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CAMERA: Canon NEW F1
LENS: Canon fd lens 85mm f/1,8 S.S.C.
FILM: Color Negative Film Fuji Eterna 250D ISO 250 36 exp. manual winding
FILM DEVELOPMENT: author's manual film development
ECN-2 handmade ki [8min 30sec 30 °C]
FILM SCANNED: OpticFilm Plustek 7400 with SilverFast Software
SHOOTING DATE: 10/2015
DEVELOPER DATE: 09/2016
TECHNIQUE: Multiple Exposure unedited.
NUMBER OF EXPOSURES: 2
NO POST-PROCESSING
OBJECT: "LUKOIL" Charitable Foundation
PLACE: Moscow, Russia 2015
A very nice example of an Austin Allegro 1750 HLS mk.3, dating from 1981-2 is seen at the 2012 Luton Festival of Transport.
Always liked the wheel trims on these.
Date: August 8, 2012
Place: London 2012 Olympics. Stratford, London, UK.
Camera: Canon EOS 5D Mark II
Lens: 200mm f/2.0L
Exposure: See EXIF info
IMG_5239
© 2012 - Niel Galen - All Rights Reserved.
"Speed dating" rapid fire interviews matching companies and students for summer internships. "Sexy Summer Jobs: 14 of the city's hottest IT firms are recruiting and they want to meet you".
BOX DATE: 2012
MANUFACTURER: Mattel
DOLLS IN LINE: Barbie; Teresa; Summer; Nikki; Ken; Steven
MISSING ITEMS: Sunglasses
PERSONAL FUN FACT: It's a very rare occurrence that I get both pieces to a bikini together in a lot of doll clothes. In fact, it's also not all that often that I mate a bikini together...it usually takes years. So you can imagine how thrilled/appreciative I felt when I got this entire ensemble in a small baggie of doll clothes I purchased at my local flea market in 2017. Since the bag was only $5, stuffed with newer Barbie clothes, and since there was the possibility that there were some more modern Skipper/Stacie outfits lurking inside (Colleen bought a few Stacie/Skipper dolls from the same seller that day), I just couldn't resist buying the bag. When I first saw the bikini top floating in the pile of doll clothes, I assumed that I had not gotten the matching bottoms. But I liked it so much, that I was already reeling over what I could use it with. The moment I found the coordinating shorts I literally squealed with delight! I was so excited to have such an adorable bikini that was ready to use for any of my dollies. The best part of this bikini is that it is so beautiful yet basic, meaning it would look awesome on just about any doll I chose to dress in it! I am actually lucky enough to have two entire swimsuits like the one shown here. My second (the one in the photograph) was part of the "Sweet Sunday Surprise lot" of 2018. I also found the plastic belt floating around with the other miscellaneous Barbie accessories in the Barbie tub. It's a shame Nikki was nowhere to be found, but I know both of my swimsuits will go to good use!
Manufactured by Canon Camera Co., Inc, Tokyo, Japan
35mm Viewfinder film camera, Fully automatic
Also known Snappy LXII/Date in America and BF35D in Japan.
Model: 2000, marketed in 1998.
Lens: Canon 35mm f/4.5, three element in 3 groups,
**when the camera in OFF position the lens cap closes automatically
Focusing: fixed-focus, range 1m to inf.
Shutter: Program-type electromagnetic shutter with aperture control
Speeds: 1/45, 1/100, 1/125 and 1/180, setting: Auto
Winding and cocking: Auto, with built-in motor
Rewinding: Auto , with built-in motor; Mid-roll rewind possible
Frame counter: Mechanical, auto-reset
Viewfinder: Reverse Galilean type, w/ bright lines, w/ OK-to-shoot green LED indicator, on right side of viewfinder
Exposure meter: CdS cell, Program AE
Metering range: EV10-16 with ISO 100 Film
Film Speed Range: ISO 100, 200, 400, sets automatically with DX-Decoding
Mode Dial: Automatic mode with Red-Eye Reduction, Flash ON mode, Flash OFF mode, and Self-Timer mode
Autodate feature: with various date imprint selections, separate power source 3V Lithium CR2025 battery, time display on the back cover
Film loading: Auto, film is advanced to frame 1 automatically after being loaded and the back is closed
Self-timer: Electronically controlled, 10-second time delay
Film reminder window on the back cover
Built-in flash unit: range: ISO 100/200 1.5-3.5m, ISO 400 1.5-6.8m;
Red-Eye Reduction feature; Fires automatically in low-light conditions
Battery: 2x AA Alkaline batteries, not compatible with Ni-Cd or Lithium batteries
On/Off switch: OFF on the mode dial
Weight : 230g wo / batteries
Serial no. 1846562
This camera is characterized by a extra-large viewfinder, three times larger than the usual finders, BF means Big Finder. It was the final camera in the Canon Snappy series.
More info: Canon Camera Museum, Sylvain Halgand Collection
My grandparents Chuck and Eleanor Wood on the left; Grandma's cousin Rosella and Grandpa's brother Carl Lee on the right.
Dave took his new girlfriend for a picnic on their second date.All seemed to be going well although he wasn't sure how he was going to eat that massive sandwich politely
Burning piles of bark beetle infested logs and slash. Badger Creek Watershed, Ochoco National Forest, Oregon.
"First infestation noted in Badger Creek watershed in 1909, and about 100 trees cut and treated in spring of 1910. In the spring of 1912, 1502 infested yellow pines and 1960 lodgepole pines were treated in the Badger Creek watershed. This has been a decided check to the infestation in this particular region. Average cost per tree, $ .778. Cost per M. ft. B.M., $ 3.91. Total cost of project, $ 2,846, including $178. for camps and control equipment."
For more see: "Memorandum of General Extent of Insect Infested Areas on the Various Forests of District 6", here: www.fs.usda.gov/Internet/FSE_DOCUMENTS/stelprdb5376570.pdf
Photo by: J.O.F. Anderson
Date: 1913
Credit: USDA Forest Service, Region 6, State and Private Forestry, Forest Health Protection.
Source: Boyd E. Wickman Collection; Regional Office; Portland, Oregon.
Andy Eglitis brought Boyd's collection from Bend to Portland February 13, 2019.
For additional historical forest entomology photos, stories, and resources see the Western Forest Insect Work Conference site: wfiwc.org/content/history-and-resources
Image provided by USDA Forest Service, Pacific Northwest Region, State and Private Forestry, Forest Health Protection: www.fs.usda.gov/main/r6/forest-grasslandhealth
Although Arif Hikmey Bey was unable to give a date, it must be the last days of 1925 or the first months of 1926. It must be such cold months, since the architect remembers the frosty winds that crashed on the city with their all might. Arif Hikmet Bey is together with the construction workers and the museum is still under construction. “I have an important and endearing memory” he says and continues:
“There was a snowstorm; everywhere was covered with snow. We were continuing the construction inside the museum. We already installed some panes for one or two windows and stonemasons were working inside the big halls. I was cutting the zinc patterns of decorations on a table under the big dome for the stonemasons. Carpenters were also working in some areas where we were able to seal off. One of the workers came running and shouted: ‘The Pasha is here.’
We were all surprised; we wondered which Pasha would come under such terrible weather? The worker responded: ‘Mustafa Kemal Pasha is here’. Meanwhile the makeshift door we previously had installed opened and Atatürk entered the building with his clothes covered full of snow. I greeted him, he asked:
‘Hikmet, why are you all working under this cold weather?’
‘According to our contract, we are running out of time; some workers are even working at night time using gas lamps.’ I answered. ‘May God give you strength’ Pasha said. He set on a chair and we shut the door. My clerk Bahri brought a kerosene heater and placed it next to the Pasha. ‘You must be kidding, there are almost no walls here, why bother with the heater?’ said Pasha. ‘At least your nose will get warmer, it is all red because of the cold’ Bahri responded. We all laughed. The Pasha stayed for half an hour and chatted with the workers. It wasn’t snowing anymore. Pasha, looking to the snowy Ankara plain through the front door, said: “The view is incredible; probably the weather under this dome will be quite cold in the summer; I would like to sit under this dome and watch the view in my spare time.’ and then left for his car walking through the snow. ‘After his death, he rested right under this dome for a long time, an unfortunate coincidence one might say’. (1)
The ground for Ethnography Museum was broken on September 25, 1925.
Etnografya Müzesi
Tarih vermiyor Arif Hikmet Bey; ama 1925 yılının sonları ya da 1926 yılının ilk ayları olmalı. O aylar; çünkü mimar, anılarında, mevsim karının, yüz kesen step ayazının olanca ağırlığıyla kentin üzerine çöktüğü günlere dönmüş. Arif Hikmet Bey işçilerle birlikte, müzenin yapımı sürüyor. “Mühim ve sevimli bir hatıram var,” diyor. Devam ediyor:
“Kar tipi halinde yağıyordu, her taraf bembeyaz karlar altında idi. Müzenin inşaatına içerde devam ediyorduk. Bir iki pencereye çerçeve takmış büyük salonların içinde mermer taşçılarımızı çalıştırıyorduk. Ben büyük kubbenin altında ve bir iş masasında, taşçılara yapacakları bazı tezyini işlerin çinko kalıplarını kesiyordum. Bazı kapatabildiğimiz yerlerde marangozlar da çalışıyordu. Bir işçimiz dışarıdan koşarak geldi ve heyecanla: ‘Efendim, Paşa geldi.’ dedi.
Şaşırmıştık, bu havada gelen hangi paşa idi? İşçi tekrarladı: ‘Mustafa Kemal Paşa.’ Bu esnada ön cephedeki kapılardan birine iğreti olarak taktığımız kapı açıldı, üstü başı kar içinde kalmış olan Atatürk içeri girdi. Karşıladım, ilk sözü:
‘Yahu Hikmet, bu havada inşaat yapılır mı?’ oldu. Cevap verdim, ‘Paşam, inşaat anlaşmamıza göre süremiz çok az. Havaya filan bakmadan işe devam mecburiyeti var, hatta işçilerimizden bazıları gaz lambası yakarak geceleri de çalışıyorlar.’ Paşa, ‘Allah kuvvet versin’ dedi, ilerledik, oradaki tahta bir iskemleye oturdu. Kapıyı da kapattık. İnşaat kâtibim Bahri elindeki gaz sobasıyla geldi. Paşa’nın yanına koydu. Atatürk gülerek, ‘Bahri şaka mı ediyorsun, her taraf açık, gaz sobası neye yarar, buna Okmeydanı’nda buhur yakmak derler’ dedi. Bahri de cevaben, ‘Hiç olmazsa Paşam biraz burnunuz ısınsın, soğuktan kıpkırmızı olmuş’ dedi. Hep gülüştük. Yarım saat kadar oturdu, işçilerle konuştu. Kar durmuştu, ön kapıdan Ankara’nın karlı ovasına bakarak ‘Manzara çok güzel, bu kubbenin altı yazın her halde çok serin olacak, İşim olmadığı zaman gelip bu kubbenin serinliğinde, bu güzel ovaya karşı oturmak isterim’ demiş ve karlara bata çıka otomobiline kadar gitmişti. Ne hazin bir tesadüftür ki vefatından sonra, uzun bir müddet burada, bu kubbenin altında ebedi istirahatına dalmış, yatmıştı.” (1)
Etnografya Müzesi’nin temeli 1925’in 25 Eylülünde atıldı.
1 “Merhum Mimar Arif Hikmet Arif Koyunoğlu’nun Anıları: 4”, Tarih ve Toplum, Sayı: 38, Şubat 1987, s. 48.
BOX DATE: 2000
MANUFACTURER: Mattel
SPECIAL FEATURES: Bubble wands; stampers; removable mirror & seat
PERSONAL FUN FACT: My sister and I each purchased these showers as kids. I think the one on the left was mine, which we had first. It was at Toys 'R' Us one afternoon, in a large combined pack with an Accessory Bonanza set. I had never seen a separate Barbie shower before, so naturally I was intrigued. I liked that this one had a removable vanity too. We got so much use out of it, that sometime later Colleen picked out the second one. I think she might have gotten it at Big Lots or Ocean State Job Lot, although I don't recall for certain anymore. Anyways, you could actually play with these showers in the real bathtub. They come with a suction cup mounted to the back, so you can stick it on the side of the shower wall. Colleen and I both enjoyed playing with it in the shower with our dollies (obviously separately--we were way too old at that time to still bathe together like we did when we were super little). The flower cups on the side were actually meant to hold ink. There were three little different shaped bubble wands/stampers that sat inside the flowers. I remember that the bottle of ink/bubble soap was a dark blue color. It used to drive our mom crazy, because we'd make a huge mess in the bathroom with it. Colleen was especially messy...she would get the blue stuff all over the sink and the side of the shelf next to it! It luckily didn't stain anything. I found some residue years later on the shelf and it wiped off easily. Even once we grew out of the phase of playing with these showers in the bathtub, we still utilized them all the time. Colleen would typically make one a shower for her Skipper dolls. The other would be the communal shower. I tended to prefer to play with mine sans vanity, since there was more space behind it to put all my dolls' bath products. The stamper/bubble wand flower cups were also handy places to stash dolly accessories.
📆 2019-05-18⏱12'45h➡️WPF♀️PROMO DH🏆Liga Premaat📍Piscina: Can Toda 🔛: @cncatalunya 🆚 @cnmadridmsk - @timeoutsports.cat @sports_of_our_world - Photo:©️J.Arnau/Atelier Photo - ⚪️🔵🔴 - 🔛 L'enllaç a les fotos ho podeu veure a la bio. El enlace a todas las fotos en la bio. Link to all photos in the bio. -
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Date taken: 12/09/2020
Location taken: Didcot Railway Centre
Rolling stock in photo: BR OB001C OBA Open Wagon 110711
📆 2019-01-24⏱18'30h➡️WPF♀️🏆Euro League Women📍Piscina: Pere Serrat 🔛: @cnsantandreu 🆚 @bvscvizilabda - @timeoutsports.cat @sports_of_our_world - Photo:©️J.Arnau/ @atelierphoto.cat - ⚪️🔵🔴 - 🔛 L'enllaç a les fotos ho podeu veure a la bio. El enlace a todas las fotos en la bio. Link to all photos in the bio. --
Good For You! So you and your very lovely lady decided to get dressed up to do Date Night dinner at Jasmine! So what's next? Good close-up seats for 'O' by Cirque Du Soleil? Luxurious late night cocktails at the Petrossian Bar & Lounge or at the Lilly Bar & Lounge? Dancing at The BANK, or at HYDE, or maybe across the street at the Cabaret Lounge at The Paris?
So what Marvelously Magnificent Midnight Mischief have you and your very lovely lady planned as a means to conclude Day-Eight of your fabulous ten day Vegas Fling?
Whatever y'all do -- Make It Legendary! -- Make It Notorious! -- And let it happen at The Bellagio!