View allAll Photos Tagged counterspace
Jeanne de Kroon, Zazi Vintage and Sumayya Vally, Counterspace at DLD Munich Conference 2022, Europes big innovation conference, Gasteig, Rosenheimerstrasse 5, 81667 Munich, May 2022, 2022 Free press image © Picture Alliance for DLD / Hubert Burda Media
Serpentine Pavilion 2021 designed by Counterspace
Text © The Serpentine Gallery 2021, please see: www.serpentinegalleries.org/whats-on/serpentine-pavilion-...
“The Pavilion’s design is based on past and present places of meeting, organising and belonging across several London neighbourhoods significant to diasporic and cross-cultural communities, including Brixton, Hoxton, Tower Hamlets, Edgware Road, Barking and Dagenham and Peckham, among others. Responding to the historical erasure and scarcity of informal community spaces across the city, the Pavilion references and pays homage to existing and erased places that have held communities over time and continue to do so today. Among them are: some of the first mosques built in the city, such as Fazl Mosque and East London Mosque, cooperative bookshops including Centerprise, Hackney; entertainment and cultural sites including The Four Aces Club on Dalston Lane, The Mangrove restaurant and the Notting Hill Carnival. The forms in the Pavilion are a result of abstracting, superimposing and splicing elements from architectures that vary in scales of intimacy, translating the shapes of London into the Pavilion structure in Kensington Gardens. Where these forms meet, they create a new place for gathering in the Pavilion.
The Pavilion is built of reclaimed steel, cork and timber covered with micro-cement. The varying textures, hues of pink and brown are drawn directly from the architecture of London and reference changes in quality of light.
For the first time in the history of this commission, four Fragments of the Pavilion are placed in partner organisations whose work has inspired the design of the Pavilion: one of the first Black publishers and booksellers in the UK New Beacon Books in Finsbury Park, a multi-purpose venue and community centre The Tabernacle in Notting Hill, arts centre the Albany in Deptford and the new Becontree Forever Arts and Culture Hub at Valence Library in Barking and Dagenham, which was established this year to commemorate the centenary of the UK’s largest council housing estate. These Fragments support the everyday operations of these organisations while enabling and honouring gatherings of local communities that they have supported for years. A gesture of decentralising architecture to include a multitude of voices, the Fragments extend out into the city the principals on which the Pavilion was designed.
Since its inception, the Pavilion has become an established home for Serpentine’s Live Programmes. This year the Pavilion will also host a specially commissioned sound programme Listening to the City that features work by artists including Ain Bailey and Jay Bernard, connecting visitors to the stories and sounds of selected London neighbourhoods. The design process has also extended into thinking through more equitable, sustainable and imaginative institutional structures by creating Support Structures for Support Structures, a grant and fellowship programme that supports artists who work in, support and hold communities in London through their work.
Sumayya Vally of Counterspace said of the design:
“My practice, and this Pavilion, is centred around amplifying and collaborating with multiple and diverse voices from many different histories; with an interest in themes of identity, community, belonging and gathering. The past year has drawn these themes sharply into focus and has allowed me the space to reflect on the incredible generosity of the communities that have been integral to this Pavilion. This has given rise to several initiatives that extend the duration, scale and reach of the Pavilion beyond its physical lifespan. In a time of isolation, these initiatives have deepened the Pavilion’s intents toward sustained collaboration, and I am excited to continue this engagement with the Serpentine’s civic and education teams and our partners over the summer and beyond.”
Serpentine Artistic Director Hans Ulrich Obrist and CEO Bettina Korek selected this year’s architect with advisors Sir David Adjaye OBE, Professor Lesley Lokko and David Glover alongside the Serpentine team – Julie Burnell (Head of Construction and Buildings) and the project’s curator Natalia Grabowska.”
Serpentine Pavilion 2021 designed by Counterspace
Text © The Serpentine Gallery 2021, please see: www.serpentinegalleries.org/whats-on/serpentine-pavilion-...
“The Pavilion’s design is based on past and present places of meeting, organising and belonging across several London neighbourhoods significant to diasporic and cross-cultural communities, including Brixton, Hoxton, Tower Hamlets, Edgware Road, Barking and Dagenham and Peckham, among others. Responding to the historical erasure and scarcity of informal community spaces across the city, the Pavilion references and pays homage to existing and erased places that have held communities over time and continue to do so today. Among them are: some of the first mosques built in the city, such as Fazl Mosque and East London Mosque, cooperative bookshops including Centerprise, Hackney; entertainment and cultural sites including The Four Aces Club on Dalston Lane, The Mangrove restaurant and the Notting Hill Carnival. The forms in the Pavilion are a result of abstracting, superimposing and splicing elements from architectures that vary in scales of intimacy, translating the shapes of London into the Pavilion structure in Kensington Gardens. Where these forms meet, they create a new place for gathering in the Pavilion.
The Pavilion is built of reclaimed steel, cork and timber covered with micro-cement. The varying textures, hues of pink and brown are drawn directly from the architecture of London and reference changes in quality of light.
For the first time in the history of this commission, four Fragments of the Pavilion are placed in partner organisations whose work has inspired the design of the Pavilion: one of the first Black publishers and booksellers in the UK New Beacon Books in Finsbury Park, a multi-purpose venue and community centre The Tabernacle in Notting Hill, arts centre the Albany in Deptford and the new Becontree Forever Arts and Culture Hub at Valence Library in Barking and Dagenham, which was established this year to commemorate the centenary of the UK’s largest council housing estate. These Fragments support the everyday operations of these organisations while enabling and honouring gatherings of local communities that they have supported for years. A gesture of decentralising architecture to include a multitude of voices, the Fragments extend out into the city the principals on which the Pavilion was designed.
Since its inception, the Pavilion has become an established home for Serpentine’s Live Programmes. This year the Pavilion will also host a specially commissioned sound programme Listening to the City that features work by artists including Ain Bailey and Jay Bernard, connecting visitors to the stories and sounds of selected London neighbourhoods. The design process has also extended into thinking through more equitable, sustainable and imaginative institutional structures by creating Support Structures for Support Structures, a grant and fellowship programme that supports artists who work in, support and hold communities in London through their work.
Sumayya Vally of Counterspace said of the design:
“My practice, and this Pavilion, is centred around amplifying and collaborating with multiple and diverse voices from many different histories; with an interest in themes of identity, community, belonging and gathering. The past year has drawn these themes sharply into focus and has allowed me the space to reflect on the incredible generosity of the communities that have been integral to this Pavilion. This has given rise to several initiatives that extend the duration, scale and reach of the Pavilion beyond its physical lifespan. In a time of isolation, these initiatives have deepened the Pavilion’s intents toward sustained collaboration, and I am excited to continue this engagement with the Serpentine’s civic and education teams and our partners over the summer and beyond.”
Serpentine Artistic Director Hans Ulrich Obrist and CEO Bettina Korek selected this year’s architect with advisors Sir David Adjaye OBE, Professor Lesley Lokko and David Glover alongside the Serpentine team – Julie Burnell (Head of Construction and Buildings) and the project’s curator Natalia Grabowska.”
Serpentine Pavilion 2021 designed by Counterspace
Text © The Serpentine Gallery 2021, please see: www.serpentinegalleries.org/whats-on/serpentine-pavilion-...
“The Pavilion’s design is based on past and present places of meeting, organising and belonging across several London neighbourhoods significant to diasporic and cross-cultural communities, including Brixton, Hoxton, Tower Hamlets, Edgware Road, Barking and Dagenham and Peckham, among others. Responding to the historical erasure and scarcity of informal community spaces across the city, the Pavilion references and pays homage to existing and erased places that have held communities over time and continue to do so today. Among them are: some of the first mosques built in the city, such as Fazl Mosque and East London Mosque, cooperative bookshops including Centerprise, Hackney; entertainment and cultural sites including The Four Aces Club on Dalston Lane, The Mangrove restaurant and the Notting Hill Carnival. The forms in the Pavilion are a result of abstracting, superimposing and splicing elements from architectures that vary in scales of intimacy, translating the shapes of London into the Pavilion structure in Kensington Gardens. Where these forms meet, they create a new place for gathering in the Pavilion.
The Pavilion is built of reclaimed steel, cork and timber covered with micro-cement. The varying textures, hues of pink and brown are drawn directly from the architecture of London and reference changes in quality of light.
For the first time in the history of this commission, four Fragments of the Pavilion are placed in partner organisations whose work has inspired the design of the Pavilion: one of the first Black publishers and booksellers in the UK New Beacon Books in Finsbury Park, a multi-purpose venue and community centre The Tabernacle in Notting Hill, arts centre the Albany in Deptford and the new Becontree Forever Arts and Culture Hub at Valence Library in Barking and Dagenham, which was established this year to commemorate the centenary of the UK’s largest council housing estate. These Fragments support the everyday operations of these organisations while enabling and honouring gatherings of local communities that they have supported for years. A gesture of decentralising architecture to include a multitude of voices, the Fragments extend out into the city the principals on which the Pavilion was designed.
Since its inception, the Pavilion has become an established home for Serpentine’s Live Programmes. This year the Pavilion will also host a specially commissioned sound programme Listening to the City that features work by artists including Ain Bailey and Jay Bernard, connecting visitors to the stories and sounds of selected London neighbourhoods. The design process has also extended into thinking through more equitable, sustainable and imaginative institutional structures by creating Support Structures for Support Structures, a grant and fellowship programme that supports artists who work in, support and hold communities in London through their work.
Sumayya Vally of Counterspace said of the design:
“My practice, and this Pavilion, is centred around amplifying and collaborating with multiple and diverse voices from many different histories; with an interest in themes of identity, community, belonging and gathering. The past year has drawn these themes sharply into focus and has allowed me the space to reflect on the incredible generosity of the communities that have been integral to this Pavilion. This has given rise to several initiatives that extend the duration, scale and reach of the Pavilion beyond its physical lifespan. In a time of isolation, these initiatives have deepened the Pavilion’s intents toward sustained collaboration, and I am excited to continue this engagement with the Serpentine’s civic and education teams and our partners over the summer and beyond.”
Serpentine Artistic Director Hans Ulrich Obrist and CEO Bettina Korek selected this year’s architect with advisors Sir David Adjaye OBE, Professor Lesley Lokko and David Glover alongside the Serpentine team – Julie Burnell (Head of Construction and Buildings) and the project’s curator Natalia Grabowska.”
Like peanut butter and jelly? The team at CounterSpace Garage helped John prep his gorgeous Porsche Cayman GT4 for track duty, including an APR Performance wing, 265/40R19 & 285/35R19 Bridgestone Potenza RE-71R tires, and 19x9/19x10.5 Forgeline GS1R wheels finished in Satin Graphite! See more at: www.forgeline.com/customer_gallery_view.php?cvk=2047
Photo by Rich Langi.
#Forgeline #forged #monoblock #GS1R #notjustanotherprettywheel #doyourhomework #madeinUSA #Porsche #Cayman #GT4 #CaymanGT4
José Scaglione was invited to lead a workshop in the 2010 edition of TiposLatinos. The workshop, specifically designed upon request of the organizers, focused on designing lettering for logotypes and selecting typefaces that are appropiate for becoming part of a corporate identity communication program. Participants worked on projects of their choice, and learned how to approach and solve a series of problems regarding lettering for branding, such as: Outline quality and point placement, letterforms aesthetic coherence, reproduction consistency, space and counterspace balance and more...
Find more: www.type-together.com
Like peanut butter and jelly? The team at CounterSpace Garage helped John prep his gorgeous Porsche Cayman GT4 for track duty, including an APR Performance wing, 265/40R19 & 285/35R19 Bridgestone Potenza RE-71R tires, and 19x9/19x10.5 Forgeline GS1R wheels finished in Satin Graphite! See more at: www.forgeline.com/customer_gallery_view.php?cvk=2047
Photo by Rich Langi.
#Forgeline #forged #monoblock #GS1R #notjustanotherprettywheel #doyourhomework #madeinUSA #Porsche #Cayman #GT4 #CaymanGT4
Serpentine Pavilion 2021 designed by Counterspace
Text © The Serpentine Gallery 2021, please see: www.serpentinegalleries.org/whats-on/serpentine-pavilion-...
“The Pavilion’s design is based on past and present places of meeting, organising and belonging across several London neighbourhoods significant to diasporic and cross-cultural communities, including Brixton, Hoxton, Tower Hamlets, Edgware Road, Barking and Dagenham and Peckham, among others. Responding to the historical erasure and scarcity of informal community spaces across the city, the Pavilion references and pays homage to existing and erased places that have held communities over time and continue to do so today. Among them are: some of the first mosques built in the city, such as Fazl Mosque and East London Mosque, cooperative bookshops including Centerprise, Hackney; entertainment and cultural sites including The Four Aces Club on Dalston Lane, The Mangrove restaurant and the Notting Hill Carnival. The forms in the Pavilion are a result of abstracting, superimposing and splicing elements from architectures that vary in scales of intimacy, translating the shapes of London into the Pavilion structure in Kensington Gardens. Where these forms meet, they create a new place for gathering in the Pavilion.
The Pavilion is built of reclaimed steel, cork and timber covered with micro-cement. The varying textures, hues of pink and brown are drawn directly from the architecture of London and reference changes in quality of light.
For the first time in the history of this commission, four Fragments of the Pavilion are placed in partner organisations whose work has inspired the design of the Pavilion: one of the first Black publishers and booksellers in the UK New Beacon Books in Finsbury Park, a multi-purpose venue and community centre The Tabernacle in Notting Hill, arts centre the Albany in Deptford and the new Becontree Forever Arts and Culture Hub at Valence Library in Barking and Dagenham, which was established this year to commemorate the centenary of the UK’s largest council housing estate. These Fragments support the everyday operations of these organisations while enabling and honouring gatherings of local communities that they have supported for years. A gesture of decentralising architecture to include a multitude of voices, the Fragments extend out into the city the principals on which the Pavilion was designed.
Since its inception, the Pavilion has become an established home for Serpentine’s Live Programmes. This year the Pavilion will also host a specially commissioned sound programme Listening to the City that features work by artists including Ain Bailey and Jay Bernard, connecting visitors to the stories and sounds of selected London neighbourhoods. The design process has also extended into thinking through more equitable, sustainable and imaginative institutional structures by creating Support Structures for Support Structures, a grant and fellowship programme that supports artists who work in, support and hold communities in London through their work.
Sumayya Vally of Counterspace said of the design:
“My practice, and this Pavilion, is centred around amplifying and collaborating with multiple and diverse voices from many different histories; with an interest in themes of identity, community, belonging and gathering. The past year has drawn these themes sharply into focus and has allowed me the space to reflect on the incredible generosity of the communities that have been integral to this Pavilion. This has given rise to several initiatives that extend the duration, scale and reach of the Pavilion beyond its physical lifespan. In a time of isolation, these initiatives have deepened the Pavilion’s intents toward sustained collaboration, and I am excited to continue this engagement with the Serpentine’s civic and education teams and our partners over the summer and beyond.”
Serpentine Artistic Director Hans Ulrich Obrist and CEO Bettina Korek selected this year’s architect with advisors Sir David Adjaye OBE, Professor Lesley Lokko and David Glover alongside the Serpentine team – Julie Burnell (Head of Construction and Buildings) and the project’s curator Natalia Grabowska.”
Serpentine Pavilion 2021 designed by Counterspace
Text © The Serpentine Gallery 2021, please see: www.serpentinegalleries.org/whats-on/serpentine-pavilion-...
“The Pavilion’s design is based on past and present places of meeting, organising and belonging across several London neighbourhoods significant to diasporic and cross-cultural communities, including Brixton, Hoxton, Tower Hamlets, Edgware Road, Barking and Dagenham and Peckham, among others. Responding to the historical erasure and scarcity of informal community spaces across the city, the Pavilion references and pays homage to existing and erased places that have held communities over time and continue to do so today. Among them are: some of the first mosques built in the city, such as Fazl Mosque and East London Mosque, cooperative bookshops including Centerprise, Hackney; entertainment and cultural sites including The Four Aces Club on Dalston Lane, The Mangrove restaurant and the Notting Hill Carnival. The forms in the Pavilion are a result of abstracting, superimposing and splicing elements from architectures that vary in scales of intimacy, translating the shapes of London into the Pavilion structure in Kensington Gardens. Where these forms meet, they create a new place for gathering in the Pavilion.
The Pavilion is built of reclaimed steel, cork and timber covered with micro-cement. The varying textures, hues of pink and brown are drawn directly from the architecture of London and reference changes in quality of light.
For the first time in the history of this commission, four Fragments of the Pavilion are placed in partner organisations whose work has inspired the design of the Pavilion: one of the first Black publishers and booksellers in the UK New Beacon Books in Finsbury Park, a multi-purpose venue and community centre The Tabernacle in Notting Hill, arts centre the Albany in Deptford and the new Becontree Forever Arts and Culture Hub at Valence Library in Barking and Dagenham, which was established this year to commemorate the centenary of the UK’s largest council housing estate. These Fragments support the everyday operations of these organisations while enabling and honouring gatherings of local communities that they have supported for years. A gesture of decentralising architecture to include a multitude of voices, the Fragments extend out into the city the principals on which the Pavilion was designed.
Since its inception, the Pavilion has become an established home for Serpentine’s Live Programmes. This year the Pavilion will also host a specially commissioned sound programme Listening to the City that features work by artists including Ain Bailey and Jay Bernard, connecting visitors to the stories and sounds of selected London neighbourhoods. The design process has also extended into thinking through more equitable, sustainable and imaginative institutional structures by creating Support Structures for Support Structures, a grant and fellowship programme that supports artists who work in, support and hold communities in London through their work.
Sumayya Vally of Counterspace said of the design:
“My practice, and this Pavilion, is centred around amplifying and collaborating with multiple and diverse voices from many different histories; with an interest in themes of identity, community, belonging and gathering. The past year has drawn these themes sharply into focus and has allowed me the space to reflect on the incredible generosity of the communities that have been integral to this Pavilion. This has given rise to several initiatives that extend the duration, scale and reach of the Pavilion beyond its physical lifespan. In a time of isolation, these initiatives have deepened the Pavilion’s intents toward sustained collaboration, and I am excited to continue this engagement with the Serpentine’s civic and education teams and our partners over the summer and beyond.”
Serpentine Artistic Director Hans Ulrich Obrist and CEO Bettina Korek selected this year’s architect with advisors Sir David Adjaye OBE, Professor Lesley Lokko and David Glover alongside the Serpentine team – Julie Burnell (Head of Construction and Buildings) and the project’s curator Natalia Grabowska.”
This end unit condo has great views and is full of natural sunlight. Cozy up to the gas fireplace in the living room, enjoy the large deck in the summer, and take advantage of the large kitchen with tons of counterspace, breakfast bar, and room for nook. Check out the two car tandem garage with extra room for storage. This home is a 10!! Contact Barbara Nelson for more information. Check out her website at www.noplacelikeportland.com
“Responsible Counterspace Campaigning” panel discussion.
Moderator: Col Charles Galbreath, USSF (Ret.), Senior Resident Fellow for Space Studies,
Mitchell Institute Spacepower Advantage Center of Excellence
• Brig Gen Devin R. Pepper, Deputy Commanding General, Operations, and Vice Commander, Space Operations Command
• Dr. Kelly Hammett, Director & PEO, Space Rapid Capabilities Office
• Robert “Otis” Winkler, Vice President, Corporate Development and National Security Programs, Kratos Defense
• Mike Neylon, Director, Space Protection & Control, Raytheon
• Dr. John “Patsy” Klein
Senior Fellow and Strategist at Falcon Research, Inc., and
Adjunct Professor at George Washington University’s Space Policy Institute and
Georgetown University’s Strategic Studies Program
Mitchell Institute for Aerospace Studies held its 3rd Annual Spacepower Security Forum “A Closer Look at Competitive Endurance” on March 27, 2024, at the Army Navy Country Club in Arlington, VA. Photo by Mike Tsukamoto/Air & Space Forces Association
These are our beauties, straight from nature -- no pesticides and a few samplings missing from critter taste tests. Yes, they left some for us! I've been baking, and canning, and freezing, and we still have no counterspace! But, they are crispy, juicy, and delicious!
Because we love the apples with their natural flaws, this photo was simply straightened, touched up for lens distortion, cropped, and framed with a stock frame. I wanted the natural beauties to shine in the softly diffused morning light.
This fantastic kitchen has a stylish gas cooktop, a jenn-Air electric convection oven and granite counters. Hidden trash, self-closing drawers, task lighting and stove fan make this a fully modern kitchen. A nice large eat in area makes this a great place to eat and entertain guests and the stylish spot lights illuminate the whole room. The bench seat below the second window offers extra storage. The two windows offer plenty of light and breezes. The glass front cabinent above the dishwasher is convenient for taking a quick inventory of plates and glasses. The angled sink provides space for a dishrack or food storage containers, saving valuable counterspace. Simply a well-designed kitchen
Ahh, finally the IKEA boxes are unpacked, eight million drawers and shelves have been assembled, and our living room work space is complete! For a long time this wall has been neglected, with dark and tiny work areas in each corner for Kirk and I, and a lot of wasted space in between. Today I priced out this solution and on a whim we decided to just go and buy it. So satisfying! Even if we had to fight the Sunday IKEA crowds and the awestruck family shoppers. Some $400 later, we have two large and spacious workspaces, drawers and shelves for our things, and plenty of light. I'm so pleased!
Corian® Solid Surface Carrara Crema on display at Chase Lumber in DeForest, WI. Fabrication by Counterspace.
The yummy gelato flavours on offer at Ici, near Ashby (Ave) and
College, Berkeley.
Etiquette note: Before sampling ALL the flavours on offer, why don't
you (party of six), decide on the ones you are most likely to get, and
just try those, instead of hogging the counterspace and waitstaff?
I tried brown sugar, buttered rum and pecan. It was nice, but left the
spoon very greasy,
prli.nl/PL-304-nB0WrCyl-27&rf=2 USD 1399000
0
PL-304-nB0WrCyl-27
13198-213510994-2 Naples, FL. is the crown jewel of the Florida coastline. For years this area has been sought after by those looking for the best that Florida has to offer. Many will purchase their piece of this tropical city this year. And as the trends have shown, many will be foreign investors looking to enjoy the sun, beaches, golf, shopping, dining and entertainment and arts that Naples is known for.
Upon entering this grand Key-West style home in Royal Harbor, you are greeted with a large foyer, open great room, and view of the pool and waterfall. Eighteen-foot volume ceilings with tongue & groove cypress and lighted trays make this living room light, bright, and open. Wood flooring with inlaid carpet and a built-in shelving/entertainment center make the hub of the home welcome and comfortable. Kitchen boasts lots of cabinet space, extra lighting, pull-up bar counterspace, breakfast nook & adjacent formal dining room. Master bedroom has pool access, built-in TV cabinet and a huge bathroom with 2 separate sink/vanities, walk-in shower, jetted tub, bidet/toilet closet, walk-in closet, extra lighting. Two other bedrooms share a full bath and there is a half bath for guests off living room. Plantation shutters are throughout the home, and has new Kevlar hurricane screens. Large screened solar-heated pool and waterfall has western exposure. Elevated---meets FEMA minimum standards for base flood elevation. Home sold furnished minus personal belongings. Dock on seawall gives access to Naples Bay and no bridges to Gulf. Minutes from Tin City, Old Naples and beaches.
Property Features
General Pets allowed
Community Community boat facilities
Construction Concrete block stucco, Frame and stucco exterior, Vinyl siding
Roof Metal roof
Exterior Enclosed porch
Flooring Carpet, Tile flooring, Hardwood floors
Laundry Laundry sink, Laundry room/area
Heat/Cool Central air conditioning, Central heat
Inclusions Self-cleaning oven, Microwave oven, Disposal, Dishwasher, Refrigerator, Clothes washer, Clothes dryer, Built-in oven, Furnished
Interior Breakfast bar, Pantry, Tub and separate shower, Ceiling fan(s), Skylight(s), Walk-in closet(s), Window treatments, Security features, Built-in bookcase(s)
Utilities Public sewer service, Public water supply, TV cable available
Parking Attached parking, Automatic garage door
Recreation swimming pool, In-ground swimming pool, In-ground, screen enclosed swimming pool, Solar heated pool, Boat dockage
Rooms Formal dining room, Master bedroom on main floor, Great room, Foyer
Scenery Waterfront property, Canal view, Canal waterfront property, Gulf access
Stories Single story
Lot Dim 80x135x80x135
Defense Intelligence Agency Defense Intelligence Officer for Space and Counterspace John F. Huth and DIA Senior Defense Analyst for Space and Counterspace Kevin Ryder release report on Challenges to Security in Space, at the Pentagon, Washington D.C., April 12, 2022. (DoD photo by U.S. Air Force Tech. Sgt. Jack Sanders)
This year's Serpentine Pavilion structure is by Counterspace, a practice led by 31-year-old Indian South African architect, Sumayya Vally, the youngest ever winner of the prize.
Her design 'samples' buildings from all over London so there are plenty of classical references in there but for me that's a mistake as it leaves the building feeling rather like US corporate architecture that does the same thing and is now globally ubiquitous.
The main deck of the 54EU. Note that there is a table for entertaining on both the bow and the stern, and there is easy flow forward because of the two side doors at the helm. There is slightly more counter space in the galley and it is definitely set up for entertaining. Access to the flying bridge is only from the aft deck. An optional companion chair can be added to port of the skipper.
For more tests, reviews, captain's report go to Grand Banks 54 Heritage EU model page
This year's Serpentine Pavilion structure is by Counterspace, a practice led by 31-year-old Indian South African architect, Sumayya Vally, the youngest ever winner of the prize.
Her design 'samples' buildings from all over London so there are plenty of classical references in there but for me that's a mistake as it leaves the building feeling rather like US corporate architecture that does the same thing and is now globally ubiquitous.
This year's Serpentine Pavilion structure is by Counterspace, a practice led by 31-year-old Indian South African architect, Sumayya Vally, the youngest ever winner of the prize.
Her design 'samples' buildings from all over London so there are plenty of classical references in there but for me that's a mistake as it leaves the building feeling rather like US corporate architecture that does the same thing and is now globally ubiquitous.
Dimensional Walls are adaptable so you can use them as counterspace or a fireplace. Other products shown: Dimensional Coping
Built-in microwave give you more counterspace. Sealed burners on the stove mean no more crusties living under the burners. The fridge has an icemaker, so no carpel tunnel from cracking ice-cube trays.
The opposite side of the kitchen, with the original drawers that I wanted to reface. The overhead cabinetry may still be workable, but I think this stuff has to go, if only for the fact that there's practically no counterspace to it at all. You can also see the floor tile which -- for some reason -- is being used as a countertop.
Corian® Solid Surface Carrara Crema on display at Chase Lumber in DeForest, WI. Fabrication by Counterspace.
In anticipation of baby, we got a new Samsung HE washer/dryer set. Hooray!
Though the plywood counterspace/shelving unit I built didn't leave quite enough room for the dryer door to open fully so I had to reconfigure... oh well. At least no more laundromat
cramped counterspace means that while canning, it's difficult to make toast.
one should not have to choose between pickles and toast.
Not enough counterspace, but otherwise your classic papaya layout and color scheme. I was wondering why it was so empty 'till I got to Gray's Papaya and found that they had dropped the price.
This year's Serpentine Pavilion structure is by Counterspace, a practice led by 31-year-old Indian South African architect, Sumayya Vally, the youngest ever winner of the prize.
Her design 'samples' buildings from all over London so there are plenty of classical references in there but for me that's a mistake as it leaves the building feeling rather like US corporate architecture that does the same thing and is now globally ubiquitous.
This end unit condo has great views and is full of natural sunlight. Cozy up to the gas fireplace in the living room, enjoy the large deck in the summer, and take advantage of the large kitchen with tons of counterspace, breakfast bar, and room for nook. Check out the two car tandem garage with extra room for storage. This home is a 10!! Contact Barbara Nelson for more information. Check out her website at www.noplacelikeportland.com
“Responsible Counterspace Campaigning” panel discussion.
Moderator: Col Charles Galbreath, USSF (Ret.), Senior Resident Fellow for Space Studies,
Mitchell Institute Spacepower Advantage Center of Excellence
• Brig Gen Devin R. Pepper, Deputy Commanding General, Operations, and Vice Commander, Space Operations Command
• Dr. Kelly Hammett, Director & PEO, Space Rapid Capabilities Office
• Robert “Otis” Winkler, Vice President, Corporate Development and National Security Programs, Kratos Defense
• Mike Neylon, Director, Space Protection & Control, Raytheon
• Dr. John “Patsy” Klein
Senior Fellow and Strategist at Falcon Research, Inc., and
Adjunct Professor at George Washington University’s Space Policy Institute and
Georgetown University’s Strategic Studies Program
Mitchell Institute for Aerospace Studies held its 3rd Annual Spacepower Security Forum “A Closer Look at Competitive Endurance” on March 27, 2024, at the Army Navy Country Club in Arlington, VA. Photo by Mike Tsukamoto/Air & Space Forces Association
Corian® Solid Surface Carrara Crema on display at Chase Lumber in DeForest, WI. Fabrication by Counterspace.
A rather small counterspace, which irritated me at times, but which also made sure that I did not have too much clutter on it. Whatever you see in this photograph is because I was preparing lunch when I clicked it.
Creekstone Village is a brand new, luxury apartment complex located off MD Rt. 100 in Pasadena, MD. This beautiful community consists of 5 buildings, with a combination of three story walk-up and four story elevator accessed buildings. Choose from a variety of spacious, 1-, 2-, and 3-bedroom apartments with designer kitchens complete with granite countertops, stainless steel appliances and plenty of counterspace. Also enjoy access to an array of community amenities, including a state-of-the-art fitness center, business center, billiards room, resort-style outdoor pool, community barbeque area, and playground.
...because I HATE my tiny, narrow-ass, cluttered kitchen. I can't wait to get back into a large, Granite-Countertopped, Viking-Range, Sub-Zero Fridge, Le Cruset-equipped, Plentiful-Counterspaced kitchen.
This year's Serpentine Pavilion structure is by Counterspace, a practice led by 31-year-old Indian South African architect, Sumayya Vally, the youngest ever winner of the prize.
Her design 'samples' buildings from all over London so there are plenty of classical references in there but for me that's a mistake as it leaves the building feeling rather like US corporate architecture that does the same thing and is now globally ubiquitous.
When we moved into our rental cottage, there was a row of cabinets with heavy, dark, wooden doors, and a short, narrow counter attached underneath. I removed the cabinet doors to open up the small kitchen (as per #marthastewart ), and my landlord removed the counter at my request. I replaced it with a free-standing #butcherblock counter that I got for $15 from a yard sale, two old stools salvaged from my parents basement, and a short press-board bookshelf on wheels that I painted white and topped with a scrap of butcher block from my parents house. We now have storage in metal bins and baskets in the bookshelf/rolling island, and extra counter space for cooling racks or volunteer choppers, seating for hanging out in the kitchen ( #inevitable ), and plenty of space to functionally display our dishes. #DIY #yardsale #secondhand #upcycle #cubbies #openshelving #kitchenideas #tinyhouse #storagesolutions #counterspace #prettykitchen #vintagekitchen