View allAll Photos Tagged constructivism
Photo of the permutation series. Title is "permutation 040" from monochromeandminimal by project:pietern. Size of the sculpture is 29 x 29 x 2,5cm
Love - Family - Return
Tempera on canvas
Fedir Krychevskyi (Krychevsky) | Fedir Krytschewskyj | Федір Кричевський (1879 - 1947)
National Art Museum of Ukraine, Kyiv
Currently in the exhibition "In the Eye of the Storm. Modernism in Ukraine" in the Lower Belvedere in Vienna
"This comprehensive exhibition is the first presentation outside Ukraine to explore the development of modern art in the cultural centers of Kyiv, Lviv and Kharkiv during the first half of the 20th century. Modernism in Ukraine is revealed to be both international and avant-garde. From Jugendstil to Constructivism, the exhibition tells the tempestuous and fascinating history of cultural identity in Ukraine." www.belvedere.at/en/eye-storm
"Construcción Vacía", Donostia, Guipúzcoa, España.
Pese a que esta obra del escultor vasco Jorge Oteiza (1908 – 2003) se conoce simplemente como Construcción Vacía, tiene un nombre original mucho más largo: Construcción vacía con cuatro unidades negativo – positivo. Un título muy propio de la corriente artística en la que podríamos enmarcar la obra: el constructivismo. Si bien por sus líneas simples y la economía de medios en su forma, también tiene mucho del miniamilismo.
El caso es que esta enorme escultura que alcanza los 6 metros de altura y que está realizada en acero corten fue adquirida por el Ayuntamiento de San Sebastián en 2002 para ser colocada en el Paseo Nuevo que recorre toda la zona de la Playa de la Concha. Pero la obra es fruto de un trabajo mucho anterior. Concretamente de la propuesta que hizo Oteiza en el año 1957 para la Bienal de Arte de Sao Paulo, Brasil.
Sin embargo, varias décadas después se instaló aquí, en la ciudad donde un año después moriría el escultor guipuzcoano. Y precisamente en el otro extremo del Paseo Nuevo haciendo contraste con la obra El Peine de los Vientos de Eduardo Chillida, ubicada en la otra punta de la bahía de San Sebastián. De alguna forma, era el modo de que la ciudad rinda tributo a los que están considerados como los escultores vascos más prestigiosos del siglo XX. Los cuales por cierto también coincideron mucho tiempo antes trabajando en el emblemáticos Santuario de Arantzazu.
Esta obra plasma algunos de los planteamientos artísticos que convirtieron a Oteiza en uno de los creadores más revolucionarios de su tiempo. Siendo un referente para muchos escultores. Si bien es cierto que no se trata de un artista fácil para el gran público, dado que plantea a veces conceptos demasiados complejos y densos.
Esos conceptos a veces, para la gran mayoría no son muy reconocibles en sus obras. Y para terminar de comprenderlos hay que recurrir a los muchos escritos que nos dejó con sus reflexiones artísticas y filosóficas. Por ejemplo respecto a sus conclusiones sobre este concepto de construcción vacía escribió: «Todos quieren decir algo por ocupación, yo quiero no decir nada, dejar la huella del vacío, de esto que uno no debe decir. Siempre pasa nada solamente una desocupación pasa y algo ha ocupado un sitio vacío».
Ciertamente no es muy fácil de comprender, pero lo que es indudable que las obras que Oteiza hizo en los años 50 han tenido una enorme repercusión en la escultura de vanguardia y actual. Tanto en lo referente a la forma como en cuanto al proceso creativo, ya que lo más destacado de su legado, es que con él se comenzaron a realizar las series escultóricas concebidas no desde la forma, sino partiendo de una idea totalmente abstracta.
Although this work by the Basque sculptor Jorge Oteiza (1908 - 2003) is simply known as Empty Construction, it has a much longer original name: Empty construction with four negative - positive units. A title very typical of the artistic current in which we could frame the work: constructivism. Although for its simple lines and the economy of means in its form, it also has a lot of minileness.
The fact is that this huge sculpture that reaches 6 meters high and is made of steel corten was acquired by the City of San Sebastian in 2002 to be placed on the New Promenade that runs through the area of Playa de la Concha. But the work is the result of much earlier work. Specifically of the proposal made by Oteiza in 1957 for the Art Biennial of Sao Paulo, Brazil.
However, several decades later he settled here, in the city where a year later the Guipuzcoan sculptor would die. And precisely at the other end of the Paseo Nuevo, contrasting with the work El Peine de los Vientos by Eduardo Chillida, located on the other side of the San Sebastián Bay. In a way, it was the way that the city paid tribute to those who are considered the most prestigious Basque sculptors of the 20th century. Which by the way also coincided a long time before working in the emblematic Sanctuary of Arantzazu.
This work captures some of the artistic approaches that made Oteiza one of the most revolutionary creators of his time. Being a reference for many sculptors. While it is true that it is not an easy artist for the general public, given that sometimes poses concepts too complex and dense.
These concepts sometimes, for the great majority are not very recognizable in their works. And to finish understanding them we must resort to the many writings that he left us with his artistic and philosophical reflections. For example, regarding his conclusions about this empty construction concept, he wrote: "Everyone wants to say something for occupation, I want to say nothing, to leave the trace of emptiness, of this that one should not say. It always happens nothing but an unemployment happens and something has occupied an empty place ».
It is certainly not very easy to understand, but what is certain is that the works that Oteiza did in the 50s have had a huge impact on avant-garde and current sculpture. Both in terms of the form and the creative process, since the highlight of his legacy, is that he began to make sculptural series conceived not from the form, but starting from a totally abstract idea.
Die „Königliche Villa“ Schloss Linderhof in der oberbayerischen Gemeinde Ettal im südlichen Bayern ist ein Schloss des bayrischen Königs Ludwig II.. Es wurde in mehreren Bauabschnitten von 1869 bis 1886 errichtet. Schloss Linderhof ist das kleinste der drei Schlösser Ludwigs II. und das einzige, das noch zu seinen Lebzeiten vollendet wurde. Linderhof gilt als das Lieblingsschloss des „Märchenkönigs“, in dem er sich mit großem Abstand am häufigsten aufhielt. Das Schloss und die Gartenanlagen sind für Besucher zugänglich. 2009 kamen 451.000 Besucher. (Wikipedia)
Linderhof Palace is in Germany, in southwest Bavaria near Ettal Abbey. It is the smallest of the three palaces built by King Ludwig II of Bavaria and the only one which he lived to see completed.
I appreciate your visits, faves, constructive comments and invites! Thank you!
Stedelijk Museum Amsterdam presents Edward Krasiński (1925-2004), a leading figure in the Polish avant-garde of the 1960s and 1970s. A really surprising and great exhibition.
More Edward Krasiński at
Das Vergissmeinnicht ist ein Symbol für zärtliche Erinnerung sowie für Abschied in Liebe. Das Vergissmeinnicht trägt in vielen Sprachen einen Namen mit der gleichen Bedeutung.[17] Oftmals gehören entsprechende Legenden dazu. (Quelle Wikipedia)
comments and constructive criticism always welcome.
Photo of the permutation series. Title is "permutation 042" from monochromeandminimal by project:pietern. Size of the sculpture is 29 x 29 x 2,5 cm
Reposting some older work. In order to go forward it sometimes helps to look back. (Found on back of cereal box)
Namibia, Namib Wüste, Namib-Naukluft-Park
Any constructive comments on my photos are welcome.
© All rights reserved. Use without permission is illegal
Die Namib ist mit einem Alter von rund 80 Millionen Jahren die älteste Wüste der Welt und zugleich einer der unwirtlichsten Orte des Planeten. Bei Tagestemperaturen deutlich über 50 °C, Nachttemperaturen von unter 0 °C, jahrzehntelang andauernden Trockenperioden sowie häufigen Sandstürmen sind Pflanzen und Tiere extremen Lebensbedingungen ausgesetzt.
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’sᴛʀᴇᴇᴛs ᴏғ ᴋʜᴀʀᴋɪᴠ’ sᴇʀɪᴇs🇺🇦
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Kharkiv Region State Administration
(Sums’ka Street/Freedom Square)
Харківська Обласна Державна Адміністрація
(вул. Сумська/площа Свободи)
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•ᴵᴾᴴᴼᴺᴱ 7+
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•ᴴᴵᴾˢᵀᴬᴹᴬᵀᴵᶜ
/ᴸᴱᴺˢ: Scott S | ᶠᴵᴸᴹ: BlacKeys IR | ᶠᴸᴬˢᴴ: Triple Crown/, ᴬᴰᴶᵁˢᵀᴹᴱᴺᵀˢ
•ᴹᴱˣᵀᵁᴿᴱˢ (NKCRQSR)
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Dezember 2019
Zusammen mit Oscar Wild(e) wünschen wir allen unseren Flickr Freunden wunderschöne Weihnachten! Vielen Dank für eure freundlichen und konstruktiven Kommentare. Wir freuen uns schon aufs nächste Jahr mit euch!!! -
Togehter with Oscar Wild(e) we wish to all our flickr friends a wonderful Christmas time! Thank you so much for all your friendly and constructive comments. We are already looking forward to next year!
Flying Fish, detail 2 of 2 - see profile for whole image. . Some more pictures from the Into The Deep group of my Artibles series. Available as a beautiful ready-to-hang aluminum print, please dm me for prices. . #artibles #intothedeep #artforsale #artprint #seacreature #constructivism #abstractart #modernart #kineticart #opart #art #artprints #artoftheday #reaytohang #contemporaryart #abstraction #abstractart #interiordesign #decor #digitalart #fineart #geometric #geometricart #color #nycart #petersealystudio #nycartist
Moika River. Moika River Embankment. Left in the distance is the dome of St. Isaac’s Cathedral. To the right is Pochtamtsky Bridge across the Moika River and the Palace of Culture of Communication Workers (former German Reformed Church, in the 1930s the building was completely rebuilt in the style of constructivism for the House of Culture). St. Petersburg. Russia
Река Мойка. Набережная Реки Мойки. Слева вдалеке - купол Исаакиевского собора. Справа - Почтамтский мост через реку Мойку и Дворец культуры работников связи (бывшая немецкая реформатская церковь, в 1930-х годах полностью перестроенная в стиле конструктивизма под Дом культуры). Санкт-Петербург. 16 июня 2019 года.
Guckloch in einem Parkhaus, Das Loch hat meiner Meinung keinen praktischen Nutzen sondern ist einfach nur da, damit es fotografiert wird.
comments and constructive criticism always welcome.
There is nothing quite like going up to the rooftop terrace of the Metropolitan Museum of Art in the Summer. It's like being at a giant party where you don't necessarily know many of the guests but you're there and happy to be.
With a stunning view over the trees of Central Park and the tops of the premium apartment buildings of 5th Avenue poking their heads over the trees to the left, the southern border of the Park giving way to the massive structures of Midtown Manhattan and the silhouetted signature apartments on the Upper West Side completing the wrap around. It's a stunning view and especially so in the evening.
A signature and restful spot. An island in an ocean of trees with the 'mountains' of the city to the south. Again, very special thanks to Robin Thomson of New York, who made the trip and all of the "Manhattan" pictures possible.
The photographer shows up 5 times in this image. Can you spot him?
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Music Link: "Deep Blue Day" - Brian Eno, from his album "Apollo: Atmospheres & Soundtracks".
www.youtube.com/watch?v=Htkfn7YkoIg
Zoom in !!!
© Richard S Warner ( Visionheart ) - 2015. All Rights Reserved. This image is not for use in any form without explicit, express, written permission.
Different configurations of collected steel sculptural forms. Two being magnetic allowing for reconfiguration at the whim of the owner/curator. The diameter of the round base is about 200mm.
Purchase DVD here: constructivedestruction.bigcartel.com/product/constructiv...
CONSTRUCTIVE DESTRUCTION VOLUME 4 TRAILER
WWW.CONSTRUCTIVEDESTRUCTIONDVD.COM
DVD running time is 1 hour 41 Minutes
Action Footage From:
Aken, Baer, Coaltrain, Emer, Hbak, Hindue, Mynas, Omex, Paydirt, Searius, Stel, Thanks, Wyze, Zombies Crew/Zee Crew + Others
Featured Benchers/Interviews:
Harsh Truth of the Camera Eye, True 2 Death
Bench Footage:
Tane - Nodcraft.com
The Savage Land
FEATURING MUSIC BY:
LANGUAGE ARTS CREW
MEGABUSIVE
OPSKI CHAN
STUDIO GANG
TOPR
+ OTHERS
Watch this video on Vimeo. Video created by CONSTRUCTIVE DESTRUCTION.