A training workshop focused on effective communication and building social media skills

Organized by the Forest Communicators Networks and FAO, the workshop will bepresented in two parts. In the morning, participants will learn how to get their message heard and understood through hands-on training in the fundamentals of communication and with concrete examples from successful campaigns. Participants will also have theopportunity to learn more about the Forest Communicators Networks, a network of nearly500 professionals that promotes communication and dialogue on forestry issues worldwide.

In the afternoon and on Day 2, workshop participants will gain social and digital media skills in content creation, curation and dissemination in the social media boot camp. After completing the boot camp, the participants will form the core of the social reporting team for the 6th Mediterranean Forest Week and will work on-site to cover the event with tweets, blogs, videos, images and pictures, etc.

- Maria De Cristofaro, Outreach and Capacity Building, Forestry Department, Food and Agriculture Organization of the United Nations (FAO), Italy

- Patricia R. Sfeir, Leader of the Mediterranean and the Near East Forest CommunicatorsNetwork and Manager, Rural Development Programs, Seeds International, Lebanon

- Ingwald Gschwandtl, Chair of the Global Coordination Group, Forest Communicators Networks and Director, Head of Forest Policy and Information, Federal Ministry of Sustainability and Tourism, Austria

- Kai Lintunen, Leader of the UNECE/FAO Forest Communicators Network and Head of International Communications, Finnish Forest Association, Finland

- Kay Montgomery, Leader of the Africa Forest Communicators Network and Working forForests Representative, Department of Environmental Affairs, South Africa

- Pier Andrea Pirani, Co-director and Independent Consultant, Euforic Services Ltd

- Pilar Valbuena, Deputy Leader of the Mediterranean and the Near East Forest Communicators Network and International Expert in Communication, Education and Awareness Strategies,

The Ministry of Agriculture, in collaboration with the Food and Agriculture Organization of the United Nations (FAO), is hosting the Sixth edition of the Mediterranean Forest Week (VIth MWF) at the Grand Hills Hotel, Broumana, on 1–5 April 2019. The weeklong event brings together policy and decision makers, forest administrators, researchers, practitioners, donors, civil society organizations, and social and environmental based non–governmental organizations to share and promote the use of forest–based solutions to assist Mediterranean countries in the implementation of their Nationally Determined Contributions (NDCs) under the Paris Agreement.

30-31 March 2019

Beirut (Lebanon)

Photos by (c) Pilar Valbuena for the Forest Communicators Network for the Mediterranean and Near East

A training workshop focused on effective communication and building social media skills

Organized by the Forest Communicators Networks and FAO, the workshop will bepresented in two parts. In the morning, participants will learn how to get their message heard and understood through hands-on training in the fundamentals of communication and with concrete examples from successful campaigns. Participants will also have theopportunity to learn more about the Forest Communicators Networks, a network of nearly500 professionals that promotes communication and dialogue on forestry issues worldwide.

In the afternoon and on Day 2, workshop participants will gain social and digital media skills in content creation, curation and dissemination in the social media boot camp. After completing the boot camp, the participants will form the core of the social reporting team for the 6th Mediterranean Forest Week and will work on-site to cover the event with tweets, blogs, videos, images and pictures, etc.

- Maria De Cristofaro, Outreach and Capacity Building, Forestry Department, Food and Agriculture Organization of the United Nations (FAO), Italy

- Patricia R. Sfeir, Leader of the Mediterranean and the Near East Forest CommunicatorsNetwork and Manager, Rural Development Programs, Seeds International, Lebanon

- Ingwald Gschwandtl, Chair of the Global Coordination Group, Forest Communicators Networks and Director, Head of Forest Policy and Information, Federal Ministry of Sustainability and Tourism, Austria

- Kai Lintunen, Leader of the UNECE/FAO Forest Communicators Network and Head of International Communications, Finnish Forest Association, Finland

- Kay Montgomery, Leader of the Africa Forest Communicators Network and Working forForests Representative, Department of Environmental Affairs, South Africa

- Pier Andrea Pirani, Co-director and Independent Consultant, Euforic Services Ltd

- Pilar Valbuena, Deputy Leader of the Mediterranean and the Near East Forest Communicators Network and International Expert in Communication, Education and Awareness Strategies,

The Ministry of Agriculture, in collaboration with the Food and Agriculture Organization of the United Nations (FAO), is hosting the Sixth edition of the Mediterranean Forest Week (VIth MWF) at the Grand Hills Hotel, Broumana, on 1–5 April 2019. The weeklong event brings together policy and decision makers, forest administrators, researchers, practitioners, donors, civil society organizations, and social and environmental based non–governmental organizations to share and promote the use of forest–based solutions to assist Mediterranean countries in the implementation of their Nationally Determined Contributions (NDCs) under the Paris Agreement.

30-31 March 2019

Beirut (Lebanon)

Photos by (c) Pilar Valbuena for the Forest Communicators Network for the Mediterranean and Near East

This past weekend was Podcamp Toronto 2011, a social media "un-conference" which brings together over 1000 people to discuss everything from content creation to digital marketing. There was a number of great sessions geared towards photography and content creation for the web. And there was candy.

Award 21. Best Integrated Digital Campaign sponsored by Nielsen Ireland - Wolfgang Digital

Pictured the team from Wolfgang Digital winners of the Best Integrated Digital Campaign sponsored by Nielsen Ireland for DID Electrical - 0 To 50 at the 2019 Digital Media Awards hosted by Newstalk’s Tom Dunne at the Clayton Hotel, Burlington Road, Dublin on Friday 15th February. Now in their 16th year, the Digital Media Awards are the most prestigious digital awards in Ireland. They recognise creativity and innovation across multiple areas of an ever evolving sector which includes digital content creation, advertising and marketing, mobile media, social networking, app development, web design and development.

A full list of winners can be found at digitalmedia.ie

- ends -

For further information, interviews with winners or to receive imagery from the awards, please contact; Niamh McDermott, Event Manager T: 01 432 2232 or E: niamh@ashville.com

Digital Media Awards 2019 - Winners Captions

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Designed and produced to celebrate the 500th anniversary of Raphael’s death (1483 – 1520), one of the greatest artists of the Renaissance, Magister Raffaello is a new cultural project by Magister Art, digital innovators in cultural heritage content creation, production and promotion.Responding to challenges of digital transformation and social innovation, Magister Raffaello explores the potential of new technologies, combining the high scientific value with the constant experimentation of new languages and media, to create an ‘augmented narration’ and a ‘total’ cognitive experience, aiming to accessibility of knowledge and the inclusiveness of widest ranges of audiences.

Magister Raffaello is supported by the Italian Foreign Ministry and presented in cooperation with the Italian Cultural Institute in Vienna.

Find out more here: ars.electronica.art/keplersgardens/en/magister-raffaello-...

Credit: vog.photo

15/15 - Content Creation Challenge

Growth.

2019 Digital Media Awards hosted by Newstalk’s Tom Dunne at the Clayton Hotel, Burlington Road, Dublin on Friday 15th February. Now in their 16th year, the Digital Media Awards are the most prestigious digital awards in Ireland. They recognise creativity and innovation across multiple areas of an ever evolving sector which includes digital content creation, advertising and marketing, mobile media, social networking, app development, web design and development.

A full list of winners can be found at digitalmedia.ie

- ends -

For further information, interviews with winners or to receive imagery from the awards, please contact; Niamh McDermott, Event Manager T: 01 432 2232 or E: niamh@ashville.com

2018 Energia Digital Media Awards hosted by Newstalk’s Tom Dunne at the Clayton Hotel, Burlington Road, Dublin on Friday 16th February. Now in their 15th year, the Digital Media Awards are the most prestigious digital awards in Ireland. They recognise creativity and innovation across multiple areas of an ever evolving sector which includes digital content creation, advertising and marketing, mobile media, social networking, app development, web design and development.

A full list of winners can be found at digitalmedia.ie

- ends -

For further information, interviews with winners or to receive imagery from the awards, please contact; Niamh O’Flaherty, Event Manager T: 01 432 2200 or E: niamh.oflaherty@ashvillemediagroup.com

UK visual content creation company, I Heart Studios, announced today (October 17) that it has opened its first Asian studio in Hong Kong. Photo is its Global CEO, Mr Bos (middle) and his team.

英國視覺内容創作公司I Heart Studios今日（十月十七日）宣布在香港開設亞洲首間工作室。圖為該公司的環球行政總裁林壽博 (中)及他的香港團隊。

2019 Digital Media Awards hosted by Newstalk’s Tom Dunne at the Clayton Hotel, Burlington Road, Dublin on Friday 15th February. Now in their 16th year, the Digital Media Awards are the most prestigious digital awards in Ireland. They recognise creativity and innovation across multiple areas of an ever evolving sector which includes digital content creation, advertising and marketing, mobile media, social networking, app development, web design and development.

A full list of winners can be found at digitalmedia.ie

- ends -

For further information, interviews with winners or to receive imagery from the awards, please contact; Niamh McDermott, Event Manager T: 01 432 2232 or E: niamh@ashville.com

Technology is a vital part of our life and with passing years innovation has become a crux of our existence. We are evolving by leaps and bounds into another frontier with technological improvements which were earlier considered as a mere figment of our imagination. Once which used to be just our thoughts are slowly transforming into reality and all thanks to the technological advancements.

Mikeme Pocket is also one such innovation which was born out of creativity. It is the first smart wireless audio recorder and comes with a clip-on microphone. It has been created for the professionals who are into journalism, film making, video graphing and content creation. This kind of device is very beneficial for them and lets you concentrate on what is in front of a camera than thinking about the sound so much. Mikeme app helps you to control all audio aspects like level of sound, etc. with your smartphone. If you shoot with your smartphone the video and audio will automatically sync, also it is that hassle-free. As it doesn’t require any additional receivers it is very easy to carry anywhere, anytime. It can work as a standalone recorder as it captures 96 kHz/24-bit qualities on 16GB of internal storage.

🚀 I am excited to present some of the machines and people I captured during a 5 year collaboration with Danneels SBA, a Belgian company specializing in the sale and repair of agricultural equipment and machinery.

🎥 I developed a new marketing strategy for Danneels SBA and carried out hundreds of video and photo shoots, captured thousands of professional photos and portraits, and produced and distributed hundreds of pro video reports and commercial interviews to showcase their products, services, and customized advertisements

🚜 Find more photo and video content for Danneels SBA and other brands at: benheine.com/fr/services/contenus-videos/

✨ Here’s what I bring to my clients:

✅ Creative and impactful audiovisual content creation: I produce professional videos, animations, photo reports, and custom designs to highlight your products 💥

✅ Marketing strategy: Digital diagnostics, needs analysis, and powerful brand positioning to optimize results and sales. 🎯

✅ Community Management: Active management of your social media (Facebook, Instagram, LinkedIn, TikTok, YouTube...) to engage your audience and attract new clients 📱

✅ Custom advertising: Optimized ad campaigns to generate leads and maximize conversions 🚀

✅ Website and landing page creation: Designing modern, high-performing pages that turn visitors into customers 💻

✅ SEO and e-reputation: Boosting online visibility with effective SEO strategies and digital reputation management 🌐

🎯 My services are tailored to all budgets to help maximize your growth and reach your goals faster!

📧 Ready to boost your business? Contact me now for a custom digital strategy: info@benheine.com

🌐 More information about my services: www.benheine.com | www.digitalsuccess.ai

Let’s turn your ambitions into success together! 💪🔥

Danneels SBA represents major brands like Fendt, Cat, Iseki, McHale, Trioliet, Pottinger, Franquet, Claas, Kuhn, and more. They have showrooms and warehouses in Beaumont, Mettet, and Marche-Lez-Ecaussines, Belgium.

Danneels SBA website: www.danneels-sba.be/fr

Facebook: www.facebook.com/Danneels.sba

Note: To use high-resolution images, contact info@benheine.com. The images in this collection are compressed and protected by copyright!

#DigitalMarketing #ContentCreation #CommunityManagement #SEO #CustomAdvertising #MarketingStrategy #Reputation #ProfessionalContentCreation #ProfessionalVideo #Branding #AudiovisualMarketing #DigitalAdvertising #OnlineSales #DigitalStrategy #VideoShooting #WebCreation #DigitalSuccess #BusinessGrowth #BoostYourBrand #AgriculturalMarketing #BenHeinemarketing #LandingPage #WebsiteCreation #Tractors #Danneels #DanneelsSBA #Portrait #BenHeinemPhotography

NEW YORK, NY - SEPTEMBER 29: Jill Toscano speaks onstage at the Brands and the Art of Content Creation panel on September 29, 2014 in New York City. (Photo by Monica Schipper/Getty Images for AWXI)

2019 Digital Media Awards hosted by Newstalk’s Tom Dunne at the Clayton Hotel, Burlington Road, Dublin on Friday 15th February. Now in their 16th year, the Digital Media Awards are the most prestigious digital awards in Ireland. They recognise creativity and innovation across multiple areas of an ever evolving sector which includes digital content creation, advertising and marketing, mobile media, social networking, app development, web design and development.

A full list of winners can be found at digitalmedia.ie

- ends -

For further information, interviews with winners or to receive imagery from the awards, please contact; Niamh McDermott, Event Manager T: 01 432 2232 or E: niamh@ashville.com

Award 5. Best Search Campaign

Pictured Rob Beirne from Wolfgang Digital, Monika Podsadna, Darren Hardiman from DID Electrical and Alan Coleman from Wolfgang Digital winners of the Best Search Campaign sponsored by Energia for “Escaping the Competition Through Invention” at the 2018 Energia Digital Media Awards hosted by Newstalk’s Tom Dunne at the Clayton Hotel, Burlington Road, Dublin on Friday 16th February. Now in their 15th year, the Digital Media Awards are the most prestigious digital awards in Ireland. They recognise creativity and innovation across multiple areas of an ever evolving sector which includes digital content creation, advertising and marketing, mobile media, social networking, app development, web design and development.

A full list of winners can be found at digitalmedia.ie

- ends -

For further information, interviews with winners or to receive imagery from the awards, please contact; Niamh O’Flaherty, Event Manager T: 01 432 2200 or E: niamh.oflaherty@ashvillemediagroup.com

Award 11. Best Technology Innovation - Mediaworks

Pictured the team from Mediaworks winners of the Best Technology Innovation for KBC - Experience Your World at the 2019 Digital Media Awards hosted by Newstalk’s Tom Dunne at the Clayton Hotel, Burlington Road, Dublin on Friday 15th February. Now in their 16th year, the Digital Media Awards are the most prestigious digital awards in Ireland. They recognise creativity and innovation across multiple areas of an ever evolving sector which includes digital content creation, advertising and marketing, mobile media, social networking, app development, web design and development.

A full list of winners can be found at digitalmedia.ie

- ends -

For further information, interviews with winners or to receive imagery from the awards, please contact; Niamh McDermott, Event Manager T: 01 432 2232 or E: niamh@ashville.com

Digital Media Awards 2019 - Winners Captions

2019 Digital Media Awards hosted by Newstalk’s Tom Dunne at the Clayton Hotel, Burlington Road, Dublin on Friday 15th February. Now in their 16th year, the Digital Media Awards are the most prestigious digital awards in Ireland. They recognise creativity and innovation across multiple areas of an ever evolving sector which includes digital content creation, advertising and marketing, mobile media, social networking, app development, web design and development.

A full list of winners can be found at digitalmedia.ie

- ends -

For further information, interviews with winners or to receive imagery from the awards, please contact; Niamh McDermott, Event Manager T: 01 432 2232 or E: niamh@ashville.com

#NickCannon Host #bBooth Press Release 7-16-16 #VVKPhoto

Nick Cannon Named Ambassador of Tech Company bBooth

HOLLYWOOD, CA (July 16, 2016) – Nick Cannon announced his recent partnership as Global Brand Ambassador with emerging tech company #bBooth, at an exclusive Press Conference and Reception in Hollywood. The celebrated producer, writer, director, actor, entrepreneur and popular host of TV’s top-rated “America’s Got Talent,” also premiered his new single “If I Was Your Man” featuring #Jeremih, at the red carpet event, powered by #NCredible.

Celebrities in attendance included Actress #KDAubert, VH1’s Love & Hip Hop Hollywood stars #JasonLee and #MasikaKalysha, Singer/SongwriterMarques #Anthony, Model #PorschaColeman, TV Personality #EricaMena and more. Guests enjoyed interactive demos at bBooth kiosks, delectable hors d’oeuvres, and an open bar.

“Nick Cannon is that rare combination of artist and entrepreneur, extremely talented and successful at both a true Renaissance man,”says Rory Cutaia, CEO at bBooth. “We’re thrilled to have him on our team at bBooth, building value for our clients and shareholders.”

“bBooth’s technology has enormous potential and I’m very excited to work with Rory and his team to introduce it to the world,” statesNick Cannon.

bBooth’s groundbreaking bNotifi push to screen technology literally brings a person (celebrity, music artist, brand spokesperson, etc.) or product to life directly on the screens of fans’ computers, tablets and mobile devices across the globe. bBooth’s unprecedented, interactive technology is the new platform for content creation and distribution, artist promotion, fan engagement and brand activation. With an increasing list of clientele including major consumer brands, corporations, music artists and celebrities, bBooth is positioned to become Hollywood’s thriving, elite entertainment technology company.

For more information about bBooth, please visit www.bBooth.com.

About bBooth

bBooth (OTCQB: BBTH) is a Hollywood-based entertainment technology company. Through its innovative, groundbreaking technology, bBooth is the new platform for content creation and distribution, artist promotion, fan engagement and brand activation. Its technology licensing division, bBoothTECH, offers the Company’s bNotifi product, a push-to-screen, interactive audio/video messaging and communications application for industry leading social engagement on mobile/desktop/web platforms. For more information on bBooth, visit www.bbooth.com.

Please address investor inquiries to:

investors@bBooth.com

For more information contact:

Echo Hattix: echohattix@echoingsoundz.net

Moses Adam Hill: moses@echoingsoundz.net

Photo Credit: #VVKPhoto

seen after #mysyg promo

In order:

TV3, NTV7, 8TV, TV9 - TV

Fly FM, Hot FM, One FM - radio

NSTP, New Straits Times, Berita Harian, Harian Metro - newspaper

Primeworks Studios - content creation

Media Prima Digital, gua.com.my, Tonton - digital media

Big Tree, Gotcha, TRC (The Right Channel), UPD (Utusan Pearl & Dean), Kurnia Outdoors - advertising

Emas - Media Prima archive content

These bitcoin miners have been running almost constantly for a year and a half on Fedora 14. They're in a minimally temperature controlled space ranging from 35°F-95°F and require some of the video cards to be placed outside of the chassis.

While I have my doubts on the future sustainability of the bitcoin ecosystem these machines more than paid for themselves. The technical challenges involved also have relevance with affordable high power processing for media content creation and research.

CrappyCat print by Trevor Van Meter (aka VanBeater).

Update 2013-09-04: With one miner retiring due to hardware failure and ASIC and FPGA-based systems coming online affecting the hash difficulty, the last remaining miner is no longer effective and has been retired. Where this currency is heading is anyone's guess but it's been a great experiment so far.

www.polygon.com/features/2013/9/4/4660780/bitcoin-satoshi...

Smoke images used as texture maps in Blender. Similar to previous image but a larger orb was used to encase the whole scene, so this is effectively as seen from inside the orb. This has had a depth of field modifier applied during rendering based on a Canon 7d with 22mm lens. Focus is on the rearmost orb.

Blender is the free open source 3D content creation suite, available for all major operating systems under the GNU General Public License.

www.blender.org

Getting started guide: www.cdschools.info/blenderbasics/

2019 Digital Media Awards hosted by Newstalk’s Tom Dunne at the Clayton Hotel, Burlington Road, Dublin on Friday 15th February. Now in their 16th year, the Digital Media Awards are the most prestigious digital awards in Ireland. They recognise creativity and innovation across multiple areas of an ever evolving sector which includes digital content creation, advertising and marketing, mobile media, social networking, app development, web design and development.

A full list of winners can be found at digitalmedia.ie

- ends -

For further information, interviews with winners or to receive imagery from the awards, please contact; Niamh McDermott, Event Manager T: 01 432 2232 or E: niamh@ashville.com

In 2022, I had the privilege of contributing to the Coachlity App (coachlity.com), where I worked on a variety of design projects, including web design, graphic design, and copywriting. My work aimed at creating an engaging and user-friendly experience, directly impacting Coachlity's brand presence and user engagement.

Visit my website: benheine.com/

As a seasoned digital marketing expert with a Master's in Communication and e-Marketing and over 20 years of experience, I offer a comprehensive and results-driven skill set to help brands achieve their full potential online.

With expertise in e-Marketing Strategy, social media advertising, community management, and content creation (video, photo, infographics), I craft compelling organic content that resonates with audiences across various platforms. I leverage powerful tools such as Adobe Suite, Filmora, Canva, Buzzsprout, and Synthesia, as well as AI-driven solutions like ChatGPT to create high-impact campaigns.

I specialize in brand positioning, sales conversion, email marketing, SEO, and web design using platforms like WordPress and Drupal, complemented by strong skills in coding (HTML, JAVA). Whether it’s optimizing ad campaigns via Facebook Ads, Google Ads, Instagram Ads, or LinkedIn Ads, I ensure that each campaign is strategically aligned with your business goals to boost sales and visibility.

My approach is data-driven, using platforms such as SEMrush, Google Analytics, Hootsuite, and Hubspot to monitor performance, track KPIs, and refine strategies for optimal results. I also bring substantial experience in e-commerce (e.g., Shopify) and managing email campaigns with Mailchimp.

Beyond digital marketing, I am adept at creating media kits, press releases, and webinars to elevate your brand's presence in the market. Whether you're looking for short-term freelance projects or long-term employment, my ability to work remotely or onsite, combined with my strong multitasking and problem-solving skills, makes me a reliable partner for your digital marketing and sales efforts.

Ready to boost your business visibility and success? Let’s connect.

Linkman project: content creation & distribution, blog maintenance, social media management

Do you remember pages like these that weren't parodies? The internet archive is like littered with web sites earnestly created by teachers, either trying to learn arcane brackets and tags or locked into horrible desktop applications purported to make web page construction "easy" (the fine print is "and ugly").

Blog software (especially WordPress!) has made most of this a dim memory (well except for some folks that go a little MySpace crazy with widgets) as the act of creating web content shifts from knowing about tags and code to content creation. And they get added functionality (search, rss, embedded media, archiving, and more) that they could never concoct out of HTML tables.

And this, my friends is a Good Thing.

And if you really wish to enjoy the experience of the screen shot above, be sure to visit (turn down the speakers and put on some shade, I warned you!)

budugllydesign.com/archivebud/bud9806/advantag.html

the girl behind mediamux

Riverstone Townhomes, Mountain View, CA

Nikon D70, Nikkor 50mm f/1.8D

DxO (wb, exp, distortion, ca, vignetting, lighting, noise), Adobe Camera RAW (adjustments) Photoshop (dark circles, eye brighten, eye sharpen, eyebrow, skin soften, slim and trim, lensblur)

1/50 sec @ f/1.8, iso 200, 50mm (75mm)

____________________________________________________

mediamux shoot

I was staying home to keep from infecting anyone at work with my cold. After C— got back, she asked me to take a couple shots of her for her new blog. The blog is about content-creation in sight, sound, and motion, so if you’ve ever messed with iMovie or thought about a quirky commercial, subscribe to it.

I wasn't about to leave the apartment. So I went out on the porch and took a bunch of shots without much thought. C— actually put on some makeup this time! She is holding her smaller high definition video camera.

If I was healthier I would have put more thought into using a flash and a reflector and maybe a backdrop. I messed with some simple portrait retouching, but there wasn't much to do giving the crappy lighting. Her complexion was fine, but I wanted to enhance the glow around her and reduce the prominence of my the horrible deck porch. In many ways, I like the original better, but it was a fun way to pass the time in bed.

Click to see the original image (If you cannot view this, add me to your contacts and I’ll add you to my friends. If you are already a contact of mine then just jet me a message and I'll fix your status.)

2019 Digital Media Awards hosted by Newstalk’s Tom Dunne at the Clayton Hotel, Burlington Road, Dublin on Friday 15th February. Now in their 16th year, the Digital Media Awards are the most prestigious digital awards in Ireland. They recognise creativity and innovation across multiple areas of an ever evolving sector which includes digital content creation, advertising and marketing, mobile media, social networking, app development, web design and development.

A full list of winners can be found at digitalmedia.ie

- ends -

For further information, interviews with winners or to receive imagery from the awards, please contact; Niamh McDermott, Event Manager T: 01 432 2232 or E: niamh@ashville.com

Designed and produced to celebrate the 500th anniversary of Raphael’s death (1483 – 1520), one of the greatest artists of the Renaissance, Magister Raffaello is a new cultural project by Magister Art, digital innovators in cultural heritage content creation, production and promotion.Responding to challenges of digital transformation and social innovation, Magister Raffaello explores the potential of new technologies, combining the high scientific value with the constant experimentation of new languages and media, to create an ‘augmented narration’ and a ‘total’ cognitive experience, aiming to accessibility of knowledge and the inclusiveness of widest ranges of audiences.

Magister Raffaello is supported by the Italian Foreign Ministry and presented in cooperation with the Italian Cultural Institute in Vienna.

Find out more here: ars.electronica.art/keplersgardens/en/magister-raffaello-...

Credit: vog.photo

Manufacturer: Thunderhead Automotive Division & Wasteland Motorsports

Nationality: United States of America

First assembled: September 26 , 2059

Birthplace: Milwaukee, Wisconsin/Park City, Utah

Engine: 5.2 L Supercharged Hemi V8

HP: 940 BHP

0-60: 2.3 Seconds

Top speed: 217.15 MPH

The partnership with Thunderhead Automotive seems to be the best thing that has ever happened to Wasteland Motorsports. Besides leading to the creation of the Asgard GTS "Sleipnir", arguably the "face" of the Wasteland brand and one of the most iconic cars in modern car culture, there's also the general growth they've gone under ever since the partnership began. Wasteland Entertainment, the PR division of the Wasteland empire and distributor of the Wastelander viral series, also posts more candid videos of the general life and times of the company. These videos includes following what projects the motorsports team is working on. These videos bring in enough viewership that Thunderhead provides cars and parts for content creation. The first major project Wasteland Motorsports did took full advantage of Thunderhead's generosity, and they created something rather out-of-the-box. The "Sasquatch", based on a 1970s Phantom musclecar, was an outrageous offroader tough enough to handle any terrain thrown at it. What started as an abandoned project car was turned into the toughest machine in Park City, Utah. What viewers weren't privy to while the Sasquatch was being made, there was another project being worked on in the shadows. The truth is that Thunderhead actually found 2 abandoned Phantom project cars, allegedly the leftovers of a failed effort to start a privateer Grand-Am racing team in the 1980s. One would obviously go on to become the Sasquatch. The other has to be seen to be believed. It's no offroader, but its a car so beyond what it started as it rivals even the Sleipner in how far it goes. Dubbed the "Pulse", this car is hardly recognizable as the Phantom musclecar it started out as. The most extensive bodywork on a Wasteland vehicle yet, "turbine" style wheels, and some of the loudest paintwork in the western hemisphere, the Pulse stands out to put it *very* lightly. Don't think for even a second that all the Pulse has is crazy aesthetics. The Pulse can race with the best of them, and proof of this can be seen as easily as looking behind you from the driver seat. Where there was (rather useless) rear seats are now motorsports-grade push-rod suspension, vastly improving the Pulse's cornering, body roll and high-speed stability over a regular Phantom. Aerodynamics was also a huge focus for the Pulse. The insane bodywork is all there to produce as much downforce as possible, and is adjustable to reduce drag when needed. The "turbine" style rims also reduce drag while directing air to the brakes for cooling. One of the most distinctive visual mods on the Pulse are the "rear stabilizers" behind the driver cabin, clearly influenced by fighter jets. These provide better cornering downforce and stability. By far the most insane modification is located on the rear of the car. Proudly displayed is a large fan coming from the Pulse's rear end, almost resembling a jet turbine in conjunction with the large rear stabilizers. This fan is actually another component to the Pulse's active downforce system. At full RPM, this fan can suck the Pulse to the tarmac and produce upwards of 3,200 pounds of downforce. This fan is also electronically-driven, so unlike past cars that used a similar setup but were driven by the car's gearbox, the Pulse's fan can operate on it's own while the main engine is off. As the Pulse only weighs 2,700 pounds, this means with only the fan system enabled the Pulse could not only theoretically drive upside-down, but park itself on the "ceiling". The distinctive pulsing sound the electric motors make to run this incredible fan system is how the Pulse got its name, but its capable of plenty of other noises. Powering the Pulse is a modern 5.2 L Hemi crate engine provided by Thunderhead. Unmodified this engine made over 400 HP, but obviously Wasteland wasn't gonna run it stock. A large 2 L Supercharger was bolted on, so large in fact that the Pulse's hood has a cutout for it. This supercharger needs nearly 100 HP just to run, but as the V8 makes the aforementioned 400 HP, this is no issue. With the Supercharger added on, this engine now makes an immense 940 HP. The Pulse's performance is equally immense. Thanks to the combined effort of this power and the active aero systems giving the Pulse incredible grip, 0-60 is done in the low 2 seconds. Top speed caps out at just under 220 MPH, though it would hypothetically reach higher speeds if not for the aerodynamic drag made by the bodykit. The Pulse will clearly appear in upcoming Wastelander videos alongside the Sleipner and Sasquatch, but Wasteland Motorsports also intends to run it in an experimental class for the world famous Pikes Peak Hillclimb.

Getting more efficient at task management and content creation because of my touchscreen.

Updated version. Added Spotify, Tweetdeck and my personal blog.

This is more to my own benefit. Had to see how I'm using these networks.

Notes:

1) Jaiku is dead for me.

2) Ping.fm and TweetDeck are included as content creation services, the reading services (Bloglines, Google Reader) are not.

3) The solid arrows indicate an automated data flow between services.

4) The red dotted line just groups services which feed into the same services.

2019 Digital Media Awards hosted by Newstalk’s Tom Dunne at the Clayton Hotel, Burlington Road, Dublin on Friday 15th February. Now in their 16th year, the Digital Media Awards are the most prestigious digital awards in Ireland. They recognise creativity and innovation across multiple areas of an ever evolving sector which includes digital content creation, advertising and marketing, mobile media, social networking, app development, web design and development.

A full list of winners can be found at digitalmedia.ie

- ends -

For further information, interviews with winners or to receive imagery from the awards, please contact; Niamh McDermott, Event Manager T: 01 432 2232 or E: niamh@ashville.com

2019 Digital Media Awards hosted by Newstalk’s Tom Dunne at the Clayton Hotel, Burlington Road, Dublin on Friday 15th February. Now in their 16th year, the Digital Media Awards are the most prestigious digital awards in Ireland. They recognise creativity and innovation across multiple areas of an ever evolving sector which includes digital content creation, advertising and marketing, mobile media, social networking, app development, web design and development.

A full list of winners can be found at digitalmedia.ie

- ends -

For further information, interviews with winners or to receive imagery from the awards, please contact; Niamh McDermott, Event Manager T: 01 432 2232 or E: niamh@ashville.com

The process for creating and sharing content in Citrix. Different Colors = different departments/stakeholders. Used different colors to indicate different groups of stakeholders in Citrix content creation.

Purple = product manager

Dark Blue = Technical / Developers / Architects

Red = Content Strategy / Technical Writers

Green = Marketing / Sales

Aqua = Worldwide Readiness / Technical/Customer Support / Education

Artwork based on the figure/statue: Stage 4/4 - Re-imagined "realistic" pictures of the fictional character Kotone Suzunami through AI based on model pics and AI-modified artwork. Odd, if not scary?

Character history:

Kotone grew up in an orphanage, often looking after children younger than her. As a result of never having her parents in her life, she is easily made to feel unwanted. It is unknown what happened to her parents, but Kotone believes that they are still alive.

She initially transferred to Tokyo-3 while NERV was scouting her out as a pilot candidate, being appointed to the role officially after she started attending school.

There are two people who call Kotone unusual: Mari Makinami Illustrious and Asuka Langley Shikinami, respectively. Mari calls her “Junior”, and Asuka calls her “Kazamidori”, a chicken-shaped weathervane on top of a roof, probably because of Kotone's unusual hairstyle (If you paraphrase, it's about “chicken hair”…)

The kit and its assembly:

This is a rather exotic project, and it took some weeks of preparation before I could start with hardware work. It is an attempt to create an anime character figure of which I do not think any model exists at all. The subject is Kotone Suzunami, and it’s is not a shame if you had not heard of the character until now at all – even me, who has been quite interested in anime for decades did not know her and only became aware of the character but that is probably due to her media “origin”.

Kotone Suzunami is an original character from (and created for) the Evangelion Battlefields computer game, introduced in Season 2. She is a newly appointed Evangelion pilot and popular content creator for an unnamed in-universe video streaming platform.

My first impression when I saw her for the first time was that she was just a re-skinned Rei Ayanami with a wild hairdo, but upon closer inspection I recognized some differences on her plugsuit, beyond the different colors, and I thought that building a figure of her would be a nice challenge.

Since I am not a big sculptor it was clear that I would convert an existing kit, but finding one – either in The Stash™ or at retail/online – turned out to be more difficult than expected, due to different issues like posture or being original (and quite valuable) kits. I even procured a 3D-printed Rei Ayanami model as a potential basis but found it at ~1:6 scale to be VERY large and bulky (even though detail and fit are very good!). Eventually, I stumbled upon the two Max Factory/PLAMAX kits of Rei Ayanami in her white plugsuit. At first I thought that it was a poseable action figure model, but effectively it’s a snap-fit statue with a fixed pose, molded in proper colors, so that you can put the figure together in less than an hour – but probably with a very good and presentable result.

Max Factory offers two versions of the kit: one “original” Rei Ayanami with her characteristic bob hairdo, and the other boxing comes with flowing long hair. This version comes from the ‘Rebuild of Evangelion’ new theatrical edition, a re-boot of the original anime TV series Neon Genesis Evangelion. Otherwise, both kits are the same, though.

I settled upon the flowing hair kit, because Kotone’s weird hair style caused me some headaches since I had to create it somehow. To avoid sculpting with 2C putty I hoped that I could trim the flowing hair down and use the excess material for Kotone’s overhanging hair, so that I’d also avoid material mix and use simple styrene glue to put the “wig” together.

Work started carefully with the arms – building this type of statue/kit is quite new for me, even though I had some experience with Bandai’s 1:12 action figure kits for Star Wars. However, the fact that the PLAMAX kit is intended to be a simple snap-fit kit, to be assembled without glue and paint, created some issues. I could have built arms, legs and torso as complete modules and then paint them, but I wanted to use rattle can paint for light shading effects. This would be easier to accomplish when the differently colored sub-builds would remain this way until they had been painted, with a final assembly. The kit’s construction makes this impossible, though, or would require complex (and doubtful) masking. In the end I modified the parts so that they could be painted separately and then finally assembled, grinding away locator pins and other internal alignment aids. This move also offered the benefit of being able to safely PSR away light seams and other mismatches – even though the latter are minimal, the fit of the parts is really excellent, this is detail work on a very ambitious level.

In parallel I also started with the legs – same strategy: no external changes yet, but internal mods to allow later assembly after painting parts with different colors. Due to their construction the upper legs required some light PSR. What’s really neat is the kit’s construction and production in differently colored material. For instance, the “stripes” on the upper legs are separate parts, so that they can be conveniently painted in a different color. Their shape on Rei’s plugsuit does not 100% match those on Kotone’s, but I leave them this way because I feel that modding these details is not worth the hustle and the potential flaws I add to the model. That might have been easier with a simple and massive resin kit.

As another parallel work step I created a display base for the figure. It comes with a neat hexagonal black base, but for a “uniform look” in my cabinets I adapted my standard base design. It consists of a square 4x4” melamine-coated press board base, flanks covered with edge-band and custom adapters made from sprue material that fit into respective openings under the figure’s left foot. Some PSR was necessary to fill some dents, carpet tile material was used underneath, and later the whole thing was painted black with matt acrylic paint from a rattle can.

As another major body module, the torso came next and it required more work, because Kotone’s plugsuit differs in some respects from Rei’s. Again, I made a compromise concerning details and what the kit offered as basis. The most obvious difference is the belly area and the zip at the front. Rei’s suit features what I call “headlights” under the breasts, and these had to be removed - the kit makes this easy, because these are separate parts, but the leftover holes had to be filled and blended into the rest of the body. The zip is also shorter, and an area between the breasts had to be levelled out and PSRed, too. Due to the separately colored/molded parts I also had to PSR the shoulder area, and the “0” on the suit’s back (also separate parts) had to be hidden, too. However, Kotone’s back is quite obscure, I only found a back picture of a quite rough Takara Tomy A.R.T.S. plastic figure of her, which suggests that her suits also has a similar shield and an “opening” underneath that shows the light grey “underwear”.

Finding proper tones for the plugsuit (and slightly different tones to apply a light shading effect) was another challenge I had to sort out before building the figure. I went for RAL tones, RAL 3005 (Weinrot) for most of the suit and RAL 7035 (Lichtgrau; I wanted to avoid pure white because it would look very harsh in contrast to the red) for the suit’s “inner sections”. Lighter shades (Montana 3060 and RAL 7047) were used for subtle shading effects. For good adhesion, opacity and contrast I gave all parts a thin coat with grey primer first, before adding the real color – also as thin as possible, because the OOB IP parts match (very!) tightly and too much paint would certainly impede the good fit.

Painting the body parts went well, but what scared me more was the yet-to-be-scratched hairdo of this figure. And looking at the 13(!) blue OOB parts for the long-haired Rei worried me a bit- one can wonder how much ingenuity had gone into the parts and their respective molds, to create this complex and tightly fitting 3D "mess" with only 2D parts of limited depth. However, fit turned out (again) to be excellent; while it's an expensive offering for an IP kit (apparently including license fees), you receive an impressive piece of kit and mold construction!

“Understanding” the original hair parts was not easy, though. Things became clearer when I cleaned the single parts and dry-fitted them: there is basically a front and rear half of the "plastic wig", with the rear being attached to the scalp first and then the three front parts would follow. This provided some direction how and where to cut down the hair parts, and then I also had to add Kotone's "hair wings" over the virtual ears and scratch hairbands with the plugsuit's typical sensor clips (taken from the kit) at their base.

The hair parts were radically cut down to nape length, and I started to sculpt/shape that rear area to resemble Rei's original bob, which comes close to Kotone's rear (according to a PVC figure, the only reference I have found so far). I also reduced the locks around the face and stockpiled cutaway parts that might become hair bands on the head's flanks. I also filled the holes that hold Rei's sensor hairclips.

However, the plan to complete the full "wig" and then mount it onto the bare head did not work, the hair was too tight and had to be mounted in at least two sections (front and back were possible, at least after my internal mods to gain space and flexibility). But my experience with similar character figure builds over the years paid out and I followed a different assembly strategy: I completed the head with the hair first, PSRed the front/back seam away (while protecting the face with a mask made from pan liner!), and just then started with the scratched braids/hair bushels that come through the headbands. The latter were created with styrene material from a ball pen’s body, plus the OOB sensor hairclips that were PSRed onto them.

After that “hairdressing” began! I used what I had at hand: lots of leftover plastic locks, cut away from the OOB parts and then glued/layered into the hairbands, with more and more strings of hair filling gaps and adding volume. While the result is not as solid as Kotone's "animation version" from the video game I think that this "wild" style matches the rest of the figure as well as the basic hair well - the alternative would have been a full 2C hair sculpt, I thought that this recycling path I took was the safer method.

Once completed painting started. This began with thorough cleaning to get rid of sanding residues, and the whole affair initially received a basic coat with a mix of pink and wine red (Humbrol 200 and Revell 361, first pic). While still wet I added shading with Humbrol 200 over that base, more or less stirred up to receive varying shades/brightness degrees, plus a final artificial light reflex "halo" with pure pigments and some white to keep the animation look (instead of relying on real light reflections on a glossy hairdo finish).

After completing the hair the painting of the hairbands/sensors followed - as an odd/unique detail they were painted differently, like position lights: pale pink (red) at port and light green at starboard. The face was not painted at all, due to the pre-printed skin-tinted parts.

Finally I applied varnish to the major modules. The head and the hair became matt, while the rest of the suit became satin/semi-matt - the illustrations of Kotone suggest that her plugsuit is a bit shiny (like uncoated neoprene) but not glossy.

Photo Credit: SWpix/NATPE. NATPE 2014

Dan Goodman, Bryan Thoensen, Jared Hoffman

🚀 I am excited to present some of my photos captured during a 5 year collaboration with Danneels SBA, a Belgian company specializing in the sale and repair of agricultural equipment and machinery.

🎥 I developed a new marketing strategy for Danneels SBA and carried out hundreds of video and photo shoots, captured thousands of professional photos and portraits, and produced and distributed hundreds of video reports and commercial interviews to showcase their products, services, and customized advertisements

🚜 Find more photo and video content for Danneels SBA and other brands at: benheine.com/fr/services/contenus-videos/

✨ Here’s what I bring to my clients:

✅ Creative and impactful audiovisual content creation: I produce professional videos, animations, photo reports, and custom designs to highlight your products 💥

✅ Marketing strategy: Digital diagnostics, needs analysis, and powerful brand positioning to optimize results and sales. 🎯

✅ Community Management: Active management of your social media (Facebook, Instagram, LinkedIn, TikTok, YouTube...) to engage your audience and attract new clients 📱

✅ Custom advertising: Optimized ad campaigns to generate leads and maximize conversions 🚀

✅ Website and landing page creation: Designing modern, high-performing pages that turn visitors into customers 💻

✅ SEO and e-reputation: Boosting online visibility with effective SEO strategies and digital reputation management 🌐

🎯 My services are tailored to all budgets to help maximize your growth and reach your goals faster!

📧 Ready to boost your business? Contact me now for a custom digital strategy: info@benheine.com

🌐 More information about my services: www.benheine.com | www.digitalsuccess.ai

Let’s turn your ambitions into success together! 💪🔥

Danneels SBA represents major brands like Fendt, Cat, Iseki, McHale, Trioliet, Pottinger, Franquet, Claas, Kuhn, and more. They have showrooms and warehouses in Beaumont, Mettet, and Marche-Lez-Ecaussines, Belgium.

Danneels SBA website: www.danneels-sba.be/fr

Facebook: www.facebook.com/Danneels.sba

Note: To use high-resolution images, contact info@benheine.com. The images in this collection are compressed and protected by copyright!

#DigitalMarketing #ContentCreation #CommunityManagement #SEO #CustomAdvertising #MarketingStrategy #Reputation #ProfessionalContentCreation #ProfessionalVideo #Branding #AudiovisualMarketing #DigitalAdvertising #OnlineSales #DigitalStrategy #VideoShooting #WebCreation #DigitalSuccess #BusinessGrowth #BoostYourBrand #AgriculturalMarketing #BenHeinemarketing #LandingPage #WebsiteCreation #Tractors #Danneels #DanneelsSBA #Portrait

UNSOM was pleased to support the Federal Ministry of Information, Culture and Tourism (MoICT) in the holding of a three-day training workshop on social media content creation that started today in Mogadishu. The training brings together 40 communications officials from the MoICT, as well as several counterparts from Federal Member States and journalists from privately-owned media houses in the capital. Somalia’s Minister of Information, Culture and Tourism, Osman Dubbe officially opened the training session, with UNSOM’s Chief of Strategic Communications and Public Affairs, Ari Gaitanis, in attendance.

UN Photo.

NEW YORK, NY - SEPTEMBER 29: Lucas Herscovici attends the Brands and the Art of Content Creation panel on September 29, 2014 in New York City. (Photo by Monica Schipper/Getty Images for AWXI)

2019 Digital Media Awards hosted by Newstalk’s Tom Dunne at the Clayton Hotel, Burlington Road, Dublin on Friday 15th February. Now in their 16th year, the Digital Media Awards are the most prestigious digital awards in Ireland. They recognise creativity and innovation across multiple areas of an ever evolving sector which includes digital content creation, advertising and marketing, mobile media, social networking, app development, web design and development.

A full list of winners can be found at digitalmedia.ie

- ends -

For further information, interviews with winners or to receive imagery from the awards, please contact; Niamh McDermott, Event Manager T: 01 432 2232 or E: niamh@ashville.com

Jeremy Douglass of Playpower reading our definition of "participatory learning":

Participatory learning describes the stance of an active, engaged learner within a responsive, flexible curriculum or learning context.

Learners may engage in active, collective, social articulation of their learning process in relation to an absolutely fixed curriculum. Or adaptive curricula may customize a learner’s progress in relation to observations of largely passive and isolated learners.

Full participatory learning, however, entails the completion of the dialogic circuit, in which learners move beyond annotation to engagement with the goals of curricular content creation, a move that requires collaborating with and addressing not only the medium but each other.

Participatory learning fades seamlessly into teaching.

2019 Digital Media Awards hosted by Newstalk’s Tom Dunne at the Clayton Hotel, Burlington Road, Dublin on Friday 15th February. Now in their 16th year, the Digital Media Awards are the most prestigious digital awards in Ireland. They recognise creativity and innovation across multiple areas of an ever evolving sector which includes digital content creation, advertising and marketing, mobile media, social networking, app development, web design and development.

A full list of winners can be found at digitalmedia.ie

- ends -

For further information, interviews with winners or to receive imagery from the awards, please contact; Niamh McDermott, Event Manager T: 01 432 2232 or E: niamh@ashville.com

2019 Digital Media Awards hosted by Newstalk’s Tom Dunne at the Clayton Hotel, Burlington Road, Dublin on Friday 15th February. Now in their 16th year, the Digital Media Awards are the most prestigious digital awards in Ireland. They recognise creativity and innovation across multiple areas of an ever evolving sector which includes digital content creation, advertising and marketing, mobile media, social networking, app development, web design and development.

A full list of winners can be found at digitalmedia.ie

- ends -

For further information, interviews with winners or to receive imagery from the awards, please contact; Niamh McDermott, Event Manager T: 01 432 2232 or E: niamh@ashville.com

2019 Digital Media Awards hosted by Newstalk’s Tom Dunne at the Clayton Hotel, Burlington Road, Dublin on Friday 15th February. Now in their 16th year, the Digital Media Awards are the most prestigious digital awards in Ireland. They recognise creativity and innovation across multiple areas of an ever evolving sector which includes digital content creation, advertising and marketing, mobile media, social networking, app development, web design and development.

A full list of winners can be found at digitalmedia.ie

- ends -

For further information, interviews with winners or to receive imagery from the awards, please contact; Niamh McDermott, Event Manager T: 01 432 2232 or E: niamh@ashville.com

2019 Digital Media Awards hosted by Newstalk’s Tom Dunne at the Clayton Hotel, Burlington Road, Dublin on Friday 15th February. Now in their 16th year, the Digital Media Awards are the most prestigious digital awards in Ireland. They recognise creativity and innovation across multiple areas of an ever evolving sector which includes digital content creation, advertising and marketing, mobile media, social networking, app development, web design and development.

A full list of winners can be found at digitalmedia.ie

- ends -

For further information, interviews with winners or to receive imagery from the awards, please contact; Niamh McDermott, Event Manager T: 01 432 2232 or E: niamh@ashville.com

2019 Digital Media Awards hosted by Newstalk’s Tom Dunne at the Clayton Hotel, Burlington Road, Dublin on Friday 15th February. Now in their 16th year, the Digital Media Awards are the most prestigious digital awards in Ireland. They recognise creativity and innovation across multiple areas of an ever evolving sector which includes digital content creation, advertising and marketing, mobile media, social networking, app development, web design and development.

A full list of winners can be found at digitalmedia.ie

- ends -

For further information, interviews with winners or to receive imagery from the awards, please contact; Niamh McDermott, Event Manager T: 01 432 2232 or E: niamh@ashville.com

The Underdog Event was proud to have Unorthodox Underworld as part of the Bona Fide August Round! At Unorthodox Underworld, you can find a wonderful & eclectic mix of artistry as well as a bit of naughty kink!

To keep up to date on their newest releases, be sure to Visit their:

Main Store: maps.secondlife.com/secondlife/Malkine/160/245/3499

Flickr: www.flickr.com/photos/144978514@N02/

Marketplace: marketplace.secondlife.com/stores/179827?id=179827