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Available at HypeForType: www.hypefortype.com/chinese-rocks.html
Chinese Rocks. A marvellous idea for a font that was inspired by stenciled lettering on imported merchandise containers. Chinese Rocks looks like it was a hand cut rubber stamp, used about a million times. Uneven line thickness and odd stem widths combine with sharp corners to create the effect of letters cut out with a box knife in a hurry.
Che Guevarra kind of character with automatic gun and molotov cocktail
Stencil
San Cristobal de las Casas (Chiapas)
Jenny is such a rock star, cool chick! Here she is in all her glory! Products from Krystal Hartley's Rachel Mini kit: background paper, argyle, terry curl, dots and the word rock. Glitter splotches are by Amanda Dykan. The frame is Blythe Evans Cardboard Cutup. Black alpha is Rachel Martin's super mini alpha. White alpha is Tracey Monette's Mini Bits Alpha.
Rachel link www.polkadotpotato.com/shop/product.php?productid=2352&am...
Cardboard Cut Up purplepaperflowers.com/shoppe/index.php?main_page=product...
Mini Bits Alpha store.scrapbook-elements.com/index.php?main_page=product_...
février 2014, Théza.
"On part loin", metacarnet de voyage réalisé par la classe de Première STAV du LEGTA Federico Garcia Lorca
à Théza, a été encadré par Gaspard Bébié-Valérian et Manuel Fadat, artistes et intervenants pour l’association
Oudeis. Accompagnés également des enseignantes Laurie Bernadac, Anne Allié, Dorine Jadeau et Sophie Menet, cette réalisation tient en un objet éditorial situé entre la revue, le fanzine, le livre d’artiste. À partir de carnets de
voyages réalisés en 2012 suite à un voyage dans le pays basque, il a été question de réaliser un seul carnet de voyage,
atypique, commun à tous les élèves, conçu et réalisé par ceux-ci.
Projet graphique, textuel, expérimental, utilisant une batterie de procédés, de techniques et de technologies
appropriées, étayé par un soubassement théorique ainsi que des exemples probants, l’atelier de création s’est appuyé sur leurs souvenirs, leur persistance, leur exactitude mais aussi leurs déformations, leurs transformations, a posé la
question de la mémoire (des lieux, des personnes, des rencontres, des sensations, des perceptions). Nous avons tous ensemble fait remonter à la surface le matériau avec lesquels les élèves ont créé, par le dialogue, l’interrogation,
la réflexion, l’imagination. Les objectifs et la nature de l’atelier, ont ceci de singulier qu’ils ont permis aux élèves
d’éprouver et d’expérimenter toutes les phases d’un processus de création, d’édition.
Ce temps de travail se focalisa autour de procédés d’expérimentations visuelles et textuelles inspirées de l’écriture
automatique, du cadavre exquis, du caviardage, du haïku, du cut-up, de la métagraphie, de l’association libre, du jeu du hasard. Un moyen de faire cohabiter les diversités, de transformer, détourner, créer à partir de matériaux
existants. Comment jouer, transformer l’anodin, comment susciter l’intrigue, induire de l’ambiguïté, de la poésie ou
même provoquer le sourire, tout ceci à partir de journaux, d’images et supports diversifiés. Chacun des participants put s’adonner au plaisir de la juxtaposition, de la déchirure, du collage, du froissement, copier-outré, du bruissement,
du raturage, du feutrage, du bombage, masquage, pliage, scotchage et autres manipulations graphiques.
Ouvrage réalisé collectivement par :
Bachelet Coralie, Boget Thomas, Bonjean Elodie, Bousquet Florian, Briet Sacha, Camps Clément, Colombo Maud, Dejean
Estelle, Dhenin Mallaury, Fabre Ugo, Gouagout Jérémy, Gouloumes Clémentine, Grau Sébastien, Grymonprez Déborah, Guiter
Armand, Kraeber Thomas, Le Houssel Loriane, Louchez Valentine, Magny-Carvalho Lolie, Marty Léa, Ribière Vincent, Rieutort
Fanny, Rolland-Lefebvre Oriane, Roudolff Valentin, Ruiz William, Sery Alexa, Texier Coraline.
26 . 365
here are some xmas presents i wrapped last nite. it took me about an hour each present and i wrapped 7 of them.
anyhow, i enjoy it and love the result.
using whatever images i can find and used ribbon from previous gifts, i get my scissors and tape out and go for it.
so much fun really.
for these gifts the images are mostly from anthropologie catalogs i get in the mail. lots of whimsy in those.
also an h&m holiday catalog i picked up last year. free.
enjoy.
Natacha Atlas - Vocals (1-6)
Yazz Ahmed - Flugelhorn (2-5)
Jason Singh - Beatbox, Analogue Synths (1 & 6)
Alcyona Mick - Original Piano Takes (1-6)
Samy Bishai - Violin, Viola, String Arr. (2), Electric Bass (3), Beats (1, 3, 5, 6), Programming & Sound Design (1-6)
All Tracks by Atlas/Bishai (Wise Music Publishing)
Produced & Arranged by Samy Bishai
Mixed by Samy Bishai
Mastered by Jon Astley
'The Outer' is the first single from the upcoming project between globally renowned vocalist Natacha Atlas and production partner Samy Bishai, featuring composer, musician and sound artist Jason Singh.
Exploring themes of societal dystopia, ’The Inner & The Outer’ is an emotional and contemplative musical reaction to the challenges society has faced since the start of the pandemic.
Our single ‘The Outer’ opens the musical project with a relentlessly groove-driven digital fable, an exotic cousin of Massive Attack. The song juxtaposes throughout - from the menace of dark analogue bass synths and distorted beatboxing to Natacha’s transcendental flow of melodies, soaring over a bed of Alcyona Mick's cutup piano motifs.
This duality can be found in every aspect of the upcoming album; angular dissonance/melodic resolution, analogue/digital production techniques, working alone/collaboratively..
‘The Outer’ sees Natacha boldly progressing her musical journey through new realms, deftly sidestepping nostalgia. Evolving from her electrifying 90s-era Transglobal Underground sound, she opts instead for her blend of jazz-infused 21st century electronics, providing the perfect opportunity to collab with old friend Jason Singh, whose uniquely varied skills have him composing all over the world, for the BBC and many others.
As a writing team, Atlas & Bishai have brilliantly orchestrated the seamless integration of Middle Eastern maqam vocabularies with hiphop, jazz and electronica, with Bishai's arrangement and production skills working invisibly behind the scenes, tying it all together. The resultant sonic synergy is unparalleled in its effortless transition of various styles to create a complete new sound, which remains eerily familiar; the memory of a sound unheard.
'The Outer' explores the fragmentation of a pandemic society - the extroverted and externalised emotional responses to the power, influence and corruption of the outside world: the virus, the media, the powers that be... and all the feelings that come with that: isolation, disorientation, destabilisation, displacement, mistrust, fear, anger…
This album is really something special...after setting the dystopian tone with ‘The Outer’, Natacha takes us to the other side of the experience: 'The Inner', a delicately introverted meditational space, a paean to the tranquillity of zen...
We will soon present 'The Inner', which features award-winning jazz trumpeter Yazz Ahmed. (released 18th of June 2021).
natachaatlas.bandcamp.com
cut-up's cânone fantástico. (2018-2020)
a partir de
marÃa clara sharupi jua
poema "como nantar y namur [nantar nuyá namur anin]", consultado y reproducido del blog '100 mil poetas por el cambio ecuador' (2018).
magda portal
poema "15", del libro 'una esperanza i el mar" (1927).
josefina plá
poema "tiempo vestido de mujer", del libro "la llama y la arena" (1987).
Seminar "InfoBoard: Interaction & Motion"; vereint die Kurse 2.132 – 1 "Interaction Design: InfoBoard / Ubiquitous Interaction" (Prof Boris Müller) und 2.118 "Multimedia AV: CutUp.26: InfoBoard / Motiondesign" (Prof. Klaus Dufke)
Sommersemester 2013
cut-up's cânone fantástico. (2018-2020)
a partir de
patrÃcia galvão
"natureza morta", publicado originalmente no suplemento literário do Diário de São Paulo, em 1948, assinado pela pseudônima Solange Sohl.
carmen natalia martÃnez
"oda heroica a las mirabal", del libro 'Mujeres como Islas II, Antologia de Poetas cubanas, dominicanas y puertorriqueñas', 2011.
elvira espejo ayca
"alientos de la luna", canción del álbum Sami Kirki: A los alientos sagrados, Sonares Comunes, Vol. 3, 2018
CREDITS
Credits for all days of the week cards
Days of the week cards: K Pertiet Pocket Cards Rainbow Dates No 4
Blue card: Clementine edition digital version
Rainbow dates and tabs: Studio Double D Days of the Week Journalers No 1
Everday twill: A Edwards Everyday twill
Staples: P Knox StapleIts
Thursday card edger: K Pertiet Colorful Edgers No2-1
Star edger: K Pertiet StarStrips
Captured: K Pertiet Postage Strip Words
Full of life: K Pertiet Pinned Sentiments
Red clock: K Pertiet Clock Buttons No1-3
Basketball game card
Card: Clementine edition digital version
Smile ticket: K Pertiet Ticketed Thoughts
Star Journaler: H Larsen Journalers Part One
Snap: K Pertiet Cutups Photography
Tape: A Victoria Essential dots
Photo prong: Shabby Princess Sweet Sprinkles kit elements
Brass staple: P Knox Staple Its
Restaurant card
Card: K Pertiet Pocket Cards Bound No1-2
Arrow: Mira BonVoyage kit elements
Playtime card
Flower paper: K Pertiet Shaped Notebook Journalers
Card: K Pertiet Vintage Journal Spots No 3-2
Blue striped card: K Pertiet Email Inspiration70410
Negative: K Pertiet InaStrip
Staple: P Knox StapleIts
Blue glass flower: EM Metal glass flowers
Soft blue flower: K Pertiet Color Challenge 31509
Bright purple & teal flowers: KMILL Mermaidia elements
Purple flower: J Wilson Memories Made of Today elements
Mardi Gras card
Card: Clementine edition digital version
Beads: M Martin Carnival beadswirl
Tape: A Victoria Essential dots
février 2014, Théza.
"On part loin", metacarnet de voyage réalisé par la classe de Première STAV du LEGTA Federico Garcia Lorca
à Théza, a été encadré par Gaspard Bébié-Valérian et Manuel Fadat, artistes et intervenants pour l’association
Oudeis. Accompagnés également des enseignantes Laurie Bernadac, Anne Allié, Dorine Jadeau et Sophie Menet, cette réalisation tient en un objet éditorial situé entre la revue, le fanzine, le livre d’artiste. À partir de carnets de
voyages réalisés en 2012 suite à un voyage dans le pays basque, il a été question de réaliser un seul carnet de voyage,
atypique, commun à tous les élèves, conçu et réalisé par ceux-ci.
Projet graphique, textuel, expérimental, utilisant une batterie de procédés, de techniques et de technologies
appropriées, étayé par un soubassement théorique ainsi que des exemples probants, l’atelier de création s’est appuyé sur leurs souvenirs, leur persistance, leur exactitude mais aussi leurs déformations, leurs transformations, a posé la
question de la mémoire (des lieux, des personnes, des rencontres, des sensations, des perceptions). Nous avons tous ensemble fait remonter à la surface le matériau avec lesquels les élèves ont créé, par le dialogue, l’interrogation,
la réflexion, l’imagination. Les objectifs et la nature de l’atelier, ont ceci de singulier qu’ils ont permis aux élèves
d’éprouver et d’expérimenter toutes les phases d’un processus de création, d’édition.
Ce temps de travail se focalisa autour de procédés d’expérimentations visuelles et textuelles inspirées de l’écriture
automatique, du cadavre exquis, du caviardage, du haïku, du cut-up, de la métagraphie, de l’association libre, du jeu du hasard. Un moyen de faire cohabiter les diversités, de transformer, détourner, créer à partir de matériaux
existants. Comment jouer, transformer l’anodin, comment susciter l’intrigue, induire de l’ambiguïté, de la poésie ou
même provoquer le sourire, tout ceci à partir de journaux, d’images et supports diversifiés. Chacun des participants put s’adonner au plaisir de la juxtaposition, de la déchirure, du collage, du froissement, copier-outré, du bruissement,
du raturage, du feutrage, du bombage, masquage, pliage, scotchage et autres manipulations graphiques.
Ouvrage réalisé collectivement par :
Bachelet Coralie, Boget Thomas, Bonjean Elodie, Bousquet Florian, Briet Sacha, Camps Clément, Colombo Maud, Dejean
Estelle, Dhenin Mallaury, Fabre Ugo, Gouagout Jérémy, Gouloumes Clémentine, Grau Sébastien, Grymonprez Déborah, Guiter
Armand, Kraeber Thomas, Le Houssel Loriane, Louchez Valentine, Magny-Carvalho Lolie, Marty Léa, Ribière Vincent, Rieutort
Fanny, Rolland-Lefebvre Oriane, Roudolff Valentin, Ruiz William, Sery Alexa, Texier Coraline.
A series of promotional pictures taken for Messages to Central Control, the most recent work by the foremost contemporary practitioner of cut-up poetry, A.D. Hitchin. Available on Amazon.
Natacha Atlas - Vocals (1-6)
Yazz Ahmed - Flugelhorn (2-5)
Jason Singh - Beatbox, Analogue Synths (1 & 6)
Alcyona Mick - Original Piano Takes (1-6)
Samy Bishai - Violin, Viola, String Arr. (2), Electric Bass (3), Beats (1, 3, 5, 6), Programming & Sound Design (1-6)
All Tracks by Atlas/Bishai (Wise Music Publishing)
Produced & Arranged by Samy Bishai
Mixed by Samy Bishai
Mastered by Jon Astley
'The Outer' is the first single from the upcoming project between globally renowned vocalist Natacha Atlas and production partner Samy Bishai, featuring composer, musician and sound artist Jason Singh.
Exploring themes of societal dystopia, ’The Inner & The Outer’ is an emotional and contemplative musical reaction to the challenges society has faced since the start of the pandemic.
Our single ‘The Outer’ opens the musical project with a relentlessly groove-driven digital fable, an exotic cousin of Massive Attack. The song juxtaposes throughout - from the menace of dark analogue bass synths and distorted beatboxing to Natacha’s transcendental flow of melodies, soaring over a bed of Alcyona Mick's cutup piano motifs.
This duality can be found in every aspect of the upcoming album; angular dissonance/melodic resolution, analogue/digital production techniques, working alone/collaboratively..
‘The Outer’ sees Natacha boldly progressing her musical journey through new realms, deftly sidestepping nostalgia. Evolving from her electrifying 90s-era Transglobal Underground sound, she opts instead for her blend of jazz-infused 21st century electronics, providing the perfect opportunity to collab with old friend Jason Singh, whose uniquely varied skills have him composing all over the world, for the BBC and many others.
As a writing team, Atlas & Bishai have brilliantly orchestrated the seamless integration of Middle Eastern maqam vocabularies with hiphop, jazz and electronica, with Bishai's arrangement and production skills working invisibly behind the scenes, tying it all together. The resultant sonic synergy is unparalleled in its effortless transition of various styles to create a complete new sound, which remains eerily familiar; the memory of a sound unheard.
'The Outer' explores the fragmentation of a pandemic society - the extroverted and externalised emotional responses to the power, influence and corruption of the outside world: the virus, the media, the powers that be... and all the feelings that come with that: isolation, disorientation, destabilisation, displacement, mistrust, fear, anger…
This album is really something special...after setting the dystopian tone with ‘The Outer’, Natacha takes us to the other side of the experience: 'The Inner', a delicately introverted meditational space, a paean to the tranquillity of zen...
We will soon present 'The Inner', which features award-winning jazz trumpeter Yazz Ahmed. (released 18th of June 2021).
natachaatlas.bandcamp.com
Michael Gira photographed for cut-up.com
Name attribution: Anne Helmond
Online attribution: Anne Helmond
CC: Attribution-NonCommercial-NoDerivs 2.0
cut-up's cânone fantástico. (2018-2020)
a partir de
emira rodrÃguez
poemas sÃn tÃtulo del libro 'La casa de Alto' (1972).
rigoberta menchú
"patria abnegada", del libro 'Clamor de la Tierra' (1992).
virginia brindis de salas
"tango número uno", "tango número dos"
del libro 'Pregón de Marimorena' (1946).
I couldn't allow my work's Secret Santa recipient to have a sample of my handwriting on the tag, could I? That would give it away!
I was supposed to write an essay based on the idea of Francis Alys' Guards (2004), but somehow didn't write an essay at all and got very carried away. It went from a critical look at the place of walking in modern art to attempting to dissolve all logical meaning entirely. Initially a snide piss-take, I wrote a ludicrous non-story about the City of London and its inhabitants. After that the form of the essay went out of the window too. A fuller explanation and the complete PDFs can be found goo.gl/WdhlCg.
The "Cut up" of writing was pioneered by Dadaists and later used by Beat Generation poets. I didn't manipulate individual lines or letters but instead used chunks of text and sewed them back together to turn the written text into something more visual and dissolve meaning even further.
George W Bush with a swastika sign (nazi sign) on his forehead
Stencil
San Cristobal de las Casas (Chiapas)