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cia Vitrola Quântica

Galeria Olido - set/2009

20 d'octubre de 2018

CEM Julio Méndez

Fotografia: Francisco Serrano

Burning of gorse in a controlled manner in the New Forest Hampshire

Imagine a cross junction without traffic light

set this shot up infront of the TV screen to get the glare.

 

Exploring Macro Photography: New Subject: "Part of a Whole" is the topic for Sat., Dec2, 2006 to Friday, Dec., 8, 2006.

Get onto this artist asap, as there are very few who are writing music this honest and yet this good.

 

www.sexystones.com/control_freak/top.html

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www.youtube.com/user/TheDigitalThreat

www.flickr.com/groups/xsect/

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The mission control room in the Johnson Space Centre in Houston, Texas

Control Tower, Northeast Philadelphia Airport - KPNE - 20 October 2007.

This was an old abandoned house that was bought by a dentist office that instead of just demolishing it to build the new office they donated it to the local fire department to do a training burn to demolish the house. This one actually made it into the local newspaper to accompany the article.

260 Acre Controlled Burn Jonathan Dickinson State Park

Control Arms demonstration, Sheffield

 

www.controlarms.org/home

 

Copyright: Paul Cantrell

 

www.facebook.com/PaulCantrellPhotos

RUPTURE NO 1: blowtorching the bitten peach

Heather Phillipson

(23 March 2021 – 23 January 2022)

Tate Britain Commission in the Duveen Gallery

 

Heather Phillipson engulfs Tate Britain’s grand central galleries with colour, sound and motion

In her words, she is proposing the spaces as a sequence of ‘charged ecosystems, maladaptive seasons and unearthed lifeforms’.

She reimagines the galleries as alive, and happening in a parallel time-zone. Mutant creatures, built from technological remains, populate the space.

Described by Phillipson as a ‘pre-post-historic environment’, the work and its title evoke an abundance of sensations and associations that resist coherence. The artist says she is attempting to ‘cultivate strangeness, and its potential to generate ecstatic experience’.

Phillipson’s work often involves collisions of wildly different imagery, materials and media.

Through multiple, unexpected combinations, she conjures absurd and complex systems. Here, salvaged machines, colossal papier-mâché sculptures and hand-painted scenes are layered with digital video and sound. Mountains of salt, bisected aircraft fuel tanks, mobile gas canisters, rotating anchors and shapeshifting roof vents are doused with tinted light. Everything is remixed and redeployed.

Phillipson’s multimedia projects include video, sculpture, installation, music, poetry and digital media. She describes her works as ‘quantum thought experiments’. They often carry an underlying sense of threat – a suggestion that, in the artist’s words, ‘received ideas, images and the systems that underpin them may be on the verge of collapse’.

[Tate Britain]

 

Frans Kasper (Abstraction Games)

"From GameMaker to GameBaker: Porting Hotline Miami"

Control Line Scale National Championships, held July 6-8, 2018, at the International Aeromodeling Center in Muncie, Indiana.

 

Static Judging, July 6, 2018.

 

Photos by Jenni Alderman

Tout contrôler...

CLOUD CONTROL

@La Maroquinerie - Paris

1 mars 2014

Steam Locomotive 1003 during rebuild at Wisconsin Automotive Museum. Built by American Locomotive Co. in 1913

A guy getting his kite in the air during the Blossom Kite Festival, on the grounds of the Washington Monument. Washington, DC.

www.energia.rionegro.gov.ar Inspecciones Minería en segunda bajada El Faro, Zona atlántica.

Old pasenger jet on dispaly at the VVTs (All-Russian Exhibition Centre), Moscow.

Wooden Gavel --- Image by

31 janvier 2001, Roubaix, entrept principal du fabricant textile Damart.

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