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Depeche Mode - Personal Jesus (The Stargate Mix)
Depeche Mode are an English electronic band that formed in 1980 in Basildon, Essex. The group consists of founders Dave Gahan (lead vocals, occasional songwriter since 2005), Martin Gore (guitar, keyboards, vocals, main songwriter since 1982), and Andy Fletcher (keyboards, bass guitar). Depeche Mode released their debut album Speak & Spell in 1981, bringing the band onto the British new wave scene. Original band member Vince Clarke (keyboards, guitar, main songwriter from 1980 to 1981), left the band after the release of the album, leaving the band as a trio to record A Broken Frame, released the following year. Gore took over the lead songwriting duties and, later in 1982, Alan Wilder (keyboards, drums, bass guitar, occasional songwriter) officially joined the band to fill Clarke's spot, establishing a line up that would continue for the next 13 years. Depeche Mode have been a trio again since 1995, when Wilder left.
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A historic old pharmacy / drug store in the old town of Pecs, Hungary. The business dates back to 1697, the current shop was built in 1897, using oak tree and the famous local ceramic tiles. Old tools are on display in the museum and there is an exibition of marzipan cakes, too. We visited the city of Pecs in May 2014.
Szabó Marcipán Múzeum és Édességbolt & Patikamúzeum, Pécs belvárosában. 2014. május végén látogattunk el a városba a három kisebb gyermekünkkel, mikor feleségem egy konferenciára egyébként is ide kellett jöjjön.
A Szerecsen Patika Pécs legrégibb gyógyszertára volt, jogelődjét 1697-ben alapították. Sipőcz István 1897-ben nyitotta meg patikáját a Slauch-féle ház földszintjén, a gyógyszertár bútorzata neorokokó stílusú tölgyfa berendezés, melyben a Zsolnay-gyár által készített színes virágokkal díszített betétlapok találhatók. A patikához két múzeumhelyiség kapcsolódik, melyekben a gyógyszertörténeti kiállítás kapott helyet. A Sipőcz Ház Pécs város kulturális örökségének része, Pécs egyik legszebb üzlethelyisége méltó módon kerül bemutatásra.
Dates are considered one of the oldest cultivated fruits in the world. Eaten as far back as 5,000-6,000 B.C.E.
Medjool Dates are one of about 12 varieties that can be found in the United States. They are classified as soft, semidry or dry. Because of their rich carmel taste, hints of honey along and a history as a favorite of the Morocco royalty they have been given the nickname "the king of dates". 95% of the US crop is grown in California's Coachella Valley, a two hour drive from San Diego. They are in season from September to November
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Release Dates
Japan:14 March 2014
Ana ballpoint
Elsa mechanical pencil
Elsa porch
ring binder , plastic folder ,memo pad
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The undisputed highlight of Cordoba (and arguably of Southern Spain) is the magnificent 'Mezquita', the former Great Mosque that since the Spanish reconquest of 1236 has served as Cordoba Cathedral, a unique marriage of styles and cultures and one of the World's greatest architectural masterpieces.
The site dates back to Roman times, the pagan temples giving way to the first Visigothic cathedral which stood here in the 7th and 8th centuries. After the Islamic conquest the church was divided between Christians and Muslims until the Christian side was brought for conversion into the first mosque. In the following centuries the mosque was rebuilt and enlarged in ever more magnificent form up to around 987.
The Great Mosque continued to function until the Spanish reconquest of 1246 when it was converted back to Christian use as the city's cathedral; luckily the unparalled beauty of the Islamic architecture was recognised and largely respected, though new additions were made in various places adding further stylistic layers to the complex, initially in gothic, then Renaissance and latterly Baroque styles.
The biggest alteration came at the end of the Middle Ages when a more recognisable cathedral structure was erected over the centre of the multi-aisled former prayer hall. Begun as a gothic church, it was completed as a largely Renaissance structure with rich vaulting and a low dome over the crossing. Though it required the removal of many of the superb arcades and columns to erect it, the structure's impact is less apparent from within as one might expect, since it has few lower walls, literally growing from the Moorish colonnades.
The complete structure of the Mosque/Cathedral covers a vast rectangular area with an open courtyard to the north with the Baroque bell tower (the former minaret reclad)and the seemingly endless columned halls of the interior, with some 856 columns (many reused from Roman buildings, themselves reused in the previous church). Various chambers and chapels of varying dates and styles open up making the internal layout somewhat confusing to follow. The centre of the complex is dominated by the Renaissance cathedral, whose soaring interior flooded with light actually contrasts well with the more intimate, darker areas of the mosque, if making the experience somewhat surreal and other worldy. One can wander this ever changing interior for hours and still feel like one has barely scratched the surface.
The most notable parts of the Islamic structure are the magnificent double rows of scalloped arches, with multiple cusps and alternating bands of red and white. There are also some truly gorgeous ceilings, masterpieces of Islamic design, including the domes over the former mihrab niche, parts of which retain rich mosaic decoration.
In other areas the contrast of Islamic and Christian styles is quite bizarre, with the perimeter of the building lined with chapels, Moorish in style but many filled by huge gilded Baroque altars, somewhat at odds with the original style.
All in all the Mosque / Cathedral of Cordoba is one of the wonders of the World and for me was the highlight of this trip to Andalusia. As a fascinating fusion of faiths, styles and first rate architecture, there simply is nowhere else remotely like it.
en.wikipedia.org/wiki/Cathedral%E2%80%93Mosque_of_C%C3%B3...
Dates: February 10-12, 2014
Location: Alerus Center, Grand Forks, ND
Photographer: Mike Hess Photography
Holy Trinity Church, in Godmanstone, Dorset, originally dates back to Norman times, though there was probably a timber church on the same site even earlier than that. The main doorway is Norman, as is the chancel arch. The Perpendicular tower dates from around 1400. The south and north chapels are late fifteenth or early sixteenth century, though the north chapel was extensively altered in later centuries. The church was extensively restored in the 1860s, especially in the chancel, and the Norman doorway was also plastered over.
Looking at the church exterior first, on the east window of the south chapel are two medieval carved heads on the hood-mouldings.
In the porch is a stone memorial slab, probably twelfth century, with a carved double-headed cross on it; this slab was discovered in the churchyard, covering a pit containing a quantity of human bones.
Inside the church, the chancel arch has incorporated into its south pillar an altar stone dedicated to Jove. Much of the inscription was lost when the stone was reused, but what remains offers enough for the whole inscription to be worked out. The altar stone was dedicated to Jupiter by Titinius Pines, a centurion in the third century AD. Where did the Norman church-builders find this Roman artefact? The most likely places are nearby Durnovaria (Dorchester), or a Romano-British villa discovered in 1960 just a mile from Godmanstone.
The churchyard is a peaceful place, with much of it left to grow wild, encouraging a profusion of wild flowers and wildlife. The gravestones have fine examples of the stonemason's lettering skills.
The 3rd Annual Scott Kelby's WWP Series # 2
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The Date palm (scientific name Phoenix dactylifera), also known as the Medjool palm is a tall, beautiful and majestic tree that is known for its edible sweet fruits, the dates. The tree belongs to the Arecaceae family and the genus Phoenix. The Date palm produces true real dates. It is the second most known and most useful palm tree in the world after the Coconut palm tree.
For other information please visit:
(source: google)
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This masterpiece dates from the mid 1660s and shows human folly and intemperance, depicted with Steen’s characteristic indulgence and comedy. The underlying joke is that, whatever they are doing, men have one thing on their minds. The violin player (note the slack bow of this date) leers over his shoulder at a girl, whom he seems to serenade. The laughing drinker near the hearth to the left (a self-portrait) sits by a young woman who holds her wine glass in a most suggestive position. An old crone stokes the fire, suggesting that the scene takes place in her brothel. Three men, ranging in age and type from old roué to lovesick youth, play cards with a woman, who shows us her ace of diamonds with a triumphant and knowing look. This vignette, taking place in front of a curtained bed and erect lute, suggests that the three of them are competing for her favours, but that whatever happens she will emerge the winner. Only the old man in the middle distance seems able to concentrate on drinking and dancing without letting himself get distracted by whoring. Hanging from the ceiling in the centre is a ‘bell-crown’ wreathed with vines; customers wishing to be served need only pull the cord to ring the bell. The print of a horseman on the wall in the background cannot be identified, but confirms many reports that art was to be found in the humblest tavern in seventeenth-century Holland, while perhaps suggesting that nobility which the other men in the scene seem to have forgotten. Steen is not just a story-teller: he paints space and surface with the assurance of his contemporaries, Pieter de Hooch and Gabriel Metsu. Particularly remarkable is the observation of the soft light of the window in the background and the tactile sensation of the foreground tiles, pewter pot and earthenware dish of hot coals. The crowded middle-ground also makes it easy to ignore the well-constructed perspective of the scene which requires a very close view-point, which is why the foreground objects loom so large and seem to project with such effective illusionism. Signed lower left: 'JSteen'.
81.9 x 70.6 cm
I think they are dates - I've never seen fresh dates on a tree before but they look like the images on google. I didn't think dates would be grown in Vanuatu
ANANDA PAGODA FESTIVAL
Dates: Full moon Day of Pyatho to the 15th Waxing of Pyatho
Jan4 to 19 (2014):
The zebu oxen are given rest and stand freed of the Withers yoke,named for the cross member fits in front of the withers (shoulder blades).
Pilgrims make their way to the Ananda Temple for the annual festival honoring the Buddha. A caravan of bullock carts pull into the deep ruts on the shoulder of an ancient dirt road on the outskirts of a small rural town. Both drovers and oxen enjoy the small pools of shade provided by the overhanging dense green branches of a copse near the bend of the dirt road. They rest and eat a simple meal.
Thousands of people come to enjoy the evening entertainments of the 5 day festival and to partake of the massive marketplace that takes place in Bagan area bringing together objects and foods from the far-flung regions of Myanmar.
Suspended Animation Classic #177
Originally published May 17, 1992 (#20)
(Dates are approximate)
Ralph Snart Adventures
By Michael Vance
It doesn’t add up. Wild, outrageous, and grotesque don’t equal accountant. But these adjectives do sum up the total lunacy of one of ‘92’s best, three-issue comic books, “Ralph Snart Adventures”.
Go figure.
Accountant Snart is an inmate at the Montgomery Home for the Really Insane. Crazy and strapped in a straight jacket most of the time, his surrealistic exploits happen between his ears. It’s a very crowded locale.
Snart’s is a world of nightmarish people and places induced by an overdose of pepperoni and anchovies. Ultra-violence and idiocy are both commonplace, and cartoonish. It is a reality made of silly putty, totally malleable, full of crazy perspectives unique to the imagination of Ralph’s creator, Marc Hanson.
It’s no wonder that Snart’s motto is recited in a hypnotic trance, one hand on his hip, and one arched in an “L”.
“Ima little teapot,” grins Snart, exposing teeth the size of dominoes. And so he is.
Hanson’s art is heavily influenced by “ugly” artist Basil Wolverton. His storytelling owes much to Mad Magazine creator Harvey Kurtzman. But the proof of Hanson’s originality lies in the fact that it’s impossible to describe “Ralph Snart Adventures” without just reading it. Hanson is greater than the sum of his parts.
Snart’s part in Hanson’s feverish reality is as victim to the mad power struggles of Dr. Goot, Snart’s wife and children, his boss, the police, and anything else that draws breath in this world. There is a very ugly, black comedy expressed visually and through Hanson’s words in this series.
I love it.
And I didn’t even mention Ralph’s lizard!!
Add it to your collection, today.
“Ralph Snart Adventures” #s1-3/$2.50 each, 24 to 30 pages, published by Now Comics, written and drawn by Marc Hanson/available in comics shops.
The altarpiece is neo-Gothic and dates from Haig's renovation. The original altarpiece is however preserved in Källunge Church, to which it was sold at the beginning of the 16th century. This altarpiece was replaced by an altarpiece made in 1682 in Burgsvik on Gotland, which is still preserved in the cathedral. An additional former altarpiece, dating from 1808, is likewise also preserved in the cathedral itself. The current altarpiece is thus the fourth known altarpiece of the cathedral, all of which are preserved.
View from the Calton Hill at dusk.
Dugald Stewart Monument on the right. Prof Dugald Stewart (1753-1828) was a mathematician and philosopher at the University of Edinburgh. The monument was designed by William Playfair and dates from 1831.
This well dates as far back as the 12th-11th centuries BCE and is often called "Abraham's well," connecting it with the biblical account of the oath sworn between Abraham and Abimelech in Genesis 21:27-32 (cf. Gen 26:23, 33). The well is deep enough that to have provided a reliable source of water year-round, a vital resource at this site at the edge of the dry Negev.
The plastered watering trough for animals is a modern reconstruction.
St Mary Stelling dates from the 13th Century, although a Church on this site is noted in the Domesday Book and the date of consecration of Stelling Church is reputed to be 1130. The Church started its life as an outlying chapel, firstly to the basilica at Lyminge, and after the Norman invasion, to nearby Hardres. In 1988 The Conservation Foundation, of which Professor David Bellamy is a member, aged one of the yew trees in the churchyard as 1,500 years old; the implication of this, together with the proximity of St Mary’s to the Roman road linking Canterbury to the Port of Lympne, is that this was an early Christian site dating from the Roman occupation.
St Mary Stelling is, on the face of it, a typical east Kent rural church, constructed in flint with stone quoins and comprising a nave, chancel, south aisle, south porch and tower. It seats some 120 people, and is located approximately half a mile from the village of Stelling Minnis, a rural community of about 1000 people.
The Church, however, is unique and of exceptional importance, because in 1790 it was re-ordered in a non-conformist style. This involved placing the pulpit midway along the north wall of the nave (opposite the south aisle), and rearranging the box pews. The pulpit itself is a three-decker pulpit with a sounding board, which is understood to be unique in an Anglican church in east Kent. At the same time, a gallery was installed above the south aisle facing the pulpit, and to provide a view of the pulpit the south arcade was removed and replaced by a single large arch.
Importantly, this re-ordering was not subsequently altered by 19th Century restorers, and we have today a unique non-conformist modification of a medieval church.
After the Civil War, non-conformism in this area, though sparsely populated, became rife; that this non-conformism should succeed in invading the established church of St Mary is quite remarkable. These changes reflected a strong non-conformist element in the local community which can also be illustrated in the fact that three Methodist Chapels were built within a mile of the Church during the next 100 years. The Church is an outstanding historical record for all to see of social and religious developments in this corner of Kent.
A further unusual feature of St Mary Stelling was revealed in 1999 when the nave ceiling was removed following damage. The roof construction was found to be based on King posts and not Crown posts as is the norm for churches of this age and style in this area. The Canterbury Archaeological Trust examined and recorded the structure before the ceiling was replaced, and although there is little to be seen to indicate its unusual character, our knowledge of this roof construction adds yet more interest to the building and its history. Archaeological inspections following the removal of the historic box pews undertaken as part of the current repair works have added to St Mary’s history and mystery. Indeed, the Kent Archaeological Society, which is the oldest and most respected local historical society, recently visited and referred in their Journal to St Mary’s Stelling as “Kent’s most extraordinary parish church”.
The Quinquennial inspection of November 2006 identified the need for essential major repairs to the historic box pew foundations, upgrading of the electrical installation, the provision of a lightning conductor, and other repairs to the fabric of the building – stonework, window cills, replacement of some gutters & down-pipes, gallery repairs, some re-plastering, and other general repairs. Thanks to the generosity of the congregation, the local community, and several grant bodies, over £85,000 was raised, and these essential major repairs were completed in July 2009, the medieval bells have been recommissioned, and internal redecoration has been carried out.
We pray that St Mary Stelling will be not just a building, but a living beacon for the worship of Christ in our local community. We seek to hand on to succeeding generations not only the building, but the living faith symbolised by it.
www.stelling-minnis.co.uk/church-stmarystelling.htm#Histo...
Morocco. Zagora.
We had a very nice and relaxing afternoon walk through the palmeraie, which was at a very short walking distance from our hotel.
The lower lancets of the east wall of the choir contain 16th century French glass in Renaissance style, brought here in 1818 from Paris, where they had originally adorned the Temple church but were sold off following the building's demolition by Revolutionaries in 1795.
The glass dates from c1528 and was originally set in round-headed lights, thus small sections of new glass were cleverly grafted on to the panels to allow them to fill the pointed apexes of the Southwell lancet windows. With nearly all the Minster's original historic glazing gone (thanks to Civil War damage no doubt) they are a welcome addition to the Minster's fabric and work very well in their new home.
Southwell Minster is a remarkably preserved piece of Romanesque church architecture, dating from between 1108-50. The only English church to retain its full set of three complete Norman towers, the nave and transepts retain their original 12th century appearance, whilst the eastern limb was replaced by the present early Gothic choir in c1230 after its Norman predecessor was found to be too small. The last substantial addition to the building was the fine Decorated chapter house on the north side a few decades later in 1284.
The Minster was originally built as a collegiate church but stripped of this status at the Reformation, becoming merely a parish church (albeit one of the grandest in the country) for several centuries until finally being elevated to cathedral status in 1884 as the seat of the new Nottinghamshire diocese. Though on a more modest scale than most of our great medieval cathedrals, Southwell Minster fits its cathedral status so well that it is hard to imagine it not being built as such, though Southwell itself does seem a surprisingly quiet location for so grand a church, a small rural town that has become England's smallest cathedral city.
Inside the Norman character of the church is preserved in the subdued lighting of the 12th century nave and transepts, whilst east of the crossing, beyond the fine medieval choir screen, all is Gothic in the 13th century choir and aisles, light, airy and lit by tall lancet windows.
Perhaps the most famous part of the building is the octagonal chapter house entered from the north choir aisle via a vestibule. Whilst a gem of medieval architecture in its own right, the building is most renowned for its superb foliate carvings, the finest and most delicately carved to survive from medieval England The technical skill and unusually naturalistic treatment of the carved capitals and spandrels here means the 'Leaves of Southwell' should not be missed by any visitor.
Little remains of the Minster's original furnishing or decoration, following Civil War damage and a major fire caused by lightning strike in the early 18th century (which affected the high wooden ceilings of nave and crossing and the pyramid spires of the west towers, later replaced to their original design). It has however been embellished in more recent years with some outstanding glass including the huge west window installed at the end of the 20th century.
Southwell Minster is a delight to visit, and perhaps the most peaceful of all English cathedrals. For more see the link below:-
Dates from the 16th century. You can see the modern fountain in front and the tower of St. Petri church in the background.
Rasulullah صلی الله عليه وسلم berbuka dengan korma, kalau tidak ada korma dengan air, ini termasuk kesempurnaan kasih sayang dan semangatnya Rasulullah صلی الله عليه وسلم (untuk kebaikan) umatnya dan dalam menasehati mereka.
Allah berfirman dalam surat At-Taubah 128 :
لَقَدْ جَاءكُمْ رَسُولٌ مِّنْ أَنفُسِكُمْ عَزِيزٌ عَلَيْهِ مَا عَنِتُّمْ حَرِيصٌ عَلَيْكُم بِالْمُؤْمِنِينَ رَؤُوفٌ رَّحِيمٌ
Laqad jaakum rasoolun min anfusikum AAazeezun AAalayhi ma AAanittum hareesun AAalaykum bialmumineena raoofun raheemun
"Artinya : Sesungguhnya telah datang kepadamu seorang Rasul dari kaummu sendiri, berat terasa olehnya penderitaan olehmu, sangat menginginkan (keimanan dan keselamatan) bagimu, amat belas kasihan lagi penyayang terhadap orang-orang mukmin".
Karena memberikan ke tubuh yang kosong sesuatu yang manis, lebih membangkitkan selera dan bermanfaat bagi badan, terutama badan yang sehat, dia akan menjadi kuat dengannya (korma). Adapun air, karena badan ketika dibawa puasa menjadi kering, jika didinginkan dengan air akan sempurna manfaatnya dengan makanan.
Ketahuilah wahai hamba yang taat, sesungguhnya korma mengandung berkah dan kekhususan -demikian pula air- dalam pengaruhnya terhadap hati dan mensucikannya, tidak ada yang mengetahuinya kecuali orang yang berittiba'.
Dari Anas bin Malik Radhiyallahu 'anhu (ia berkata) :
"Artinya : Adalah Rasulullah صلی الله عليه وسلم berbuka dengan korma basah (ruthab), jika tidak ada ruthab maka berbuka dengan korma kering (tamr), jika tidak ada tamr maka minum dengan satu tegukan air" [Hadits Riwayat Ahmad (3/163), Abu Dawud (2/306), Ibnu Khuzaimah (3/277,278), Tirmidzi 93/70) dengan dua jalan dari Anas, sanadnya shahih].