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Coursework from 2014. Initial ideas and responses to the prompt 'crime'. Mounted on an A1 board.

From left to right:

- oil pastel, fine liner and collage

- ink monoprints

- ink wash and marker

coursework related, as many of my pieces.

This one is my dogs collar 'lost' or 'left' on a tree for the 'lost and found' topic.

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Speedlite and red gel

Combination of photographic techniques such as lith printing, cyanotypes, and colour film. Relationships is one of 5 strands in my portraiture and identity brief.

I’m currently working towards completing a corset dress and I’m in the end of my designing process before manufacture

Digital camera

Illustration based on the topic of travel. Fine line drawing incorporated into collage.

 

October 2011.

Baby portraits in class today, with Lewis doing the honours

Experimenting with how one could create a texture, based on the texture of bark, using different types of materials.

Fine Art Coursework 2011 - 'Storage Solutions' theme, influenced by Pop Art movement

This piece explores the links and connections between humans and nature. Having recently visited Rome, I was inspired by the colossal statues of hands, and especially by Michelangelo's 'The Creation of Man' in the Sistine Chapel. The hands represent the stages of life - the first, a newly opened bud, is a child's hand, the second is two adult hands, painted with influence from an iris, the third is an aged hand, painted in more earthy colours to represent the ending of life. The pieces are created in fired craft crank, covered in underglaze colours and then glazed. Their bases are covered in iron oxide, and then topped with soil.

Millgate, workers cottages

Coursework - Concept art - Reference drawings and final design - February 2013

Gregory Clarenne, coursework, HEAJ (Haute-École Albert Jacquard, Namur, Belgium).

 

HEAJ website :

www.infographie-sup.be/

gonna print this on an asetate & project it on someones face. or some shit

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