 Studio 1+30 x 10 min
Atri - Scorcio urbano
Agosto 2025
Rolleiflex 3,5E
Schneider-Kreuznach Xenotar 75mm f3.5 + filtro giallo -1
Fomapan 200
R09 Studio 1+30 x 9 min
Crespi d'Adda 2020-01-02
Olympus 35 RD
F.Zuiko 40mm f1,7
Kentmere 100@100asa
Studional 1+30 x 9 min
Altre immagini in questo album flic.kr/s/aHsmKtU24G
Castellanza - Scorcio Urbano
Gennaio 2024
Rolleiflex 3.5C
Zeiss Planar 75mm f3.5
FomaPan 100
R09 Studio 1+31 x 10min
Busto Arsizio - scorcio urbano
Gennaio 2023
RolleiFlex 3,5F
Zeiss Planar 75mm f3,5 + Yellow filter -1.5
Kentmere 100-120
R09 Studio 1+30 x 9 min
Here is a shot I found at work that I took when I first got my RB67. I like how the image in the viewfinder is a completely different tone than the rest of the images. I've shot several rolls with it so far..but the rolls are still sitting on my desk. The only place that will develope it is about 30 minutes away and I never find the time to drive down there.
Good news...my photoblog should be up next week. I think it would more about tips and information than my actual photography.
My wife and I also booked a trip to San Francisco end of July, so that will be a good opportunity for me to get new photos. We are only there for a few days, but anyone has any suggestions where to eat or go let me know.
I'm on Twitter: @isayx3.
Castellanza - Scorcio Urbano
Gennaio 2024
Rolleiflex 3.5C
Zeiss Planar 75mm f3.5
FomaPan 100
R09 Studio 1+31 x 10min
Milano Gallaratese - Febbraio 2023
Scorcio Urbano
Leica IIIF (1951)
Leitz Elmar 50 f3.5 LTM (1949)
Fomapan 200
R09 Studio 1+31 x 9 min
I think it's a kind of a learning process to find the way how we can develope like the analog ;-)
I'll give it a try!!
Somma Lombardo - Scorcio Castello Visconteo
Dicembre 2024
Hasselblad 500 CM
Zeiss Planar 100 mm f3.5 CT*
Rollei Superpan 200
Bellini Hydrofen 1+30 x 10 min
Had a little fog this morning and thought it might be a little macabre to develope this photo in black and white.
(10.4mm @ f/1.8, 1/1600 sec, ISO 800)
Busto Arsizio
Marzo 2019
Leica CL
Summicron-c 40mm f2
Kentmere 100
Studional 1+31 x 9 min
Le restanti nel seguente album flic.kr/s/aHsmb4i4ZK
Castellanza - Scorcio Urbano
Aprile 2025
Rolleiflex 2.8 C
Schneider-Kreuznach Xenotar 80mm f2.8
(double exp)
Rollei Retro 80
Bellini Hydrofen 1+30 x 9 min
IN ENGLISH BELOW THE LINE / BETTER SEEN LARGE
El poble d'Espinelves des del turó del davant, al altre cantó de la riera i sobre el tunel del Eix Transversal.
Placa de col•lodió sec, mètode Major Russell (col•lodió-taní), en format 4x5; realitzat amb una Graflex Crown Graphic fabricada cap al 1951; Graflex Optar f4,7 de 135mm; col•lodió barrejat i taní; 2,5 minuts a f5.6 (EV 13).
Mentre anava fent proves de plaques seques de col•lodió, vaig trobar un nou video de Borut Peterlin mostrant aquest procediment, però amb variacions. Vaig adaptar-les al meu sistema de treball i ara les plaques son molt més netes i homogenies.
Bàsicament, el sistema mostrat en aquest video implica una més clara neteja del nitrat de plata i sobretot revelar per inmersió, el que millora el detall i la uniformitat. Les plaques cobertes amb co•lodió (i anteriorment albuminades, part essencial del procés) es preparen com per a una placa humida usual. En el moment de treure-les del bany de plata, comença la diversió. Cal rentar la placa, sota llum roja, en dues safates d'aigua destilada, i seguidament, submerir-la en una sol•lució d'aigua, taní i etanol. Son uns 10 minutes per placa, en total. Un cop feta la exposició, encara més important el revelat també és per inmersió. Primer s’humidifica la placa seca amb aigua i etanol, i després es submergeix 5 minuts en una solució d’acid pirogalic i citric, amb unes gotes de nitrat de plata. Amb això s’inicia el revelat, però cal afegir més nitrat de plata passats els cinc minuts i usualment fins als 10-12 minuts.
Les plaques de col•lodió sec son força desconegudes però es varen fer servir en paral•lel al més famós col•lodió humit. Eren molt pràctiques per eliminar la necessitat de portar a sobre tots els quimics i una cambra fosca portatil, però com les exposicions son molt llargues, de diversos minuts com a mínim, en queden exclosos els retrats.
cool.culturalheritage.org/albumen/library/monographs/monc...
www.youtube.com/watch?v=zjxNoTjOZrc&t=2941s
ca.wikipedia.org/wiki/Sant_Mar%C3%A7al_de_Montseny
============================================================================================================
The beautiful Catalan mountain village of Espinelves, famous for it's Christmas tree market in December. Plate taken in 2023 with XIX Century ways.
Dry collodion plate, Major Russell process (tannin-collodion) in 4x5 format; taken with a Graflex Speed Graphic, made c. 1951; Graflex Optar f4,7 de 135mm lens; re-used collodion and tannin; exposed for 2'5 minutes at f5.6 (EV 13).
While testing collodion dry plates, I found a new video by Borut Peterlin showing this procedure, but with variations. I adapted them to my work system and now the plates are much cleaner and homogeneous.
Basically, the system shown in this video involves a much intense cleaning of the silver nitrate and especially developing by immersion, which improves detail and uniformity. Plates covered with collodion (and previously albuminized, an essential part of the process) are prepared as for a usual wet plate. The moment you take them out of the silver bath, the fun begins. The plate must be washed, under red light, in two trays of distilled water, and then immersed in a solution of water, tannin and ethanol. It's about 10 minutes per plate, in total
Once the exposure is made, even more important is to develope also by immersion. First, the dry plate is moistened with water and ethanol, and then immersed for 5 minutes in a solution of pyrogallic and citric acid, with a few drops of silver nitrate. This starts the development, but it is necessary to add more silver nitrate after five minutes and usually up to 10-12 minutes.
The dry collodion is a quite convenient "evolution" from the wet collodion, as it allows to go out there without any box of chemicals and a dark box following you. But it never gained more popularity due to it's own problems, like even more complex manipulations and specially much less sensibility, with expositions in the minutes range, limiting it to landscape photography.
cool.culturalheritage.org/albumen/library/monographs/monc...
Samburu warrior at a wedding ceremony early in the morning in a village near Archers Post, Northern Kenya.
Between the age of about 15 and 30 young Samburu men are traditionally known as "morans". After the circumcision ceremony the Samburu boys enter the age grade "moran", the Maasai word for "warrior". During this life stage they live separated in the bush or they move to special moran manyattas. They learn the tribal customs and develope their strength, courage and endurance. The morans stop cutting their hair at the age of 15. They often dye their long hair with red ochre and also decorate themselves with necklaces and feathers.
The Samburu are semi-nomadic pastoralists in Northern Kenya and they are closely related to the Maasai people. They speak Samburu, a language which is derived from Maa and very similar to the language of the Maasai.
Website: Dietmar Temps, photography
Milano - San Siro
Giugno 2023
Scorcio Urbano
FujiFilm GA645W
Super EBC Fujinon 45mm f4
Fomapan 100
R09 Studio 1+31 x 10 min
Busto Arsizio - scorcio urbano
Giugno 2023
Leica M5
Leica Summicron-c 40mm f2
Leica Elmarit-m 28mm f2,8 ASPH
Kodak Eastman double-x 5222 250 asa@200 asa
R09 Studio 1+31 x 7 min
Lightroom Bug, but i like it.
I think this is a bug in lightroom i clicked black and white in develope but it still left blue at the bottom of the image. It worked well so i left it like it. I had a graduated filter on the bottom to lighten it up and add some contrast. I guess this is where is went wrong. Its created i nice effect so im keeping it.
Yanmar YM 1610D Tractor (1980) Engine 954cc Diesel
YANMAR ALBUM
www.flickr.com/photos/45676495@N05/albums/72177720309444750
Yanmar Co., Ltd. are a Japanese diesel engine, heavy machinery and agricultural machinery manufacturer founded in Osaka, Japan in 1912. Manufacturing and selling engines used Internationally for marine useage, heavy machinery, construction equipment, agricultural equipment and generator sets. It also manufactures and sells, climate control systems, and aquafarming systems, in addition to providing a range of remote monitoring services.
The company was founded by Magokichi Yamaoka in 1912 and based in Osaka, Japan originally for the manufacture pf petrol powered engines, begining production of kerosene fuelled engines in 1920, in 1933 it launched the world's first practical small diesel engine.
In 1961 the agricultural division was founded, it also supplied small diesel engines to John Deere for their mini-tractors and smaller implements, and to Thermo King to power coolers used in refrigerated trucks and trailers.
More recently in 2016 Yanamar increased its stake in Indian agricultural company International Tractors (producers of the Sonalika brand), and forged a partnership with Toyota to develope the Next Generation Hulls for boats. In 2019 the company opened facilities in China, India and the Phillipines. In 2016 the companies consolidated revenue was 703.8 billion dollars..
The name [Yanmar] is a combination of the Yanma Dragonfly (known by names such as Oniyanma and Ginyanma) and the "Yama" from the name of the company founder Magokichi Yamaoka.
Diolch am 77,574,017 o olygfeydd anhygoel, mae pob un yn cael ei werthfawrogi'n fawr.
Thanks for 77,574,017 amazing views, every one is greatly appreciated.
Shot 15.09.2019 at Hanbury Car Show, Droitwich, Worcestershire 143-1069
Milano - Dicembre 2022
Scorcio Urbano
FujiFilm GA645W
Super EBC Fujinon 45mm f4
Kodak T-max 100
R09 Studio 1+30 x 10 min
Samarate - Scorcio Urbano
Gennaio 2025
Rolleiflex 2.8 C
Schneider-Kreuznach Xenotar 80mm f2.8
FomaPan 400
R09 Studio 1+30 x 12 min
Busto Arsizio - scorcio urbano
Gennaio 2023
RolleiFlex 3,5F
Zeiss Planar 75mm f3,5
Kentmere 100-120
R09 Studio 1+30 x 9 min
Double-exp
IN ENGLISH BELOW THE LINE
L'església de Sant Corneli de Collbató, amb Montserrat al fons.
Placa de col•lodió sec, mètode Major Russell (col•lodió-taní), en format 4x5; realitzat amb una Graflex Crown Graphic fabricada cap al 1951; Graflex Optar f4,7 de 135mm; 1:30 minuts a f5.6.
Les plaques cobertes amb co•lodió (i anteriorment albuminades, part essencial del procés) es preparen com per a una placa humida usual. En el moment de treure-les del bany de plata, comença la diversió. Cal rentar la placa, sota llum roja, en dues safates d'aigua destilada, i seguidament, submerir-la en una sol•lució d'aigua, taní i etanol. Son uns 10 minutes per placa, en total. Un cop feta la exposició, encara més important el revelat també és per inmersió. Primer s’humidifica la placa seca amb aigua i etanol, i després es submergeix 5 minuts en una solució d’acid pirogalic i citric, amb unes gotes de nitrat de plata. Amb això s’inicia el revelat, però cal afegir més nitrat de plata passats els cinc minuts i usualment fins als 10-12 minuts.
Les plaques de col•lodió sec son força desconegudes però es varen fer servir en paral•lel al més famós col•lodió humit. Eren molt pràctiques per eliminar la necessitat de portar a sobre tots els quimics i una cambra fosca portatil, però com les exposicions son molt llargues, de diversos minuts com a mínim, en queden exclosos els retrats. Aquest tipus de procediment en concret, conegut com a mètode Russell, data de 1861.
cool.culturalheritage.org/albumen/library/monographs/monc...
ca.wikipedia.org/wiki/Sant_Corneli_de_Collbat%C3%B3
====================
Sant Corneli de Collbató church, in Catalonia.
Dry collodion plate, Major Russell process (tannin-collodion) in 4x5 format; taken with a Graflex Speed Graphic, made c. 1951; Graflex Optar f4,7 de 135mm lens; exposed for 1:30 minutes at f5.6
The dry collodion is a quite convenient "evolution" from the wet collodion, as it allows to go out there without any box of chemicals and a dark box following you. But it never gained more popularity due to it's own problems, like even more complex manipulations and specially much less sensibility, with expositions in the minutes range, limiting it to landscape photography. This method, discovered by Major Russell in 1861, uses tannin to preserve the sensitivity of the plates once dry.
Glass plates covered with collodion (and previously albuminized, an essential part of the process) are prepared as for a usual wet plate. The moment you take them out of the silver bath, the fun begins. The plate must be washed, under red light, in two trays of distilled water, and then immersed in a solution of water, tannin and ethanol. It's about 10 minutes per plate, in total
Once the exposure is made, even more important is to develope also by immersion. First, the dry plate is moistened with water and ethanol, and then immersed for 5 minutes in a solution of pyrogallic and citric acid, with a few drops of silver nitrate. This starts the development, but it is necessary to add more silver nitrate after five minutes and usually up to 10-12 minutes.
cool.culturalheritage.org/albumen/library/monographs/monc...
Milano - Cimitero Monumentale
Febbraio 2021
Hasselblad 500 CM
Zeiss Distangon 50 mm f4 CT*
Fomapan 100
Hydrofen 1+39 x 8 min
Canale Villoresi - Tornavento
Gennaio 2023
Hasselblad SWC (1968)
Zeiss Biogon 38 mm f4,5
Rollei SuperPan 200
Bellini Hydrofen 1+30 x 9 min
Busto Arsizio - Scorcio urbano
Luglio 2025
Rolleiflex 3,5E
Schneider-Kreuznach Xenotar 75mm f3.5 + yellow filter -0,5
Rollei Retro 400S
Bellini Hydrofen 1+15 x 8,5 min
Busto Arsizio - Febbraio 2022
Scorcio Urbano
Olympus OM-4 + OM Zuiko 35-70mm f3.6 + yellow filter -1
Rollei Superpan 200 @200 asa
Bellini Hydrophen 1+30 x 13 min
Oct 22.
Probando el carrete que dice tener la mayor resolución ADOX CMS 20 II PRO
Pentax LX - SMC K 28mm - Adox CMS 20 II pro - Pyrocat HD Semistand 28 min
Busto Arsizio - Scorcio Urbano
Gennaio 2024
Nikon FE
Nikkor AI 35mm f2
Rollei SuperPan 200
Bellini Hydrofen 1+30 x 10 min
Busto Arsizio - Scorcio Urbano
Febbraio 2025
Nikon FE
Nikkor 35mm f2 AI
Fomapan 100
Bellini Hydrofen 1+31 x 9 min
Busto Arsizio - Scorcio Urbano
(test Kiev-5 + Jupiter 8 NB 50mm f2)
Aprile 2022
Kiev-5
Jupiter 8 NB 50mm f2
Fomapan 200 @ 320
R09 One Shot 1+50 x 11 min