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I added another park page to our album...
Journaling reads: It wasn’t particularly a park day. The weather was cool, and it was overcast. We had been at the Terry Fox Run, then church and needed to head back for a baby shower. We quickly grabbed MacDonald’s for lunch downtown and planned to head back to the church to eat when the kids suggested we stop at the skateboard park. It’s not really my choice of great parks to go to. Shall we say that the crowd can be a little iffy for a 6 and 7 year old and 20 year old with special needs? But we decided to do it, even though we only had a few minutes. It actually turned out to be a really good time. The kids were in awe at the kids that were there. There were some that were skateboarding and some on bikes. Yes, we heard some questionable language but we were able to talk about it. We were able to talk about appropriate safety gear as we did see a few wipeouts and very little protection. And yes we saw some neat (aka scary) tricks that…one day they wish they might do. All in all, it was a good experience and we are all glad that we went. And really, it is great that our city has a place like this that is just for the kids - to do what they want to do. Cool times. 2010.09.19
Journaling 2011.10.19
Sources: template - Yin template_183; background paper KPertiet Colorchallenge71209; Wordcutups- KPertiet Springtime Cutups; Font - Traveling Typewriter and Myriad Pro
TFL!
Oaxaca
"Viva la guelaquetza popular"
"Boicot a a la Guelaguetza commercial"
en.wikipedia.org/wiki/Guelaguetza
"The Guelaguetza, or Los lunes del Cerro (The Mondays of the Hill) is an annual cultural celebration that takes place in the city of Oaxaca, capital of the state of Oaxaca in Mexico."
cut-up's cânone fantástico. (2018-2020)
a partir de
marÃa clara sharupi jua
poema "como nantar y namur [nantar nuyá namur anin]", consultado y reproducido del blog '100 mil poetas por el cambio ecuador' (2018).
magda portal
poema "15", del libro 'una esperanza i el mar" (1927).
josefina plá
poema "tiempo vestido de mujer", del libro "la llama y la arena" (1987).
Las calles también son de las mujeres. No mas agresiones sexuales, fisicas o verbales "The streets are also for women. No more sexual, physical or verbal assaults"
Stencil
San Cristobal de las Casas (Chiapas)
cut-up's cânone fantástico. (2018-2020)
a partir de
marÃa clara sharupi jua
poema "como nantar y namur [nantar nuyá namur anin]", consultado y reproducido del blog '100 mil poetas por el cambio ecuador' (2018).
magda portal
poema "15", del libro 'una esperanza i el mar" (1927).
josefina plá
poema "tiempo vestido de mujer", del libro "la llama y la arena" (1987).
www.youtube.com/watch?v=6KGyzOKTarQ&feature=related
Let's Wörk Togesser
Jawoll, Jawoll
Let's Wörk Togesser
Weetst du, tosomm muck wi dat kloar
Sech gau besched und wi sind glicks doa
we saw Men in the timeless ritual of unfortunate effects. Deprived of the scent of a thousand ancient winds
I have always liked the voice of William S. Burroughs and I’ve always wanted to do something with the Origin and Theory of the Tape Cut-Ups clip.
Now I have.
Also includes a cut-up example by Brion Gysin.
Watch this video on Vimeo. Video created by Matti Niinimäki.
Tribal head, in the same style of another in the same series. Comics type character eating a cupcake. Number four. Twelve
Collage
México (DF)
CHIANG MAI, THAILAND - AUGUST 24: Woman cuts durian for sale at the market on August 23, 2016 in Chiang Mai, Thailand.
I was supposed to write an essay based on the idea of Francis Alys' Guards (2004), but somehow didn't write an essay at all and got very carried away. It went from a critical look at the place of walking in modern art to attempting to dissolve all logical meaning entirely. Initially a snide piss-take, I wrote a ludicrous non-story about the City of London and its inhabitants. After that the form of the essay went out of the window too. A fuller explanation and the complete PDFs can be found goo.gl/WdhlCg.
The "Cut up" of writing was pioneered by Dadaists and later used by Beat Generation poets. I didn't manipulate individual lines or letters but instead used chunks of text and sewed them back together to turn the written text into something more visual and dissolve meaning even further.
Natacha Atlas - Vocals (1-6)
Yazz Ahmed - Flugelhorn (2-5)
Jason Singh - Beatbox, Analogue Synths (1 & 6)
Alcyona Mick - Original Piano Takes (1-6)
Samy Bishai - Violin, Viola, String Arr. (2), Electric Bass (3), Beats (1, 3, 5, 6), Programming & Sound Design (1-6)
All Tracks by Atlas/Bishai (Wise Music Publishing)
Produced & Arranged by Samy Bishai
Mixed by Samy Bishai
Mastered by Jon Astley
'The Outer' is the first single from the upcoming project between globally renowned vocalist Natacha Atlas and production partner Samy Bishai, featuring composer, musician and sound artist Jason Singh.
Exploring themes of societal dystopia, ’The Inner & The Outer’ is an emotional and contemplative musical reaction to the challenges society has faced since the start of the pandemic.
Our single ‘The Outer’ opens the musical project with a relentlessly groove-driven digital fable, an exotic cousin of Massive Attack. The song juxtaposes throughout - from the menace of dark analogue bass synths and distorted beatboxing to Natacha’s transcendental flow of melodies, soaring over a bed of Alcyona Mick's cutup piano motifs.
This duality can be found in every aspect of the upcoming album; angular dissonance/melodic resolution, analogue/digital production techniques, working alone/collaboratively..
‘The Outer’ sees Natacha boldly progressing her musical journey through new realms, deftly sidestepping nostalgia. Evolving from her electrifying 90s-era Transglobal Underground sound, she opts instead for her blend of jazz-infused 21st century electronics, providing the perfect opportunity to collab with old friend Jason Singh, whose uniquely varied skills have him composing all over the world, for the BBC and many others.
As a writing team, Atlas & Bishai have brilliantly orchestrated the seamless integration of Middle Eastern maqam vocabularies with hiphop, jazz and electronica, with Bishai's arrangement and production skills working invisibly behind the scenes, tying it all together. The resultant sonic synergy is unparalleled in its effortless transition of various styles to create a complete new sound, which remains eerily familiar; the memory of a sound unheard.
'The Outer' explores the fragmentation of a pandemic society - the extroverted and externalised emotional responses to the power, influence and corruption of the outside world: the virus, the media, the powers that be... and all the feelings that come with that: isolation, disorientation, destabilisation, displacement, mistrust, fear, anger…
This album is really something special...after setting the dystopian tone with ‘The Outer’, Natacha takes us to the other side of the experience: 'The Inner', a delicately introverted meditational space, a paean to the tranquillity of zen...
We will soon present 'The Inner', which features award-winning jazz trumpeter Yazz Ahmed. (released 18th of June 2021).
natachaatlas.bandcamp.com