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CHIANG MAI, THAILAND - AUGUST 24: Woman cuts durian for sale at the market on August 23, 2016 in Chiang Mai, Thailand.
I was supposed to write an essay based on the idea of Francis Alys' Guards (2004), but somehow didn't write an essay at all and got very carried away. It went from a critical look at the place of walking in modern art to attempting to dissolve all logical meaning entirely. Initially a snide piss-take, I wrote a ludicrous non-story about the City of London and its inhabitants. After that the form of the essay went out of the window too. A fuller explanation and the complete PDFs can be found goo.gl/WdhlCg.
The "Cut up" of writing was pioneered by Dadaists and later used by Beat Generation poets. I didn't manipulate individual lines or letters but instead used chunks of text and sewed them back together to turn the written text into something more visual and dissolve meaning even further.
cut-up's cânone fantástico. (2018-2020)
a partir de
maría clara sharupi jua
poema "como nantar y namur [nantar nuyá namur anin]", consultado y reproducido del blog '100 mil poetas por el cambio ecuador' (2018).
magda portal
poema "15", del libro 'una esperanza i el mar" (1927).
josefina plá
poema "tiempo vestido de mujer", del libro "la llama y la arena" (1987).
cut-up's cânone fantástico. (2018-2020)
a partir de
cecilia vicuña
poema "luxumei", del libro 'luxumei o el traspié de la doctrina' (1983).
elcina valencia córdoba
poema "curralao", consultado y reproducido de revista arcadia (2019).
eunice odio
poema "declinaciones del monólogo", del libro 'eunice odio en guatemala y otros países centroamericanos' (2019).
Seminar "InfoBoard: Interaction & Motion"; vereint die Kurse 2.132 – 1 "Interaction Design: InfoBoard / Ubiquitous Interaction" (Prof Boris Müller) und 2.118 "Multimedia AV: CutUp.26: InfoBoard / Motiondesign" (Prof. Klaus Dufke)
Sommersemester 2013
...for kids with no skillz.
It is "Make-a-thing March" for me. Which means making one thing a day for whole month, regardless of how awful it may be or sleepy I am… and I warn you, it will be awful and I will be sleepy.
You can follow on twitter with #makeathingmarch and make your own things for march!
the most wanted woman in the uk. "a decent woman who lost her way..." made from a Calvin Klein advert.
Izložba, performans, instalacija, trikovi i štogod iskrsne u procesu
Pogon JEDINSTVO | velika dvorana | artist talks: 22. (Marko Tadić), 23. (Ivan Marušić Klif) i 24. (Boris Cvjetanović) 10. | 19:00 sati | predstavljanje istraživačkog procesa: 26.10.2013. | 19:00 sati | Organizator: OZAFIN ALU i POGON
oskudnost.wordpress.com
Sudjelovali: Ana Hušman, Nicole Hewitt, Ivan Slipčević, Marko Tadić, Ivan Marušić Klif, Boris Cvjetanović, Damir Žižić, Sonja Pregrad, Vida Guzmić, Hrvoslava Brkušić, Vanja Babić, Vladimir Cvijanović, Dejan Gotić, studenti, nastavnici, diplomanti i gosti Odsjeka za animirani film i nove medije.
I was supposed to write an essay based on the idea of Francis Alys' Guards (2004), but somehow didn't write an essay at all and got very carried away. It went from a critical look at the place of walking in modern art to attempting to dissolve all logical meaning entirely. Initially a snide piss-take, I wrote a ludicrous non-story about the City of London and its inhabitants. After that the form of the essay went out of the window too. A fuller explanation and the complete PDFs can be found goo.gl/WdhlCg.
The "Cut up" of writing was pioneered by Dadaists and later used by Beat Generation poets. I didn't manipulate individual lines or letters but instead used chunks of text and sewed them back together to turn the written text into something more visual and dissolve meaning even further.
Natacha Atlas - Vocals (1-6)
Yazz Ahmed - Flugelhorn (2-5)
Jason Singh - Beatbox, Analogue Synths (1 & 6)
Alcyona Mick - Original Piano Takes (1-6)
Samy Bishai - Violin, Viola, String Arr. (2), Electric Bass (3), Beats (1, 3, 5, 6), Programming & Sound Design (1-6)
All Tracks by Atlas/Bishai (Wise Music Publishing)
Produced & Arranged by Samy Bishai
Mixed by Samy Bishai
Mastered by Jon Astley
'The Outer' is the first single from the upcoming project between globally renowned vocalist Natacha Atlas and production partner Samy Bishai, featuring composer, musician and sound artist Jason Singh.
Exploring themes of societal dystopia, ’The Inner & The Outer’ is an emotional and contemplative musical reaction to the challenges society has faced since the start of the pandemic.
Our single ‘The Outer’ opens the musical project with a relentlessly groove-driven digital fable, an exotic cousin of Massive Attack. The song juxtaposes throughout - from the menace of dark analogue bass synths and distorted beatboxing to Natacha’s transcendental flow of melodies, soaring over a bed of Alcyona Mick's cutup piano motifs.
This duality can be found in every aspect of the upcoming album; angular dissonance/melodic resolution, analogue/digital production techniques, working alone/collaboratively..
‘The Outer’ sees Natacha boldly progressing her musical journey through new realms, deftly sidestepping nostalgia. Evolving from her electrifying 90s-era Transglobal Underground sound, she opts instead for her blend of jazz-infused 21st century electronics, providing the perfect opportunity to collab with old friend Jason Singh, whose uniquely varied skills have him composing all over the world, for the BBC and many others.
As a writing team, Atlas & Bishai have brilliantly orchestrated the seamless integration of Middle Eastern maqam vocabularies with hiphop, jazz and electronica, with Bishai's arrangement and production skills working invisibly behind the scenes, tying it all together. The resultant sonic synergy is unparalleled in its effortless transition of various styles to create a complete new sound, which remains eerily familiar; the memory of a sound unheard.
'The Outer' explores the fragmentation of a pandemic society - the extroverted and externalised emotional responses to the power, influence and corruption of the outside world: the virus, the media, the powers that be... and all the feelings that come with that: isolation, disorientation, destabilisation, displacement, mistrust, fear, anger…
This album is really something special...after setting the dystopian tone with ‘The Outer’, Natacha takes us to the other side of the experience: 'The Inner', a delicately introverted meditational space, a paean to the tranquillity of zen...
We will soon present 'The Inner', which features award-winning jazz trumpeter Yazz Ahmed. (released 18th of June 2021).
natachaatlas.bandcamp.com
I have always liked the voice of William S. Burroughs and I’ve always wanted to do something with the Origin and Theory of the Tape Cut-Ups clip.
Now I have.
Also includes a cut-up example by Brion Gysin.
Watch this video on Vimeo. Video created by Matti Niinimäki.
Seminar "InfoBoard: Interaction & Motion"; vereint die Kurse 2.132 – 1 "Interaction Design: InfoBoard / Ubiquitous Interaction" (Prof Boris Müller) und 2.118 "Multimedia AV: CutUp.26: InfoBoard / Motiondesign" (Prof. Klaus Dufke)
Sommersemester 2013
cut-up's cânone fantástico. (2018-2020)
a partir de
maría clara sharupi jua
poema "como nantar y namur [nantar nuyá namur anin]", consultado y reproducido del blog '100 mil poetas por el cambio ecuador' (2018).
magda portal
poema "15", del libro 'una esperanza i el mar" (1927).
josefina plá
poema "tiempo vestido de mujer", del libro "la llama y la arena" (1987).
Natacha Atlas - Vocals (1-6)
Yazz Ahmed - Flugelhorn (2-5)
Jason Singh - Beatbox, Analogue Synths (1 & 6)
Alcyona Mick - Original Piano Takes (1-6)
Samy Bishai - Violin, Viola, String Arr. (2), Electric Bass (3), Beats (1, 3, 5, 6), Programming & Sound Design (1-6)
All Tracks by Atlas/Bishai (Wise Music Publishing)
Produced & Arranged by Samy Bishai
Mixed by Samy Bishai
Mastered by Jon Astley
'The Outer' is the first single from the upcoming project between globally renowned vocalist Natacha Atlas and production partner Samy Bishai, featuring composer, musician and sound artist Jason Singh.
Exploring themes of societal dystopia, ’The Inner & The Outer’ is an emotional and contemplative musical reaction to the challenges society has faced since the start of the pandemic.
Our single ‘The Outer’ opens the musical project with a relentlessly groove-driven digital fable, an exotic cousin of Massive Attack. The song juxtaposes throughout - from the menace of dark analogue bass synths and distorted beatboxing to Natacha’s transcendental flow of melodies, soaring over a bed of Alcyona Mick's cutup piano motifs.
This duality can be found in every aspect of the upcoming album; angular dissonance/melodic resolution, analogue/digital production techniques, working alone/collaboratively..
‘The Outer’ sees Natacha boldly progressing her musical journey through new realms, deftly sidestepping nostalgia. Evolving from her electrifying 90s-era Transglobal Underground sound, she opts instead for her blend of jazz-infused 21st century electronics, providing the perfect opportunity to collab with old friend Jason Singh, whose uniquely varied skills have him composing all over the world, for the BBC and many others.
As a writing team, Atlas & Bishai have brilliantly orchestrated the seamless integration of Middle Eastern maqam vocabularies with hiphop, jazz and electronica, with Bishai's arrangement and production skills working invisibly behind the scenes, tying it all together. The resultant sonic synergy is unparalleled in its effortless transition of various styles to create a complete new sound, which remains eerily familiar; the memory of a sound unheard.
'The Outer' explores the fragmentation of a pandemic society - the extroverted and externalised emotional responses to the power, influence and corruption of the outside world: the virus, the media, the powers that be... and all the feelings that come with that: isolation, disorientation, destabilisation, displacement, mistrust, fear, anger…
This album is really something special...after setting the dystopian tone with ‘The Outer’, Natacha takes us to the other side of the experience: 'The Inner', a delicately introverted meditational space, a paean to the tranquillity of zen...
We will soon present 'The Inner', which features award-winning jazz trumpeter Yazz Ahmed. (released 18th of June 2021).
natachaatlas.bandcamp.com
I think this was after a couple of days of attacking the pile here and there for 15 minutes or so at a time whenever I was free. I never made it out there more than once a day, though, with usually several days in between. Clearly this has been a low-level priority.
you are sleeping. you do not want to believe. // glitched text that was cutup from the internet, with sound.
I got my new bank card yesterday, and thought this was a good way to start 2010. Hopefully things regarding money will look up for me this year.
Izložba, performans, instalacija, trikovi i štogod iskrsne u procesu
Pogon JEDINSTVO | velika dvorana | artist talks: 22. (Marko Tadić), 23. (Ivan Marušić Klif) i 24. (Boris Cvjetanović) 10. | 19:00 sati | predstavljanje istraživačkog procesa: 26.10.2013. | 19:00 sati | Organizator: OZAFIN ALU i POGON
oskudnost.wordpress.com
Sudjelovali: Ana Hušman, Nicole Hewitt, Ivan Slipčević, Marko Tadić, Ivan Marušić Klif, Boris Cvjetanović, Damir Žižić, Sonja Pregrad, Vida Guzmić, Hrvoslava Brkušić, Vanja Babić, Vladimir Cvijanović, Dejan Gotić, studenti, nastavnici, diplomanti i gosti Odsjeka za animirani film i nove medije.
"Here are more of those Fun-to-Bake, Fun-to-Cut-Up cakes... made with wonderful Baker's Angel Flake..."
Strobist info: SB-800 on left and above camera snooted with cutup FedEx envelope. Trigger by Nikon CLS. On camera flash set to not fire. 1/250 @f/5
Legendary Pittsburgh dance music promoters (1997-2004) HOUSE OF STYLES returns from a long European hibernation with a full throttle electronic music event that will rock the Burgh on Friday July 15, 2011 with...
LENNY DEE
PRODUCT 19
SEAN 216
ERIC BLISS
DATA CONVERSION
CUTUPS
CLEVR
COLIN PIERCE
The Lawrenceville Moose, 120 51st St, Pittsburgh, PA 15201