View allAll Photos Tagged creatures
Date: 2011
Title: Creature
Medium: metal, Aqua Resin, paper/resin mache, epoxy, exterior caulking, vinyl, exterior acrylic, casting resin, human hair.
Dimensions: 5ft W X 3ft H X 5.5ft L
Mezco's Creature from the Black Lagoon. Featured with their Frankenstein's Monster figure that came out last year.
Up next--the Mummy!
ATLANTA, GA – July 5, 2012
The Casket Creatures opened for Wednesday 13 at the Masquerade in Atlanta.
© Danielle Boise/Target Audience Magazine
Designed by Nicolas Terry, folded by me. It was supposed to be a "Winged Soldier" but the shaping failed and I made this creature.
---English below---
______________________
Creatures #5
Pier Giorgio De Pinto & Katja Vaghi
Una collaborazione tra il performer e artista transmediale Pier Giorgio De Pinto e la coreografa e danzatrice Katja Vaghi
Sede
i2a Istituto Internazionale di Architettura.
Limonaia di Villa Saroli, Viale Stefano Franscini 9, 6900 Lugano, Svizzera
Durata dell'evento
Venerdì 5 Maggio, 2017
dalle 19:00 alle 19: 30 (30 minuti totali)
Sabato 6 maggio 2017
Quattro eventi: alle 11.30 poi ogni due ore ovvero 13.30, 15.30, 17:30 (30 minuti ad evento)
Creatures # 5 fa parte della Festa Danzante / Fête de la Danse / Tanzfest
Festa Danzante Ticino
----
CREATURES #5 è un'installazione interattiva di Pier Giorgio De Pinto coadiuvata dalla presenza della danzatrice Katja Vaghi. Lei osserverà, riprodurrà ed elaborerà il movimento generato dal pubblico di fronte all'installazione digitale.
Oltre ai cinque sensi tradizionali, importanti per le nostre attività quotidiane ci sono anche l'equilibrio e il senso cinestetico o propriocezione. Questi ultimi due sono centrali nella danza. La danza, in tal modo, lavora prevalentemente con il nostro sesto e settimo senso! L'installazione vuole rendere il pubblico consapevole del proprio movimento e di quello degli altri per trasmettere il messaggio che qualsiasi movimento prodotto da qualcuno può potenzialmente generare materiale per la danza.
Una fotocamera tramite il software utilizzerà alcuni effetti per webcam che decodifica I visitatori davanti ad uno schermo. L'installazione modifica il risultato degli effetti grazie al movimento e alla forza della luce naturale che viene catturata dalla telecamera. Analogamente, ad intervalli specifici, la danzatrice osserverà, riprodurrà ed elaborarà i movimenti prodotti dal pubblico davanti all'installazione.
L'intento è quello di rendere il pubblico consapevole dei propri movimenti e di quelli degli altri. Quando I visitatori interagiranno con l'installazione saranno per lo più a conoscenza delle loro intenzioni, ma non del potenziale estetico che staranno generando. Allo stesso modo, il pubblico avrà la scelta di continuare ad interagire con l'installazione e/o con la danzatrice.
Un sentito grazie a Tiziana Conte, Ludovica Molo, Luca Crosta, i2a Istituto Internazionale di Architettura e a tutto lo staff di Festa Danzante.
______________________
Creatures #5
Pier Giorgio De Pinto & Katja Vaghi
Collaboration between the performer and digital interaction artist Pier Giorgio De Pinto and the choreographer and dancer Katja Vaghi
Venue
i2a International Institute for Architecture.
Limonaia, Villa Saroli, Viale Stefano Franscini 9, 6900 Lugano
Event duration
On Friday 5th May 2017
19:00-19:30
On Saturday6th May 2017
On going with dancer’s intervention every 2 hours for 30 min. Four slots starting at: 11.30, 13.30, 15:30, 17.30
Creatures #5 is part of the Fête de la Danse / Tanzfest / Festa Danzante
Festa Danzante Ticino
#creatures5 #festadanzante
---
CREATURES #5 is an interactive installation by Pier Giorgio De Pinto supplemented with the presence of the dancer Katja Vaghi. She will observe, reproduce and elaborate the movement generated by the audience in front of the digital installation.
Beside the five traditional senses, important to our everyday activities are balance and the kinesthetic sense or proprioception. These last two are central to dance. Dance thus work predominantly with our six and seven sense! The installation wants to make the audience aware of their and other people’s movement and convey the message that any movement produced by any one can potentially generate dance material.
A camera via software will use webcam effects decoding people in front of a screen. The installation modifies the result of the effects thanks to movement and strength of natural light caught by the camera. Similarly, at set interval, the dancer will observe, reproduce and elaborate the movements produced by the audience in front of the installation.
The intent is to make the audience conscious of their own movements and that of others. When interacting with the installation they will mostly be aware of their intentions but not of the aesthetic potential they are generating. Thus, the audience will have the choice of continuing interacting with the installation and/or with the dancer.
Many thanks to Tiziana Conte, Ludovica Molo, Luca Crosta, i2a International Institute for Architecture i2a and the staff of Festa Danzante.
#creatures5 #festadanzante
This is actually a sign for a gift shop at Walt Disney's Animal Kingdom but I thought it would be a nice shot to use for Creature Comforts 2010 at Cleveland Metroparks Zoo.
Mathieu Melul souffleur de verre à Ustaritz expose ses créations à l'Atabal (salle de concert à Biarritz) du 23 novembre 2007 au 26 janvier 2008.
Bibliothèque nationale de France, Département des manuscrits, Français 9197, detail of f. 181v (Bacchus) Evrart de Conty, Le livre des échecs amoureux. Flanders, 15th century. Artist: Maître dAntoine Rolin
© All Rights Reserved by Labib Chowdhury.
Please don't use this image anywhere without my explicit permission.Please do contact me if you wish to use any of my images.
Nikon D90- 1/500s,
Through AF-S DX NIKKOR 18-105mm f/3.5-5.6 G ED VR Lens,
Focal length- 105.0mm -f/11.0,
ISO- 200
N. B. - All photographs are copyrighted by the photographer and may not to be used without witten deed permission.
made a sock monster using the "Stupid Sock Creatures" book by John Murphy i borrowed from the library.
Another one taken in Richmond park, this was just before I gave up and went home. This was the first shot I took fully manually and actually liked. Was quite difficult to expose against the brooding grey sky that day, but I think it came out okay. Also the first pic that I'm happy with in terms of composition. Anyway, enjoy.
Lucerne, Zentral- und Hochschulbibliothek, Msc. 42. fol., f. 109r. Nicholas of Lira, Commentary on the Bible [Isaiah], 1459
ATLANTA, GA – July 5, 2012
The Casket Creatures opened for Wednesday 13 at the Masquerade in Atlanta.
© Danielle Boise/Target Audience Magazine
Terra cotta creatures on the front of the Ellis-Singleton (Petroleum) Building at 221 S. Broadway. It was built in 1929 and was designed by the architect firm Schmidt, Boucher, and Overend. It was the first in Wichita with a connected ramp garage, appealing to "business and professional men who like the idea of having their cars where they may step directly from their office floor." Due to housing nearly a dozen oil companies and geology firms offices the name was changed to the Petroleum Building in 1942. It is a good example of Art-Deco in Wichita.
Taken on February 28, 2010 photowalk with my father.
NRIS #06000389. Added in 2006.
For more information:
www.kshs.org/resource/national_register/nominationsNRDB/S...