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infinite painting by dotAtelier

9" x 12" (2010)

continuous line looking into a car

pencil

Fine-grained white marble

Late Antique, Roman Late Imperial period, ca. 320-340 CE with post-antique additions (including the majority of the heads)

Roman urban workshop

No archaeological provenience; documented at Palazzo Albani in Soriano nel Cimino by 1720

 

From left: the Raising of Lazarus; Jesus lays hands on the head of a woman (probably originally the bleeding woman, later transformed into Mary of Bethany); the deceased portrayed in the pose of an orant; feeding the multitude; the healing of the man born blind; the healing of the paralytic man; the Sacrifice of Isaac

 

Photographed on display in the Raccolta Lercaro, Bologna, Italy

In the collection of the Opera Diocesana Madonna della Fiducia, Bologna

Gift of the Comunità Ebraica Italiana (Rome) to Cardinal Giacomo Lercaro

continuous mile, 2007-8

glass beads, cotton.

artist: liza lou

and artisans in kwazulu-natal, south africa

Maintaining the gps stations on the Loket tributary branch of the Black Rapids Glacier. We reduced antenna height for gps after ~2.5 months melt, downloaded data, and moved boxes that needed to be moved.

(public display, Heisey Glass Museum, Newark, Ohio, USA)

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The Heisey Glass Company operated in Newark, Ohio from 1896 to 1957. They made numerous pieces in various designs ("patterns'), most of which was clear glass ("crystal"). Some colored glass was also produced during the run of the company - colors included greens, blues, oranges, reds, pinks, yellows, and purples.

 

"Zircon" refers to a type of colored glass that Heisey made - in this case, greenish.

 

The source of silica for Heisey glass is apparently undocumented, but was possibly a sandstone deposit in the Glassrock area (Glenford & Chalfants area) of Perry County, Ohio (if anyone can provide verfication of this, please inform me). Quarries in the area targeted the Pennsylvanian-aged Massillon Sandstone (Pottsville Group) and processed it into glass sand suitable for glass making.

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From Bredehoft (2004):

 

Zircon: 1936-1939. A turquoise blue-green. The last color introduced before World War II curtailed the use of color. Revamped and reintroduced later as Limelight.

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From museum signage:

 

Augustus H. Heisey (1842-1922) emigrated from Germany with his family in 1843. They settled in Merrittown, Pennsylvania and after graduation from the Merrittown Academy, he worked for a short time in the printing business.

 

In 1861, he began his life-long career in the glass industry by taking a job as a clerk with the King Glass Company of Pittsburgh. After a stint in the Union Army, Heisey joined the Ripley Glass Company as a salesman. It was there that he earned his reputation of "the best glass salesman on the road".

 

In 1870, Heisey married Susan Duncan, daughter of George Duncan, then part-owner of the Ripley Company and later full owner, at which time he changed its name to George Duncan & Sons. A year later, he deeded a quarter interest to each of his two children. A few years after his death, A.H. Heisey and James Duncan became sole owners. In 1891, the company joined the U.S. Glass Company to escape its financial difficulties. Heisey was the commercial manager.

 

Heisey began to formulate plans for his own glass company in 1893. He chose Newark, Ohio because there was an abundance of natural gas nearby and, due to the efforts of the Newark Board of Trade, there was plenty of low cost labor available. Construction of the factory at 301 Oakwood Avenue began in 1895 and it opened in April of 1896 with one sixteen-pot furnace. In its heyday, the factory had three furnaces and employed nearly seven hundred people. There was a great demand for the fine glass and Heisey sold it all over the world.

 

The production in the early years was confined to pressed ware, in the style of imitation cut glass. The company also dealt extensively with hotel barware. By the late 1890s, Heisey revived the colonial patterns with flutes, scallops, and panels which had been so popular decades earlier. These were so well accepted that from that time on, at least one colonial line was made continuously until the factory closed.

 

A.H. Heisey's name appears on many different design patents including some when he was with George Duncan & Sons. Heisey patterns that he was named the designer include 1225 Plain Band, 305 Punty and Diamond Point, and 1776 Kalonyal.

 

Other innovations instituted by A.H. Heisey were the pioneering in advertising glassware in magazines nationally, starting as early as 1910 and the first glass company to make fancy pressed stems. That idea caught on quickly and most hand-wrought stemware is made in this manner, even now.

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Reference cited:

 

Bredehoft, N. (ed.) (2004) - Heisey glass formulas - and more, from the papers of Emmet E. Olson, Heisey chemist. The West Virginia Museum of American Glass. Ltd.'s Monograph 38.

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Info. at:

en.wikipedia.org/wiki/Heisey_Glass_Company

and

heiseymuseum.org

and

heiseymuseum.org/gallery/heisey-zircon-limelight/

 

Laminated with continuous base detail.

Details of the forward calorimeter beam line, which is open for repairs after approximately eight years, in Experimental Hall D at Jefferson Lab in Newport News, Va., on Thursday, Apr. 6, 2023. (Photo by Aileen Devlin | Jefferson Lab)

 

Hall D is dedicated to the operation of a large-acceptance detector for experiments with a broad-band, linearly-polarized photon beam produced by ~12 GeV electrons from the Continuous Electron Beam Accelerator Facility (CEBAF).

Example of continuous footpaths on street entrances, showing to car drivers it is them crossing the footpath, and not pedestrians crossing the road.

Bought a triangular weaving loom from SAFF (Southeastern Animal Fiber Festival). I am starting my third weaving to be stitched to three other triangles to form a large shawl for my prayer shawl ministry at church.

The Continuous Improvement Conference 2018 is an event designed for sharing best practices in continuous improvement across academic, business, and community organizations. This event will focus on helping industry professionals achieve operational and performance excellence through tools such as Lean Six Sigma. The event is capped at 70 attendees, representing academic and business organizations.

Shoot with LED Continuous Light Only!

Hall D Staff Scientist Mark Dalton stand next to the forward calorimeter, which is open for repairs after approximately eight years, in Experimental Hall D at Jefferson Lab in Newport News, Va., on Thursday, Apr. 6, 2023. (Photo by Aileen Devlin | Jefferson Lab)

 

Hall D is dedicated to the operation of a large-acceptance detector for experiments with a broad-band, linearly-polarized photon beam produced by ~12 GeV electrons from the Continuous Electron Beam Accelerator Facility (CEBAF).

Continuous Performance: Going to the Cinema a Hundred Years Ago, an exhibition marking the centenary of cinema-going in Britain held at the University of Kent, Oct-Nov 2009. Items are from the Nicholas Hiley collection.

Tools, Collaboration, and Conway's Law: how to choose and use tools effectively for Continuous Delivery and DevOps

Program:Manual

Lens:70-300mm f/4-5.6 G VR

F:5.6

Speed:1/1250

ISO:1800

Focal Length:300 mm

AF Fine Tune Adj:-1

Focus Mode:AF-C

AF Area:Dynamic Area (3D-tracking)

Shooting Mode:Continuous, Auto ISO

VR:On

EV:+1/3

Metering Mode:Multi-segment

WB:Auto0

Picture Control:Neutral

Focus Distance:28.18 m

Dof:2.95 m (26.79 - 29.73)

HyperFocal:534.89 m

Assignment #4: Custom White Balance

Spent some time messing with continuous shot on my camera after school today. Didn't turn out quite like I hoped.

this is a result of tennis being delayed and me waiting after school. i drew it all and colored it with orange highlighter.

Science Education Summer Intern Gabriel Vega Osborne presents his research in the Continuous Electron Beam Accelerator Facility (CEBAF) at Jefferson Lab in Newport News, Va., Aug. 2, 2024. (Lindsay Cunningham | Jefferson Lab)

Front/vepředu:

SLAVS AND TATARS

 

Reverse Joy (fountain)

/

Obrácená radost (fontána)

 

Behind/vzadu:

JANEK SIMON

 

Tristes tropiques, 2009, enamel on found photography

/

Smutné tropy, 2009, smalt na nalezené fotografii

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Continuous Fire Seminar 6/19-24/11

The Continuous Improvement Conference 2018 is an event designed for sharing best practices in continuous improvement across academic, business, and community organizations. This event will focus on helping industry professionals achieve operational and performance excellence through tools such as Lean Six Sigma. The event is capped at 70 attendees, representing academic and business organizations.

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