View allAll Photos Tagged crosshatching
Pontiac (Firebird) Trans Am (2nd Gen) (1970-81) Engine 400 cu in (6551cc) V8 Production 1,179,416 (all types) (156,795 all types 1977)
Registration Number TJA 559 R (Manchester)
PONTIAC ALBUM
www.flickr.com/photos/45676495@N05/sets/72157623690516561...
The second generation of Pontiac Firebird (1970-81) Announced with a new swoopy body style replacing the outgoing coke body styling the second generation models ran for a longer period than any other.
This car is registered as a 1977 car, with its honeycomb grille denoting it as a 1977 model year car, the 1978 having a crosshatch pattern..
For 1977 the Firebird received a distinctive, slant-nose facelift the early 1977 built cars were supplied with an off-centtr scoop. late model year cars having a central scoop. Pontiac offered the 6.6 litre Trans Am (RPO W72) rated at 200 bhp as opposed to the regular 6.6 Litre 400 (RPO L78) rated at 180 hp. The Trans Am 6.6 equipped engines had chrome valve covers, while the base 400 engines had painted valve covers. The 1977 Trans-Am Special Edition became famous after being featured in Smokey and the Bandit. The 1980 Turbo model was used for Smokey and the Bandit II..
Diolch am 88,633,584 o olygfeydd anhygoel, mae pob un yn cael ei werthfawrogi'n fawr.
Thanks for 88,633,584 amazing views, every one is greatly appreciated.
Shot 10.10.2021 at Bicester Scramble, Bicester, Oxon. Ref. 122-292
Another hobby of mine is drawing (I have way too many hobbies, really).
Tomorrow marks the start of the annual Inktober challenge, where you draw something every day for one month. There is an official prompt list of things to draw, but I want to imporove my texturing using ink, so my personal list is going to focus on that.
If you're interested in this and/or dark fantasy art, check out my instagram:
Ok , figured out how to do the pinhole and put it down to paper instead of memmory ...Did some artistic moves on Scott , Fresco with a crosshatch soft stroke ...
North Avenue Beach
Chicago, IL
April 2nd, 2022
All photos © Joshua Mellin per the guidelines listed under "Owner settings" to the right.
Close up on my peice. Decided to push the shading a lot more to see how it would come out. As I did a quite complexe but subtle fill of pale pinks, greys, white and turquoise it was a bit of a challeng to crosshatch over them like I did. Had to really push myself. Also wanted to try doing color fades onthe outline.
All in all I think I need to work on my backgrounds a little more (too much of a side note at the moment), as for the sketching I still got a couple things I need to try. My D didn't really come out like I wanted it to, missing the pull a bit. Gonna probably try and complicate my letters a bit more or add some connections now ...
...As long as you have COURAGE, you can face ANYTHING....
Location: Holocaust memorial, Berlin, Germany
Gifts | Facebook | Twitter | G+ | Blog | Music | © Ben Heine
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NEW: Prints of the above artwork now available for sale.
This is a picture I took in Greece. I also made the drawing on paper (you can view some details/close-ups here). I'm going to start something new in the "Pencil Vs Camera" series, I'll try to see "through things". This image is the beginning of a new turn in the PvsC concept... Thanks a lot for your appreciated feedbacks and comments. Please, see the whole "Pencil Vs Camera" album. The above photo has been shot with the Samsung NX10.
>>> Review from THE DAILY MAIL for this picture: "Skin and bones: A horse and bird are given the Heine treatment in the artist's exhibition" (Kerry McQueeney, The Daily Mail, Sept. 2011)
Update: See THIS VIDEO showing some 18 Pencil Vs Camera images in progress (with a small animation and an original musical composition)
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For more information about my artwork: info@benheine.com
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Convey My Destiny
A poem by Peter S. Quinn
Convey my destiny
That to my door calls
And spread its wings free
Before Icarus falls
Profit prosper days
Those to the roads lie
Balance each the bays
The oceans and the sky
Like corn in wind sways
My fate is to and fro
And nothing ever stays
That really has to go
Up to heights - to win
Mount the climbing high
There is so much within
Or efforts will surely die
¨Love the Life you Live...Live the Life you Love ¨
Bob MarLay
Location: Mercedes Museum, Stuttgart, Germany
I'm often captivated by photography that at first glance appears as though it could be another medium or leaves the viewer simply unsure altogether.
Ansoo Lake is a high-altitude lake (elevation 13927 feet or 4245 metres) in the Kaghan Valley and is counted as one amongst the most beautiful lakes of the world. It is situated in the Mansehra District of the Khyber-Pakhtunkhwa province of Pakistan. It is near Malika Parbat in the Himalayan range
P.S:..though de weather was too bad but still manage to grab few shots.
JOIN AT www.facebook.com/Crosshatch
NEW: I'm now making music, JOIN ME ON SOUNDCLOUD!
Prints of the above image now available for sale.
I've taken this photo in a very narrow street in Fira, Santorini island, Greece. I also made the rough sketch. I really had the feeling to enter in someone's mouth... :) View a detail/close-up at this link. The above photo has been shot with the Samsung NX10
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For more information about my artwork: info@benheine.com
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Days Are Going Nowhere
A poem by Peter S. Quinn
Days are going nowhere,
Immortal at last;
Stillness is here and there,
Memories of past.
Years like unknown streets,
All going to by and by;
Remembered bittersweets,
Only a faraway cry.
The simmering fragile wind,
Crumpling nothingness;
Blandly from future rescind,
The fruits and flowerless.
Receptive to breath and sleep,
All is in steep descend;
The shining things into the deep,
Till its very own end.
Days that mask in dark faces,
Flowers with mouth of new;
Shadows passing moods abases,
And hiding realities construe.
Days are going nowhere,
Immortal at last;
Is there anybody aware,
The hour has glassed.
Right before Liz's lesson was released, I had been thinking about Tommy Kane's "draw your kitchen" assignment over at Sketchbook Skool. Thus this probably has a bit of Tommy Kane's "overworking" influence.
I spent about four hours on this drawing, beginning with about ten lines roughed in in pencil. Given the complexity of this view, and how some of the significant, yet smaller, elements (such as the cardboard box and small appliances) got away from me, I'm thinking that I should have roughed those lines in as well. As it was, those items ended up a smaller than they should have been, and I think that would have been most easily corrected in the "drafting" stage, when I was not so much "in the details."
I laid out my supply of Micron Pigma pens (1, 08, 05, 03, 01, 005), and started with the 1 for the foreground elements. Then, as I worked into the distance, I generally switched to smaller tips and lighter lines -- although not universally.
i did find, for example, that when rendering the cast shadows of the cupboard doors, that I needed a larger nib. If I continued, for example, with the 01 nib, then the shadows looked too weak. I discovered that even within a given cupboard door, I had to use about three different nib sizes (from the 005 nib to barely graze in the woodgrain to a 05 for the cast shadow). It was the same, too, for the foreground elements (only using a range of the fatter nibs), although for some of the final crosshatching, I used the 005 nib regardless of location, since I found that gave me the most flexibility (meaning, that I could easily make patches that were light to dark with the same pen) in adding various cast shadows.
i did find that it was more enjoyable to draw the guidelines first. I could be fairly confident that my big chunks were in the right place, and from that point on, I was freer to noodle in the details.
© Ben Heine || Facebook || Twitter || www.benheine.com
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One of my drawings on large paper made with a ballpoint pen and digital
colors. I dedicate this illustration to my good friend Marcin Bondarowicz.
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For more information about my art: info@benheine.com
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Child Of The Universe
A poem by L. C. Brown
The universe exploded,
A piece became the earth.
I rode in on a meteor,
Its crash was my birth.
Lava took me for a ride,
To cool in the sea.
I waited for millions of years,
For nature to use me.
I became a child of the universe,
With no place to go.
Then God gave life a meaning,
That's how I got my soul.
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The poem appeared on www.poemhunter.com/
Gifts | Facebook | Twitter | G+ | Blog | Music | © Ben Heine
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The beauty and the prisoner... doomed to disappear sooner or
later because unable to really express their feeling. I took this
photo in Brussels not so lond ago and made the sketch as usual.
The composition may look a bit tricky and unusual, because the
model was actually standing in front of a large mirror… You can
view the drawing in progress and a "preparatory picture" at the
following link (on Flickr). Model: Coralie Nelly
If you are interested, here is the trailer of a documentary about
my work filmed by Italian director and producer Davide Gentile.
(Some other pictures from the "Tour De France Photo" event)
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For more information about my artwork: info@benheine.com
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¨Be strong enough to stand alone,be yourself enough to stand apart, but be wise enough to stand together when the time comes¨
Al Fursan Aerobatic team
Location: Dubai
¨The purpose of reflection is not to reflect; its to become reflective¨
Cathryn Berger Kaye
Location: German Chancellery, Berlin
Baby quilt for Jasmine, Andy and newborn Bella Rose.
This one isn't a Square-One-Studio original design but was adapted from the "Ice Pops" quilt in "Denyse Schmidt Quilts." I swapped out the colors and didn't actually use the pattern pieces provided in the book, just eye-balled the wonkiness. Also changed the quilt stitch pattern from border-to-border crosshatch to my own version of stitch in the ditch.
Really like how it turned out. Hoping Bella will grow to like it too.
Cotton, linen fabric. Organic cotton batting. Machine pieced and quilted.
© Ben Heine || Facebook || Twitter || www.benheine.com
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Half Real... I took the photo and also made the drawing,
slightly more detailed here. Happy New Year by the way!
See the whole "Pencil Vs Camera" album
>>> Review from THE DAILY MAIL for this picture:
"Dual fuel: This creative drawing splits the vehicle in two
and has tiny toy cars driving through the middle of it"
(Kerry McQueeney, The Daily Mail, Sept. 2011)
See THIS VIDEO showing some 18 Pencil Vs Camera
images in progress (small animation and original music).
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For more information about my art: info@benheine.com
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Half Real
A poem by Katie Gabrielle
Half Real, Big Deal
Steel Wheel, Race, Race
Anyplace, Go fast, Not last
Shiny new, Race you
Bet you can't
Beat my wheels
Half Real, Big Deal
Happy Car, Goes Far
Take me, I wanna see
Shiny car, Go far
Along the highway
I have it my way
Half real, Big Deal
New Car, Goes Far
It's mine, So fine
Big deal, It's half real
Draw one for me
That crosses the sea
No way, You say?
That's a drawing
For another day
“Three is a sacred number. Some say it represents the trinity or three layers of the soul.”
― Laura Treacy Bentley, The Silver Tattoo
NEW: I'm now making music, JOIN ME ON SOUNDCLOUD!
SHOP: www.icanvas.com/canvas-art-prints/artist/ben-heine
King of the place, here is the mighty lion.
Some innovations in the series: drawing with colors and black paper... This is somehow the "Beta Version" of "Pencil Vs Camera". Many more works coming soon. I left the drawing unfinished on purpose (I wanted to attract the attention on the lion's face mainly). You can view some details, the sketch in progress and the exact paper I'm using here. I took this picture in Tunisia and I also made the drawing, as usual.
Prints of this artwork now available for sale!
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For more information about my artwork: info@benheine.com
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NEW: I NOW CREATE MUSIC, JOIN ME ON SOUNDCLOUD!
SHOP: www.icanvas.com/canvas-art-prints/artist/ben-heine
I took this photo in Poland and also made the rough sketch. The painting on the wall is a reproduction by Mirek K. of the "Girl with a Pearl Earring". I really love this painting by Johannes Vermeer but I thought a "modern" version of if would be cool too. ^^
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For more information about my artwork: info@benheine.com
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Uh
A poem by Peter S. Quinn
I think she loves
Mr. Plant
Though he's a bit
Like an ant
She’s the girl
With the earring
And always through
The canvas staring
He has fire
In his big bud
But perhaps he
Loves her not
A project I completed in only 4 days for Magic City: www.magiccity.de
Join me on Instagram: www.instagram.com/benheineart
This work is titled "Urban Exploration". I tried to combine creative drawing and abstract painting. The giant drawing shows elements about city and city life. The colorful abstract painting contrasts a lot with the black and white drawing. There is a fashion mannequin in front of the painting with patterns similar to those in the background which makes it look almost invisible when seen from a specific point of view (Flesh and Acrylic).
Cette création s'intitule "Exploration Urbaine". J'ai essayé de marier le dessin créatif figuratif et la peinture abstraite. Le dessin géant porte sur la ville et la vie en ville. La peinture abstraite colorée contraste fortement avec le dessin en noir et blanc. Il y a un mannequin devant la peinture avec des motifs similaires à ceux de la fresque ce qui le rend presque invisible quand il est vu d'un certain angle (Flesh and Acrylic).
this is another image of the sunset across tañon strait from sta. filomena, alegria, cebu, philippines on october 10 2008. it was derived from an original photograph shot by the artist. this effect was obtained with the use of the twirl distortion filter. the image also underwent the crosshatch filter and was texturized in medium-fine sandstone.
see the framed image in my gallery
sunsetcolors.imagekind.com/store/imagedetail.aspx/b1a2a55...
© Ben Heine || Facebook || Twitter || www.benheine.com
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Another illusion... Sort of an introduction to my next series entitled
"Chess Art" with some optical illusions, strong perspectives and
vanishing points... I took this photo a few days ago and also made
the rough sketch. Thanks for your constructive comments!
>>> Review from THE DAILY MAIL for this picture: "Illusions:
Art, imitating life, imitating art... the artist claims his technique is a
"new visual invention" (Kerry McQueeney, The Daily Mail, Sept. 2011)
Update: See THIS VIDEO showing some 18 Pencil Vs Camera
images in progress (with a small animation and original music).
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For more information about my art: info@benheine.com
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Grasp the Mental Game
A poem by Peter S. Quinn
Life is like a chess play
One by one they move:
Pawns to a Queen – away
Make attack to improve!
Square to square advance
Grasp the mental game
Give the King his chance
Have a patience to be tame
Carefully observe adversary
Wrong move can’t be adjust
Chess art is like all military
No one out there really to trust