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Coursework for my NOCN Level 2 in Photography at Hull College, a picture of Holderness Road. I was tripod-less this evening, hence the annoying pink-reflected barrier and the missing roof of the bus, but I like the idea of the shot. I'll keep an eye out for a bus stop with that sign without a barrier.
Day 1 - Coursework aim: Ten photos of an area of London.
Graffiti on the bank of the Regents Canal.
Canon 30D + 24-105mm F4L lens
For my classwork, using felt_tip_felon's light box, a box of straws, some crayons, and 2 flashguns! (plus 2 assistants!!!)
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A2 coursework. Experimental page inspired by the artist Joseph Loughborough.
Scale - A2 sketchbook.
Turps, oil pastels and photography.
A key interest of mine, during my photography A-level course this year, has been the creation of panoramas using photography. My interest of panorama work developed during self-directed coursework sessions, in which I chose a title of ‘Landscape Photography and the Wider World’. My initial thoughts of ‘the wider world’ were to include subjects within my images that captured what cannot usually be seen everyday, through the human eye. Throughout this project, I studied star-trail photography and high-speed water photography and this is when I began to consider how a physically wider format photograph could be an unexpected but appropriate interpretation of my project title.
Much of my photographic work has been captured during daylight hours, so I was interested in incorporating night photography within my panorama final piece. I decided that including light trails from vehicles within the image would help to create an urban feel, contrasting against my earlier rural panorama work. In addition, the light trails would also be a wider subject that the eye cannot visibly see, further relating the image to my brief. I decided to use a roundabout as my subject, due to the constant traffic, enabling me to capture a greater number of light trails in a shorter space of time, which provided greater flexibility whilst shooting.
My original plan was to create a 180° panorama, using multiple images from the roundabout location, and electronically stitch them together using Adobe Photoshop. I liked the idea of shooting multiple photos of the same location at slightly different times, as I knew that the static scenery, such as buildings and roads would match up, whilst the light trails would not, creating a sense of confusion. During the shoot, after setting up my camera to catch the vehicle lights using a long-exposure and adjusting the ISO and aperture values accordingly for the light conditions, I focused on capturing different types of light. An example of this can be seen on the image within my final piece containing intermittent blue lights, where I had waited for an ambulance to enter the frame before capturing the image.
It was only when I arrived home that I discovered that some of the images I had taken had slightly different focal lengths to others. As I was pleased with the light trails themselves within the individual photos, I began to consider how I could use creative presentation to overcome this issue. Taking inspiration from David Hockey’s joiner photographic work, and his ability to deal with perspective using multiple images, I decided to create a layered joiner, whereby the images were not physically connected to one another. I built a wooden structure to hold the images in place at the correct angles, and painted the framework black so it blended into the dark tones of the night photography.
I am very pleased with this final piece, as I feel that I have used my creativity to produce a photographic piece that demonstrates a unique way of photographic presentation. Furthermore, I like how the way I’ve presented my work allows the viewer to become actively involved in interpreting the images.
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Brief: create a tourism poster for a place in the UK. I was given Chester.
My original painting of the Eastgate Clock was scanned into Photoshop where the colours were amended to make them more intense. Then the 'Contemplating' text was added. The font, size and placement for that was specified by the brief while the rest of the text was my own design. Unfortunately, I wasn't allowed to alter the image any more than that, so I wasn't able to fill in the missing detail in the clock.
AS coursework - 3D aspect
- Evaluation for 3D final piece -
In this final piece, i designed a pair of earrings, influenced by Janis Kerman. incorporating the idea of “BALANCE, not symmetry” with my experiments with natural forms and shapes in Architecture. Focusing mainly on triangles as it is the prominent shape featured on the façade and structure of the building. The triangles in the design are not arranged in harsh, uniform symmetric rows, but instead “free-flowing” and continuous; to create a balance between the gentle curvatures in the piece and the distinct straight lines that makes up each individual triangles.