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cut-up's cânone fantástico. (2018-2020)
a partir de
emira rodrĂguez
poemas sĂn tĂtulo del libro 'La casa de Alto' (1972).
rigoberta menchĂş
"patria abnegada", del libro 'Clamor de la Tierra' (1992).
virginia brindis de salas
"tango nĂşmero uno", "tango nĂşmero dos"
del libro 'PregĂłn de Marimorena' (1946).
I couldn't allow my work's Secret Santa recipient to have a sample of my handwriting on the tag, could I? That would give it away!
cut-up's cânone fantástico. (2018-2020)
a partir de
emira rodrĂguez
poemas sĂn tĂtulo del libro 'La casa de Alto' (1972).
rigoberta menchĂş
"patria abnegada", del libro 'Clamor de la Tierra' (1992).
virginia brindis de salas
"tango nĂşmero uno", "tango nĂşmero dos",
del libro 'PregĂłn de Marimorena' (1946).
I was supposed to write an essay based on the idea of Francis Alys' Guards (2004), but somehow didn't write an essay at all and got very carried away. It went from a critical look at the place of walking in modern art to attempting to dissolve all logical meaning entirely. Initially a snide piss-take, I wrote a ludicrous non-story about the City of London and its inhabitants. After that the form of the essay went out of the window too. A fuller explanation and the complete PDFs can be found goo.gl/WdhlCg.
The "Cut up" of writing was pioneered by Dadaists and later used by Beat Generation poets. I didn't manipulate individual lines or letters but instead used chunks of text and sewed them back together to turn the written text into something more visual and dissolve meaning even further.
Michael Gira photographed for cut-up.com
Name attribution: Anne Helmond
Online attribution: Anne Helmond
CC: Attribution-NonCommercial-NoDerivs 2.0
Annette and I shared a porterhouse steak that I grilled. This is cutup along with peas and sweet potato. The original steak was about 1 1/2 pounds.
Mit der Entwicklung der Applikationen DomeMod und DomeTester der Autoren Dimitar Ruszev und Christopher Warnow sind aus der Beschäftigung mit der Gestaltung für das Medium Fulldome zwei erfolgreiche Anwendungen entstanden, die mittlerweile von anderen Fulldome-Produzenten auch ausserhalb der Hochschule rege genutzt werden. Beide Tools entstanden im Kurs "cutup.20 – fulldome und immersive medien" im Sommersemester 2010 unter der Leitung von Professor Klaus Dufke.
Available at HypeForType: www.hypefortype.com/chinese-rocks.html
Chinese Rocks. A marvellous idea for a font that was inspired by stenciled lettering on imported merchandise containers. Chinese Rocks looks like it was a hand cut rubber stamp, used about a million times. Uneven line thickness and odd stem widths combine with sharp corners to create the effect of letters cut out with a box knife in a hurry.
Came alongside me at speed, they were in the left turn only lane, I was going straight ahead on the outside lane designed for that purpose. Cut me up to get through the fast disappearing gap. Blew my horn when I realised what was going to happen and got 'the finger' from all three of them. Combined age approx 200.
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by Guy R.Beining.
Seattle (Wa/USA), Bomb Shelter Propaganda, december 1987.
ISBN o-9383o9-12-9.
8-1/2 x 11, 23 sheets light blue & 2 plain mauve (2nd & last sheets) xerographic bond side-stapled thrice into tan mayfair card covers with 1" tan fibreglass reĂŻnforced plastic taped spine, outside covers & all blue sheets printed black photocopy rectos only except title page printed both sides.
cover collages by Mike Miskowski (using fragments of Beining's collages inside)
includes:
i) "XXX" (p.2)
ii) "BETWEEN" (p.11)
iii) "frayed" (p.14)
iv) "into anatomy of" (p.15)
v) "big" (p.17)
vi) "of a beet" (p.18)
vii) "rhythm of" (p.19)
viii) "With Us Tonight" (p.2o)
ix) "the moon floats" (p.21)
all the above utilize fragments of text fom a cutup copy of Beining's stoma 1322, printed/published by jwcurry
I added another park page to our album...
Journaling reads: It wasn’t particularly a park day. The weather was cool, and it was overcast. We had been at the Terry Fox Run, then church and needed to head back for a baby shower. We quickly grabbed MacDonald’s for lunch downtown and planned to head back to the church to eat when the kids suggested we stop at the skateboard park. It’s not really my choice of great parks to go to. Shall we say that the crowd can be a little iffy for a 6 and 7 year old and 20 year old with special needs? But we decided to do it, even though we only had a few minutes. It actually turned out to be a really good time. The kids were in awe at the kids that were there. There were some that were skateboarding and some on bikes. Yes, we heard some questionable language but we were able to talk about it. We were able to talk about appropriate safety gear as we did see a few wipeouts and very little protection. And yes we saw some neat (aka scary) tricks that…one day they wish they might do. All in all, it was a good experience and we are all glad that we went. And really, it is great that our city has a place like this that is just for the kids - to do what they want to do. Cool times. 2010.09.19
Journaling 2011.10.19
Sources: template - Yin template_183; background paper KPertiet Colorchallenge71209; Wordcutups- KPertiet Springtime Cutups; Font - Traveling Typewriter and Myriad Pro
TFL!
cut-up's cânone fantástico. (2018-2020)
a partir de
marĂa clara sharupi jua
poema "como nantar y namur [nantar nuyá namur anin]", consultado y reproducido del blog '100 mil poetas por el cambio ecuador' (2018).
magda portal
poema "15", del libro 'una esperanza i el mar" (1927).
josefina plá
poema "tiempo vestido de mujer", del libro "la llama y la arena" (1987).