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Disneyland Park,
Disneyland Paris.
June 2012.
Visit our website for loads of Disney Character pictures and information!
This series of resin pendants were inspired by a group of vintage Valentine's Day cards that I found at an antique shop. The cards had been written upon and sent to the owners' sweethearts. They looked like they had been saved for years and well loved. I like the idea of taking a piece from someone's long ago love affair and adding that to a piece of jewelry, possibly to be bought and sent by someone to their own love. It gives it a history of hearts!
They are made from brass with Ice Resin and various found objects, brass components, bits of paper, match sticks, and glass beads. The resin is crystal clear, and very reflective, and amplifies the collage inside the brass pendant with amazing detail. Unfortunately, they are so reflective, they are a bit hard for me to photograph, but I love each one dearly!
This pendant was made from a raw brass frame pendant, which was heated with flame to give it interesting coloration. Some of the pendants in this series were also hand domed with a hammer and dapping block. The pendant was then carefully filled with the paper and found object bits and covered with a water-like layer of crystal clear resin.
A small objet d'art I made from 6 mm round soo cho jade beads, toho 11/0 seeds in matte opaque chocolate and a piece of dapped brass filigree. Size of the bowl/filigree is 40x40 mm.
This series of resin pendants were inspired by a sheet of reproductions of vintage matchbook cover art. I thought it would be really cute to pair the matchbooks with actual matches and embed them into resin
They are made from brass with Ice Resin and various found objects, brass components, bits of paper, match sticks, and glass beads. The resin is crystal clear, and very reflective, and amplifies the collage inside the brass pendant with amazing detail. Unfortunately, they are so reflective, they are a bit hard for me to photograph, but I love each one dearly!
This pendant was made from a raw brass frame pendant, which was heated with flame to give it interesting coloration. Some of the pendants in this series were also hand domed with a hammer and dapping block. The pendant was then carefully filled with the paper and found object bits and covered with a water-like layer of crystal clear resin.
U21A, Runde 13
Samstag, 20. Dezember 2025, 14 Uhr
Red Ants Winterthur - Kloten-Dietlikon Jets 2:7 (0:0, 0:2, 2:5)
Oberseen, Winterthur. SR Däppen/Eschle.
Foto: Dieter Meierhans
Photos from CTA's experience capitalisation workshop on "Catalysing actionable knowledge to facilitate the next-generation ACP agriculture through youth entrepreneurship and job creation" from 6-8 November 2018 in Wageningen, the Netherlands.
Eventually I've got my shot of the nuthatch away from the feeder. He got a peanut and ran up the trunk to tash it away. Very dapply light I took this with my SB-800 using my trusted Moose Peterson settings (-1.0EV on the body, -2.0EV on the flash). Didn't find my flash extender until later so it was throwing up much light and was draining very quickly…
This series of resin pendants were inspired by a group of vintage Valentine's Day cards that I found at an antique shop. The cards had been written upon and sent to the owners' sweethearts. They looked like they had been saved for years and well loved. I like the idea of taking a piece from someone's long ago love affair and adding that to a piece of jewelry, possibly to be bought and sent by someone to their own love. It gives it a history of hearts!
They are made from brass with Ice Resin and various found objects, brass components, bits of paper, match sticks, and glass beads. The resin is crystal clear, and very reflective, and amplifies the collage inside the brass pendant with amazing detail. Unfortunately, they are so reflective, they are a bit hard for me to photograph, but I love each one dearly!
This pendant was made from a raw brass frame pendant, which was heated with flame to give it interesting coloration. Some of the pendants in this series were also hand domed with a hammer and dapping block. The pendant was then carefully filled with the paper and found object bits and covered with a water-like layer of crystal clear resin.
This series of resin pendants were inspired by a group of vintage Valentine's Day cards that I found at an antique shop. The cards had been written upon and sent to the owners' sweethearts. They looked like they had been saved for years and well loved. I like the idea of taking a piece from someone's long ago love affair and adding that to a piece of jewelry, possibly to be bought and sent by someone to their own love. It gives it a history of hearts!
They are made from brass with Ice Resin and various found objects, brass components, bits of paper, match sticks, and glass beads. The resin is crystal clear, and very reflective, and amplifies the collage inside the brass pendant with amazing detail. Unfortunately, they are so reflective, they are a bit hard for me to photograph, but I love each one dearly!
This pendant was made from a raw brass frame pendant, which was heated with flame to give it interesting coloration. Some of the pendants in this series were also hand domed with a hammer and dapping block. The pendant was then carefully filled with the paper and found object bits and covered with a water-like layer of crystal clear resin.
Here both the dapped and polished mouthpieces are displayed side by side. Some thread dipped in beeswax has been wrapped around the dapped mouthpiece in order to fit it to the receiver in my horn crooks - in the past, there was no set standard for the size of the receiver and venturi so the shank of the mouthpiece has to be adaptable in this way.
Aside from avoiding the need to modify antique instruments to fit modern mouthpieces, the amount of thread may be varied in order to adjust the position of the end of the shank relative to the venturi in the leadpipe, enabling the player to optimise the intonation. Overall tuning is still adjusted using the master tuning slide.
Beatrix Potter
Watercolour on paper
Beatrix first drew the little mouse Appley Dapply in 1891. Over the next ten years she invented new characters and composed verses inspired by traditional nursery rhymes. In 1905 she sent Norman Warne a manuscript containing 19 verses. Although he selected his favourites, the project was shelved. It wasn't until 1917 that Beatrix encouraged Frederick Warne & Co to publish a small selection with some of her original, and some re-worked, illustrations.
[V&A]
Taken in the Exhibition
Beatrix Potter: Drawn to Nature
(March 2022 to November 2022)
Celebrating the life and work of one of the best loved children's authors of the 20th century.
Beatrix Potter: Drawn to Nature is the first exhibition to tell the complete life story of Beatrix Potter, one of the best loved authors of children's fiction in the 20th century. Realised through a major partnership with the National Trust, this playful and interactive exhibition invites visitors of all ages to rediscover this household name and explore the full breadth of her achievements and multifaceted life, from storyteller to natural scientist and conservationist.
The exhibition showcases over 200 personal objects including artworks, rarely seen letters, manuscripts, sketches, coded diaries, family photographs, commercial merchandise and personal artefacts. It celebrates her early talent for storytelling, her business acumen and her fascination with the scientific study of the natural world, as well as her passion for sheep farming and conservation – a legacy still felt today.
Across four sections, the exhibition follows Potter's journey from London to the Lake District, where she eventually settled. The first section, Town and Country, provides a backdrop to her childhood in South Kensington in London; Under the Microscope highlights Potter's interest in natural science; A Natural Storyteller reveals her almost accidental journey to becoming a best-selling author; finally, Living Nature follows Potter to the Lake District and celebrates her profound impact on the natural landscape.
[V&A]
So Bobby's little containers stole my heart and I had to give it a shot, so I made this little pendant out of 20 gauge sheet that I cut and textured then bent around a metal rod and then soldered the seam closed. Next I cut the bottom plate and soldered it on just like you would a bezel. Then I made the little lid out of sheet that I domed slightly with a dapping block for a nice high rise shape, and soldered a thick bezel to the bottom to act as a.... flange is it? To go inside the vial to make it close, lol. Then I soldered the little jump rings on the side to hold the handle....and voila! A vial! The lid closes smoothly and sticks tightly, pretty neat don't you think?