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Through inspiring keynotes, thought-provoking panels and engaging sessions, participants at our hybrid conference explored how we can build the data space for cultural heritage, how storytelling, cultural heritage, and digital come together, and how technology paves the way to digital inclusion. Find out more and discover the programme pro.europeana.eu/page/conference
The passing country side as we woke up on the overnight train from Urumqi to Hami, in Xinjiang, China.
The latest in our line of counting toys! Needlefelted gnomes that are not only fun to play with (firmly felted wool, tallest is 4" tall) but they help with colours, sequencing and sizes. They have a variety of skin tones and sport mushrooms to match the number on their bases~ so amounts and numerals are both taught through play.
These guys represent the pillars of character (fairness, trustworthiness, respect, responsibility etc) promoted by the Downers Grove "Character Counts!" Coalition.
Castellón de la Plana, Spain, 09 December 2021, Handball game between Netherlands vs Romania 31 - 30 count for 2021 World Women's Handball Championship
My father was sorting out some cabinets and found this embroidery piece created by my mother in 1992. It had never been framed, and probably hasn't seen the light of day since she finished it. She created it from a pattern using counted cross stitch.
Its like a reverse "100 bottles of beer on the wall" or something.
421 to be precise. US CBP helped me with the counting tonight. I had completely forgotten the last one....
Photo Title: Everyone Counts
Submitted by: Alamgir Hossain
Category: EVERYONE COUNTS
Country: Bangladesh
Organization: Dr. K. Zaman BNSB Eye Hospital
Photo Caption: The child from a poor family and a primary school student had cataract in his both eyes at a very young age. Suffers from cataracts for a long time. Finally underwent cataract surgery through a free cataract operation campaign organized by Dr. K. Zaman BNSB Eye Hospital and he came for follow-up after operation, the eye test improved his sight lot and he is able able to see and count everything.
Professional or Amateur Photographer: Amateur
Country where the photo was taken: Bangladesh
Photo uploaded for the #LoveYourEyes Photo Competition on iapb.org held for World Sight Day 2021.
Photographer: Alamgir Hossain
Photos taken during production of Counting On Birds. How did a Christmas-time tradition of shooting birds change to one of counting them? Willem Lange travels to Keene & Errol, NH, Ecuador and Cuba to meet people dedicated to the National Audubon Society’s Christmas Bird Count.
1. The materials used were my camera, a ruler, and the table in my dining room.
2. The thee this week was "Mathematics." I interpreted this theme by photographing a ruler, which has to do with mathematics.
3. I used the process of Leading Lines in this photo.
Fabulous carvings for all letters except "D" and "R" by Sandra Healy
www.etsy.com/shop.php?user_id=5595695
"D" with a dog made by Hey Tommy
www.etsy.com/shop.php?user_id=5171244
"R" with a Rooster made by Rainsend
www.etsy.com/shop.php?user_id=100427
Excellent alphabet shelves from Love Shelf
Here originally stood a two-story Renaissance palace which was acquired in 1660 by Gundacker Count Dietrichstein and until the 19th century belonged to Count Dietrichstein'schen Fideicommissum ((Law) civil law a gift of property, usually by will, to be held on behalf of another who cannot receive the gift directly, the free dictionary). In the 18th century it was enlarged by one floor. In 1815, Josef Karl Count Dietrichstein had it replaced by a three-story building, but integrating older building components. Opened in 1847 on the ground floor the pharmacist Heinrich Griensteidl a coffee house, where soon met most poets and writers of Vienna. Included among the regulars were, inter alia, Hermann Bahr, Hugo von Hofmannsthal, Peter Altenberg, Karl Kraus, Felix Salten and Arthur Schnitzler. 1861 acquired Theresia Countess Herberstein (née Dietrichstein) the Palais from last Fideikommiss owner (see above) Moritz Johann Prince Dietrichstein. 1897 it was demolished. In its place, the architect Carl König built the new Palais Herberstein. The demolition of the old building and therefore of the cafe were in cultural circles very regretted. Karl Kraus then wrote "The demolished Literature". Although Café Griensteidl was reopened in the prestigious new building, but the regulars had already moved to the Café Central in Palais Ferstel, so that it had to be closed due to lack of visitors in 1909. 1927 moved the Clearing House of the Austrian Cooperatives into the house. 1951 acquired the Cooperative Central Bank the palace and had it restored. 1990 on the ground floor was opened again a café Griensteidl.
The new Palais is built in the lush forms of late historicism. The representative facade is oriented on the opposite Hofburg. The originally the corner to Saint Michael's square crowning dome was demolished in 1936 when the roof area has been simplified. The building sculptures created Theodor Friedl and Josef Heu.
Place/Address: 1010 Vienna, street of the Lords 1-3/2 Schaufler alley
Inspection: Sightseeing of the interior is not possible.
Hier stand ursprünglich ein zweigeschossiges Renaissancepalais, das 1660 von Gundacker Graf Dietrichstein erworben wurde und bis ins 19. Jh. zum Gräfl.-Dietrichstein’schen Fideikommiß gehörte. Im 18. Jahrhundert wurde es um einen Stock erhöht. 1815 ließ es Josef Karl Graf Dietrichstein durch einen dreigeschossigen Neubau ersetzen, wobei aber ältere Bauteile miteinbezogen wurden. 1847 eröffnete im Erdgeschoß der Apotheker Heinrich Griensteidl ein Kaffeehaus, in dem sich bald die meisten Dichter und Schriftsteller Wiens trafen. Zu den Stammgästen zählten u. a. Hermann Bahr, Hugo von Hofmannsthal, Peter Altenberg, Karl Kraus, Felix Salten und Arthur Schnitzler. 1861 erwarb Theresia Gräfin Herberstein (geb. Dietrichstein) das Palais vom letzten Fideikommissinhaber Moritz Johann Fürst Dietrichstein. 1897 wurde es abgerissen. An seiner Stelle errichtete der Architekt Carl König das neue Palais Herberstein. Der Abbruch des alten Gebäudes und damit des Kaffeehauses wurden in kulturellen Kreisen sehr bedauert. Karl Kraus schrieb daraufhin „Die demolierte Literatur“. Zwar wurde im repräsentativen Neubau das Café Griensteidl wiedereröffnet, doch waren die Stammgäste bereits in das Café Central im Palais Ferstel übersiedelt, so daß es 1909 wegen Besuchermangel geschlossen werden mußte. 1927 zog die Girozentrale der österreichischen Genossenschaften in das Haus ein. 1951 erwarb die Genossenschaftliche Zentralbank das Palais und ließ es restaurieren. 1990 wurde im Erdgeschoß wieder ein Café Griensteidl eröffnet.
Das neue Palais ist in den üppigen Formen des Späthistorismus erbaut. Die repräsentative Fassade orientiert sich an der gegenüberliegenden Hofburg. Die ursprünglich die Ecke zum Michaelerplatz krönende Kuppel wurde 1936 abgetragen, als die Dachzone vereinfacht wurde. Die Bauskulpturen schufen Theodor Friedl und Josef Heu.
Ort/Adresse: 1010 Wien, Herrengasse 1 - 3/Schauflergasse 2
Besichtigung: Eine Besichtigung des Inneren ist nicht möglich.