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“Terra Cotta Warriors: Guardians of China’s First Emperor”
Exhibition Dates: Nov. 19, 2009 – March 31, 2010
Web Site: www.warriorsdc.org
Overview: “Terra Cotta Warriors: Guardians of China’s First Emperor” features the largest number of terra cotta figures ever to travel to the United States for a single exhibition. The exhibition showcases 15 terra cotta figures from the tomb of China’s First Emperor, Qin Shihuangdi, who ruled from 221 B.C to 210 B.C., including nine terra cotta warriors, two musicians, a strongman, a court official, a stable attendant and a horse. The exhibition features 100 sets of artifacts in all, including weapons, stone armor, coins, jade ornaments, roof tiles and decorative bricks, and a bronze crane and swan.
(cc) Shashi Bellamkonda www.shashi.name Please feel free to use this picture in your blog ,website or presentation and credit as shown. Thanks.
This sign dates back to 1996, so some of the decals have been removed to make it more in line with the terminal's current layout. For example, the "Terminal" part of this sign originally included a "No. 8" beside it as these terminals were numbered until 2005.
Stages of a working group, constitute the integrated unit for production of date molasses, within the work of a serial stages, programmed by a digital control unit, working to control the stages of production, within the best conditions.
The production process, according to the following stages:
Washing and sterilization stage.
Hydration stage.
Separation stage.
Melt the sugar stage.
Liquidation stage.
Concentration stage.
Packaging stage.
Molasses Production Micro Unit
Model: AP10-M100
Production capacity of 100 kg molasses every 8 hours. It is suitable for small projects corresponding to factories, processing dates.
Rachel and I had an interesting day, as Daniel and Jess were in the wedding- so we had a blind date to hang out and have someone to talk with during the events..turned out well.
Check out my website: www.trait2lumiere.com/
Dattes
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Dates
ALL RIGHTS RESERVED
All material in my gallery MAY NOT be reproduced, copied, edited, published, transmitted or uploaded in any way without my permission
permission
(for English scroll down)
Auf ein ganz besonderes Experiment lässt sich Sängerin Romy Haag jetzt in ihrer neuen Show ein: Musikalische "Blind Dates" stehen im Fokus eines Projekts, das spannende Überraschungen und echte Entdeckungen bereithält. Denn auf der Bühne wird es zu Begegnungen mit Künstlern kommen, mit denen Romy noch nie zuvor gearbeitet hat, darunter etablierte Sänger sowie Musiker aus dem Underground, neue spannende Namen, die dem Berliner Publikum vielleicht noch nicht bekannt sind und auch Romys ganz eigene Geheimtipps.
Gekonnt spannt Romy Haag dabei den Bogen vom Vertrauten zur Magie des Neuen. Dabei bleibt sie sich stets treu und wird erneut ihrem hohen Anspruch gerecht, einen rockigen, avantgardistischen und unterhaltsamen Abend zu präsentieren.
Romy Haags Konzerte gleichen stets einem bezaubernden Rendezvous. Sie sind ergreifende Begegnungen mit Menschen und Themen, die in den letzten Jahrzehnten das facettenreiche Leben der Künstlerin geprägt haben. Romy Haag ist emotional, persönlich berührend und auch politisch in ihren Songs. Ihre liebgewonnenen und neuen "Lieblingslieder" präsentiert sie jedoch stets ohne reumütigen Blick zurück. Stattdessen sind die Songs geprägt vom Hier und Jetzt.
Ergänzt mit interessanten Anekdoten aus den verschiedensten Stationen ihres aufregenden Lebens, versprechen die „Blind Dates“ zu einer fesselnden Show zu werden.
Berliner Kabarett-Theater 'Die Wühlmäuse' - 12. Oktober 2019
de.wikipedia.org/wiki/Romy_Haag
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ROMY HAAG Blind Dates
Singer Romy Haag is now embarking on a very special experiment in her new show: Musical "blind dates" are the focus of a project that holds exciting surprises and real discoveries in store. Because on stage, there will be encounters with artists Romy has never worked with before, including established singers and musicians from the underground, exciting new names that may not yet be known to Berlin audiences and Romy's very own insider tips.
Romy Haag skillfully spans the arc from the familiar to the magic of the new. In doing so, she always remains true to herself and once again lives up to her high standards of presenting a rocking, avant-garde and entertaining evening.
Romy Haag's concerts always resemble an enchanting rendezvous. They are poignant encounters with people and themes that have shaped the artist's multifaceted life over the past decades. Romy Haag is emotional, personally touching and also political in her songs. However, she always presents her cherished and new "favorite songs" without a rueful look back. Instead, the songs are characterized by the here and now.
Supplemented with interesting anecdotes from the various stages of her exciting life, the "Blind Dates" promise to be a captivating show.
Berlin cabaret theater 'Die Wühlmäuse' - October 12, 2019
The entrance to the Sidney family burial vault, set just to the right of centre in the church’s southern wall, was built in 1820, at the same time as the third Sidney family chapel. The chapel occupies the south-eastern corner of the church, close to Penshurst Place. The date 1820 is set in the spandrels to the left and right of the vault doorway, which bears the initials and arms of Sir John Shelley Sidney, Bart., head of the family
at that date.
Detail:- Above the entrance to the Sidney family burial vault.
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The bulging church yard contains the burials of almost eight centuries. The church yard was closed in 1857 by order of the Privy Council. Since then, parish burials have taken place at Poundsbridge chapel, on the edge of Penshurst parish, about two miles away.
The apparent table tomb by the church's south-west porch is not a tomb, but a dole table from which bread was distributed to the poor and handed out on St Thomas's Day - 21st December.
St John the Baptist is a rare example of a church which has been extended over many generations with several, large building campaigns.
The church's most striking external feature is the Tower, formed of three architectural stages. The first, two storey's high, dates from the 15th century. The stone blocks used at low level, particularly in the buttresses, are large, indicating their antiquity when greater depths of bed were available to masons. Subsequent stages, added in the 18th century, carry the clock stage and belfry.
The entrance to the Sidney family burial vault, set to the right of centre in the church's southern wall, was built in 1820, at the same times as the third Sidney family chapel. The chapel occupies the south-eastern corner of the church, close to Penshurst Place. The date 1820 is set in the spandrels to the left and right of the vault doorway, which bears the initial sand arms of Sir John Shelley Sidney, Bart., then head of the family.
Sir George Gilbert Scott (1811-1878), better known for his design of the extravagantly Victorian gothic St Pancras Station in London and of the Albert Memorial in Hyde Park, London, was the architect for the extension. Closer to Penshurst, he was responsible for the whole of the late 19th century church built in neighbouring Speldhurst.
Way of Human Rights
The history of the "Way of Human Rights" dates back to 1988, when a twelve-member jury in connection with the expansion of the Germanic National Museum had to decide on the artistic design of the Kartäuser alley. Among the four received competition proposals, the concept of Dani Karavan proved to be the most convincing one whose "Way of Human Rights" with its 27 white columns of eight meters high, two base plates, a pillar oak (Säuleneiche, Pyramideneiche - Quercus robur Fastigiata) and an archway should create a welcoming connection between Grain market and city walls. After several years of planning and construction, Karavan on 24 October 1993 was able to hand over his work in a moving ceremony to the public.
The artist Dani Karavan in the Way of Human Rights
On October 24, 2013, 20 years to the day that Karavan his work had made available to the public, was in a poignant ceremony looked to 20 years of "Way of Human Rights" and the unique development from artwork to model.
With a wink commented the 83-old-artist: "the power of art begins to convince me".
In addition to the solemn ceremony in the Germanic National Museum, there was a series of events as well as an educational accompanying program. The offers ranged from lectures and guided tours over children's theater to hands-on activities.
The message
Its powers of persuasion the sculpture not only obtains from the artistic impression, but above all from its message. Each of the elements in the Way of Human Rights bears in a short form one of the human rights articles in German and another language. The "Way of Human Rights" is both a denouncement of the crimes of the National Socialists and a petrified reminder to people that human rights even today are massively violated in many countries of the world.
The meaning of the artwork for the City of Nuremberg
What a work of art in the best case can cause, the colonnade and its creator have accomplished: the "Way of Human Rights" set a new intellectual, political and social accent in Nuremberg, the former city of Nazi racial laws and the Nazi Party Rallies, but also the scene of the international Military Tribunal as the nucleus of an international criminal jurisdiction.
The walk-in installation beyond its high aesthetic quality has a large symbolic power, which provided an impetus for numerous human rights activities of Nuremberg. So bookmarked the opening of the "Way of Human Rights" also the birth of the Nuremberg International Human Rights Award: In his speech promised the then Lord Mayor Dr. Peter Schönlein, the city of Nuremberg Dani Karavan's installation always will understand as a constant invitation to make an active contribution to the global enforcement of human rights, and he announced the sponsoring of the price. As a jury member of the International Human Rights Award and as a frequent guest in Nuremberg, Dani Karavan since then accompanies the human rights work in the city.
The Way of Human Rights in panorama
www.nuernberg.de/internet/menschenrechte/strasse_der_mens...
The dates of these images are not known. A description of the processes and purposes these images depict have yet to be made, they provide a good idea of the world of brewing at a particular time.
The Gengenbacher Fasend tradition dates back to an event 1499, when some citizens of the town decorated a big rabble as the first jester tree and did a noisy run through the streets of Gengenbach. The history of the present Fasend began with the foundation of the first carnival club in 1890 and the foundation of the jester guild in 1925. The main figures, the witch and the Spättlehansel, were designed in the 1930's.
The Fasend begins three and a half weeks prior to Ash Wednesday when a large crowd in Hemdglunker (white nightshirts), equipped with drums and brass instruments and everything that makes noise, assembles outside Niggelturm (one of the five towers along the old city walls, which today houses the Narrenmuseum (Fools or Jesters Museum) for Gengenbach's Fasend) to awaken the Schalk (the Rogue), the symbolic figure of the festival, who is sleeping in the tower during the rest of the year. When he finally wakes up, he is accompanied to the town hall where he takes possession of the keys and the government. Then, on the eve of Fasend (Wednesday before Greasy Thursday) the witches set up a giant broomstick and the Spättlehansel a giant rabble in front of the town hall. The main parade is on Sunday where, in addition to the members of Gengenbach’s guild in their traditional Häs (costumes), guilds from the small villages around also participate as well as one or more guest guilds from another town, and clubs, companies and groups with big carts and imaginative costumes.
This site has a very good description (from which the above info was taken): alemannicfastnacht.travellerspoint.com/33/
The entrance to the 17th century ducal palace at the heart of Nottingham Castle.
Constructed by the Duke of Newcastle, William Cavendish and his son Henry between 1674 and 1679, the ducal palace was inspired by Italian architecture of the time. It was the first structure of its kind in England.
The Cavendishes called the building Nottingham Castle. It was ravaged by fire in Reform Act protests in 1832, but restored in 1878 and turned into a museum and art gallery, the first of its kind in the country outside England.
Nottingham Castle stands high above the city on Castle Rock and dates back to medieval times, with the first confirmed structure built in 1067, a year after the Norman Conquest.
Much of the present structure was built in the 17th century or restored thereafter, with some towers and walls dating back to the 12th or 13th centuries.
Close to the medieval gateway and walls stands a bronze statue of Robin Hood, the folk hero outlaw, who is said to have fought the Sheriff of Nottingham, robbed the rich and given to the poor.
At the centre of the castle grounds stands the ducal palace, built by the Duke of Newcastle in 1679 and opened as a city museum in 1878. It stands on the site of the castle’s upper bailey and is now home to an art gallery and museum combined.
This building dates from 1493 - 1513. It was built behind Tree House, the old manor house of Crawley, West Sussex, which is on the east side of the High Street. It was dismantled in 1972 when scheduled for demolition and in 1978 was re-erected at the Weald and Downland Open Air Museum at Singleton, West Sussex. Its main feature is a hall on the upper floor, a long open room which was possibly originally used for communal meetings. The ground floor is divided into separate rooms.
For more information see
Although State Library Victoria dates this photo as being "between 1950 and 1954" based on "other images in collection" the two station wagons indicate a date range from the late 1960s into the early 1970s.
Similarly, although State Library Victoria tentatively places the location as Glen Waverley based on incomplete information, the Sands & McDougall's Directory of Victoria of 1970 places Comalco on Springvale Road in the suburb of North Springvale, which today would be Mulgrave.
Notes from SLV:
Title information on verso: Factories Springvale Road / Glen Monash.
Photographer unidentified.
Undated, date range assigned from other images in collection.
Contents / Summary
Looking across road towards businesses, name on wall: Lucas / Parts & Service; Aluminium Supply / Comalco.
Source / Donor
Copyright status
This work is out of copyright
Terms of use
No copyright restrictions apply.
Identifier(s)
Accession no: H2016.284/33
Subjects
Photographer unidentified.
Undated, date range assigned from other images in collection.
Gift; MMBW; 1993?
Series / Collection
Melbourne and Metropolitan Board of Works collection.
Link to online item
handle.slv.vic.gov.au/10381/400668
Link to this record
This dress is from Afghanistan. It probably dates from the mid-20th century. It would have been worn for ceremonial occasions, possibly over another garment as the sides are left open. The dress is made of patterned floral fabric and hand decorated on both sides with cowrie shells, embossed metal charms and multi-coloured tassels with glass beads. The cowries and metal charms were to protect the wearer against the evil eye. The evil eye is a curse believed to be cast by a malevolent gaze, usually given to a person without their knowledge. People from many cultures believe that receiving the evil eye causes misfortune and have developed protective decorations or charms in defence against the curse. Can you find other examples of protective charms in the museum?
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This image is part of the Horniman’s Textiles learning resource pack. Find out more about this resource and others on our website: www.horniman.ac.uk/learn/learning-resources. We encourage use of this image as part of educational or learning material. This image is not licensed for commercial use.
Tulip here dates from 1902 and was built at Dundalk Works to the design of JC Park. Numbered 13,she was renumbered 91 in 1920 and lasted long enough tp pass to CIE,being withdrawn in 1963.One of 6 JT Class,another is preserved at Cultra.
She could be found 113 odd years ago rushing around Dublin on branch line duties.
Dates
7 - 10 May 2011
Venue
Foro Italico
Location
Rome, Italy
Surface
Sand
Official ball
Tretorn Academy
Champions
Men's doubles: Alessandro Calbucci / Luca Meliconi (ITA)
Women's doubles: Simona Briganti / Laura Olivieri (ITA)
Nations represented
Italy, Brazil, France, Switzerland, Japan, Germany, Belgium, Spain, Czech Republic, Portugal, Austria, Poland, Belarus, Hungary, Russia, Greece and Bulgaria.
We received some fresh, organic dates as a gift - and here's what we did:
* Preheat the oven to 375° F (190° C).
* Cut the dates in half, and remove the seeds.
* Stuff the dates with crumbled blue cheese.
* Close the dates, wrap a half-slice of bacon around the outside and hold it all together with a toothpick.
* Put the dates in a baking dish, and bake for 15 minutes, turn them over and bake for another 15 minutes (or more) until the bacon is crisp.
* Serve them on a fresh plate, eat and enjoy. :-)
Dates ripening in an oasis below the soaring peak of Jebel Akhdhar (known as Green Mountain, because of its fertile soil).
Designed Date paste production units principle of hydration and insulation, so that the transfer of dates across the conveyor belt to the multi-layered hydration chamber to moisten dates using water vapor, to raise the dates, water content, temperature, to facilitate the process of insulation (remove cores and repression).
Complete the process by the transfer of wet dates across the conveyor belt to the insulation machine, which holds the process of separating the cores and repression Dates, Which produces free with a permanent softer impurities paste and golden color attractive, the production process continues to move the paste of dates to unit harmonies and cooling paste and pumped to the packing machine, to fill a paste of dates in a three bags welding and a variety of weights on demand, starting from 500 grams to 2000 grams. (Usually we offer two types of weights 500 grams and 1000 grams with the machine, while the other requests for different weights, are requested by the added value.).
2004 Castello Vicchiomaggio Chianti Classico la Prima
Italy, Tuscany
Castello Vicchiomaggio dates back to the 5th century, when it was called Vicchio dei Longobardi. Since 1964, the Matta family, whose owners John Matta and wife Paolo continued to oversee their charge since 1982, owns and oversees it. This 32 hectares estate is located a few kilometres North of Greve in the heart of the Chianti Classico region on top of a hill with overseeing the countryside. The grapes from each vineyard are vinified separately in stainless steel, and then oak aged in the air conditioned cellars beneath the castle. Several different styles of wine are produced, from the traditional modern with its best wine offering and bottling in its La Prima series.
Contact Details:
Castello Vicchiomaggio
Via Vicchiomaggio, 4
50022 - Greve in Chianti
Firenze, Italy
Tel. +39 0 5585 4079
Fax +39 0 5585 3911
Email: info@vicchiomaggio.it
Website: Click here. www.vicchiomaggio.it/eng/index.html
TH24042008. 14.0%. 100% Sangiovese from 35 year old vines. 18 months in 1 year old oak barrels. 833 cases made. Bright red aromas of cherry and plums. Medium-bodied, spice, with dry and good levels of acidity, a pleasant red coated palate which would had been an ideal companion to roast meats and pasta dishes. Short finish. Drink from 2008 to 2011.
Dolgoch Viaduct dates from 1866 and is a three-span, red brick (with stone dressings) viaduct that is supported by two slightly tapering piers. It crosses the Nant Dol-Góch ravine at a height of 52 feet and is a grade II listed structure. This is a view of the western pier.
35mm Negative | Date: 11 July 2018 | © TJW: ROTWSI