View allAll Photos Tagged content-creation
the entrance to the new manufacturing facility which recently came online.
I encouraged them to include a jar of finely moldable clay with each of their new 3D scanners, with no explanation needed. People might think more about creation and less about copying with their "Replicator".
More generally, I think we need a new framework for 3D content creation, as it has held back so many 3D dreams, from VRML in the 90s to 3D printing today. If you want to create a 3D model of a teacup, it’s just way too difficult for most people using geometric primitives of addition and subtraction, manipulated and rotated with 2D tools separated in space (a screen and touchpad or mouse).
My first thought was that perhaps we could reconceptualize the digital process: instead of manipulating polygons, what if we had digital clay — malleable and asymmetric and organic — that snapped to polygons and various axes of symmetry after the fact? The UI would naturally support multitouch screens where we see the clay under our fingers and need not project and rotate 3D objects in our minds.
And with a 3D scanner, MakerBot could take a step in that direction by providing rudimentary post-processing of scanned clay. With 3D printing, the objects don’t have to be symmetric. Complexity comes for free in a 3D print. Objects may be a bit more artistic and organic with asymmetries. So the post-processing could include a slider for smoothing… and perhaps a way to recognize Platonic forms like a circular or elliptical curve, offering various snap-to-grid options if wanted.
We pride ourselves on producing fun clothing and gadgets that inspire our community.
We are excited to collaborate with creative individuals who are passionate about fashion, technology, and innovative content creation.
New bloggers are welcome!
Application: web.kynno.app/store/571cfc0d-62da-431a-a9a8-d0ebb89886ec
🌟 MadPea Celebrity Auction: Design a New Dragoos Companion! 🌟
Ever wanted to create your own Dragoos Companion? Here’s your chance! The lucky winner will work directly with the Dragoos team to design a brand-new Dragoos Companion release! 🎨✨
What you’ll get:
Collaborate with Dragoos to bring your vision to life ️
Free copies of the new companion when it’s released 🎁
Recognition in announcements about the item 📣
100% of funds raised benefit Live and Learn in Kenya’s Feed a Smile Project to help build a daycare for children in need! 💖
⏳ Auction ends February 9th at 4PM SLT!
👉 Bid now: maps.secondlife.com/secondlife/MadPea%20Unlimited/46/129/44
Ava Jhamin For
JR Wolf Designs
"Yule Outfit in Sky"
WINTER SOLSTICE EVENT
Heathen Court Celebrates Winter Solstice - December 5, 2019 throught December 23, 2019
Heathen Court Celebrates
This event is dedicated to all forms of art, fashion, decor, and even content creation from goth to everything fantasy. Around 40 content creators wait for you with light.
Winter Solstice. maps.secondlife.com/secondlife/Enoshima/43/46/2294
Smoke images used as texture maps in Blender. Similar to previous image but a larger orb was used to encase the whole scene, so this is effectively as seen from inside the orb. This has had a depth of field modifier applied during rendering based on a Canon 7d with 22mm lens. Focus is on the rearmost orb.
This is the same scene as Balls_2 but with the lighting decreased in power, reflectivity turned up, raytraced shadows and softer specular highlights.
Blender is the free open source 3D content creation suite, available for all major operating systems under the GNU General Public License.
Getting started guide: www.cdschools.info/blenderbasics/
THANK YOU to everyone who keeps supporting and donating towards the Internship Program at @ZawStudios where we strive to teach, empower and share the passions of content creation while serving so many amazing clients from non-profits to small businesses. Today’s session featured our best friends and companions.
Huge thanks to Ashley McCormick and Ashley Dow.
Photography By Alexa Aye
Behind the Scenes By Courtney Karch
Featuring: Gizmo (@gizmothedowntownpup) and Morty (@MortyZawAdventures)
Tag anyone who needs headshots, pet photos or general photography
To See MORE Pet Projects Visit: www.gofundme.com/btiteam
Behind the Scenes Video: bit.ly/3kRi51c
Contact: info@zawstudios.com
#ZawStudios #PetPhotography #InternshipProgram #gizmothedowntownpup #mortyzawadventures
Content creation is a passion project. You can support me with a donation on Ko-Fi or Patreon. www.ko-fi.com/L3L428S0A www.patreon.com/kzoocowboy
two women entering food court from, male security guard exiting food court and going outside
Fort Gratiot, Michigan
www.flickr.com/photos/kzoocowboy/albums/72157706085785704
Birchwood Mall
www.flickr.com/photos/kzoocowboy/albums/72177720298596450
Content creation is a passion project. You can support me with a donation on Ko-Fi or Patreon. www.ko-fi.com/L3L428S0A www.patreon.com/kzoocowboy
Advertising in the post-modern world is all about getting noticed. The challenge is always producing content of quality. For many content creators this leads to burnout and disenchantment. Many young people do not want to work for "the Man." For many, work in the corporate world provides a regular income with benefits.
I'm not sure that a lot of content creators on Youtube and other platforms realize they are working for "the Man," just not getting paid a living wage for their hours of skilled work. Creators need to remember that online platforms can take away your income faster than most traditional corporations.
Award 7. Best in Retail & Consumer Goods sponsored by Irish Times Media Solutions -
Pictured Melissa Merrigan, Laura Dunn from Swarovski, Bronagh Murphy and Orlaith McIvor from Havas Media winners of the Best in Retail & Consumer Goods sponsored by Irish Times Media Solutions for Personalisation Sparkles for Swarovski Ireland: Remix Edition at the 2019 Digital Media Awards hosted by Newstalk’s Tom Dunne at the Clayton Hotel, Burlington Road, Dublin on Friday 15th February. Now in their 16th year, the Digital Media Awards are the most prestigious digital awards in Ireland. They recognise creativity and innovation across multiple areas of an ever evolving sector which includes digital content creation, advertising and marketing, mobile media, social networking, app development, web design and development.
A full list of winners can be found at digitalmedia.ie
- ends -
For further information, interviews with winners or to receive imagery from the awards, please contact; Niamh McDermott, Event Manager T: 01 432 2232 or E: niamh@ashville.com
Digital Media Awards 2019 - Winners Captions
Greenscreen & Virtual Production
Greenscreen Studio Munich rental for Virtual Production, Live Streaming, and Film Production. Get a soundproof, pre-lit cyc wall studio with professional lighting, camera rental, and grip equipment. Affordable video studio rental for corporate videos, music videos, interviews, and special effects. Post-production services available! Rent a studio today at LANIZMEDIA.
Link: LANIZMEDIA Greenscreen Studio Munich
a workflow chart describing general content creation process as shared by professional media and hobbyist bloggers alike.
Authentic Learning and Creative Problem Solving: An Online Honors Newsletter Publishing Experience
PST Poster Sessions Track
Tuesday,
3:30
–
5:00
PM
We'll describe our experience as students and teacher-mentors creating and delivering an online honors newsletter as part of HON 308, a junior honors elective to promote the EKU honors program and build community. Students in HON 308 were from diverse majors and backgrounds. We discuss everything from the nuts and bolts to the innovative pedagogy and teamwork elicited by the design and content creation processes. We describe how and what we learned along the way, including: how we learned just enough about Web page editing, image and video preparation, Web services, surveys, writing, and interviewing to deliver an effective online newsletter, and how we leveraged social media to further engage current honors students, draw in prospective honors students and honors alumni.
Presenter
Ron Yoder
Director of Web Communications, Eastern Kentucky University
Ron is the Director of Web Communications at Eastern Kentucky University and has been connected to www.eku.edu since 1997. In previous lives, he has been a curriculum writer at the NASA Classroom of the Future, an education instruction specialist at IBM, a high school math teacher and academic coach, and a youth soccer coach and referee. Ron is bicultural from his formative years in Honduras, has an M.A. in mathematics from the University of South Florida, and additional studies in computer science, French, English, and business at EKU.
This breathtaking panorama captures the essence of Boston's dynamic skyline, showcasing a stunning blend of historic and contemporary architecture. From the iconic Prudential Tower and the soaring Hancock Place to the bustling Seaport District, the city's skyline is a testament to its rich history and vibrant present.
The image showcases the city's diverse architectural styles, from the brick facades of historic buildings to the sleek glass towers of modern skyscrapers. In the foreground, the bustling Seaport District, once a thriving industrial hub, has been transformed into a vibrant waterfront destination. The juxtaposition of old and new is a hallmark of Boston's character, and this image perfectly captures this unique blend.
As you gaze upon this captivating view, you can't help but feel a sense of awe and wonder. The city's skyline is a symbol of its resilience, innovation, and enduring spirit. Whether you're a lifelong resident or a first-time visitor, this image is sure to leave a lasting impression.
Award 5. Best Search Campaign
Pictured Rob Beirne from Wolfgang Digital, Monika Podsadna, Darren Hardiman from DID Electrical and Alan Coleman from Wolfgang Digital winners of the Best Search Campaign sponsored by Energia for “Escaping the Competition Through Invention” at the 2018 Energia Digital Media Awards hosted by Newstalk’s Tom Dunne at the Clayton Hotel, Burlington Road, Dublin on Friday 16th February. Now in their 15th year, the Digital Media Awards are the most prestigious digital awards in Ireland. They recognise creativity and innovation across multiple areas of an ever evolving sector which includes digital content creation, advertising and marketing, mobile media, social networking, app development, web design and development.
A full list of winners can be found at digitalmedia.ie
- ends -
For further information, interviews with winners or to receive imagery from the awards, please contact; Niamh O’Flaherty, Event Manager T: 01 432 2200 or E: niamh.oflaherty@ashvillemediagroup.com
A spell gone bad. Would have liked to do more with the edit, but time to call it a day. Feel that the image I had in mind didn’t come out, but it is a process.
After much procrastination and life getting in the way, my premiere video about what to look for when buying a digital camera in 2020 is finally up! I get asked for camera advice quite a lot and that inspired me to produce some videos helping people with photography related questions about gear, tips, methods etc.. Here’s a little promo! I plan to do more in the near future! So if you or someone you know has an interest, please share with them! Thanks!
030
Fortune Global Tech Forum 2019
Friday, November 8th 2019
Guangzhou, China.
10:45 - 11:05
COMING ATTRACTIONS: THE ENTERTAINMENT AND MEDIA INDUSTRY’S DIGITAL
TRANSFORMATION
The global media and entertainment industry is undergoing tectonic shifts. The advent
of streaming services, digital games, social media, mobile APPs and podcasts has
changed the distribution and business models, and both old and new players are now
trying to evolve to meet consumer demands and expectations. We hear from a panel of
entertainment and media executives on how the digital age is changing content
creation, marketing strategies, monetization and IP protection issues.
Peter Lipka, Co-founder and APAC CEO, Improbable
Yang Jun, CFO and SVP, 37 Interactive Entertainment
Zhou Wei, Founder and Managing Partner, China Creation Ventures
Moderator: Derek Zhang, FORTUNE China
Photographed by Shawn Koh/Fortune
FEEL FREE TO GRAB THIS SHOT AND USE IT, OR CREATE YOUR OWN ARTWORK. THIS IS A REUSE/REMIX CONCEPT. TELL YOUR OWN COMMUNITY IN YOUR OWN WAY. THERE ARE ALREADY TRANSLATIONS TO GERMAN, DUTCH, SPANISH, PORTUGUESE , ITALIAN AND FRENCH POSTED IN THE FLICKR GROUP.
www.flickr.com/groups/willyourwork/
WHAT A FANTASTIC COMMUNITY! JUST REMEMBER: MAY 18 - WILL YOUR WORK
~*~
Dear fellow photographers/machinimators of Second Life/Open Sim:
TRANSLATIONS TO GERMAN, DUTCH, SPANISH, FRENCH, PORTUGUESE and ITALIAN BELOW:
~*~
ENGLISH:
Dear fellow photographers of Second Life:
About two weeks ago, virtual artist Vanfarel Kupfer died. Had he not left copies of most of his work (no trans, no mod) with his virtual girl friend, Native Aeon, his only legacy would be what is currently rezzed today.
Avatars in Second Life devote thousands of hours to creating content, and all that work is LOST when they die. Yes, even if they backed up that work by giving it to an alt. Even if they gave their account password to someone. When you die and unless you have taken appropriate measures, no one, not even Linden Lab, can legally access your work. It is simply lost forever.
I have been in communication with Linden Lab regarding the correct procedure for "willing" one's artwork - or for that matter, any assets - in SL. Legally, the correct and ONLY procedure boils down to this: support.secondlife.com/ics/support/default.asp?deptID=441...
In a nutshell, I propose that we establish one day a year, May 18, to encouraging content creators to "Will your Work."
The goal would be to celebrate Van's art while at the same time encouraging people to either give copies of their work to one or more avatars (not their alts) whom they trust, or add them to their Real Life will.
Also on May 18 and for one week, and working with his beloved Native Aeon, Vanfarel Kupfer's work will be exhibited at four locations: his former home sim, EnLuminaria, the Crescent Moon Gallery, the Blackwater Gallery, and Chakryn Forest. Understandably, Native is still very much in mourning over her loss, and when I asked her how I could help, she stated that her greatest wish is that Vanfarel's work become known throughout the grid. So be it.
I am asking all my fellow bloggers, photographers, community leaders and more to join me in writing about and promoting May 18th - on Monday, May 18th - as Will your Work day, to generate awareness of this important objective. If you speak more than one language, please help us to get this message out to your fellow residents in their native language. Won't you please help?
Feel free to create your own artwork. Help us to get the word out with your powerful images.
Here's to enduring great virtual content!
Bettina
~*~
GERMAN (Thank you, Lano Ling!)
Liebe Fotografen-Kollegen von Second Life,
Vor mehr als zwei Wochen starb der virtuelle Künstler Vanfarel Kupfer. Wenn er nicht Kopien seiner Arbeit (no trans, no mod) seiner virtuellen Freundin Native Aeon gegeben hätte, wäre seine einzige Hinterlassenschaft nur das gewesen, was zur Zeit gerade gerezzt ist.
Avatare in Second Life widmen Tausende von Stunden der Kreation von Inhalten und all ihre Arbeit ist VERLOREN, sobald sie sterben. Sogar dann, wenn sie ihr Werk zur Sicherung einem Alt gegeben haben. Und selbst dann, wenn sie ihr Acount Passwort jemand anderem weitergegeben hätten. Wenn du stirbst, kann niemand legal auf deine Arbeiten zugreifen, noch nicht einmal Linden Lab, es sei denn du hast eine eindeutige Nachricht hinterlassen. Dein Werk wird für immer verloren sein.
Ich habe mit Linden Lab darüber gesprochen, was der korrekte Weg ist, jemandes künstlerische Werk oder Besitztümer in SL testamentarisch zu vermachen. Die rechtsgültige, korrekte und EINZIG mögliche Prozedur wird hier in Kürze wiedergegeben:
support.secondlife.com/ics/support/default.asp?deptID=441...
Zusammenfassend schlage ich vor, dass wir einen Tag im Jahr verabreden. den 18. Mai um die Ersteller von Inhalten zu ermutigen, ihr Werk testamentarisch zu vermachen.
Die Zielsetzung wird es sein, Vans Kunst zu feiern und gleichzeitig die Menschen zu ermutigen, Kopien ihrer Werke an andere weiterzugeben denen sie vertrauen (nicht an ihre Alts). Oder ihre Werke in ihrem RL Testament zu vermachen.
Ebenfalls am 18. Mai wird in Zusammenarbeit mit Vans Gelieber Native Aeon für eine Woche Vanfarel Kupfers Werk an vier Orten ausgestellt: Auf seiner früheren Heimat Sim, EnLuminaria, der Crescent Moon Gallery, der Blackwater Gallery und im Chakryn Forest. Verständlicherweise ist Native noch sehr in Trauer über ihren Verlust und als ich sie fragte, wie ich helfen könnte, sagte sie dass es ihr größter Wunsch sei, Vanfarels Werk würde auf dem ganzen Grid bekannt. So soll es sein.
Ich bitte alle meine Blogger Kollegen, Fotografen, Community Leiter und noch mehr mir dabei zu helfen darüber zu schreiben und den 18. Mai bekannt zu machen. Als den Will-your-Work-Day, den Tag des testamentarischen Vermachens deiner Arbeit. Wenn du mehr als eine Sprache sprichst, hilf uns bitte diese Botschaft in der Sprache deiner Landsleute bekannt zu machen. Würdest du uns bitte helfen?
Fühle dich frei, dein eigenes Kunstwerk zu machen. Hilf uns, diese Botschaft durch deine ausdrucksstarken Bilder bekannt zu machen.
Es gibt großartige virtuelle Inhalte zu bewahren.
Bettina
~*~
DUTCH (Thank you, Osiris LeShelle!)
Beste mede fotografen van Second Life :
Ongeveer twee weken geleden stierf de artiest Vanfarel Kupfer. Vanfarel creëerde virtuele kunst, en als hij het grootste deel van zijn werk niet als kopie (met volledige rechten) aan zijn virtuele vriendin Native Aeon had gegeven, dan was alleen hetgeen nu gerezzed is overgebleven.
Avatars in Second Life werken duizenden uren aan content, en al die tijd en inspanning is VERLOREN als ze overlijden. Ook als ze backups gemaakt hebben, of hun werk aan een alt gegeven hebben. Zelfs als ze hun Second Life wachtwoord aan iemand gegeven hebben. Als je sterft kan niemand, zelfs Linden Lab, je werk legaal gebruiken, tenzij je maatregelen genomen hebt. Je werk is eenvoudigweg verloren, voor altijd.
Ik heb contact met Linden Lab over de correcte manier om in SL een legaal "testament" voor je kunst - of eigenlijk alle - creaties te maken. De enige juiste werkwijze komt hierop neer :
support.secondlife.com/ics/support/default.asp?deptID=441...
Samengevat stel ik voor dat we één speciale dag instellen, eens per jaar, op 18 mei, om alle content creators aan te moedigen een testament te maken.
Het doel is om van Van's kunstwerken te genieten en tegelijkertijd mensen aan te moedigen om of kopieën van hun werk aan één of meer andere vertrouwde avatars (geen alts) te geven, of om ze in hun testament in Real Life op te nemen.
Daarnaast is er vanaf 18 mei en voor de duur van 1 week, in samenwerking met zijn geliefde Native Aeon, een tentoonstelling van Vanfarel Kupfer's werk. Zijn kunstwerken zullen op 4 plaatsen te zien zijn : zijn voormalige thuisbasis, EnLuminaria, de Crescent Moon Gallery, de Blackwater Gallery en in Chakryn Forest. Zoals te begrijpen valt is Native nog erg verdrietig over haar verlies, en toen ik haar vroeg hoe ik kon helpen, vertelde ze dat haar grootste wens is
dat Vanfarel's werk in heel het Grid, heel Second Life, bekend wordt.
En zo zal het zijn.
Ik vraag mijn mede bloggers, fotografen, gemeenschapsleiders and meer om zich bij mij aan te sluiten en te schrijven over 18 mei - op maandag 18 mei - , en deze dag te promoten als "Will your Work day" (maak een testament voor je creaties dag). En om meer bekendheid aan dit belangrijke onderwerk te geven. Als je meer dan een taal spreekt, help dan alsjeblieft om deze boodscahp te verspreiden in je moedertaal. Wil je alsjeblieft helpen?
Je bent uitgenodigd om je eigen kunst te creëren. Help ons deze boodschap te verspreiden met je inspirerende foto's!
Lang leve virtuele content die behouden blijft!
Bettina
~*~
SPANISH - Thank you, elros Tuominen!
Estimados fotógrafos del Second Life:
Alrededor de hace dos semanas, el Artista Virtual conocido como Vanfarel Kupfer, murió. Dejó copias de la mayor parte de su trabajo, (no trans, no mod) a su actual pareja, Native Aeon, si no lo hubiera hecho así, su trabajo se reduciría a lo que actualmente pudiera tener posado dentro del Second Life. Los avatares, dentro de este mundo, dedican muchas horas a crear, y todo ese trabajo se PIERDE cuando mueren. Claro, aunque se lo hayan dado a un alter ego. Aunque le hubiesen confiado la contraseña y el nombre de la cuenta a un tercero, nadie, ni siquiera un trabajador del Linden Lab. Tiene el poder legal de acceder a tu trabajo, por lo que simplemente, queda perdido para siempre.
He estado intentando discernir una posible solución junto con el Linden Lab. para acceder a ese trabajo. Legalmente, la ÚNICA y correcta manera de hacerlo es esta:
support.secondlife.com/ics/support/default.asp?deptID=441...
Propongo que un día al año, el 18 de Mayo, se establezca entre los creadores el día “Will your work”. Durante este día mostraríamos el arte de VAnfarel, a la vez que trataríamos de animar a los creadores, para que repartieran sus piezas entre uno o más avatares de su total confianza (nunca sus alter egos).
De la misma manera, y durante una semana, a partir del 18 de Mayo, trabajando junto a su amada Native Aeon, se exhibirá el trabajo de Vanfarel Kupfer en cuatro galerías: en su sim , EnLuminaria, la Crescent Moon Gallery, la Blackwater Gallery y Chakryn Forest.
Naturalmente, Native aún continua con el luto dada la gran pérdida, así que cuando le pregunté cómo podría ayudarla, ella me dijo que le gustaría que el trabajo de Vanfarel fuera conocido a lo largo de todo el Second Life. Así será.
Estoy pidiendo la colaboración de todos los fotógrafos, bloggers y cualquiera que pueda ayudar, para difundir la noticia y promocionar el día 18 de Mayo, Lunes, como el día del Will your Work, yasí llamar la atención sobre un objetivo importante.
Así que si hablas más de un idioma, por favor ayúdanos a extender el mensaje. Crea tu propia obra de arte, ayúdanos a extender el mensaje con tus imágenes. ¡Hagamos inmortales las obras de arte virtuales!
Bettina
~*~
FRENCH (Thank you, me :)
Chers collègues photographes
Il ya environ deux semaines, artiste virtuelle Vanfarel Kupfer est décédé. S'il n'avait pas laissé des copies de la plupart de son travail (pas de transfer, pas de mod) avec sa petite amie virtuelle, Native Aeon, son héritage ne serait ce qui est actuellement rezzed aujourd'hui.
Les avatars de Second Life travail des milliers d'heures à consacrer à la création de contenu, et tout ce travail est perdu quand ils meurent. Oui, même si elles sauvegardées le travail en lui donnant un alt. Même si elles ont donné leur mot de passe à quelqu'un. Quand vous mourez et à moins que vous avez pris les mesures appropriées, personne, pas même Linden Lab, peut légalement accéder à votre travail. Il est tout simplement perdue à jamais.
J’ai été en communication avec Linden Lab en ce qui concerne la procédure à suivre pour donner vos oeuvres légalement au Second Life. La bonne et seule procédure se résume à ceci: support.secondlife.com/ics/support/default.asp?deptID=441... (vous devez inclure dans votre testament légitime.
Je propose que nous établissions un jour par an, Mai 18, pour encourager les créateurs de contenu de Second Life à Incluez votre domaine virtuel dans votre testament : “Will your Work.”
L'objectif serait de célébrer l'art de Van dans le même temps d'encourager les gens à donner, soit des copies de leurs travaux à un ou plusieurs avatars (pas ces alts) qui ils ont confiance, ou de les ajouter à leurs testament dans la vie en real.
Aussi sur Mai 18 et pendant une semaine, et de travailler avec son bien-aimé Native Aeon, les travaux de Vanfarel Kupfer seront exposés sur quatre sim: a son ancien sim, EnLuminaria, le plus ancien muse au Second Life, Crescent Moon, Blackwater Gallery et a Chakryn Forest. Naturellement, Native est encore en deuil de sa perte, et quand je lui ai demandé comment je pouvais l'aider, elle a déclaré que son plus grand souhait est que le travail de Vanfarel devenu connu dans tout Second Life. Ainsi soit-il.
Je demande à tous mes collègues blogueurs, photographes, les dirigeants communautaires et autres à se joindre à moi dans l'écriture et sur la promotion de Mai 18 - le lundi 18 Mai – come “Will your Work” Day, pour générer une prise de conscience de cet important objectif. Si vous parlez plusieurs langues, s'il vous plaît nous aider à faire passer ce message à vos collègues des résidents dans leur langue maternelle. Nous avons versions en anglais, allemand, néerlandais et espagnol déjà. Voulez-vous s'il vous plaît d'aide?
N'hésitez pas à créer vos propres affiches et œuvres d'art sur ce thème. Aidez-nous à passer le mot à vos images puissantes.
Merci,
Bettina
~*~
PORTUGUESE (Thank you, Tonjampae Amat)
Caros companheiros fotógrafos do Second Life:
Há cerca de duas semanas, o artista virtual Vanfarel Kupfer morreu. Se ele não tivesse deixado cópias da maioria do seu trabalho (sem transfer, sem mod) com a sua namorada no metaverso, Native Aeon, o seu único legado seria o que presentemente está carregado na rede.
Os avatares no Second Life dedicam milhares de horas na criação de conteúdos e todo esse trabalho fica PERDIDO quando morrem. Sim, mesmo que tenham feito cópias de segurança desse trabalho para o inventário de um alter. E também mesmo que tenham dado a password da sua conta a uma outra pessoa. Ao morrer, sem que se tenham tomado as medidas necessárias, ninguém, nem mesmo um funcionário da Linden Lab, pode aceder legalmente ao trabalho feito. Fica simplesmente perdido para sempre.
Tenho estado em contacto com a Linden Lab para determinar qual é o procedimento correcto a seguir para que alguém possa deixar o seu trabalho "em testamento" - ou, para esse efeito, qualquer tipo de bens - no Second Life. Legalmente, o correcto e ÚNICO procedimento está sumarizado aqui:
support.secondlife.com/ics/support/default.asp?deptID=441...
Em suma, proponho que criemos um dia por ano, 18 de Maio, para encorajar os criadores de conteúdos a "Will your Work" ["Deixar o Trabalho em Testamento"].
O objectivo será celebrar a arte do Van e em simultâneo encorajar as pessoas a darem cópias do seu trabalho a um ou mais avatares (que não os seus alter) em quem confiem ou então a fazerem-lhe menção no seu testamento na vida real.
Além disto, a 18 de Maio e durante a semana que se segue, em cooperação com a muito por ele amada Native Aeon, o trabalho de Vanfarel Kupfer estará exposto em quatro localizações: no sim que era a sua casa, EnLuminaria, na Crescent Moon Gallery, na Blackwater Gallery e em Chakryn Forest. Como é natural, a Native ainda está em profundo luto pela perda que sofreu, e quando lhe perguntei como é que eu podia ajudar, ela respondeu que o seu maior desejo é que o trabalho de Vanfarel se torne conhecido por toda a rede. Pois assim seja.
Apelo a todos os meus companheiros bloggers, fotógrafos, líderes da comunidade e mais a unirem-se a mim escrevendo e promovendo o dia 18 de Maio - na segunda-feira, 18 de Maio - como dia Will your Work, de forma a tornar as pessoas conscientes deste importante objectivo. Se falas mais do que um idioma, por favor ajuda-nos a fazer chegar esta mensagem aos teus companheiros Residentes na sua língua nativa. Podes ajudar-nos, não é?
E fica à vontade para criares o teu próprio trabalho de arte. Ajuda-nos a passar palavra com as tuas poderosas imagens.
Tornemos duradouras as obras de arte virtual!
Bettina
~*~
ITALIAN - Thank you, Gore Suntzu!
Cari amici bloggers, fotografi, machinimia makers, e cittadini di SL
Circa 3 settimane fa, un artista virtuale Vanfarel Kupfer è morto. Non avendo lasciato copie della maggior parte del suo lavoro (no trans, no mod) alla sua ragazza Native Aeon, la sua unica eredità artistica è quella rezzata oggi in SL.
Gli Avatars in SL dedicano migliaia di ore nella creazione di contenuti e tutto questo lavoro è perso quando muoiono. SI' anche se lo hanno trasferito ad un un alt, anche se hanno dato la propria password a qualcuno.
Quando muori a meno che tu non abbia preso misure appropriate, nessuno nemmeno i LL possono legalmente accedere al tuo lavoro.
E' semplicemente perso per sempre.
Ho chiesto informazioni ai LL rispetto alla corretta procedura per lasciare in testamento a qualcuno i propri lavori in SL.
Dal punto di vista legale l'unica corretta procedura è questa:
support.secondlife.com/ics/support/default.asp?deptID=441...
In Breve. Propongo di stabilire un giorno all'anno, il 18 Maggio, per incoraggiare i creatori di contenuti, gli artisti, a “Will your Work” (lascia il tuo lavoro a qualcuno).
L'obbiettivo dovrebbe essere quello di celebrare l'arte di Vanfarel e al contempo incoraggiare le persone a dare copie dei propri lavori a uno o più persone fidate, o di inserirle nel proprio testamento in RL.
Inoltre a partire dal 18 Maggio per una settimana, lavorando assieme alla sua ragazza Native Aeon. I lavori di Vanfarel saranno esibiti in 4 posti
La sua casa
Crescent Moon Museum
Blackwater Gallery
Chakryn Forest
Comprensibilmente Native è ancora molto addolorata per la perdita e quando le ho chiesto come potevo aiutarla, mi ha detto che il suo desiderio più grande è quello che il lavoro di Vanfarel divenga conosciuto in tutta la grid, facciamolo.
Sto chiedendo a tutti i bloggers, fotografi, leader di comunità a tutti quanti di aderire e scrivere e informare fare promozione rispetto al 18 Maggio come il “Will your Work day” per creare coscienza e conoscenza rispetto a questo importante argomento.
Se parli più lingue, aiutaci a diffondere il messaggio il più possibile.
Sentiti libero di creare la tua opera d'arte sull'argomento, aiutaci a far passare il messaggio con le immagini.
Per far sì che le opere d'arte virtuali divengano immortali!
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In the 2nd half of 2013 Amsterdam’s international renowned design agency Droog asked the Beambrothers to help design a holographic Christmas tree for the atrium at the renewed Rijksmuseum in Amsterdam. Together with Anne-Mari Ahola from Ahola Production Desing (concept & design canvas), Maurits Engelen from Eyris.nl (content creation and animation) and Maarten ten Holt & Michel Taanman from Van Dik Hout decors (canvas construction and scale modelling) we developed a canvas from 33 holographic plates measuring a total of 6 x 7,5 meters.
"Behind every picture-perfect post lies a creator sitting in silence, battling the weight of constant content creation. In the hustle to share vibrant stories, the loneliness of reality remains hidden, with pressure building day by day. No one talks about the anxiety, the burnout, the hollow feeling of chasing likes and views..Balance your mental health, and don't let the online world steal your peace. Prioritize yourself, not the algorithm
NEW YORK, NY - SEPTEMBER 29: Margo Georgiadis attends the Brands and the Art of Content Creation panel on September 29, 2014 in New York City. (Photo by Monica Schipper/Getty Images for AWXI)
Last year, some of the most unique and creative female voices currently on YouTube came together for an open and honest discussion of the strengths and weaknesses of being a female creator online. This year we will once again discuss the unique issues women creating online face and put forward possible solutions to encourage women to engage in content creation and what is improved or not improved since last year.
Justine Ezarik (iJustine)
Grace Helbig (Daily Grace)
Milana Vayntrub (Live Prude Girls)
Stevie Nelson (Live Prude Girls)
Mamrie Hart (You Deserve a Drink)
Moderator: Jenni Powell
MediaCityUK, the new home for the BBC, ITV, Coronation Street, SIS and the University of Salford. Their vision is for MediaCityUK to become a global hub for innovation and content creation.
Located at Salford Quays on the banks of Manchester's historic ship canal, MediaCityUK has been developed by The Peel Group.
The bespoke community features a wide range of commercial office space, one of the biggest HD studio developments in Europe; 378 apartments, a hotel and a brand new tram stop in the heart of a spectacular five-acre piazza.
Check out my Media City UK set.
Chris Morton is the CEO and cofounder of Lyst, a leading social commerce platform for fashion used by millions of people in 180 countries around the world.
Shauna Mei is an MIT Engineer turned commerce & media industry expert and the founder and CEO of AHAlife.com. Launched in September 2010, AHAlife.com is the online discovery shopping destination for unique luxury lifestyle products.
Olivia Gossett, founder of ILWYW.com (I Like What You’re Wearing) is a Fashion Industry prodigy, who became an expert in the business earlier than most. Raised by the owner of a multi-label clothing brand in New York, she worked in merchandising and showrooms since her mid-teens, and gained a deep understand of content creation working as a Fashion photographer and copywriter. At 22 she founded I Like What You’re Wearing Inc., a startup that curates top rising fashion designers and turns their pieces into high-quality content that visitors can both share and shop.
Diego Berdakin is the President of BeachMint, the Santa Monica based social commerce
company he co-founded in July 2010 with Josh Berman. Backed by New Enterprise Associates,
Trinity Ventures, Accel, Anthem, Scale & Goldman Sachs, BeachMint operates four direct to consumer sites that each offer exclusive product designed and curated by a celebrity and a style expert through a subscription shopping model.
Carl Fritjofsson is co-founder and COO of Wrapp, a social gifting service providing free and paid digital gift cards. Wrapp is the first company in the world turning gifting into a social networking experience. Board of directors include Skype founder Niklas Zennstrom and LinkedIn founder Reid Hoffman. Previously, Carl worked with Nordic venture capital firm Creandum. Carl has also worked with AdProfit and numerous other firms.
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Chris Morton is the CEO and cofounder of Lyst, a leading social commerce platform for fashion used by millions of people in 180 countries around the world.
Shauna Mei is an MIT Engineer turned commerce & media industry expert and the founder and CEO of AHAlife.com. Launched in September 2010, AHAlife.com is the online discovery shopping destination for unique luxury lifestyle products.
Olivia Gossett, founder of ILWYW.com (I Like What You’re Wearing) is a Fashion Industry prodigy, who became an expert in the business earlier than most. Raised by the owner of a multi-label clothing brand in New York, she worked in merchandising and showrooms since her mid-teens, and gained a deep understand of content creation working as a Fashion photographer and copywriter. At 22 she founded I Like What You’re Wearing Inc., a startup that curates top rising fashion designers and turns their pieces into high-quality content that visitors can both share and shop.
Diego Berdakin is the President of BeachMint, the Santa Monica based social commerce
company he co-founded in July 2010 with Josh Berman. Backed by New Enterprise Associates,
Trinity Ventures, Accel, Anthem, Scale & Goldman Sachs, BeachMint operates four direct to consumer sites that each offer exclusive product designed and curated by a celebrity and a style expert through a subscription shopping model.
Carl Fritjofsson is co-founder and COO of Wrapp, a social gifting service providing free and paid digital gift cards. Wrapp is the first company in the world turning gifting into a social networking experience. Board of directors include Skype founder Niklas Zennstrom and LinkedIn founder Reid Hoffman. Previously, Carl worked with Nordic venture capital firm Creandum. Carl has also worked with AdProfit and numerous other firms.
Chris Morton is the CEO and cofounder of Lyst, a leading social commerce platform for fashion used by millions of people in 180 countries around the world.
Shauna Mei is an MIT Engineer turned commerce & media industry expert and the founder and CEO of AHAlife.com. Launched in September 2010, AHAlife.com is the online discovery shopping destination for unique luxury lifestyle products.
Olivia Gossett, founder of ILWYW.com (I Like What You’re Wearing) is a Fashion Industry prodigy, who became an expert in the business earlier than most. Raised by the owner of a multi-label clothing brand in New York, she worked in merchandising and showrooms since her mid-teens, and gained a deep understand of content creation working as a Fashion photographer and copywriter. At 22 she founded I Like What You’re Wearing Inc., a startup that curates top rising fashion designers and turns their pieces into high-quality content that visitors can both share and shop.
Diego Berdakin is the President of BeachMint, the Santa Monica based social commerce
company he co-founded in July 2010 with Josh Berman. Backed by New Enterprise Associates,
Trinity Ventures, Accel, Anthem, Scale & Goldman Sachs, BeachMint operates four direct to consumer sites that each offer exclusive product designed and curated by a celebrity and a style expert through a subscription shopping model.
Carl Fritjofsson is co-founder and COO of Wrapp, a social gifting service providing free and paid digital gift cards. Wrapp is the first company in the world turning gifting into a social networking experience. Board of directors include Skype founder Niklas Zennstrom and LinkedIn founder Reid Hoffman. Previously, Carl worked with Nordic venture capital firm Creandum. Carl has also worked with AdProfit and numerous other firms.
Photo showing Art Historian Jelena Jovanovic presenting Magister Raffaello 2020 in Deep Space 8K.
Designed and produced to celebrate the 500th anniversary of Raphael’s death (1483 – 1520), one of the greatest artists of the Renaissance, Magister Raffaello is a new cultural project by Magister Art, digital innovators in cultural heritage content creation, production and promotion.Responding to challenges of digital transformation and social innovation, Magister Raffaello explores the potential of new technologies, combining the high scientific value with the constant experimentation of new languages and media, to create an ‘augmented narration’ and a ‘total’ cognitive experience, aiming to accessibility of knowledge and the inclusiveness of widest ranges of audiences.
Magister Raffaello is supported by the Italian Foreign Ministry and presented in cooperation with the Italian Cultural Institute in Vienna.
Find out more here: ars.electronica.art/keplersgardens/en/magister-raffaello-...
Credit: vog.photo
Sidebar on GSFC production from Digital Content Producer
(Sept, 2007)
digitalcontentproducer.com/hdhdv/depth/video_horizon/inde...
Visual Science Storytelling
Wade Sisler is the executive television producer at Goddard Space Flight Center in Maryland, and he has also worked at NASA HQ and the Ames Research Center in California. Trained in journalism at Baylor University and Scientific and Technical Still Photography at the Rochester Institute of Technology, he began working at NASA Ames in the mid ‘80s while finishing up his degree at RIT, and he says he never looked back. These days, Sisler is heavily involved in what he calls “Visual Science Storytelling.”
Sisler and other NASA Center employees around the nation use the discipline of television and video graphics to tell the story of projects, research, and missions created and managed by their particular center. The video, animation, and multimedia products they produce are for a variety of audiences both public and internally within the agency, and some of this content is also broadcast on NASA TV.
DCP: What brought you to NASA, and can you tell me a little about the background of video production at Goddard?
Sisler: For me, NASA was a great place because every time you turned over a rock, a mind-blowing story and often wonderful visual opportunity would crawl out. I liked that there were many new challenges and that many of the things I was to document had never been captured before. By the late ‘80s, I was dabbling in emerging multimedia, digital photography, and video, and while I hated the quality of the video image, I loved being able to go deeper into a story. Eventually, painfully, I made the shift to video and television just as the tools became affordable to small groups like the one we had at Ames. We felt lucky to be shooting on 3/4in. tape and were thrilled to eventually upgrade to Beta and then BetacamSP.
I transferred to NASA HQ in 1994 and then came to Goddard in 1997. At HQ, I worked on the IMAX films Mission to Mir and [Space Station 3D], and I also worked on projects with NASA TV.
How is Goddard different when it comes to the kinds of things you document with video?
When I came to Goddard, I found my true niche in scientific storytelling. Working here is a curious person's dream come true. The 9,000-plus scientists and engineers are literally changing the way humans see the universe and changing world we live in. NASA science provides insights into some of the most pressing problems and biggest questions of the day. Communicating the results of our missions is now woven into the DNA of our agency, and I think our team feels lucky to be working with an organization so passionate about sharing their story with the widest possible audience.
What are the main aspects of what you do?
There are really four main areas of challenge:
Visual science storytelling — translating complex stories with pictures, sound, and video
Creating or capturing absolutely compelling core content
Making that content widely available in multiple formats and multiple distribution channels
Doing all of the above very efficiently.
You've seen a lot of changes in the visual tools you use.
Sure. These days, the quality of the image is not an issue, of course. We now have end-to-end HD and shoot on Panasonic P2 and Varicam. A great deal of our work these days involves working with and directing animation and data visualization. Most of our important images are no longer shot with cameras, but are captured by satellites or are rendered in our visualizers' minds.
Interesting. And how do you share that content?
The biggest challenge we see is the fragmentation of the production/media world. We consider our customers to be a continuous spectrum of traditional print and broadcast media, web media portals, educators and students, museums, scientists, stakeholders — and, of course, the general public. The user community is fragmenting as the new media world carves up distribution channels into narrower and narrower slices. This fragmentation means that there are many more users creating many more products with our core content.
Can you describe the process of distribution?
Let's say we're producing material to illustrate the NASA mission objectives of a new kind of climate-observing satellite. Our work plan would usually call for creation of an animation illustrating the satellite at work. We would show it in action and illustrate how it works. We might also create contextual animation to help folks visualize the science behind the mission. Our producer will make sure to capture a few signature sequences that define a project.
These days, momentum has shifted to creating two- to three-minute reporter packages that can be used on places like NASA TV, web portals, and distributed via iTunes. The second part of our strategy is actively producing resource collections, which can be obtained via our fulfillment house or, increasingly, directly via online download.
Has HD and Internet streaming made inroads at Goddard?
HD has more than made inroads. Everything is HD. Even satellites are beginning to deliver HD. We've been shooting almost all HD for the past two years. It has been a little reach, but because we have such a high rate of reusing previous footage, it's been worth it. When the Solar Dynamics Observatory is launched next year, it will be sending down an HD image of the sun every second. Here comes the sun! We'll see all of the incoming space weather as never before. As far as web streaming goes, the new NASA portal will stream content and allow users to pull it down on demand. To get the uncompressed satellite footage and animations, producers will still need to go to the home centers like Goddard and JPL.
Can you tell me anything about Goddard’s work with stereo video?
We are working stereo video, but not with traditional cameras, for the most part. We do some work with the stereo pair of solar observatories. They produce essentially right-left eye images and we conducted our first press conference using the 3D images last April.
When NASA TV wants/needs programming from Goddard, is the footage sent via the WAN or via tape or hard drive, or another way?
We can send it via the WAN or directly via fiber. Goddard, like HQ and some of the other centers, is very connected to the various backbones. We conduct interviews with the networks and cable news outlet directly via the Bell Atlantic AVOC [a dedicated satellite two-way feed].
What can you tell me about the Scientific Visualization Studio at NASA’s Goddard Space Flight Center?
The Scientific Visualization Studio [SVS] turns raw satellite data into images. But this is much more than translating numbers to pixels. Frequently, these folks combine data from many satellites and sensors into a single comprehensive story. The mission of the SVS is to facilitate scientific inquiry and outreach within NASA programs through visualization. All the visualizations created by the SVS [currently totaling more than 2,700] are accessible to everyone through the website. More recent animations are provided as MPEG-1s and MPEG-2s. Some animations are available in high definition as well as standard NTSC format. Where possible, the original digital images used to make these animations have also been made accessible. Lastly, high- and low-resolution stills, created from the visualizations, are included, with previews for selective downloading [see svs.gsfc.nasa.gov].
Eric de Jong at NASA’s Jet Propulsion Lab is probably the unofficial leader on 3D within the agency. He has done quite a bit of 3D camera data viz work. Visit him at science.jpl.nasa.gov/people/deJong.
If there was one thing you’d like to share about digital multimedia content creation at Goddard, what would it be?
Our goal, and our mini slogan: One message, in many formats, through many channels, for many users!
—T.P.M
Chris Morton is the CEO and cofounder of Lyst, a leading social commerce platform for fashion used by millions of people in 180 countries around the world.
Shauna Mei is an MIT Engineer turned commerce & media industry expert and the founder and CEO of AHAlife.com. Launched in September 2010, AHAlife.com is the online discovery shopping destination for unique luxury lifestyle products.
Olivia Gossett, founder of ILWYW.com (I Like What You’re Wearing) is a Fashion Industry prodigy, who became an expert in the business earlier than most. Raised by the owner of a multi-label clothing brand in New York, she worked in merchandising and showrooms since her mid-teens, and gained a deep understand of content creation working as a Fashion photographer and copywriter. At 22 she founded I Like What You’re Wearing Inc., a startup that curates top rising fashion designers and turns their pieces into high-quality content that visitors can both share and shop.
Diego Berdakin is the President of BeachMint, the Santa Monica based social commerce
company he co-founded in July 2010 with Josh Berman. Backed by New Enterprise Associates,
Trinity Ventures, Accel, Anthem, Scale & Goldman Sachs, BeachMint operates four direct to consumer sites that each offer exclusive product designed and curated by a celebrity and a style expert through a subscription shopping model.
Carl Fritjofsson is co-founder and COO of Wrapp, a social gifting service providing free and paid digital gift cards. Wrapp is the first company in the world turning gifting into a social networking experience. Board of directors include Skype founder Niklas Zennstrom and LinkedIn founder Reid Hoffman. Previously, Carl worked with Nordic venture capital firm Creandum. Carl has also worked with AdProfit and numerous other firms.
Photo 2 in Story Series of 4
Kelly and his 3 1/2 year old daughter Glenda were playing and he appeared to give her a "zerbits."
Western Lowland Gorillas
Campo Gorilla Reserve
Los Angeles Zoo
11/22/08
Kingdom: Animalia
Phylum: Chordata
Subphylum: Vertebrata
Class: Mammalia
Order: Primates
Suborder: Haplorrhini
Family: Hominidae
Genus: Gorilla
Species: Gorilla gorilla
ARTICLES ABOUT GLENDA ON THE WEB:
Los Angeles Zoo Gorilla Bios:
www.lazoo.org/gorillas/biographies.html
My Intro to Kelly:
mickipatthelazoo.blogspot.com/2009/02/micki-ps-la-zoo-fun...
A Pic of Glenda While a Baby at Denver Zoo:
www.flickr.com/photos/73441567@N00/788206429/in/set-72157...
Gorillas Bound for New Digs:
www.denverpost.com/headlines/ci_6754058
Gorillas in New Exhibit:
articles.latimes.com/2007/nov/08/local/me-gorilla8
Campo Gorilla Reserve Opens:
www.about-losangelesca.com/category/la-zoo/
National Geographic Pic of Rapunzel and Glenda:
news.nationalgeographic.com/news/2008/08/photogalleries/a...
A young girls plays with Glenda:
www.flickr.com/photos/elynndesign/3101410653/in/photostre...
A Cute Pic of Glenda:
www.latimes.com/news/local/la-me-gorillas-pg,0,2290407.ph...
ARTICLES ABOUT KELLY ON THE WEB:
Los Angeles Zoo Gorilla Bios:
www.lazoo.org/gorillas/biographies.html
Gorillas Bound for New Digs:
www.denverpost.com/headlines/ci_6754058
Gorillas in New Exhibit:
articles.latimes.com/2007/nov/08/local/me-gorilla8
Campo Gorilla Reserve Opens:
www.about-losangelesca.com/category/la-zoo/
When Kelly Turned 20 at Denver Zoo:
www.rockymountainnews.com/drmn/local/article/0,1299,DRMN_...
A Funny Pic of Kelly:
Studioflächen zur Miete bei Lanizmedia GMBH – mit kompletter Infrastruktur für Foto, Video, Events & Livestreams. Details auf www.lanizmedia.com
Culture Japan is currently in its first season and is being broadcast on Tokyo MX TV in Japan every week. Even though we have only broadcast 3 out of the 13 episodes, the show seems to have gained popularity in Japan and looks like we already have sponsors for a second season. But I'll be taking a short break before Season 2 or each show would be broadcast from my coffin ^^;
Pretty much all of my time right now is spent either filming, editing or preparing for the show. Preparation includes everything from the filming equipment (camera, sound, lighting, tripods) to things like working with the makers/shops/locations/event PR folks to organize the shoot.
Most of the Japanese TV industry uses Final Cut Pro which I managed to get the hang of though the very late nights working on the show - I had no idea what I was letting myself in for ^^;
After editing all the footage, we send the audio tracks to the folks who does whats known in the industry as "MA" or Multi Audio. They add any sound effects needed and also makes sure that narration and background music is balanced out. This process is also known as "Sei-on" [整音].
At the same time, the translator is working on the English/Japanese subtitles which are then read into Final Cut Pro using XML - this then creates a sequence with all the subs placed at the correct times - we used to do this manually!
Once the subs and final audio track is complete, we render the final video in full HD which ends up being about 50GB. This is then taken to a studio which records the show on tape. The tape is then taken to Tokyo MX TV for the final process called "Nouhin" [納品] which means "delivery of goods."
Learned how to use tools such as Photoshop, Fireworks and Illustrator over the years which have become handy as these are used in TV production a lot too. If you are interested in working in Japan in the content creation field then do consider adding Final Cut editing skills under your belt too as there is much demand for this skill set. But don't forget that you need Japanese language ability too.
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View more at www.dannychoo.com/post/en/25851/Japan+TV+Production.html
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Danneels SBA represents major brands like Fendt, Cat, Iseki, McHale, Trioliet, Pottinger, Franquet, Claas, Kuhn, and more. They have showrooms and warehouses in Beaumont, Mettet, and Marche-Lez-Ecaussines, Belgium.
Danneels SBA website: www.danneels-sba.be/fr
Facebook: www.facebook.com/Danneels.sba
Note: To use high-resolution images, contact info@benheine.com. The images in this collection are compressed and protected by copyright!
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