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La Iglesia de Timios Stavros tou Missirikou se encuentra al este de la de Faneromeni. Es una iglesia de pequeñas dimensiones que data de los años del gobierno veneciano (es decir, a la primera mitad del siglo XVI). Durante el período del dominio turco, la iglesia se convirtió en una mezquita musulmana y se llamó Mezquita Arablar ("Mezquita de los Árabes"). La iglesia tiene tres naves con una cúpula, pero no se han conservado pinturas murales..
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El plano del edificio es de tipo domestico bizantino de nave con dos naves poco profundas y un ábside semicircular. Las decoraciones arquitectónicas son sin embargo del estilo del siglo XVI, y el conjunto forma una curiosa mezcla de características diferentes. Las ventanas y las puertas tienen las molduras habituales de la época y los aguilones se ornamentan de una manera curiosa con las pequeñas armaduras invertidas para representar crockets. Los contrafuertes góticos regulares apoyan las paredes en cada lado..
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Al convertir la iglesia en una mezquita las puertas oeste y sur han sido cerradas y un porche construido en el lado noreste. Un minarete singularmente pequeño también fue construido en la esquina noreste. El edificio fue reparado hace unos años, cuando se renovó el enlucido de yeso habitual en una mezquita;.
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Esta pequeña iglesia o capilla es un excelente ejemplo del estilo de arte y la mezcla de elementos arquitectónicos que parece haber prevalecido en Chipre durante la ocupación veneciana. El plano cruciforme coronado por una cúpula es bizantino, los contrafuertes con goteos sugieren el período medieval, mientras que la talla de piedra decorativa evidentemente se copia de los dibujos de una descripción clásica o renacentista. Fue sin duda la intención de los constructores de imitar una de las pequeñas iglesias tan comunes en una ciudad veneciana. Se supone que esta iglesia es referida por Dapper como perteneciente a los misioneros italianos en el siglo XVII, el nombre corrompido de la Cruz de los Misioneros. Su nombre turco parece ser "árabe-jami", o la mezquita de los esclavos árabes, y la derivación más probable de "missiricou" es del árabe 'Misr' que significa Egipto, la tierra de la cual la mayoría de los esclavos árabes tendría Vienen, aunque el prefijo "Stavro" parece extraño aplicado a una mezquita. ".
ugh- terrible still shot! lol, OK- the first few steps of the process I used to raise my pewter "superbowl" ...
I decided to start primitive- using a rock and stump outside of my studio (it was 70+ degrees that day, in January!)
then, I refined the shape inside my workshop, using a dapping punch and hammer (I don't have any stakes, so I used what I thought would work...and am pretty happy with the results)
This was a lot of fun- and good exercize too! I'm thinking of trying to make a bowl a month......
La Cure. Lundi 7 Octobre 2013.
Frédéric Telfser, Vétérinaire de Montherod.
Vache oubliée a l'alpage.
Les Dappes, Léna et son veau.
(Sam Fromhold)
Mecklermedia's Inside Bitcoins Conference In Las Vegas 2014
(L-R) Rivetz co-chair Bradley Rotter and Dapps Fund managing director David Johnston
Photo: Open Window Productions, Ltd. www.openwindowproductions.net
I use an old car piston and a leather mallet to hammer the ring into the depression.
Every 5 blows or so, switch the ring to dome both sides evenly. Anneal as soon as it gets hard.
Once the piston hits the dapping block, move the ring to a smaller depression.
Okay, here's the thought: Dapper Dude will be a complete outfit: top hat + shirt/tie/vest + sleeve garters + trousers + shoes + gloves. There will be an extras pack (sold separately) with accessories and props: cigar, specs, corsage, snake oil bottle, carpet bag, beer glass, etc., etc.
Bad things happened when I made this ring, which was going to be for me, dammit. I dapped a ding in the center of the 'cab', and the etch really wasn't deep enough to be abused so. The solder joining the bezel ran when I soldered on the band, and in my attempt to file the line smooth I filed too much. It's my first day off in two months and I am done with my ring, dammit.
Blackened sterling silver with Murano glass beads, topaz bead, honey jade bead, rock crystal bead, dapped and engraved flower charm and Chinese character depicting "longevity" charm
Ethereum as bitcoin has gained lots of traction in the cryptocurrency industry. However unlike Bitcoin that is regarded as the future currency, Ethereum is much more than a currency. It is a decentralized blockchain which is powered by Ether token that allows users to trade, earn interest on their investments through staking, use and store non-fungible tokens (NFTs) as well as trade cryptocurrencies as well as play games and engage in social media. It is regarded as the next stage on the web.
Recently the Ray of Light from CollabifyTV created a video tutorial explaining Ethereum for people new to the blockchain and cryptocurrency technology. CryptoCrisps, a crypto enthusiast, has given the video a 5 star rating in a recent review.
Beginners Guide to Ethereum
Watch this video on CollabifyTV and make sure to subscribe to their Youtube channel.
It is well-known that ethereum is a lot more than just a cryptocurrency, it is the second largest blockchain project worldwide. This article we will find out how Ethereum has moved to Ethereum 1.0 and has now moved to Ethereum 2.0, and how it will benefit various businesses.
Ethereum wasn`t always the second-largest blockchain project. Vitalik Buterin co-founded the project in order to fix the shortcomings of Bitcoin. It was in 2013 that Buterin released The Ethereum white paper that described smart contracts. They are automatic, unchangeable "if-then" statements that allow applications that are decentralized (DApps) to be developed.
dailynewssheet.com/2022/07/20/ray-of-lights-beginners-gui...
The Shipbuilding series of pendants are inspired by a song of the same name, made as part if my Song Lore blog series.
They are made from brass with Ice Resin and various found objects, brass components, bits of paper from an old nautical themed card, freshwater pearls, and glass beads. The resin is crystal clear, and very reflective, and amplifies the collage inside the brass pendant with amazing detail. Unfortunately, they are so reflective, they are a bit hard for me to photograph, but I love each one dearly!
This pendant was made from a raw brass frame pendant, which was heated with flame to give it interesting coloration. Some of the pendants in this series were also hand domed with a hammer and dapping block. The pendant was then carefully filled with the paper and found object bits and covered with a water-like layer of crystal clear resin.
This series of resin pendants were inspired by a group of vintage Valentine's Day cards that I found at an antique shop. The cards had been written upon and sent to the owners' sweethearts. They looked like they had been saved for years and well loved. I like the idea of taking a piece from someone's long ago love affair and adding that to a piece of jewelry, possibly to be bought and sent by someone to their own love. It gives it a history of hearts!
They are made from brass with Ice Resin and various found objects, brass components, bits of paper, match sticks, and glass beads. The resin is crystal clear, and very reflective, and amplifies the collage inside the brass pendant with amazing detail. Unfortunately, they are so reflective, they are a bit hard for me to photograph, but I love each one dearly!
This pendant was made from a raw brass frame pendant, which was heated with flame to give it interesting coloration. Some of the pendants in this series were also hand domed with a hammer and dapping block. The pendant was then carefully filled with the paper and found object bits and covered with a water-like layer of crystal clear resin.