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Shuhada' Sadaqat[8][a] (born Sinéad Marie Bernadette O'Connor; 8 December 1966 – July 2023), known professionally as Sinéad O'Connor,[9][b] was an Irish singer, songwriter and political activist. Her debut studio album, The Lion and the Cobra, was released in 1987 and charted internationally. Her second studio album, I Do Not Want What I Haven't Got (1990), became her biggest success, selling over seven million copies worldwide.[11] Its lead single, "Nothing Compares 2 U", was named the number-one world single in 1990 by the Billboard Music Awards.[12]
O'Connor released ten studio albums. Am I Not Your Girl? (1992) and Universal Mother (1994) were certified gold in the UK,[13] Faith and Courage (2000) was certified gold in Australia,[14] and Throw Down Your Arms (2005) went gold in Ireland.[15] Her work included songs for films, collaborations with many other artists, and appearances at charity fundraising concerts. Her 2021 memoir Rememberings was a bestseller.[16]
In 1999, O'Connor was ordained as a priest by the Irish Orthodox Catholic and Apostolic Church, an Independent Catholic sect that is not recognised by the Roman Catholic Church.[17] She consistently spoke out on issues related to child abuse (including her 1992 Saturday Night Live protest against the continued cover-up of Catholic Church sexual abuse cases), human rights, racism, organised religion, and women's rights. Throughout her music career, she spoke about her spiritual journey, activism, socio-political views, as well as her trauma and mental health struggles. In 2017, O'Connor changed her name to Magda Davitt. After converting to Islam in 2018 she changed it to Shuhada' Sadaqat,[2][8][18] but continued to record and perform under her birth name.[
O'Connor was born Sinéad Marie Bernadette O'Connor[20] in the Cascia House Nursing Home at 13 Pembroke Road, Dublin, on 8 December 1966.[2] She was named Sinéad after Sinéad de Valera, the mother of the doctor presiding over the delivery, Éamon de Valera, Jnr., and Bernadette in honour of Saint Bernadette of Lourdes.[21][22] She was the third of five children;[23] her siblings are novelist Joseph,[24] Eimear,[25] John,[26] and Eoin.[27]
Her parents are John Oliver "Seán" O'Connor, a structural engineer later turned barrister[23] and chairperson of the Divorce Action Group,[28] and Johanna Marie O'Grady (1939–1985), who married in the Church of Our Lady of Good Counsel, Drimnagh, Dublin, in 1960. She attended Dominican College Sion Hill school in Blackrock, County Dublin.[29]
In 1979, O'Connor left her mother and went to live with her father, who had married Viola Margaret Suiter (née Cook) in Alexandria, Virginia, United States, in 1976.[30] At the age of 15, her shoplifting and truancy led to her being placed for 18 months in a Magdalene asylum called the Grianán Training Centre in Drumcondra run by the Order of Our Lady of Charity.[31] In some ways, she thrived there, especially in the development of her writing and music, but she also chafed under the imposed conformity. Unruly students there were sometimes sent to sleep in the adjoining nursing home, an experience of which she later commented, "I have never—and probably will never—experience such panic and terror and agony over anything."[32] She later for a period attended the Quaker Newtown School, Waterford for 5th and 6th year but did not sit the Leaving Certificate in 1985.[33][34]
On 10 February 1985, when O'Connor was 18, her mother Marie died in a car accident, aged 45, after losing control of her car on an icy road in Ballybrack and crashing into a bus.[35][36]
In June 1993, O'Connor wrote a public letter in The Irish Times which asked people to "stop hurting" her: "If only I can fight off the voices of my parents / and gather a sense of self-esteem / Then I'll be able to REALLY sing ..." The letter repeated accusations of abuse by her parents as a child which O'Connor had made in interviews. Her brother Joseph defended their father to the newspaper but agreed regarding their mother's "extreme and violent abuse, both emotional and physical". O'Connor said that month, "Our family is very messed up. We can't communicate with each other. We are all in agony. I for one am in agony."[37]
Musical career 1980s
One of the volunteers at Grianán was the sister of Paul Byrne, drummer for the band In Tua Nua, who heard O'Connor singing "Evergreen" by Barbra Streisand. She recorded a song with them called "Take My Hand" but they felt that at 15, she was too young to join the band.[38] Through an ad she placed in Hot Press in mid-1984, she met Colm Farrelly. Together they recruited a few other members and formed a band called Ton Ton Macoute.[22] The band moved to Waterford briefly while O'Connor attended Newtown School, but she soon dropped out of school and followed them to Dublin, where their performances received positive reviews. Their sound was inspired by Farrelly's interest in world music, though most observers thought O'Connor's singing and stage presence were the band's strongest features.[22][39]
O'Connor's time as singer for Ton Ton Macoute brought her to the attention of the music industry, and she was eventually signed by Ensign Records. She also acquired an experienced manager, Fachtna Ó Ceallaigh, former head of U2's Mother Records. Soon after she was signed, she embarked on her first major assignment, providing the vocals for the song "Heroine", which she co-wrote with U2's guitarist the Edge for the soundtrack to the film Captive. Ó Ceallaigh, who had been fired by U2 for complaining about them in an interview, was outspoken with his views on music and politics, and O'Connor adopted the same habits; she defended the actions of the Provisional IRA and said U2's music was "bombastic".[2] She later retracted her IRA comments saying they were based on nonsense, and that she was "too young to understand the tense situation in Northern Ireland properly".[40]
Her first album The Lion and the Cobra was "a sensation" when it was released in 1987 on Chrysalis Records,[41] and it reached gold record status, earning a Best Female Rock Vocal Performance Grammy nomination. The single "Mandinka" was a big college radio hit in the United States, and "I Want Your (Hands on Me)" received both college and urban play in a remixed form that featured rapper MC Lyte. In her first U.S. network television appearance, O'Connor sang "Mandinka" on Late Night with David Letterman in 1988.[42] The song "Troy" was also released as a single in the UK, Ireland, and the Netherlands, where it reached number 5 on the Dutch Top 40 chart.[43]
O'Connor named Bob Dylan, David Bowie, Bob Marley, Siouxsie and the Banshees, and the Pretenders as the artists who influenced her on her debut album.[44] In 1989 O'Connor joined The The frontman Matt Johnson as a guest vocalist on the band's album Mind Bomb, which spawned the duet "Kingdom of Rain".[45] That same year, she made her first foray into cinema, starring in and writing the music for the Northern Irish film Hush-a-Bye-Baby.[46]
1990s
O'Connor's second album – 1990's I Do Not Want What I Haven't Got – gained considerable attention and mostly positive reviews:[47] it was rated "second best album of the year" by the NME.[48] She was praised for her voice and original songs, while being noted for her appearance: trademark shaved head, often angry expression, and sometimes shapeless or unusual clothing.[47] The album featured Marco Pirroni (of Adam and the Ants fame), Andy Rourke (from The Smiths) and John Reynolds, her first husband;[49] most notably, it contained her international breakthrough hit "Nothing Compares 2 U", a song written by Prince[50][51] and originally recorded and released by a side project of his, the Family.[51] Hank Shocklee, producer for Public Enemy, remixed the album's next single, "The Emperor's New Clothes",[49] for a 12-inch that was coupled with another song from the LP, "I Am Stretched on Your Grave". Pre-dating but included on I Do Not Want What I Haven't Got, was "Jump in the River", which originally appeared on the Married to the Mob soundtrack; the 12-inch version of the single had included a remix featuring performance artist Karen Finley.[52][53]
In July 1990, she joined other guests for former Pink Floyd member Roger Waters' performance of The Wall in Berlin.[54] She contributed a cover of "You Do Something to Me" to the Cole Porter tribute/AIDS fundraising album Red Hot + Blue produced by the Red Hot Organization.[55] Red Hot + Blue was followed by the release of Am I Not Your Girl?, an album made of covers of jazz standards and torch songs she had listened to while growing up; the album received mixed-to-poor reviews, and was a commercial disappointment in light of the success of her previous work.[56] Her take on Elton John's "Sacrifice" was acclaimed as one of the best efforts on the tribute album Two Rooms: Celebrating the Songs of Elton John & Bernie Taupin.[57]
Also in 1990, she was criticised after she stated that she would not perform if the United States national anthem was played before one of her concerts; Frank Sinatra threatened to "kick her in the ass".[58] After receiving four Grammy Award nominations, she withdrew her name from consideration.[2] Although nominated for the Brit Award for International Female Solo Artist, which she won, she did not attend the awards ceremony, but did accept the Irish IRMA in February 1991.[59]
I don't do anything in order to cause trouble. It just so happens that what I do naturally causes trouble. I'm proud to be a troublemaker.
—O'Connor in NME, March 1991[60]
She spent the following months studying bel canto singing with teacher Frank Merriman at the Parnell School of Music. In an interview with The Guardian, published in May 1993, she reported that singing lessons with Merriman were the only therapy she was receiving, describing Merriman as "the most amazing teacher in the universe."[61]
In 1992, she contributed backing vocals on the track "Come Talk To Me", and shared vocals on the single "Blood of Eden" from the studio album Us by Peter Gabriel. Gabriel invited her to join his ongoing Secret World Tour in May 1993, to sing these songs and more in an elaborate stage setting. O'Connor travelled and performed as a guest artist.[62] She was seen at Gabriel's side at the 1993 MTV Video Music Awards in September. While in Los Angeles, she took too many sleeping pills, inciting media conjecture about a suicide attempt. She said she "was in a bad way emotionally at the time, but it wasn't a suicide attempt."[63] She left the tour suddenly, causing Gabriel to scramble for a replacement singer.[62] Decades later, she wrote in her memoir Rememberings that she left Gabriel because he treated her casually, and would not make a commitment.[6]
The 1993 soundtrack to the film In the Name of the Father featured O'Connor's "You Made Me the Thief of Your Heart".[49] Her more conventional Universal Mother album (1994) spawned two music videos for the first and second singles, "Fire on Babylon" and "Famine", that were nominated for a Grammy Award for Best Short Form Music Video.[64][65] She toured with Lollapalooza in 1995, but dropped out when she became pregnant with her second child.[66] In 1997, she released the Gospel Oak EP.[67]
In 1994, she appeared in A Celebration: The Music of Pete Townshend and The Who,[68] also known as Daltrey Sings Townshend. This was a two-night concert at Carnegie Hall produced by Roger Daltrey of the Who in celebration of his 50th birthday.[69] A CD and a VHS video of the concert were issued in 1994, followed by a DVD in 1998.[70][71]
In 1996, O'Connor guested on Broken China, a solo album by Pink Floyd's Richard Wright.[72]
O'Connor made her final feature film appearance in Neil Jordan's The Butcher Boy in 1997, playing the Virgin Mary.[73]
In 1998, she worked again with the Red Hot Organization to co-produce and perform on Red Hot + Rhapsody.[74]
2000s
O'Connor at the "Music in My Head" festival in The Hague, 13 June 2008
Faith and Courage was released in 2000, including the single "No Man's Woman", and featured contributions from Wyclef Jean of the Fugees and Dave Stewart of Eurythmics.[75]
Her 2002 album, Sean-Nós Nua, marked a departure in that O'Connor interpreted or, in her own words, "sexed up" traditional Irish folk songs, including several in the Irish language.[76] In Sean-Nós Nua, she covered a well-known Canadian folk song, "Peggy Gordon".[77]
In 2003, she contributed a track to the Dolly Parton tribute album Just Because I'm a Woman, a cover of Parton's "Dagger Through the Heart". That same year, she also featured on three songs of Massive Attack's album 100th Window before releasing her double album, She Who Dwells in the Secret Place of the Most High Shall Abide Under the Shadow of the Almighty. This compilation contained one disc of demos and previously unreleased tracks and one disc of a live concert recording. Directly after the album's release, O'Connor announced that she was retiring from music.[78] Collaborations, a compilation album of guest appearances, was released in 2005—featuring tracks recorded with Peter Gabriel, Massive Attack, Jah Wobble, Terry Hall, Moby, Bomb the Bass, the Edge, U2, and The The.[79]
Ultimately, after a brief period of inactivity and a bout with fibromyalgia, her retirement proved to be short-lived. O'Connor stated in an interview with Harp magazine that she had only intended to retire from making mainstream pop/rock music, and after dealing with her fibromyalgia she chose to move into other musical styles.[80] The reggae album Throw Down Your Arms appeared in late 2005.[81]
On 8 November 2006, O'Connor performed seven songs from her upcoming album Theology at The Sugar Club in Dublin. Thirty fans were given the opportunity to win pairs of tickets to attend along with music industry critics.[82] The performance was released in 2008 as Live at the Sugar Club deluxe CD/DVD package sold exclusively on her website.[83]
O'Connor released two songs from her album Theology to download for free from her official website: "If You Had a Vineyard" and "Jeremiah (Something Beautiful)". The album, a collection of covered and original Rastafari spiritual songs, was released in June 2007. The first single from the album, the Tim Rice and Andrew Lloyd Webber classic "I Don't Know How to Love Him", was released on 30 April 2007.[84] To promote the album, O'Connor toured extensively in Europe and North America. She also appeared on two tracks of the new Ian Brown album The World Is Yours, including the anti-war single "Illegal Attacks".[85]
2010s
In January 2010, O'Connor performed a duet with R&B singer Mary J. Blige produced by former A Tribe Called Quest member Ali Shaheed Muhammad of O'Connor's song "This Is To Mother You" (first recorded by O'Connor on her 1997 Gospel Oak EP). The proceeds of the song's sales were donated to the organisation GEMS (Girls Educational and Mentoring Services).[86] In 2012 the song "Lay Your Head Down", written by Brian Byrne and Glenn Close for the soundtrack of the film Albert Nobbs and performed by O'Connor, was nominated for a Golden Globe Award for Best Original Song.[87]
O'Connor performing in 2013
In 2011, O'Connor worked on recording a new album, titled Home, to be released in the beginning of 2012,[88] titled How About I Be Me (and You Be You)?,[89][90] with the first single being "The Wolf is Getting Married". She planned an extensive tour in support of the album but suffered a serious breakdown between December 2011 and March 2012,[91] resulting in the tour and all other musical activities for the rest of 2012 being cancelled. O'Connor resumed touring in 2013 with The Crazy Baldhead Tour. The second single "4th and Vine" was released on 18 February 2013.[92]
In February 2014, it was revealed that O'Connor had been recording a new album of original material, titled The Vishnu Room, consisting of romantic love songs.[93] In early June 2014, the new album was retitled I'm Not Bossy, I'm the Boss, with an 11 August release date. The title derives from the Ban Bossy campaign that took place earlier the same year. The album's first single is entitled "Take Me to Church".[94][95]
In November 2014, O'Connor's management was taken over by Simon Napier-Bell and Björn de Water.[96] On 15 November, O'Connor joined the charity supergroup Band Aid 30 along with other British and Irish pop acts, recording a new version of the track "Do They Know It's Christmas?" at Sarm West Studios in Notting Hill, London, to raise money for the West African Ebola virus epidemic.[97]
In September 2019, O'Connor performed live for the first time in five years, singing "Nothing Compares 2 U" with the Irish Chamber Orchestra on RTÉ's The Late Late Show.[98][99]
2020s
In October 2020, O'Connor released a cover of Mahalia Jackson's Trouble of the World, with proceeds from the single to benefit Black Lives Matter charities.[100]
On 4 June 2021, O'Connor announced her immediate retirement from the music industry. While her final studio album, No Veteran Dies Alone, was due to be released in 2022, O'Connor stated that she would not be touring or promoting it.[101] Announcing the news on Twitter, she said "This is to announce my retirement from touring and from working in the record business. I've gotten older and I'm tired. So it's time for me to hang up my nipple tassels, having truly given my all. NVDA in 2022 will be my last release. And there'll be no more touring or promo."[101][102] On 7 June she retracted her previous statement, describing the original announcement as "a knee-jerk reaction" to an insensitive interview, and announcing that she would go ahead with her already scheduled 2022 tour.[103]
On 1 June 2021, O'Connor's memoir Rememberings was released to positive critical reception. It was listed among the best books of the year on BBC Culture.[104]
On 7 January 2022, O'Connor's son, Shane, died by suicide at the age of 17.[42] She subsequently decided to cancel her 2022 tour and her album No Veteran Dies Alone was postponed indefinitely.[105]
In February 2023, she shared a new version of "The Skye Boat Song", a 19th century Scottish adaptation of a 1782 Gaelic song, which is also the theme for the fantasy drama series Outlander.[106] The following month, she was awarded the inaugural Choice Music Prize Classic Irish Album by Irish broadcaster RTÉ for her 1990 album, I Do Not Want What I Haven't Got.[107][108]
Name
In 2017, O'Connor changed her legal name to Magda Davitt, saying in an interview that she wished to be "free of the patriarchal slave names. Free of the parental curses."[113][114] On her conversion to Islam in October 2018, she adopted the name 'Shuhada', and before mid-2019 also changed her surname from Davitt to Sadaqat.[115]
Personal and public image
Her shaved head has been seen as a statement against traditional views of femininity.[116]
Marriages and children
O'Connor had four children and was married and divorced four times. She had her first son, Jake, in 1987 with her first husband, music producer John Reynolds,[117] who co-produced several of her albums, including Universal Mother. Reynolds and O'Connor later married in Westminster register office in March 1989.[118][119] The same year, O'Connor had an abortion after things did not work out with the father. She later wrote the song "My Special Child" about the experience.[120] O'Connor and Reynolds announced their plan to divorce in November 1991 after being separated for some time.[121]
Soon after the birth of her daughter Brigidine Roisin Waters on 10 March 1996, O'Connor and the girl's father, Irish journalist John Waters, began a long custody battle that ended with O'Connor agreeing to let Roisin live in Dublin with Waters.[122][119][117] In August 2001, O'Connor married British journalist Nick Sommerlad in Wales; the marriage ended in July 2002 after 11 months.[123][117] She had her third child, son Shane, in 2004 with musician Donal Lunny.[117][119] In 2006, she had her fourth child, Yeshua Francis Neil Bonadio, whose father is Frank Bonadio.[124][125]
O'Connor was married a third time on 22 July 2010, to longtime friend and collaborator Steve Cooney,[4][126] and in late March 2011, made the decision to separate.[127] Her fourth marriage was to Irish therapist Barry Herridge. They wed on 9 December 2011, in Las Vegas, but their marriage ended after having "lived together for 7 days only".[128] The following week, on 3 January 2012, O'Connor issued a further string of internet comments to the effect that the couple had re-united.[5]
On 18 July 2015, her first grandson was born to her son Jake Reynolds and his girlfriend Lia.[129]
On 7 January 2022, two days after her 17-year-old son Shane was reported missing from Newbridge, County Kildare, he was found dead by suicide. His body was found by Gardaí in the Bray/Shankill part of Dublin.[130][131][132] O'Connor stated that her son, custody of whom she lost in 2013, had been on "suicide watch" at Tallaght Hospital, and had "ended his earthly struggle". O'Connor criticised the Health Service Executive (HSE) with regard to their handling of her son's case.[133][134][135] She initially criticised Ireland's family services agency, Tusla, but retracted this a few days later.[136][137] In January 2022, a week after her son's suicide, she was hospitalised on her own volition following a series of tweets in which she indicated she was going to take her own life.[138]
Relationship with Prince
Speaking about her relationship with Prince in an interview with Norwegian station NRK in November 2014 she said, "I did meet him a couple of times. We didn't get on at all. In fact we had a punch-up." She continued: "He summoned me to his house after 'Nothing Compares'. I made it without him. I'd never met him. He summoned me to his house – and it's foolish to do this to an Irish woman – he said he didn't like me saying bad words in interviews. So I told him to f*** off....He got quite violent. I had to escape out of his house at 5 in the morning. He packed a bigger punch than mine."[139] In her 2021 memoir Rememberings, O'Connor described her meeting with Prince in detail, which ranged from having his butler serve soup repeatedly despite no desire for soup, to hitting her with a hard object placed in a pillowcase after wanting a pillow fight, and stalking her with his car after she left the mansion.[140]
Health
In the early 2000s, O'Connor revealed that she suffered from fibromyalgia. The pain and fatigue she experienced caused her to take a break from music from 2003 to 2005.[141]
On an episode of The Oprah Winfrey Show broadcast on 4 October 2007, O'Connor disclosed that she had been diagnosed with bipolar disorder four years earlier, and had attempted suicide on her 33rd birthday, 8 December 1999.[142] Then, on Oprah: Where Are They Now? of 9 February 2014, O'Connor said that she had received three "second opinions" and was told by all three that she was not bipolar.
O'Connor was also diagnosed with complex post-traumatic stress disorder and borderline personality disorder.[143]
In August 2015, she announced that she was to undergo a hysterectomy after suffering gynaecological problems for over three years.[144] O'Connor later blamed the hospital's refusal to administer hormonal replacement therapy after the operation as the main reason for her mental health issues in the subsequent years, stating "I was flung into surgical menopause. Hormones were everywhere. I became very suicidal. I was a basket case."[145]
Having smoked cannabis for 30 years, O'Connor went to a rehabilitation centre in 2016, to end her "addiction".[146] O'Connor was agoraphobic.[147]
In August 2017, O'Connor posted a 12-minute video on her Facebook page in which she stated that she had felt alone since losing custody of her 13-year-old son, Shane, and that for the prior two years she had wanted to kill herself, with only her doctor and psychiatrist "keeping her alive".[148] The month after her Facebook post, O'Connor appeared on the American television talk show Dr. Phil on the show's 16th season debut episode.[149] According to Dr. Phil, O'Connor wanted to do the interview because she wanted to "destigmatize mental illness", noting the prevalence of mental health issues among musicians.[150] Shane died in January 2022. A week later, following a series of tweets in which she indicated that she was going to kill herself, O'Connor was hospitalised.[151]
Sexuality
In a 2000 interview in Curve, O'Connor said that she was a lesbian.[152] She later retracted the statement, and in 2005 told Entertainment Weekly "I'm three-quarters heterosexual, a quarter gay".[153]
In 2013, O'Connor published an open letter on her own website to American singer and actress Miley Cyrus in which she warned Cyrus of the treatment of women in the music industry and stated that sexuality is a factor in this, which was in response to Cyrus's music video for her song "Wrecking Ball".[154] Cyrus responded by mocking O'Connor and alluding to her mental health problems.[155]
Politics
O'Connor was a vocal supporter of a united Ireland, and called on the left-wing republican Sinn Féin party to be "braver". In December 2014 it was reported O'Connor had joined Sinn Féin.[156] O'Connor called for the "demolition" of the Republic of Ireland and its replacement with a new, united country. She also called for key Sinn Féin politicians like Gerry Adams to step down because "they remind people of violence", referring to the Troubles.[157]
In a 2015 interview with the BBC, O'Connor said she wished that Ireland had remained under British rule (which ended after the Irish War of Independence, except for Northern Ireland), saying "the church took over and it was disastrous".[158] Following the Brexit referendum in 2016, O'Connor wrote on Facebook "Ireland is officially no longer owned by Britain".[159]
Religion
Sinéad O'Connor on After Dark on 21 January 1995
In January 1995, O'Connor made an unexpected appearance on the British late-night television programme After Dark during an episode about sexual abuse and the Catholic Church in Ireland.[160] The discussion included a Dominican friar and another representative of the Catholic Church, along with former taoiseach Garret FitzGerald. Host Helena Kennedy described the event: "Sinéad came on and argued that abuse in families was coded in by the church because it refused to accept the accounts of women and children."[161]
In the late 1990s, Bishop Michael Cox of the Irish Orthodox Catholic and Apostolic Church (an Independent Catholic group not in communion with the Roman Catholic Church) ordained O'Connor as a priest.[17] The Catholic Church considers the ordination of women to be invalid and asserts that a person attempting the sacrament of ordination upon a woman incurs excommunication.[17] The bishop had contacted her to offer ordination following her appearance on RTÉ's The Late Late Show, during which she told the presenter, Gay Byrne, that had she not been a singer she would have wished to have been a Catholic priest. After her ordination, she indicated that she wished to be called Mother Bernadette Mary.[17]
In a July 2007 interview with Christianity Today, O'Connor stated that she considered herself a Christian and that she believed in core Christian concepts about the Trinity and Jesus Christ. She said, "I think God saves everybody whether they want to be saved or not. So when we die, we're all going home ... I don't think God judges anybody. He loves everybody equally."[162] In an October 2002 interview, she credited her Christian faith in giving her the strength to live through and overcome the effects of her childhood abuse.[112]
On 26 March 2010, O'Connor appeared on CNN's Anderson Cooper 360° to speak out about the Catholic sexual abuse scandal in Ireland.[163] On 28 March 2010, she had an opinion piece published in the Sunday edition of The Washington Post in which she wrote about the scandal and her time in a Magdalene laundry as a teenager.[31] Writing for the Sunday Independent she labelled the Vatican as "a nest of devils" and called for the establishment of an "alternative church", opining that "Christ is being murdered by liars" in the Vatican.[164] Shortly after the election of Pope Francis, she said:[165][166]
Well, you know, I guess I wish everyone the best, and I don't know anything about the man, so I'm not going to rush to judge him on one thing or another, but I would say he has a scientifically impossible task, because all religions, but certainly the Catholic Church, is really a house built on sand, and it's drowning in a sea of conditional love, and therefore it can't survive, and actually the office of Pope itself is an anti-Christian office, the idea that Christ needs a representative is laughable and blasphemous at the same time, therefore it is a house built on sand, and we need to rescue God from religion, all religions, they've become a smokescreen that distracts people from the fact that there is a holy spirit, and when you study the Gospels you see the Christ character came to tell us that we only need to talk directly to God, we never needed Religion ...
Asked whether from her point of view, it is therefore irrelevant who is elected to be pope, O'Connor replied:
Genuinely I don't mean disrespect to Catholic people because I believe in Jesus Christ, I believe in the Holy Spirit, all of those, but I also believe in all of them, I don't think it cares if you call it Fred or Daisy, you know? Religion is a smokescreen, it has everybody talking to the wall. There is a Holy Spirit who can't intervene on our behalf unless we ask it. Religion has us talking to the wall. The Christ character tells us himself: you must only talk directly to the Father; you don't need intermediaries. We all thought we did, and that's ok, we're not bad people, but let's wake up ... God was there before religion; it's there [today] despite religion; it'll be there when religion is gone.[167]
Tatiana Kavelka wrote about O'Connor's later Christian work, describing it as "theologically charged yet unorthodox, oriented toward interfaith dialogue and those on the margins".[168]
In August 2018, via an open letter, she asked Pope Francis to excommunicate her as she had also asked Pope Benedict XVI and Pope John Paul II.[113]
In October 2018, O'Connor converted to Islam, calling it "the natural conclusion of any intelligent theologian's journey".[169] The ceremony was conducted in Ireland by Sunni Islamic theologian Shaykh Umar Al-Qadri. She also changed her name to Shuhada' Davitt. In a message on Twitter, she thanked fellow Muslims for their support and uploaded a video of herself reciting the adhan, the Islamic call to prayer. She also posted photos of herself wearing a hijab.[170]
After her conversion to Islam, O'Connor called those who were not Muslims "disgusting" and criticised Christian and Jewish theologians on Twitter in November 2018. She wrote: "What I'm about to say is something so racist I never thought my soul could ever feel it. But truly I never wanna spend time with white people again (if that's what non-muslims are called). Not for one moment, for any reason. They are disgusting."[171][172] Later that month, O'Connor stated that her remarks were made in an attempt to force Twitter to close down her account.[173] In September 2019, she apologised for the remarks, saying "They were not true at the time and they are not true now. I was triggered as a result of Islamophobia dumped on me. I apologize for hurt caused. That was one of many crazy tweets lord knows."[174]
Death
On 26 July 2023, O'Connor was found dead at her flat in Herne Hill, South London, at the age of 56 Her family issued a statement later the same day, without indicating the cause of her death.[108][177][178] The following day, the Metropolitan Police reported that O'Connor's death was not being treated as suspicious] On 28 July, the Coronor in London said that the date of death was still unknown.
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ADO16 is the codename for the development of what became the Morris 1100, a small family car built by the British Motor Corporation (BMC) and, later, British Leyland. Throughout the 1960s, the ADO16 was consistently the UK's best-selling car.
Although most of the cars were manufactured in England, the model was also built in Spain by Authi, in Italy by Innocenti and at the company's own plant in Belgium. It was the basis for locally adapted similar cars manufactured in Australia and South Africa.
The vehicle was launched as the Morris 1100 on August 15, 1962. The range was expanded to include several rebadged versions, including the twin-carburettor MG 1100, the Vanden Plas Princess (from October 1962), the Austin 1100 (August 1963), and finally the Wolseley 1100 (1965) and Riley Kestrel (1965). The Morris badged 1100/1300 gave up its showroom space to the Morris Marina in 1971, but Austin and Vanden Plas versions remained in production in the UK till June 1974.
The estate version followed in 1966, called Countryman in the Austin version and Traveller in the Morris one, continuing the established naming scheme.
In 1964 the 1100 was Wheels magazine's Car of the Year.
The original Mark I models were distinctive for their use of a Hydrolastic suspension. Marketing material highlighted the spacious cabin when compared to competitor models which in the UK by 1964 included the more conservatively configured Ford Anglia, Vauxhall Viva HA and BMC's own still popular Morris Minor.
At the end of May 1967, BMC announced the fitting of a larger 1275 cc engine to the MG, Riley Kestrel, Vanden Plas and Wolseley variants.[5] The new car combined the 1275 cc engine block already familiar to drivers of newer Mini Cooper and Austin-Healey Sprite models with the 1100 transmission, its gear ratios remaining unchanged for the larger engine, but the final-drive being significantly more highly geared.[5]
The Mark II versions of the Austin and Morris models were announced, with the larger engine making it into these two makes' UK market ranges in October 1967 (as the Austin 1300 and Morris 1100S and 100). An 1100 version of the Mark II continued alongside the larger engined models.
Unusually for cars at this end of the market, domestic market waiting lists of several months accumulated for the 1300 engined cars during the closing months of 1967 and well into 1968. The manufacturers explained that following the devaluation of the British Pound in the Fall / Autumn of 1967 they were working flat out to satisfy export market demand, but impatient British would-be customers could be reassured that export sales of the 1300s were "going very well". MG, Wolseley, Riley and Vanden Plas variants with the 1300 engines were already available on the home market in very limited quantities, and Austin and Morris versions would begin to be "available here in small quantities in March [1968].
On the outside, a slightly wider front grille, extending a little beneath the headlights, and with a fussier detailing, differentiated Austin / Morris Mark IIs from their Mark I predecessors, along with a slightly smoother tail light fitting which also found its way onto the FX4 London taxi of the time. Austin and Morris grilles were now identical. The 1100 had been introduced with synchromesh on the top three ratios: all synchromesh manual gearboxes were introduced with the 1275 cc models at the end of 1967 and found their way into 1098 cc cars a few months later.
At the London Motor Show in October 1969 the manufacturers introduced the Austin / Morris 1300 GT, featuring the same 1275 cc twin carburetter engine as that installed in the MG 1300, but with a black full width grill, a black vinyl roof and a thick black stripe down the side.[8] This was BMC's answer to the Ford Escort GT and its Vauxhall counterpart. Ride height on the Austin / Morris 1300 GT was fractionally lowered through the reduction of the Hydrolastic fluid pressure from 225 to 205 psi.
Toronto, Ontario, Canada
Toronto is Canada's largest city, the fourth largest in North America, and home to a diverse population of about 2.8 million people. It's a global centre for business, finance, arts and culture and is consistently ranked one of the world's most livable cities.
Toronto is a city in Canada and the provincial capital of Ontario. It is located in Southern Ontario on the northwestern shore of Lake Ontario, with the original city area lying between the Don and Humber rivers.
For more information on visiting Toronto visit:
For more information on visiting Canada visit:
us-keepexploring.canada.travel/
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About this day of the trip:
Day 2
Niagara Falls - Niagara Falls Canada - Toronto (83 miles)
We will continue our tour Niagara Falls by heading into Canada to take the Hornblower Cruise boat ride and see an informational movie at the IMAX Theater. We will also ascend the Skylon Tower. The tour then departs for Toronto, ON, one of Canada's largest cities. There we will visit the CN Tower and guests will have the option to take a Lake Ontario Cruise. During the winter when the cruise is not running, we will instead visit Casa Loma. We will have dinner in historical Chinatown.
Niagara Falls Canada, Canada
Skylon Tower This observation tower on the Canadian side of Niagara Falls offers a bird's-eye views of one of the world's favorite natural wonders. The tower stands 520 feet from street level and 775 feet from the bottom of the falls.
Rainbow Bridge The Rainbow Bridge across the Niagara River connects Niagara, Ontario to Niagara, New York. It is an international landmark and impressive architectural feat. In addition to private vehicles, pedestrians and bikes can cross the bridge for a small toll.
Niagara Falls IMAX This amazing movie experience, presented on an unbelievable IMAX screen, chronicles more than 12,000 years of history and examines human interaction with the falls from ancient time through the people-- like you-- who come to see them today.
Hornblower Niagara Cruise Get ready to get wet: this world-famous boat ride takes passengers as close to the falls as it is possible to get. Formerly Maid of the Mist, Hornblower now runs Niagara cruise operations on the Canadian side of the Falls.
Skylon Revolving Restaurant Lunch The impressive Skylon Tower, jutting into the air above Niagara Falls, features the Revolving Dining Room, a one-of-a-kind eatery the makes a full revolution every hour. Sitting just below the observation deck, guests can enjoy views and food!
Toronto, ON
Lake Ontario Cruise Lake Ontario Cruises offer gorgeous views of the city of Toronto from the waters of Lake Ontario, one of the famous Great Lakes of North America. See the city of Toronto and the surrounding area in a new way!
Toronto City Hall This unique building complex is one of the most famous in Toronto, and also the home of the city's municipal government. The Toronto City Hall offers self-guided tours which are available in five languages (including English).
University of Toronto Routinely placed in the top 30 institutions of higher learning in the world, the University of Toronto has been educating the masses since 1827. Widely considered the best university in Canada, it is known for its pioneering research.
Casa Loma This century-old Gothic-style house in Toronto was originally the home of financier Sir Henry Mill Pellatt. Today, it serves as a museum that showcases the history of life in Toronto and what life was like in the early 1900s.
CN Tower Toronto's CN Tower is a Canadian icon and one of the most recognizable North American buildings. Made entirely of concrete, this massive monolith was the tallest structure in the world at the time of its completion in 1976.
Ontario Legislative Building The Ontario Legislative Building in Toronto, Ontario, Canada is the seventh structure to function as the parliamentary building of the province of Ontario. This impressive building is in the Richardsonian Romanesque architectural style and was built in 1893.
Chinatown One of the largest Chinatowns in North America is located in downtown Toronto, Ontario. Toronto contains several Chinatowns. This one is the oldest, dating back to the 1870s, and the historical area features many authentic groceries, restaurants, and shops.
Toronto Chinese Dinner Treat yourself to a specialty dinner in one of the largest Chinatowns in the Western Hemisphere! Freshly-cooked meats and vegetables decorate the windows of the esteemed restaurants, from whole cooked ducks to beef ribs and so much more. Enjoy!
Deluxe Hotel: Crowne Plaza or similar
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3-Day Niagara Falls, Toronto Canada Tour from New York
Tour Code: 655-68
July 11th, 12th, 13th 2014
Visit:
Watkins Glen State Park New York
Niagara Falls, NY USA
Thundering Water Cultural Show
USA / Canada international border crossing on Rainbow Bridge from New York United States of America to Ontario Canada
Niagara Falls, Ontario Canada
Skylon Tower
Niagara Falls IMAX
Hornblower Niagara Cruise
Skylon Revolving Restaurant Lunch
Toronto which is the largest city in Canada
Lake Ontario Cruise
Toronto City Hall
University of Toronto
CN Tower
Ontario Legislative Building
Chinatown
Toronto Chinese Dinner
Thousand Islands, Ontario Canada
Thousand Islands Cruise
Thousand Islands Cruise Breakfast
Thousand Islands Tax and Duty Free Store in Lansdowne, Ontario Canada
Canada / USA international border crossing Thousand Islands Bridge from Hill Island, Ontario, Canada across the Saint Lawrence River to Wellesley Island, New York, United States of America
For more information on the 3-Day Niagara Falls, Toronto Canada Tour from New York visit:
www.taketours.com/new-york-ny/3-day-toronto-niagara-falls...
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Hashtag metadata tag
#Canada #Canadian #Toronto #TorontoCanada #CityofToronto #TorontoCity #CityToronto #Ontario #TorontoOntario #TorontoOntarioCanada #LakeOntario #The416 #HollywoodNorth #TO #T.O. #Tee-Oh #TeeOh #T-dot #Tdot #CNTower #VisitToronto #VisitCanada
Photo
Toronto city, Ontario province, Canada country, North America continent
July 12th 2014
Who here likes consistency? You know, that warm, familiar feeling every time you go to Taco Bell (going down or out.. up to you)... very consistent? You've been there enough times and you've generally had all their menu items and your opinion is that "it's alright". Then there's that one time out of the blue, you decide to try something vegetarian off the Fresco menu, only to realize it was a horrible, horrible mistake? Well, that's kind of like what happened with this particular entry: Figma Megumin from Kono Sabarashii Sekai ni Shyukufuku wo!.. however you pronounce that.
As with 99% of the magical girl entries on my list, I know nothing about the actual character. Couple of Wiki pages presents a personality that, as expected, fits the way she looks. As taken from a Fandom page:
"Megumin is a straightforward girl, who speaks in an old-style Japanese dialect. She can be very hyper and lively at times and has chuunibyou tendencies like the rest of the Crimson Demon villagers. She is very intelligent, but has very little self-control, especially when it comes to using Explosion magic. She has no problem wasting her spell on empty plains or abandoned castles, as long as she can use Explosion once a day."
There seemed to be quite a bit of excitement when the figure was announced a while back, so as I always do, I found a decent deal on one that had a few issues while out and about, figuring "it's a Figma, it'll be alright" and away I went. The issues being that this was an Amazon Warehouse deal, so it wasn't complete, though the only thing that was missing was the instruction manual. The peg holding her cape in place had snapped off, and her head wasn't in place, of which the latter I figure I could just go home and pop that sucker right back in because, well, wouldn't be the first time a head came off a Figma after being jostled.
Well, jokes on me. After trying with no success, I took to the Internet, and read a crap ton of negative reviews on this figure, ranging from poor QC to horrible design. The head thing? Wasn't the only one; several complaints on Amazon said the same thing, with most not even bothering to try to attach the head. I had to grind the hole to widen it before the neck joint would actually fit, and now it's a bit loose and prone to falling off. I read stories of the staff showing up broken. Seems overall, these Konosuba girls (as they are called) have been plagued with QC issues.. I'm glad I didn't pay MSRP on this figure, let me tell you.
Megumin comes with a typical payload when it comes to Figma. There's the figure, three total face plates (slight smile, attacking, scared), her hat, her cape, alternate hair with eye patch, energy effect for eye, staff, purple orb for staff, spell effect with staff end for attaching said effect, her Familiar Chomosuke, six additional hands plus one dedicated spell casting hand, and the usual Figma stand.
Based on the screen caps I've seen, it appears that overall, Max Factory has captured the overall silhouette of Megumin herself, and her look when equipped with her gear. Of course, she's a lanky Japanese school girl, so not exactly hard for Figma to replicate. Chomosuke is freakin' adorable.. not quite Kirby adorable, but pretty damn close. Sculpting details are up to snuff, with clean fingers, good texture detailing on the outfit, and some minor muscle definition on her bare back. Face plates look spot on.
Articulation is pretty typical for a Figma.. when she doesn't have her cape on. You have full motion ankles, single jointed knees, full motion hips, waist, mid torso movement, full motion shoulders combined with bicep swivel, standard elbows, wrists, and head articulation. Mid torso movement is limited due to the joint being embedded inside her outfit, which is a soft rubber material. I'm not sure if it's like this for all the recent Figma (I'm kind of behind schedule), but Megumin features this hinged joint which allows for a deeper range of motion when it comes to head tilt, while at the same time offering the same ball jointed base base of head joint that permits the standard range of motion there. The cape itself has two points of articulation, allowing for a simulated flow look which is great, but putting the cape on also limits the range of motion when it comes to raise the arms up into an overhead position. Her skirt also limits the movement of the upper legs, which in turn limits the number of stances you can have her in. Because of this, I found it very difficult to balance Megumin on her tiny feet, and as such a stand is pretty much needed for everything.
Paint work is, as expected, solid across the board. Even the yellows appear to be well applied, with no significant overspray or lumpy paint residue. The only ugly paint spot are the silver on her buckle and her necklace, which are relatively ugly, but not "gouge my eyes out" level. Decal work is at its usual level of excellence.
Building quality and design is where things kind of went South. I've already talked about my problems out the box above, but there's more to discuss. First and foremost, that stupid, stupid hat. So, someone, in their infinite wisdom, decided that rather than have the hat attach via a peg or something like that, decided the best way to have the hat sit on her head is the put a really thin piece of plastic on the inside of the hat, and have that clip between the two hair pieces.. sounds alright in theory until you realize actually getting the thing to fit in their is a nightmare because there really isn't enough clearance to slide the front hair piece in place should you try to get the hat in place first. So instead you end up leaving a slight gap, and cramming the hat on her head, hoping for the best. The eye effect is a separate piece, and it is up to the owner to use their hamburger finger to squeeze this tiny plastic piece, probably the size of a syringe needle, into place so it doesn't fall out of the hair. I found that the joints on the figure, while fine by themselves, aren't really meant to carry the weight of the staff, particularly if it has the energy effect attached on the end of it. The body itself is pretty typical build, so no too many complaints here.
So in the end, we had the potential for an outstanding Figma, one having vibrant colour and personality., only to have a multitude of QC issues and crappy design choices knock it down a few pegs. Without her hat and cape, Megumin is honestly average at best, as she really can't do much other than sligh variations of standing up. I guess if the cape wasn't broken on mine, at least I would keep the cape on constantly as it does add to the character. But that hat.. it's such a hassle to put it on you either never take it off or you just give up. The best parts of this set are the scared face and of course, Chomosuke.
Better luck next time, I suppose.
Katie Boulter was wonderfully consistent in her qualifying round 1 match against Jodie Burrage (GBR), winning 61 67 64. She was knocked out in the second round by Sachia Vickery (US) 61 76.
Boulter was given a wild card entry to Wimbledon in 2017, for the singles and ladies' doubles. She had chances against Christina McHale of the USA in the 1st round, and left with her reputation enhanced.
Angie Harmon, Chanel Store and Kathleen Checki
The New Chanel Boutique Opening and Charity Event,
323-653-1205
Business surveys in Latin America consistently show that skills gaps are a serious bottleneck to firm growth and competitiveness. Lack of responsiveness by providers of technical education and professional training is often blamed for this situation. What innovations are possible to improve the quality and relevance of those programs? What role should governments, employers, universities, and civil society play in shaping the approach to technical education and professional training in Latin America? What can we learn from reforms in the region and abroad? The Dialogue and CAF - Development Bank of Latin America hosted a wide-ranging full-day seminar that brought together academics, policymakers, and other experts from the Western Hemisphere to discuss the future of technical education and professional training in Latin America.
Tinted grisaille illustration
This allegorical text written in vernacular verse was inspired by Guillaume de Lorris's and Jean de Meun's Roman de la Rose. Composed in 1330-1332 CE by Guillaume de Digulleville with a second recension in 1355 CE, this text represents the earlier of the two versions. Produced in Northeast France in 1370 CE, the Walters' copy contains a frontispiece miniature with a portrait of the author, as well as eighty-three tinted grisaille illustrations. These illustrations are based on models consistent with contemporary thematic choices and contain abundant anecdotal detail, lending character to the text. As of spring 2014 the Institute for the Study of Textual History, Romance Languages in France has been gathering all reproductions of Digulleville's manuscripts. W. 141 is one of the few copies outside of France.
To explore fully digitized manuscripts with a virtual page-turning application, please visit Walters Ex Libris.
Visita nuestro Blog de Semana Santa en:
asociacionredobles.blogspot.com
Actos que se van a desarrollar durante la conmemoración del 200º aniversario del
rescate del Cristo de la Cama, consistente en el traslado de la Imagen desde la Iglesia
de Santa Isabel de Portugal (vulgo San Cayetano) a la Basílica del Pilar.
El rescate se produjo el 17 de febrero de 1809 del Convento de San Francisco, lo que
actualmente es la Diputación Provincial. El día 10 los franceses volaron el Convento,
que era defendido por unos cuantos aragoneses y por los voluntarios de Valencia. El
día 17, María Blánquez entro en el convento y vio que todos los pasos que
procesionan en Semana santa, quince en total, estaban destruidos, salvo el Santísimo
Cristo de la Cama, que estaba indemne en su Capilla de la Hermandad. Salió a la
calle, cogió a cuatro hombres, volvió a entrar al convento y todos ellos cogieron al
Cristo de la cama. Lo llevaron primero a la parroquia de la santa Cruz, después a la
de Santiago y finalmente al Palacio Arzobispal, lugar en donde vivía el general
Palafox, que enfermo lo venero y ordeno fuera llevado al interior de la Basílica del
Pilar, siendo colocado en el Altar de los convertido mirando a su Madre, la virgen del
Pilar.
Este hecho es el que conmemoramos.
A las 18´00 horas se oirá en la Ciudad de Zaragoza a los Artilleros de Aragón
anunciando el comienzo de la procesión cívico religiosa.
Con la salida desde San Cayetano de la Bandera de la Hermandad de la Sangre de
Cristo dará comienzo la procesión, encontrándose el resto de participantes ubicados
en la plaza. Seguidamente saldrá la peana, portada a varal, del Cristo de la Cama. Lo
hará con un toque preparado para la ocasión por la Sección de Tambores de la
Hermandad de San Joaquín y Virgen de los Dolores. Una vez que nuestro Cristo de la
Cama este en la plaza sonara el Himno Nacional interpretado al órgano por Ignacio
Navarro Gil.
Finalizado el himno, se descubrirá una placa en cerámica de Muel, promovida por la
Asociación Cultural Redobles. Dicha placa será descubierta por el Ilmo. Sr. D.
Francisco Javier Lambán Montañés, o persona en quien en delegue, acompañado por
el Hermano Mayor de la Hermandad de la Sangre de Cristo. A la vez que se descubre
la placa, don José Antonio Armillas, Comisario del Bicentenario glosara brevemente
la figura de María Blánquez y lo que ella significo.
Finalizado este acto, dará comienzo en sí el desfile.
Por la calle Manifestación, calle Alfonso y calle Coso, nos dirigiremos a la plaza de
España, en donde se realiza el segundo acto del desfile. Este consiste en depositar dos
coronas de laurel. La primera en la placa que recuerda al Convento de San Francisco
y la segunda en el monumento a los Mártires.
La del Convento de San Francisco será portada por mujeres ataviadas con el traje
regional, en recuerdo y homenaje a María Blánquez. Entregada por don Francisco
Javier Lambán Montañés (o persona en quién delegue), le acompañaran el
Comandante Militar de Zaragoza, General Juan Pinto y el Hermano Mayor de la
Sangre de Cristo. La recibirán dos soldados del Batallón Pardos de Aragón.
La segunda corona, la entregara don Juan Alberto Belloch Julve (o persona en quién
delegue), acompañado también por el Comandante Militar y el Hermano Mayor,
siendo recibida por dos soldados del Batallón de Infantería Voluntarios de Aragón.
Durante este acto sonara en la plaza el Carillón de la Diputación Provincial con
marchas alusivas a los Sitios.
Finalizado el acto, continuaremos el desfile en dirección a la Plaza de la Seo por calle
don Jaime, calle Mayor, calle Dormer, calle Cisne y calle Cuellar.
En la plaza de la Seo se realiza el tercer y último acto. Consiste en una breve
alocución del General Pinto, Comandante Militar de Zaragoza y Teruel, en recuerdo
y homenaje del General Palafox. A Su conclusión, el Batallón de Infantería
Voluntarios de Aragón hará una descarga de fusilería.
Ya para finalizar, nos encaminaremos a la plaza del Pilar, finalizando el desfile,
alrededor de las 20´30 horas, con la entrada del Cristo de la Cama en la Basílica, en
donde permanecerá hasta el miércoles 25 de febrero.
Finalizado el desfile y por lo tanto el traslado, la Hermandad de la Sangre de Cristo
realizara una ofrenda a la Virgen del Pilar.
La Hermandad de la Sangre de Cristo, con el fin de dar mayor realce a este
acontecimiento histórico, ha invitado a participar a todos aquellos Ayuntamientos e
Instituciones galardonados con la Medalla del Bicentenario “Defensor de Zaragoza”,
distinción que también ha obtenido la propia Hermandad. Han confirmado su
asistencia una representación de los Ayuntamientos de Alcañiz, Barbastro, Calatayud,
Cariñena, Chelva, Huesca, Jaca, monzón y Valencia. También han confirmado su
participación los Artilleros de Aragón, Batallón Pardos de Aragón, Batallón de
Infantería Ligera Voluntarios de Aragón, la Asociación Cultural Royo del Rabal
(ronda y escenificación de personajes históricos de la época), la Asociación Cultural
Los Sitios (personajes históricos de la época), la Hermandad de San Juan de la Peña,
la Cofradía del Santo Sepulcro, la Hermandad del santo Refugio, la Real Ilustre
Congregación de Nuestra Señora de la Soledad de Madrid y la Real Maestranza de
Caballería.
La parte musical durante el desfile correrá a cargo de la Banda de Guerra de la
Brigada de Caballería Castillejos II, de la Banda Música de la Academia General
Militar y la Ronda de jotas de la Asociación Cultural el Rabal. Durante el desfile y
con el fin de que los peaneros lleven el ritmo adecuado, les acompaña un piquete de
diez instrumentos, cuyos miembros son de la cofradía de la Institución de la Sagrada
Eucaristía, que lo harán sin los distintivos propios de la Cofradía.
Cabe destacar el estreno de una marcha procesional en las calles de Zaragoza. La
primera y ultima pieza que interprete la Banda de Música será la Marcha al Cristo de
la Cama, cuyo autor es don Abel Moreno y que fue donada a la Hermandad por la
Asociación para el Estudio de la Semana Santa.
Ernesto Millán Lázaro
Hermano Mayor
Hermandad Sangre de Cristo
The symptoms here are consistent with Taro vein chlorosis, a new virus disease of taro for Hawaii and the USA that was first reported in June 2013 by Dr. Michael Melzer (University of Hawaii at Manoa, College of Tropical Agriculture and Human Resources). We will test this leaf for the virus to confirm the diagnosis. | Location: Manoa valley, Honolulu, Hawaii
Bridge-color is port-a-potty-color as well *g
...wenn das Dixi-Klo den identischen Anstrich wie die Brücke hat...
i slept for thirty four hours out of the past forty eight
consistently and perpetually very confused in international airports,
stopping to freak out about your electronics
we have to hydrrrrate
can you trade some music with me before we leave
"oh my god, the next bed i'm going to sleep in is my girlfriends"
that has got to feel good
for real for real, now now
just now, now
we stared at two old ladies crying in the johannesburg airport one time
one of them was wearing a white shirt and the other one was wearing a maroon shirt
and they were both crying a lot and their faces were old and sad
and they hugged each other so hard, their baggy clothes hung over their bodies like nightgowns
there was something coming out of their eyes
and something coming out of their mouths
i watched them like it was my business
i saw you looking at them, too
you said, that is the saddest thing ever
i said yeah
you said they are probably never going to see each other again
i said why
you said because they are so old and one of them is going to new york city
i said do you think they know that
you said they have to have thought about it
i said yeah probably
and then one of them picked up a small bag and got in line to go through a metal detector
and the other one stood there and cried a lot
i said they looked like best friends
yeah, you said, forever
a little kid near me on an airplane
i watched him put on his baseball cap backwards
his mom took a picture of him drinking a can of coke and making a peace sign with his hands
with a kodak easycam or something
on an airplane
think about them looking at this picture later on in life
hey remember that time we rode on a plane
i would like to ride on an airplane with my grandma
and then i would also like the capability to change the way she feels about black people (in general)
i can always count on looking at this one picture of you to make me want to write something
i can always count on this one akron/family song to make me want to write something
you are installing quicktime on your computer in the airport
you are eating a muffin wrapped in a clear package that says, "ballistic muffins inc"
there is a woman in a tan business suit on the plane with yellow curly hair and nails painted white who is drinking white wine and reading white pages in a book with a red cover
she is wearing a lot of makeup and smells like perfume from a department store
she and i have no made eye contact yet but i have looked at her and vice versa
some people call these sorts of situations awkward
i guess it's just disinterest
oh, who knows
A CHINESE FUNERAL.
A Chinese burial is of such infrequent occurrence in Auckland that the funeral of a young Chinese woman, which took place on Wednesday afternoon last, aroused considerable curiosity. The deceased was a relative of Ah See, about 23 or 24 years of age, and she was buried as nearly as possible in conformity with Chinese custom. The corpse was dressed in a shroud of white liberty silk, made at the D.I.C., with a new frill round the neck and gathered in at the waist, and deposited in a coffin. The coffin was placed in a hearse and taken to Waikomiti at the fastest possible speed consistent with safety. Behind the hearse there were five carriages, the foremost occupied by a female relative of the deceased and the remaining carriages by Chinamen. As the cortege passed along the road fragments of rice paper were thrown broadcast to propitiate the gods on behalf of the deceased. On arrival at Waikomiti the coffin was deposited in a grave without ceremony, and after it had been covered large quantities of rice and other food were placed on top of the grave to keep the departed from starvation during the journey she had undertaken for another world.
paperspast.natlib.govt.nz/newspapers/AS18910424.2.24
Plot 22: Ah Shea Suzie (BDM) (21) 22/4/1891 – Enteric fever
* Removed to send to China
unmarked grave
CHINESE RESURRECTIONISTS AT WAIKUMETE.
DISINTERMENT OF CORPSES.
A GRUESOME SPECTACLE.
Time, 5.30 a.m., on a bitterly cold morning, in Waikumete Cemetery. Half-frozen, a pressman and a photographer attached to the staff of the "Graphic" make their way from the sexton's house to the furthermost corner of the cemetery, where is situated the section for Chinese and Atheists and aliens unprovided for elsewhere. A noise of hammering comes from the section, which is a good half-mile from the Anglican and Presbyterian allotments, and on arrival work found to be in full operation. The reception of our reporter and his photographic confrere is the reverse of friendly, and an immediate wrangle ensues amongst the gravediggers, evidently on the subject of the camera fiend's presence. A Chinese halfcaste European insists on their instant ejectment. The sexton, however, who has been handed proper credentials, proves a firm friend, and insists that he, and not any Chinaman, or half-caste Chinaman, is in change of the cemetery, and that he has his instructions. Things then calm down a trifle, but the work is resumed amidst much grumbling, and many vindictive and malignant glances are cast at the camera, and muttered curses uttered at the photographer as he dodges round looking for a chance shot. Once, indeed, when the shutter clicks, a furious celestial raises his pick in menace, and mutters a threat to do for the intruders, but he thinks better of it, and at the intervention of the European coffinmaker a truce is declared until arrival of "the boss." That individual presently arrives. He scans the permit; gloomily enough, and bids that the photos be taken forthwith, and the photographer and pressman depart. It toeing pointed out that there is no picture yet to take, and seeing that bluff has no effect, all active opposition as at once and finally dropped, and no difficulty put in the way of obtaining pictures or witnessing the proceedings save in giving mendacious information, lighting fires to obscure the graves with smoke, and endeavouring to tire out the patience of the reporters, etc.
By ten o'clock four graves, are opened, but owing to the non-arrival of some solder and zinc from Auckland it, is decided to open only two coffins on this occasion. The first of these contained the corpse of one Kong Shang, who died in 1891, a young Celestial of 36. It was thought that there would be nothing but dry bones there, but the stiff white clay is evidently a preservative, for when the coffin, which is full of water, is opened, it is seen that the bones have a decided covering of what had once been flesh and though drenched in carbolic acid a sickening odour makes itself felt at intervals. Directly an attempt is made to stir the body it all falls to pieces, the decomposed flesh falling off in almost imperceptible flakes, which had doubtless been dust had the grave been dry. Very carefully the impassive Chinaman in the grave rinses and unconcernedly places on a sieve a thigh bone, then some ribs, and a skull, followed by the rest of the bones, minute search, indescribable in print, being made for the smaller bones and joints. It is an intensely gruesome spectacle, and the horror is added to by the indifference to sight and smell or sentiment evinced by the Celestial workmen. The venerable clerk, a fine old fellow, with the face of an ascetic and a student, carefully tallies the bones which, having been rescoured in a large white tub, are finally dried and wrapped up, each duly docketed by the methodical old gentleman, who is evidently a most conscientious and probably deeply religious man. He, too, is fastidiously clean, and does not, one notes, eat as the others do in the midst of their noisome labours. The next body is that of a man who must have been of exceptional stature and weight for a Chinaman, and who has been dead but two years and a-half. There is much difficulty in getting this coffin to the surface, and the opening thereof, and the awful stench which completely dominated all disinfectants when the body was removed to the zinc one prepared by the European tinsmith beggars description, and may be left to the imagination. None of those whose duty called them to be present are likely to forget the experience, or to desire a renewal of the same. The soldering having been completed, it must be admitted no effluvia was discernable. The zinc coffin was then put in a rude case and packed in sawdust ready for shipment. There is no reason to think the zinc coffins will not prove effective and inoffensive under ordinary ciroumstances, and careful usage, but a fall or any accident in loading would, one imagines, have very disastrous effects. The work ceased at noon to-day. Mr Winstanley, Government Sanitary Inspector, is present, and looks after his work in so thorough a manner that no fears need be entertained by settlers or the general public. The pictures secured by the "Graphic" protographer are of a unique nature and the most gruesome details having been omitted, are quite without offence. They will be published on Wednesday.
The custom of the Chinese at home is to disinter bodies after seven years, and place the main bones in a large jar alongside the grave. It is in order to forward the bones to China for relatives to do this that the present exporting of remains is undertaken.
paperspast.natlib.govt.nz/newspapers/AS19020929.2.45
THE CHINESE CORPSES
The disinterment of the bodies of the Chinese from cemeteries throughout the colony during last, and the early part of the present month excited a good deal of interest. In Greymouth nearly 200 bodies were "resurrected" and stored in a shed in the cemetery, much to the disgust of the residents, who unsuccessfully protested against the bodies being allowed to remain above ground until the arrival of the Ventnor. The expenses of the removal of the dead Chinese to their native land, where alone their spirits could find perfect peace, was borne by their friends, the undertaking being so costly that, only the wealthier relatives could afford the expenditure, many hundreds of unhappy Celestials being obliged "to lie in cold corruption and to rot" in the cemeteries of the "foreign devil."
The exhumation of all the bodies was carried out by the one party of "resurrectionists," Chinese with a half-caste leader and a European plumber. The Chinamen carried out their gruesome work with the utmost indifference, knocking off to eat their meals immediately after handling the bodies without a thought of nauseation.
Some bodies had been interred about twenty years ago, others within the last year. In the case of those which had been reduced to skeletons the bones were carefully sorted, and packed in boxes ready for shipment. In other cases the flesh had reached an advanced stage of putrefaction, and in these the bones were stripped and similarly, treated to the skeletons of older bodies. When the bodies were still whole they were packed in air-tight coffins, soldered down, and labelled with the name of the departed.
In all eleven corpses were taken from their graves at Waikumete. These were not shipped on the Ventnor at Auckland, but were taken down the coast in smaller vessels to Wellington, and there transhipped to the Ventnor.
The Chinese in Auckland were excited on the receipt of the news of the foundering, but when questioned as to what, according to Confucianism, would become of the spirits of the sunken Celestials, they professed ignorance.
paperspast.natlib.govt.nz/newspapers/AS19021029.2.54.5
LOSS OF THE VENTNOR.
FOUNDERED NEAR HOKIANGA.
BOAT AND CREW MISSING.
HOKIANGA, October 29.
The steamer Ventnor, which left Wellington for Hongkong on Sunday, foundered off the Hokianga Bar last night at about a quarter to nine.
The Ventnor left Wellington, as stated, on Sunday, with 500 Chinese bodies and 6400 tons of coal. She was owned by Gow, Harrison and Co., of Glasgow, her port of register, and was captained by H. G. Ferry. Before she had been long out, at forty minutes after midnight on Sunday, a shock which shook the vessel from stem to stern made manifest to everyone aboard that the steamer had struck a rock, a subsequent investigation showing that the reef hit was to the southward of Cape Egmont.
The engines were at once reversed, and in a short time the vessel managed to get off. The wells were then sounded, and it was found that the vessel was making water in No. 1 hold.
The vessel was headed off shore to a safe distance, and then proceeded up the coast.
Meanwhile, the steam pumps were got to work, but from the first it was found that they were unequal to the task of coping with the inflow, and gradually the water gained, rising higher and higher in the hold.
On Tuesday morning it was found that the ballast tanks in the peak were full, putting the steamer down by the head, and making it evident that she had but a short time to float.
In the evening her bow was so far under water that she became unmanageable, and it was seen that she was gradually sinking, despite every effort that could be made.
At about 9 p.m. it became evident that the vessel was going down fast, and all hands were ordered to the boats.
These were launched by their respective crews, who immediately pulled away from the sides of the doomed vessel.
Hardly had they reached a safe distance when the vessel's stern rose in the air, and she sank, bow first.
The Hokianga Heads light was seen at a distance of about ten miles, and the boats pulled in the direction of the light.
At daylight this morning two boats arrived on the Omapere Beach, bearing fourteen of the crew, including the chief mate, John Cameron, the second and third engineers, D. Bailee and K. Muir, and two cooks, and a messman.
Mr Martin, harbourmaster, has taken the small steamer Energy out off Whangape to pick up two more boats which were sighted from the pilot station. One of these was picked up at 10 o'clock, but the other had not been reached at the time of wiring, 10.30 a.m.
Besides her crew of 31 persons, including five Chinese, the Ventnor had six Chinamen as passengers. Of the coffins 489 were insured in the Alliance Company for £5490. The fungus was insured for about £320 in various offices. She was under the charge of Captain H. Ferry, who has been seventeen years in the employment of the same company. The steamer was under charter to W. Scott Fell and Co., of Sydney, contractors. Messrs John Mill and Co., of Dunedin and Wellington, were the colonial agents.
Of the coffins 489 were shipped by the Chong Shin Tong Society, which is a branch of the big society in China called the Tai Chuen. The other ten coffins were shipped by Yei Chong, of Manners-street, and did not belong to any society.
The Ventnor's crew numbered thirty-one, and those on board included nine Chinese body attendants. These attendants of the dead are old and decrepit Chinamen, who are being sent home to China by the Chong Shin Tong, and given sufficient money to keep them from work for the remainder of their lives.
paperspast.natlib.govt.nz/newspapers/AS19021030.2.87
SS Ventnor with details of final voyage:
2025 was a really good year for moths in my garden and further afield, the consistently mild and calm evenings through late Spring in to Summer was a huge contributing factor to the diversity and numbers.
Species wise, it was my best year in the garden with 672 species recorded in my tiny village garden. Field trips were also very profitable with always something of interest turning up for the effort.
This was my first year of dipping into larger battery territory, running 1 or 2 traps from a 1500wh battery pack, this will easily run a couple of actinics or a 160w blended bulb for 6 hours, more than enough time during the summer months.
It allowed me to drive to other areas of fenland or woodland and drop it off with a trap, further away from the main base of operations (where the heavy generator would be sited).
Happy mothing all and I will see you in the new year.
1. Caloptilia falconipennella 25/03/25 - Fordham, East Cambs (New for garden) Netting at dusk seems to always throw up a good moth or two, and on a warm late March evening this was no exception, with several Caloptilia species including a garden first falconipennella which was dissected by Colin Plant. It is one of the less recorded species of Caloptilia in the county, particularly in adult form.
2. Mompha jurassicella 08/04/25 - Fordham, East Cambs (New for Cambs) Whilst out in the garden, I spotted a small moth fluttering around our shed during late afternoon, and luckily it landed! I shouted 'You are quicker than me, grab a pot'. He ran back and returned with practically a jam jar! which was way too big and wouldn't sit flush on the shiplap wood, so I told him to go and get a glass tube, quickly potted up I could already see what it might be, a regular moth in my old Herts haunt, a potential Mompha jurassicella, a few weeks later and dissection proved it to be correct.
3. Leucoptera laburnella 17/04/25 - Fordham, East Cambs (New for garden) Conditions were fairly good for late April, and with highs of 17 degrees and little wind, it was time to put the net to good use once more out on the patio. I spent close to an hour searching the sky and sweeping at tiny specks in the sky, hoping that they were moths. Now you see, when I first started this dusk netting game, I found it very difficult to differentiate between a fly and a moth, now I think i've finally cracked it. In basic analogy, flies dance and moths flutter, it's as simple as that, and once you get your eyes adjusted it becomes a breeze. The best moth netted was an extreme tiny, a Leucoptera laburnella and a garden first.
4. Choreutis nemorana 27/04/25 - Stetchworth, East Cambs (New species for me) New moths for my records are few and far between now, having chased moths for nigh on two decades. So you can imagine my excitement when I saw a presumed Nettle-tap, land on a leaf whilst at work, which then turned out to be my first Choreutis nemorana. I ran back to the van for a pot (my prune tub), came back and it was still there! Note to self (again), when you've used a pot up in your pocket the previous day, replace it ready for the next day.
5. Cydia servillana 28/04/25 - Fordham, East Cambs (New species for me) The best moth on a busy April night was a new moth for me, netted at dusk (the deadly method strikes again) a spankingly fresh Cydia servillana was very pleasing. I did have the lure for this particular species hanging in my garden at the time, so maybe just maybe it was mildly attracted to the scent? who knows, but it was the first time i've used the lure in the garden.
6. Coleophora otidipennella 30/04/25 - Chippenham Fen, East Cambs (New species for me & 2nd for Cambs) 69 species were recorded over the 4 hours at my local fen despite it rapidly cooling down after midnight. Best moth for me was a confirmed Coleophora otidipennella, a fairly distinct looking Coleophora with streaky white stripes on a grey background.
7. Grey Carpet 11/05/25 - Cavenham Heath, West Suffolk (New species for me) I did my (what it turned out to be) annual trip to Cavenham Heath during May, I really must do more than 1 trip a year here in 2026. It is a superb site and i've had great success in the daytime netting, although the Horse-flies can be quite problematic. A single Grey Carpet was a new moth for me. It is a nationally threatened species with it's UK stronghold around the Thetford area, so it was nice after 3 years of trying to see one, to finally nab the moth.
8. Teleiopsis diffinis 11/05/25 - Cavenham Heath, West Suffolk (New form for me) Amongst 10 Teleiopsis diffinis recorded on the night of the Cavenham Heath trip, one stood out as being 'odd' an unusual brown form that seems rarely recorded was worthy of a mention on this list.
9. Phtheochroa schreibersiana 17/05/25 - Fordham Hedgerows, East Cambs (New species) A few minutes in, netting at my local mature hedgerows, I didn't expect to get a new moth for me! A slightly shabby but equally impressive Phtheochroa schreibersiana. This fantastic little micro that came from a mixed deciduous hedge. With only a handful of Cambs records, I considered it an extremely lucky capture during an hour walk with the net.
10. Tinagma ocnerostomella 28/05/25 - Fordham, East Cambs (New for garden) The best moth of the night was the rare and tiny Tinagma ocnerostomella, with it's fairly plain grey speckled wings and it's distinct 'Terminator' eye. The eye proved very hard to get a photograph of as the light wouldn't play ball. The moth was a nightmare itself to calm down as it raced around the pot even after fridging it. Then I lost it! with just a pot photo oops. Then luckily I caught another and then another. I think I ended up recording 5 during the course of the year.
11. Alder Kitten 30/05/25 - Fordham, East Cambs (New species for me) A gloriously marked Alder Kitten was the highlight of a busy trap of 80 species, a May record for here. This completes the Kitten checklist for my garden.
12. Elegia similella 09/06/25 - Fordham, East Cambs (2nd for Cambs) Elegia similella Represented the 878th moth species for the garden at the time of going to press, and a second record for Cambs to boot. A moth that was more regular in broad-leaved ancient woodland in my old stomping ground in Hertfordshire. Even better was that I recorded another on the 26th.
13. Monochroa tenebrella 13/06/25 - Fordham, East Cambs (3rd for Cambs) After recording the first and the second of this species for Cambs in years past (In the garden and at Chippenham Fen) It was great but less surprising to record another at home. Sheep's Sorrel is its foodplant, and there are areas where it grows in dense sporadic patches locally.
14. Monopis fenestratella 19/06/25 - Fordham, East Cambs (Not seen in Cambs since 1877) Probably my best moth of the year, a drab little Tinea species. Luckily it didn't need the chop to get to species level. Monopis fenestratella is a jittery Tinea species that just wouldn't sit still. Finally it cooled down in the fridge for a few hours I was able to get it under a hand lens and notice that it wasn't all the same colour, with pale patches dorsally and ventrally, and a distinctive opaque window marking (fenestra meaning window in Latin). A new moth for me, and even more exciting was that it hadn't been seen in the county since 1877, which was the 1st British record! Since there have been less than 12 records nationwide.
15. Scarlet Tiger(s) 25/06/25 - Chippenham Fen, East Cambs (Sheer Abundance) The most shocking thing that happened on my late June trip to Chippenham Fen was a huge influx of Scarlet Tigers, counting over 500 in and around one trap, and a further 200 odd in the grass and on the walls, I then went to the next trap, and it was the same! All 4 traps were like this, so a conservative estimate would be around the 2500 mark, utter madness and sadly it was hard to see past them all and pick out the micros.
16. Small Mottled Willow 29/06/25 - Fordham, East Cambs (New for garden) A migrant moth that has particularly good years and on others it is almost absent. This year was a good one, and I was lucky to bag two, one at home and one at my local nature reserve.
17. Hornet Moth 04/07/25 - Fordham, East Cambs (New for garden) When I got home from work, I did the lure bucket trap rounds and saw a large yellow moth buzzing around inside one of them. It was to be a garden first Hornet Moth (In the initial excitement I mis-identified it as a Lunar). An excellent garden record and the 9th Clearwing species to be recorded in my garden, even better was that overnight I had two Hornets arrive at my trap, so it was nice to pop them side by side, showing the differences and also the similarities side by side.
18. Ypsolopha vittella 06/07/25 - Fordham, East Cambs (New for garden) At the start of July there was a real drop in species and numbers of moths, with cooler conditions throughout the day and night, a north breeze was blowing into the garden (being north facing made this worse). But it was well worth the effort of getting up at 4am, as there was a tiny non-descript moth on one of the outer egg trays that I didn't initially recognise.
A quick fumble with a glass tube and it was safely retained for a better look.
The moth turned out to be Ypsolopha vittella, a first for the garden and the 8th species of Ypsolopha to be recorded here.
19. Mompha sturnipennella 10/07/25 - Fordham, East Cambs (New for garden) A species I am familiar with from trapping on chalk grassland in Hertfordshire a couple of times. The biggest of the group, and when fresh like this one, sports black longitudinal streaks.
20. Depressaria sordidatella 10/07/25 - Hadstock, NW Essex (3rd for Essex) A second visit to this small nature reserve yielded some lovely moths. Of note was at least 20 Magpie Moths. One micro really stood out as something different, and indeed it was. I sent the moth off to Chris Lewis in Essex, and the genitalia dissection came back as Depressaria sordidatella a moth I recorded once on my parents old farm in Hertfordshire, a similar chalky habitat and both sites being roughly 400m above sea level. This record being the 3rd for Essex.
21. Isophrictis striatella 13/07/25 - Fordham, East Cambs (New for garden) An unexpected species here. The caterpillars feed on the stems of Tansy & Sneezewort, neither of which I have seen locally. There are currently 7 county records, all at one site on the south Cambs/north Herts at RSPB Fowlmere, so a very good record indeed, and only my 2nd record of this species having taken my first one in Bedfordshire in 2021.
22. Acrobasis tumidana 14/07/25 - Fordham, East Cambs (2nd for garden) Another migrant that has done well this year, much like the Small Mottled Willow. I recorded 4 in the garden in 2025. It can be distinguished from the similar Acrobasis repandana by the ridge of reddish raised scale tufts next to a white crossbar.
23. Ground Lackey 17/07/25 - Wells-next-the-Sea, Norfolk (2nd for Norfolk) My first time at this site, which is technically a car park near the sea, I won't over-glamourise it! It did well though, with a spectacular female Ground Lackey, only the 2nd record for Norfolk, a female was found out of habitat in Norwich in 2013. My previous records have come from Dungeness.
24. Scrobipalpa nitentella 17/07/25 - Wells-next-the-Sea, Norfolk (New species for me) A new moth for me, and there were several present to the trap nearest the sea. It is listed as one of the more regular Scrobipalpa along the coastlines of Norfolk.
25. Dark Crimson Underwing 18/07/25 - Fordham, East Cambs (New species for me) Some real quality moths as we headed just past the peak of moth trapping. A brand new moth for my records, a stunning Dark Crimson Underwing took top spot, the third Catocala species to grace my garden trap (Red & Blue being the other two). I have seen this moth before at Bramfield Woods in Hertfordshire, where two came to Trevor Brownsell's trap, but it felt like cheating ticking them off!
26. Scythris limbella 18/07/25 - Fordham, East Cambs (New for garden) The best micro on the same night as 'big red', were not one but two Scythris limbella. My first encounter of this species was in 2017 in Hertfordshire.
27. Jersey Mocha 19/07/25 - Fordham, East Cambs (New for garden & 2nd for Cambs) A cooler night and it seemed the early rise wouldn't be worth it, with lots of repeats of brown moths. However, it only takes one moth to be worth it. Jersey Mocha was rather unexpected to say the least. It was to be the 2nd county record for Cambridgeshire, with the 1st one recorded in 2019 in Stretham. My first one was also extremely unexpected when Ian Bennell and I took one in Hertfordshire in 2016, nearly a decade ago! And then a second one turned up on the 8th of September, unbelievable.
28. Hellinsia carphodactyla 16/08/25 - Fordham, East Cambs (New for garden) I was extremely pleased to pot up a Hellinsia plume species on the fence early evening in mid August. This is my second of this genus after taking Mugwort Plume (Hellinsia lienigianus) 3 years on a trot. This newest addition being the Citron Plume (Hellinsia carphodactyla) and was the 909th species for the garden.
29. Dark Spinach 19/08/25 - Fordham, East Cambs (New for garden) Another new macro moth was a really fresh Dark Spinach on the 19th of August. It is one i've taken a few times before in Essex, and more recently in nearby Norfolk, a stunning looking moth.
30. Coleophora lineolea 20/08/25 - Fordham, East Cambs (New species for me) Coleophora lineolea is a species I have never seen before, so I was very pleased to get two to my trap late on in the year. I must get out more to look for the larval cases next year.
31. Chevron 02/09/25 - Fordham, East Cambs (New for garden) An expected species eventually I guess, a regular species at Wicken & Chippenham Fen and I've also taken it over the border in Norfolk a few times. Lively and hard to photograph!
32. Apomyelois bistriatella 08/09/25 - Fordham, East Cambs (New species for me) Back on the 8th of September I potted up a rather dark pyralid that was flittering around the trap. initially it looked like a dark Ephestia species, but when brought inside and under a hand lens in good light, revealed that it was infact the scarce moth, Apomyelois bistriatella.
A new moth for me and my garden. There are a few records from one site in Cambridge but that is it (although there are no photographs available I assume these records are correct).
33. Four-spotted Footman 09/09/25 - Fordham, East Cambs (New for garden) Best moth of the night went to the migrant Four-spotted Footman. A seemingly good year for this species in the south and east. I recorded another a week later and whilst on holiday in Hampshire back in August.
34. Agonopterix propinquella 17/09/25 - Fordham, East Cambs (New for garden) A very welcome Agonopterix propinquella was potted up on a breezy night, I get subpropinquella regularly here, the slightly larger cousin to this species.
35. Epinotia caprana/maculana 16/10/25 - Fordham, East Cambs (New for garden) The most interesting moth of the night was a medium sized micro moth, a tortrix spotted on the vanes of my actinic trap. Identifying it as one of the Epinotia species, things would get trickier now once it was potted!
A unincolorous form, so not easy to identify. I've ruled out sordidana on the darker hindwing, and leaning more towards caprana with the dark streak present, but then it could be maculana! A difficult one that will no doubt lead to dissection eventually, unless someone can enlighten me. Specimen retained for the time being.
36. Crocidosema plebejana 07/11/25 - Fordham, East Cambs (New for garden) Crocidosema plebejana, a small migrant moth much like Plutella xylostella and Udea ferrugalis. I get these sporadically at various sites, but never in the garden, until this night.
Paris by night by Pamela Hanson , Red Carpet Beverly Hills Charity Event, Simply Consistent
simplyconsistent.com/non-profit
The SILENT AUCTION OF ORIGINAL WORKS BY ACCLAIMED PHOTOGRAPHERS, including work from the private collections of STEVEN MEISEL, Inez Vindoodh, Pamela Hansen as well as other top fashion photographers. All proceeds WILL BENEFIT CHARITY. The goal of the event is to raise awareness, as well as critical funding for the treatment of Fibromyalgia Syndrome.
One more step in Simply Consistent 's mission to help America's Children !
Kathleen Checki
Please check out our latest video in our mission to help America's children..
"IMAGINE PEACE (Maps)" (2003/2007)
by Yoko Ono
maps, rubber stamps, badges
maps: variable dimensions
rubber stamps: 2 3/4 x 3 3/4 x 7/8 inches
badges: 1 3/8 inches diameter
" IMAGINE PEACE
Yoko Ono, among the earliest of artists working in the genre known
Conceptual Arts, has consistently employed the theme of peace
and used the medium of advertising in her work since the early 1960s.
Yoko Ono Imagine Peace Featuring John & Yoko's Year of Peace
explores these aspects of her work over the course of more than
forty years.
Three recent pieces - Imagine Peace (Map) (2003/2007); Onochord
(2003/2007); and Imagine Peace Tower (2006/2007) - offer gallery
visitors to an opportunity to participate individually and collectively
with the artist in the realization of work. Consider the world with
fresh eyes as you stamp the phrase "Imagine Peace" on the location
of your choice on maps provided for this purpose. Using postcards
provided send your wishes to the Imagine Peace
Tower in Reykjavik, where they will shine on with eternally more than
900,000 others. Or beam the message "I Love You" to one and all
using the Onochord flashlights. Take a flashlight and an Imagine
Peace button, the artist's gift to you, and carry the message out into the
world. As Ono has often observed, "the dream you dream alone is
just the dream, but the dream we dream together is reality."
The exhibition continues in nine locations with Imagine
Peace/Imaginate La Paz billboards across the San Antonio region.
YOKO ONO IMAGINE PEACE Featuring John & Yoko's Year of Peace is made
possible by the generosity by Bjom's Audio Video-Home Theater, Colleen
Casey and Tim Maloney, Clear Channel Outdoor, Rick Liberto, Smothers
Foundation, and Twin Sisters Bakery & Cafe. "
" John & Yoko's Year of Peace (1969 - 70)
Ono's Imagine Peace project carries conceptual and formal
strategies the artist had employer from the earliest years of her
career, not only in her seminal solo works, but in her collaborations
with John Lennon. In 1965, she created works specifically for the
advertising pages of The New York Arts Calendar. Picking up from
her Instructions for Paintings, a 1962 exhibition at Tokyo's Sogetsu Art
Center in which she exhibited written texts on the gallery walls
designed to inspire viewers to create the described images in their
minds, Ono created purely conceptual exhibitions with her
Is Real Gallery works.
The theme of peace is also evident in works sush as White Chess Set,
recreated here as Play It By Trust (Garden Set version) (1966/2007).
Lennon's songwriting during this period had shifted from more
conventional themes of romantic love to grander anthems for the
Flower Power generation. The Baetles' worldwide satellite broadcast
of Lennon's "All You Need Is Love" in the summer of 1967 featured a
parade of signs with the word "love" in multiple languages.
The couple's most famous collaborative works, the Bed-Ins (1969)
and the War Is Over! campaign (1969 - 1970), were conceived as
elements of a large peace advertising campaign. The Bed-Ins took
advantage of the inordinate amount of press attention the couple
received by inviting the world press to their honeymoon suite where
they talked about peace! Ono told Penthouse magazine's Charles
Childs: "Many other people who are rich are using their money for
something they want. They promote soap, use advertising
propaganda, what have you. We intend to do the same."
In December of 1969, they launched their War Is Over! campaign, a
project that included billboards and posters in 11 cities of the world
simply declaring "War Is Over! If You Want It. Happy Christmas from
John & Yoko." As with Ono's earliest instruction pieces, viewers were
invited to transform their dreams into reality. Ono has explained,
"All my work is a form of wishing." "
YOKO ONO: IMAGINE PEACE Featuring John & Yoko's Year of Peace
September 26th - October 28th, 2007
UTSA Art Gallery / Department of Art and Art History
The University of Texas at San Antonio
Toronto, Ontario, Canada
Toronto is Canada's largest city, the fourth largest in North America, and home to a diverse population of about 2.8 million people. It's a global centre for business, finance, arts and culture and is consistently ranked one of the world's most livable cities.
Toronto is a city in Canada and the provincial capital of Ontario. It is located in Southern Ontario on the northwestern shore of Lake Ontario, with the original city area lying between the Don and Humber rivers.
For more information on visiting Toronto visit:
For more information on visiting Canada visit:
us-keepexploring.canada.travel/
********
About this day of the trip:
Day 2
Niagara Falls - Niagara Falls Canada - Toronto (83 miles)
We will continue our tour Niagara Falls by heading into Canada to take the Hornblower Cruise boat ride and see an informational movie at the IMAX Theater. We will also ascend the Skylon Tower. The tour then departs for Toronto, ON, one of Canada's largest cities. There we will visit the CN Tower and guests will have the option to take a Lake Ontario Cruise. During the winter when the cruise is not running, we will instead visit Casa Loma. We will have dinner in historical Chinatown.
Niagara Falls Canada, Canada
Skylon Tower This observation tower on the Canadian side of Niagara Falls offers a bird's-eye views of one of the world's favorite natural wonders. The tower stands 520 feet from street level and 775 feet from the bottom of the falls.
Rainbow Bridge The Rainbow Bridge across the Niagara River connects Niagara, Ontario to Niagara, New York. It is an international landmark and impressive architectural feat. In addition to private vehicles, pedestrians and bikes can cross the bridge for a small toll.
Niagara Falls IMAX This amazing movie experience, presented on an unbelievable IMAX screen, chronicles more than 12,000 years of history and examines human interaction with the falls from ancient time through the people-- like you-- who come to see them today.
Hornblower Niagara Cruise Get ready to get wet: this world-famous boat ride takes passengers as close to the falls as it is possible to get. Formerly Maid of the Mist, Hornblower now runs Niagara cruise operations on the Canadian side of the Falls.
Skylon Revolving Restaurant Lunch The impressive Skylon Tower, jutting into the air above Niagara Falls, features the Revolving Dining Room, a one-of-a-kind eatery the makes a full revolution every hour. Sitting just below the observation deck, guests can enjoy views and food!
Toronto, ON
Lake Ontario Cruise Lake Ontario Cruises offer gorgeous views of the city of Toronto from the waters of Lake Ontario, one of the famous Great Lakes of North America. See the city of Toronto and the surrounding area in a new way!
Toronto City Hall This unique building complex is one of the most famous in Toronto, and also the home of the city's municipal government. The Toronto City Hall offers self-guided tours which are available in five languages (including English).
University of Toronto Routinely placed in the top 30 institutions of higher learning in the world, the University of Toronto has been educating the masses since 1827. Widely considered the best university in Canada, it is known for its pioneering research.
Casa Loma This century-old Gothic-style house in Toronto was originally the home of financier Sir Henry Mill Pellatt. Today, it serves as a museum that showcases the history of life in Toronto and what life was like in the early 1900s.
CN Tower Toronto's CN Tower is a Canadian icon and one of the most recognizable North American buildings. Made entirely of concrete, this massive monolith was the tallest structure in the world at the time of its completion in 1976.
Ontario Legislative Building The Ontario Legislative Building in Toronto, Ontario, Canada is the seventh structure to function as the parliamentary building of the province of Ontario. This impressive building is in the Richardsonian Romanesque architectural style and was built in 1893.
Chinatown One of the largest Chinatowns in North America is located in downtown Toronto, Ontario. Toronto contains several Chinatowns. This one is the oldest, dating back to the 1870s, and the historical area features many authentic groceries, restaurants, and shops.
Toronto Chinese Dinner Treat yourself to a specialty dinner in one of the largest Chinatowns in the Western Hemisphere! Freshly-cooked meats and vegetables decorate the windows of the esteemed restaurants, from whole cooked ducks to beef ribs and so much more. Enjoy!
Deluxe Hotel: Crowne Plaza or similar
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3-Day Niagara Falls, Toronto Canada Tour from New York
Tour Code: 655-68
July 11th, 12th, 13th 2014
Visit:
Watkins Glen State Park New York
Niagara Falls, NY USA
Thundering Water Cultural Show
USA / Canada international border crossing on Rainbow Bridge from New York United States of America to Ontario Canada
Niagara Falls, Ontario Canada
Skylon Tower
Niagara Falls IMAX
Hornblower Niagara Cruise
Skylon Revolving Restaurant Lunch
Toronto which is the largest city in Canada
Lake Ontario Cruise
Toronto City Hall
University of Toronto
CN Tower
Ontario Legislative Building
Chinatown
Toronto Chinese Dinner
Thousand Islands, Ontario Canada
Thousand Islands Cruise
Thousand Islands Cruise Breakfast
Thousand Islands Tax and Duty Free Store in Lansdowne, Ontario Canada
Canada / USA international border crossing Thousand Islands Bridge from Hill Island, Ontario, Canada across the Saint Lawrence River to Wellesley Island, New York, United States of America
For more information on the 3-Day Niagara Falls, Toronto Canada Tour from New York visit:
www.taketours.com/new-york-ny/3-day-toronto-niagara-falls...
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Hashtag metadata tag
#Canada #Canadian #Toronto #TorontoCanada #CityofToronto #TorontoCity #CityToronto #Ontario #TorontoOntario #TorontoOntarioCanada #LakeOntario #The416 #HollywoodNorth #TO #T.O. #Tee-Oh #TeeOh #T-dot #Tdot #CNTower #VisitToronto #VisitCanada
Photo
Toronto city, Ontario province, Canada country, North America continent
July 12th 2014
Visita nuestro Blog de Semana Santa en:
asociacionredobles.blogspot.com
Actos que se van a desarrollar durante la conmemoración del 200º aniversario del
rescate del Cristo de la Cama, consistente en el traslado de la Imagen desde la Iglesia
de Santa Isabel de Portugal (vulgo San Cayetano) a la Basílica del Pilar.
El rescate se produjo el 17 de febrero de 1809 del Convento de San Francisco, lo que
actualmente es la Diputación Provincial. El día 10 los franceses volaron el Convento,
que era defendido por unos cuantos aragoneses y por los voluntarios de Valencia. El
día 17, María Blánquez entro en el convento y vio que todos los pasos que
procesionan en Semana santa, quince en total, estaban destruidos, salvo el Santísimo
Cristo de la Cama, que estaba indemne en su Capilla de la Hermandad. Salió a la
calle, cogió a cuatro hombres, volvió a entrar al convento y todos ellos cogieron al
Cristo de la cama. Lo llevaron primero a la parroquia de la santa Cruz, después a la
de Santiago y finalmente al Palacio Arzobispal, lugar en donde vivía el general
Palafox, que enfermo lo venero y ordeno fuera llevado al interior de la Basílica del
Pilar, siendo colocado en el Altar de los convertido mirando a su Madre, la virgen del
Pilar.
Este hecho es el que conmemoramos.
A las 18´00 horas se oirá en la Ciudad de Zaragoza a los Artilleros de Aragón
anunciando el comienzo de la procesión cívico religiosa.
Con la salida desde San Cayetano de la Bandera de la Hermandad de la Sangre de
Cristo dará comienzo la procesión, encontrándose el resto de participantes ubicados
en la plaza. Seguidamente saldrá la peana, portada a varal, del Cristo de la Cama. Lo
hará con un toque preparado para la ocasión por la Sección de Tambores de la
Hermandad de San Joaquín y Virgen de los Dolores. Una vez que nuestro Cristo de la
Cama este en la plaza sonara el Himno Nacional interpretado al órgano por Ignacio
Navarro Gil.
Finalizado el himno, se descubrirá una placa en cerámica de Muel, promovida por la
Asociación Cultural Redobles. Dicha placa será descubierta por el Ilmo. Sr. D.
Francisco Javier Lambán Montañés, o persona en quien en delegue, acompañado por
el Hermano Mayor de la Hermandad de la Sangre de Cristo. A la vez que se descubre
la placa, don José Antonio Armillas, Comisario del Bicentenario glosara brevemente
la figura de María Blánquez y lo que ella significo.
Finalizado este acto, dará comienzo en sí el desfile.
Por la calle Manifestación, calle Alfonso y calle Coso, nos dirigiremos a la plaza de
España, en donde se realiza el segundo acto del desfile. Este consiste en depositar dos
coronas de laurel. La primera en la placa que recuerda al Convento de San Francisco
y la segunda en el monumento a los Mártires.
La del Convento de San Francisco será portada por mujeres ataviadas con el traje
regional, en recuerdo y homenaje a María Blánquez. Entregada por don Francisco
Javier Lambán Montañés (o persona en quién delegue), le acompañaran el
Comandante Militar de Zaragoza, General Juan Pinto y el Hermano Mayor de la
Sangre de Cristo. La recibirán dos soldados del Batallón Pardos de Aragón.
La segunda corona, la entregara don Juan Alberto Belloch Julve (o persona en quién
delegue), acompañado también por el Comandante Militar y el Hermano Mayor,
siendo recibida por dos soldados del Batallón de Infantería Voluntarios de Aragón.
Durante este acto sonara en la plaza el Carillón de la Diputación Provincial con
marchas alusivas a los Sitios.
Finalizado el acto, continuaremos el desfile en dirección a la Plaza de la Seo por calle
don Jaime, calle Mayor, calle Dormer, calle Cisne y calle Cuellar.
En la plaza de la Seo se realiza el tercer y último acto. Consiste en una breve
alocución del General Pinto, Comandante Militar de Zaragoza y Teruel, en recuerdo
y homenaje del General Palafox. A Su conclusión, el Batallón de Infantería
Voluntarios de Aragón hará una descarga de fusilería.
Ya para finalizar, nos encaminaremos a la plaza del Pilar, finalizando el desfile,
alrededor de las 20´30 horas, con la entrada del Cristo de la Cama en la Basílica, en
donde permanecerá hasta el miércoles 25 de febrero.
Finalizado el desfile y por lo tanto el traslado, la Hermandad de la Sangre de Cristo
realizara una ofrenda a la Virgen del Pilar.
La Hermandad de la Sangre de Cristo, con el fin de dar mayor realce a este
acontecimiento histórico, ha invitado a participar a todos aquellos Ayuntamientos e
Instituciones galardonados con la Medalla del Bicentenario “Defensor de Zaragoza”,
distinción que también ha obtenido la propia Hermandad. Han confirmado su
asistencia una representación de los Ayuntamientos de Alcañiz, Barbastro, Calatayud,
Cariñena, Chelva, Huesca, Jaca, monzón y Valencia. También han confirmado su
participación los Artilleros de Aragón, Batallón Pardos de Aragón, Batallón de
Infantería Ligera Voluntarios de Aragón, la Asociación Cultural Royo del Rabal
(ronda y escenificación de personajes históricos de la época), la Asociación Cultural
Los Sitios (personajes históricos de la época), la Hermandad de San Juan de la Peña,
la Cofradía del Santo Sepulcro, la Hermandad del santo Refugio, la Real Ilustre
Congregación de Nuestra Señora de la Soledad de Madrid y la Real Maestranza de
Caballería.
La parte musical durante el desfile correrá a cargo de la Banda de Guerra de la
Brigada de Caballería Castillejos II, de la Banda Música de la Academia General
Militar y la Ronda de jotas de la Asociación Cultural el Rabal. Durante el desfile y
con el fin de que los peaneros lleven el ritmo adecuado, les acompaña un piquete de
diez instrumentos, cuyos miembros son de la cofradía de la Institución de la Sagrada
Eucaristía, que lo harán sin los distintivos propios de la Cofradía.
Cabe destacar el estreno de una marcha procesional en las calles de Zaragoza. La
primera y ultima pieza que interprete la Banda de Música será la Marcha al Cristo de
la Cama, cuyo autor es don Abel Moreno y que fue donada a la Hermandad por la
Asociación para el Estudio de la Semana Santa.
Ernesto Millán Lázaro
Hermano Mayor
Hermandad Sangre de Cristo
Visita nuestro Blog de Semana Santa en:
asociacionredobles.blogspot.com
Actos que se van a desarrollar durante la conmemoración del 200º aniversario del
rescate del Cristo de la Cama, consistente en el traslado de la Imagen desde la Iglesia
de Santa Isabel de Portugal (vulgo San Cayetano) a la Basílica del Pilar.
El rescate se produjo el 17 de febrero de 1809 del Convento de San Francisco, lo que
actualmente es la Diputación Provincial. El día 10 los franceses volaron el Convento,
que era defendido por unos cuantos aragoneses y por los voluntarios de Valencia. El
día 17, María Blánquez entro en el convento y vio que todos los pasos que
procesionan en Semana santa, quince en total, estaban destruidos, salvo el Santísimo
Cristo de la Cama, que estaba indemne en su Capilla de la Hermandad. Salió a la
calle, cogió a cuatro hombres, volvió a entrar al convento y todos ellos cogieron al
Cristo de la cama. Lo llevaron primero a la parroquia de la santa Cruz, después a la
de Santiago y finalmente al Palacio Arzobispal, lugar en donde vivía el general
Palafox, que enfermo lo venero y ordeno fuera llevado al interior de la Basílica del
Pilar, siendo colocado en el Altar de los convertido mirando a su Madre, la virgen del
Pilar.
Este hecho es el que conmemoramos.
A las 18´00 horas se oirá en la Ciudad de Zaragoza a los Artilleros de Aragón
anunciando el comienzo de la procesión cívico religiosa.
Con la salida desde San Cayetano de la Bandera de la Hermandad de la Sangre de
Cristo dará comienzo la procesión, encontrándose el resto de participantes ubicados
en la plaza. Seguidamente saldrá la peana, portada a varal, del Cristo de la Cama. Lo
hará con un toque preparado para la ocasión por la Sección de Tambores de la
Hermandad de San Joaquín y Virgen de los Dolores. Una vez que nuestro Cristo de la
Cama este en la plaza sonara el Himno Nacional interpretado al órgano por Ignacio
Navarro Gil.
Finalizado el himno, se descubrirá una placa en cerámica de Muel, promovida por la
Asociación Cultural Redobles. Dicha placa será descubierta por el Ilmo. Sr. D.
Francisco Javier Lambán Montañés, o persona en quien en delegue, acompañado por
el Hermano Mayor de la Hermandad de la Sangre de Cristo. A la vez que se descubre
la placa, don José Antonio Armillas, Comisario del Bicentenario glosara brevemente
la figura de María Blánquez y lo que ella significo.
Finalizado este acto, dará comienzo en sí el desfile.
Por la calle Manifestación, calle Alfonso y calle Coso, nos dirigiremos a la plaza de
España, en donde se realiza el segundo acto del desfile. Este consiste en depositar dos
coronas de laurel. La primera en la placa que recuerda al Convento de San Francisco
y la segunda en el monumento a los Mártires.
La del Convento de San Francisco será portada por mujeres ataviadas con el traje
regional, en recuerdo y homenaje a María Blánquez. Entregada por don Francisco
Javier Lambán Montañés (o persona en quién delegue), le acompañaran el
Comandante Militar de Zaragoza, General Juan Pinto y el Hermano Mayor de la
Sangre de Cristo. La recibirán dos soldados del Batallón Pardos de Aragón.
La segunda corona, la entregara don Juan Alberto Belloch Julve (o persona en quién
delegue), acompañado también por el Comandante Militar y el Hermano Mayor,
siendo recibida por dos soldados del Batallón de Infantería Voluntarios de Aragón.
Durante este acto sonara en la plaza el Carillón de la Diputación Provincial con
marchas alusivas a los Sitios.
Finalizado el acto, continuaremos el desfile en dirección a la Plaza de la Seo por calle
don Jaime, calle Mayor, calle Dormer, calle Cisne y calle Cuellar.
En la plaza de la Seo se realiza el tercer y último acto. Consiste en una breve
alocución del General Pinto, Comandante Militar de Zaragoza y Teruel, en recuerdo
y homenaje del General Palafox. A Su conclusión, el Batallón de Infantería
Voluntarios de Aragón hará una descarga de fusilería.
Ya para finalizar, nos encaminaremos a la plaza del Pilar, finalizando el desfile,
alrededor de las 20´30 horas, con la entrada del Cristo de la Cama en la Basílica, en
donde permanecerá hasta el miércoles 25 de febrero.
Finalizado el desfile y por lo tanto el traslado, la Hermandad de la Sangre de Cristo
realizara una ofrenda a la Virgen del Pilar.
La Hermandad de la Sangre de Cristo, con el fin de dar mayor realce a este
acontecimiento histórico, ha invitado a participar a todos aquellos Ayuntamientos e
Instituciones galardonados con la Medalla del Bicentenario “Defensor de Zaragoza”,
distinción que también ha obtenido la propia Hermandad. Han confirmado su
asistencia una representación de los Ayuntamientos de Alcañiz, Barbastro, Calatayud,
Cariñena, Chelva, Huesca, Jaca, monzón y Valencia. También han confirmado su
participación los Artilleros de Aragón, Batallón Pardos de Aragón, Batallón de
Infantería Ligera Voluntarios de Aragón, la Asociación Cultural Royo del Rabal
(ronda y escenificación de personajes históricos de la época), la Asociación Cultural
Los Sitios (personajes históricos de la época), la Hermandad de San Juan de la Peña,
la Cofradía del Santo Sepulcro, la Hermandad del santo Refugio, la Real Ilustre
Congregación de Nuestra Señora de la Soledad de Madrid y la Real Maestranza de
Caballería.
La parte musical durante el desfile correrá a cargo de la Banda de Guerra de la
Brigada de Caballería Castillejos II, de la Banda Música de la Academia General
Militar y la Ronda de jotas de la Asociación Cultural el Rabal. Durante el desfile y
con el fin de que los peaneros lleven el ritmo adecuado, les acompaña un piquete de
diez instrumentos, cuyos miembros son de la cofradía de la Institución de la Sagrada
Eucaristía, que lo harán sin los distintivos propios de la Cofradía.
Cabe destacar el estreno de una marcha procesional en las calles de Zaragoza. La
primera y ultima pieza que interprete la Banda de Música será la Marcha al Cristo de
la Cama, cuyo autor es don Abel Moreno y que fue donada a la Hermandad por la
Asociación para el Estudio de la Semana Santa.
Ernesto Millán Lázaro
Hermano Mayor
Hermandad Sangre de Cristo
Who here likes consistency? You know, that warm, familiar feeling every time you go to Taco Bell (going down or out.. up to you)... very consistent? You've been there enough times and you've generally had all their menu items and your opinion is that "it's alright". Then there's that one time out of the blue, you decide to try something vegetarian off the Fresco menu, only to realize it was a horrible, horrible mistake? Well, that's kind of like what happened with this particular entry: Figma Megumin from Kono Sabarashii Sekai ni Shyukufuku wo!.. however you pronounce that.
As with 99% of the magical girl entries on my list, I know nothing about the actual character. Couple of Wiki pages presents a personality that, as expected, fits the way she looks. As taken from a Fandom page:
"Megumin is a straightforward girl, who speaks in an old-style Japanese dialect. She can be very hyper and lively at times and has chuunibyou tendencies like the rest of the Crimson Demon villagers. She is very intelligent, but has very little self-control, especially when it comes to using Explosion magic. She has no problem wasting her spell on empty plains or abandoned castles, as long as she can use Explosion once a day."
There seemed to be quite a bit of excitement when the figure was announced a while back, so as I always do, I found a decent deal on one that had a few issues while out and about, figuring "it's a Figma, it'll be alright" and away I went. The issues being that this was an Amazon Warehouse deal, so it wasn't complete, though the only thing that was missing was the instruction manual. The peg holding her cape in place had snapped off, and her head wasn't in place, of which the latter I figure I could just go home and pop that sucker right back in because, well, wouldn't be the first time a head came off a Figma after being jostled.
Well, jokes on me. After trying with no success, I took to the Internet, and read a crap ton of negative reviews on this figure, ranging from poor QC to horrible design. The head thing? Wasn't the only one; several complaints on Amazon said the same thing, with most not even bothering to try to attach the head. I had to grind the hole to widen it before the neck joint would actually fit, and now it's a bit loose and prone to falling off. I read stories of the staff showing up broken. Seems overall, these Konosuba girls (as they are called) have been plagued with QC issues.. I'm glad I didn't pay MSRP on this figure, let me tell you.
Megumin comes with a typical payload when it comes to Figma. There's the figure, three total face plates (slight smile, attacking, scared), her hat, her cape, alternate hair with eye patch, energy effect for eye, staff, purple orb for staff, spell effect with staff end for attaching said effect, her Familiar Chomosuke, six additional hands plus one dedicated spell casting hand, and the usual Figma stand.
Based on the screen caps I've seen, it appears that overall, Max Factory has captured the overall silhouette of Megumin herself, and her look when equipped with her gear. Of course, she's a lanky Japanese school girl, so not exactly hard for Figma to replicate. Chomosuke is freakin' adorable.. not quite Kirby adorable, but pretty damn close. Sculpting details are up to snuff, with clean fingers, good texture detailing on the outfit, and some minor muscle definition on her bare back. Face plates look spot on.
Articulation is pretty typical for a Figma.. when she doesn't have her cape on. You have full motion ankles, single jointed knees, full motion hips, waist, mid torso movement, full motion shoulders combined with bicep swivel, standard elbows, wrists, and head articulation. Mid torso movement is limited due to the joint being embedded inside her outfit, which is a soft rubber material. I'm not sure if it's like this for all the recent Figma (I'm kind of behind schedule), but Megumin features this hinged joint which allows for a deeper range of motion when it comes to head tilt, while at the same time offering the same ball jointed base base of head joint that permits the standard range of motion there. The cape itself has two points of articulation, allowing for a simulated flow look which is great, but putting the cape on also limits the range of motion when it comes to raise the arms up into an overhead position. Her skirt also limits the movement of the upper legs, which in turn limits the number of stances you can have her in. Because of this, I found it very difficult to balance Megumin on her tiny feet, and as such a stand is pretty much needed for everything.
Paint work is, as expected, solid across the board. Even the yellows appear to be well applied, with no significant overspray or lumpy paint residue. The only ugly paint spot are the silver on her buckle and her necklace, which are relatively ugly, but not "gouge my eyes out" level. Decal work is at its usual level of excellence.
Building quality and design is where things kind of went South. I've already talked about my problems out the box above, but there's more to discuss. First and foremost, that stupid, stupid hat. So, someone, in their infinite wisdom, decided that rather than have the hat attach via a peg or something like that, decided the best way to have the hat sit on her head is the put a really thin piece of plastic on the inside of the hat, and have that clip between the two hair pieces.. sounds alright in theory until you realize actually getting the thing to fit in their is a nightmare because there really isn't enough clearance to slide the front hair piece in place should you try to get the hat in place first. So instead you end up leaving a slight gap, and cramming the hat on her head, hoping for the best. The eye effect is a separate piece, and it is up to the owner to use their hamburger finger to squeeze this tiny plastic piece, probably the size of a syringe needle, into place so it doesn't fall out of the hair. I found that the joints on the figure, while fine by themselves, aren't really meant to carry the weight of the staff, particularly if it has the energy effect attached on the end of it. The body itself is pretty typical build, so no too many complaints here.
So in the end, we had the potential for an outstanding Figma, one having vibrant colour and personality., only to have a multitude of QC issues and crappy design choices knock it down a few pegs. Without her hat and cape, Megumin is honestly average at best, as she really can't do much other than sligh variations of standing up. I guess if the cape wasn't broken on mine, at least I would keep the cape on constantly as it does add to the character. But that hat.. it's such a hassle to put it on you either never take it off or you just give up. The best parts of this set are the scared face and of course, Chomosuke.
Better luck next time, I suppose.
Copyright - All Rights Reserved - Black Diamond Images
Consistent excellent soaking rains on almost every day in December 2020 has provided just the strike back response needed for Raintrees Native and Rainforest Gardens following the devastating drought of 2019. That drought, possibly our worst on record, killed a lot of our mature Bangalow Palms, not to mention countless tree species and even many epiphytes.
Throughout 2020 we worked tirelessly to remove resultant fire risk from the property for fear that the summer of 2020 would be a duplicate of that of 2019.
Fortunately that concern proved unfounded with meteorological forecasts predicting the return of a La Niña.
It's been many years, if ever, that we've had such regular daily consistent rainfall that soaks in rather than flooding through the property doing potentially enormous damage.
With the palms removed we've replaced them with hardy rainforest trees and the December rains have given them the dream start to their existence.
With more planting during January we are nearing the end of canopy planting on the property and the focus will turn to understorey planting and positioning of epiphytes on increasing numbers of suitably receptive rainforest trees.
Of course with all the rain a myriad of fungi, moss and lichen species are slowly making their way back and we now hope for a return to more regular rainfall for the next few years.
How's everyone's new year going so far?
As teased on a few occasions (mostly cause it took me so damn long to actually sit down and get all these photos done), I present to you the S.H. Figuarts Sailor Uranus and Sailor Neptune, from a local comic book store on New Years Eve 2019. Seeing as these two hang out together on the show consistently, it only made sense to bring them into the horde as a duo.
In the world of Sailor Moon, there are many set relationships (or ships, if you're cool) between characters, but for me next to Darien & Serena, it's always going to be these two - Sailor Uranus and Sailor Neptune. Now, I can't exactly recall specifics with regards to their relationship in the 90s US dub, probably because censors figured the concept of a queer relationship would blow our delicate little minds. If we're going by official canon, these two lovebirds are amongst the last of the Outer Senshi to be introduced into the series, and really only show up in the third season of the anime. As I mentioned, my mind is somewhat of a haze when it comes to the show at this point, but I do seem to recall there were a couple of episodes where everyone thought Amara (US 90s Dub Uranus) was male, and where she was perceived to be hitting on Serena, much to the annoyance of Darien. I also seem to remember the pair going to a different high school than the Inner Senshi (original 5).
Rather than butcher the series any further, I'm just gonna move on.
As I've stated in earlier episodes, getting my hands on Sailor Moon Figuarts at an acceptable prices is, and remains, a test of patience and luck. Sometimes, things pan out (like here), sometimes not so much. What makes getting these two particularly annoying is that unbeknownst to me, Uranus and Neptune are actually Bandai online shop exclusives, much like many of their annoying to get Dragonball items. The chaos is of course, less here in North America as opposed to Japan, but this usually translates into a higher than normal MSRP. So given all this, I figure the $60 CAD a piece, taxes in, from a store no less, was pretty good.
Having said all that, upon opening you can at the very least appreciate the reasoning behind the slightly higher price. Each box comes with an absurd number of accessories, especially Uranus. Common to each would be a figure, several additional sculpts (both have four faces in total which range from netural expression to attacking, with Neptune having one dedicated to a serene, closed eye look), their weapon of choice (Space Sword for Uranus, Deep Aqua Mirror for Neptune) and the "gets the job done" stand. The sheer number of hands with each figure is definitely above average and should cover all your posing needs. There's also crossed arm optional parts for both figures, with an additional lovestruck face for Serena included with Uranus, and a hands clasped part for Neptune.
Overall, there are are 13 additional hand related options for each figure, in addition to the two hands that come with the figure itself.
Uranus and Neptune are among the taller of the Senshi, with Uranus reported to be 6', the tallest of them all (who I always figured was Jupiter.. oh well). Naturally the Black Widow figure is from a different series so the scaling there is questionable, but it's good to see amongst the Sailor Senshi that this difference is actually reflected properly, even if not so much in their footwear. To my eyes though, Uranus seems to be way too lanky, with Tamashii Nations only scaling the length of the various limbs and the abdomen of the standard figure, but nothing from a girth perspective. Interestingly, they didn't make the hands any different size as compared to the Inner Senshi, making either Sailor Moon and co having giant hands, or Sailor Uranus and co. having midget hands. Either or works for me from a comedy perspective. I'm pretty sure the Skirt and the chest section are exactly the same size across the board.
Proportions aside, I'd say that the figures again capture the essence of the character. Neptune has always been the more elegant of the the pair and she remains so here, though from a design perspective I've always favoured Jupitor and Saturn. Outfits, faces, hair, and so on all capture the anime aesthetic quite well, with allowances given due to the scale.
Rounding the usual bases, articulation is pretty good for a circa 2013-14 Figuarts, and are the same across the board for all the Sailor Senshi. You have ankles, single jointed knees, hips with pull down to allow for more range of motion, waist, mid torso, shoulders with some chest compress and bicep swivel, single jointed elbows, wrist, and head. All your gang sign flashing and Sentai style posing desires should be fulfilled for the most part, though more elegant sitting poses/kneeling poses aren't happening with the restriction of the skirt. Dynamic leaping poses, I'm happy to say, are technically doable, with assistance from the dynamic stand.
Paint is always a mixed bag with these older Figuarts releases. As always, most of the white coloured parts are painted in pearl white over translucent white plastic, giving the figures a slight shimmering effect. The overall paint job is pretty good from afar, but up close you're going to run into masking errors, particularly in areas where there is use of the white paint which has always had one or two less than stellar masking jobs on all five of the Senshi that are in my collection, as well as areas of other colour such as the straps on Neptune's feet. There's some nice shading at the base of Neptune's hair at the back.
Decal work on the eyes is solid, though the paint apps for the mouths are... okay, though fortunately the colouring is just a highlight of the face detailing itself.
Build quality itself is about what you'd expect for a Figuarts - use of plastics that generally don't warp under the slightest touch *cough* HASBRO *cough*. Tolerances on parts are overall good, with the strange exception of Uranus's arms that don't always want to stay in their pegs which can make posing her a bit of a pain - Neptune holds together much better from that regard. Assembly gaps are generally sanded down and covered with some paint, though they are still easily observable. There is a moulding seam running from front to back of Uranus's front hair piece.. not sure if that's just on mine or if that's a running acceptable QC thing.
There you have it - the second most prominent power couple in the Sailor Moon universe, at least in my books. The figures are pretty much what I expected them to be, and while they're not as aged as the original Dragonball figures, it would be interesting to see what improvements a line using the newest Figuarts bodies would be like. Though if Bandai has plans to do this, I'd love to know sooner than later so I can abandon my plans for completing the set.
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The Nickolls and Perks building in Lower High Street, Stourbridge, West Midlands, England.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Nickolls & Perks.
Established in the year 1797, the history of Nickolls & Perks has been consistently recorded. Earliest reference to the building which houses Nickolls & Perks Wine Merchants, derives with John Baker, who inherited the family home of 37 High Street Stourbridge in 1697. His windfall included: shop, outhouses, barns, stables, malt house, and washing pool. This was the first reference to trading on this site.
Spinster Hannah Baker together with her three sisters, resided there until 1713, when it was sold on to Thomas Foxhall for £1200. The eighteenth century saw no less than 18 changes of ownership, until 1797, when part of the property was leased to William Nickless for one year at five shillings only. George Richards later picked up the lease, when it became known as "the Liquor Vaults". James Nickolls had rented prior to this new agreement, and is recorded in the early 1830´s as a druggist, grocer and wine and spirit merchant.
The Board Alehouse opened in the 1860´s to complement the existing business, adding Ale and Porter to the range of goods and services offered. James Nickolls had passed on by now, leaving the business to his partner Francis Perks. Francis was licensee until 1928, when Harry Richard Reading took over . The Reading family owned both Nickolls & Perks and the well-known Edward Rutland & Co, at Bordeaux House on the corner of High Street and Foster Street, Stourbridge.
In 1945 William Gardener Purchased the business and property from the Readings continuing as the premier supplier of wines beers and spirits to the local pubs and clubs. For many years to follow, The Board Vaults Public House was known affectionately as "the corner shop", being the centre of life in Stourbridge, for people to rest and meet socially.
Read more here ... www.nickollsandperks.co.uk/history.asp
Found in Coastal Marsh, British Columbia - October 17, 2006 ~ 4" high and 6" across
Amanita muscaria (L. ex Fr.) Pers. ex Hooker -- The Fly Agaric -- is one of the oldest classifications of fungi known. It has consistently appeared in all the naturalistic fields throughout history. Linnaeus identified it as Agaricus muscarius and originally introduced it into the genus. He included it along with other gill fungi he classified and which were classified by most Northern European botanists. These same botanists were traditionally mycophobic. This, unfortunately, led to the bypassing of other important mushrooms and fungi in their studies.
The generic name, coined by Persoon, derives from the Greek amanitai, means "fungi without any details" (or from Amanos, a mountain place between Cicilia and Syria). The specific epithet re-proposes a connection for which we will spend some words later. One will be able to recognize these in the popular names of the fungus: Fliegenpilz or Fliegenschwamm in German; Mukhomor in Russian; Amanite tue-Mouche in French, and The FIy Agaric in English.
The typus of the species has a cap of between 5-25 cm. It is at first globe-shaped (in the embryonic stage it is bred from the cloth of the universal veil in typical egg-shape that is characteristic of the genus Amanita) It retains this shape more completely until reaching an applanate or lightly depressed area around the center form, with the margin more or less streaked. The skin of the cap is peelable, bright red or leaning to orange (sometimes with yellow colors, especially near the margin). It is shiny and viscous when moist, strewn with white (or whitish) warts (sometimes absent in mature specimens because of washing away). The flesh is white into the cap and stripe, but yellow or yellowish in the stripe just under the cuticle, having no special taste or smell to humans. After drying it puts on a darker color (from dark cream to pale brown) and an acrid, nauseating taste. The stalk is white, cylindrical and discontinuous (easily discemable from the cap), with a bulbous base and a volva typically fragmented in warts arranged in a concentric circle; white (to whitish), broad and membranaceous, in a more or less streaked ring. The spore print is white, with the spore 9-11 X 6-9 microns, elliptical-ovate, smooth and not amyloid (Ricken, 1915; Gilbert, 1918; Bresadola, 1927-41; Kuhner & Romagnesi, 1953; Moser, 1967; Wasson, 1967b; Cetto, 1970-87; Heim, 1969, 1978; Flammer and Horak, 1983; Roth, et al., 1984; Bresinsky and Besl Regensburg, 1985, and many others). Amanita muscaria is a typical species of the septentrional latitudes. At lesser latitudes it is present particularly in the mountain areas. It is broadly spread throughout Europe, North (in a different form) and Central America, North Africa, Asia and Australia. The Amanita has a preference for acidic soil, and a condition for sprouting includes the presence of arboreal species such as Pine, Fir or, infrequently, Larch and other trees. This inter-plant bond comes from the mycorrhizic relation (a commensalistic symbiosis shared with many other species of fungi. This is very important, among other things, for the ecology) between trees and fungi.
Strictly tied to muscaria are other similar species (A. emilii Riel., A. aureola Kalch., A.regalis Fries, etc.) These, however, probably don't go beyond the subspecific rankings of fungi. Probably the most interesting in this context would be A. americana Helm, typical of Canada and the U.S. It's different from Amanita muscaria with its slender stalk with fibril becoming brown at the end and the lighter cap (being pale to yellow- orange (ibid.).
Another species of genus Amanita also worth remembering here is Amanita pantherina (DC ex Fr.) Seer., which is certain to contain the same psychotropic agents as Amanita muscaria [see following references]. Amanita pantherina produces a more toxic than hallucinogenic syndrome, however, when ingested. A predominance of nonspecific confusional effects, psychomotor excitement and serious anxious (or anxiety-laden) states generally occur [John, 1935; Bosman, et al., 1965; Gerault & Girre, 1977; Lincoff & Mitchel, 1977; Helm, 1978; Rumack and Saltman, 1978; Flammer, 1980; Gelfand and Harris, 1982; Flammer & Horak, 1983; Roth et al., 1984; Bresinsky & Besl Regensburg, 1985]. Amanita pantherina has a cap of 6-12 cm. wide at first, then globe-shaped. It is then slightly flattened or depressed near the center. The colors are from chestnut brown to gray-olive green, with a striated margin and a cuticle which is peelable. This is strewn with white or greyish warts which are easily removed through washing. The stalk is discontinuous at 6-15 cm. X 2-20 mm. It is white, stuffed and then hollow. It is fibrillose or glabrous, bulbose at the base where it is ornamented with a volva of 2-3 membranaceous girdles which are superimposed. These are white and narrow, with annules slightly (or not at all) streaked. The flesh has a sweetish taste without special smell (to humans). This is white or brownish so far as the subcuticule layers. The gills are free or just adnexed. These are white or mealy at the margin. The spore print is white, the spores measuring 8-12 X 7.8 microns. They are elliptical-ovate, smooth and not amyloid (see the references for Amanita muscaria, etc.) . It grows with conifers trees, in the wood, in Europe, North America, North Africa and Asia.(1)
The foregoing is from www.shroomery.org/8664/Amanita-muscaria-Info
Co. B, 2nd MO. Cavalry
Biogragy of Lewis Nossaman within the biography of his son L. Douglas Nossaman
A Biographical History of Central Kansas Volume 2, 1902
L. DOUGLAS NOSSAMAN.
The family of which the subject of this review is a worthy representative, is one of prominence in connection with the industrial activities of Kingman county, and it is but consistent that its members are given recognition within the pages of this work. L. Douglas Nossaman is one of the progressive and successful young farmers and stock growers of the county, having a fine estate of seven hundred and twenty acres on sections 20, 31 and 32, Rural township, and also owning a tract of eighty acres across the line in Pratt county.
Mr. Nossaman is a native of the state of Missouri, having been born in Harrison county, on the 4th of October, 1862, the son of Louis and Mary (Springer) Nossaman, the former of whom was born in Virginia and the latter in Ohio; their marriage occurring in Indiana on the 13th of January, 1849. Both went with their parents to Marion county, Indiana, where they were reared and educated and where their marriage was solemnized. In 1850 they removed to Marion county, Iowa, becoming pioneer settlers in that section of the state, where they improved a farm and there continued their residence for nine years, at the expiration of which time they removed to Harrison county, Missouri, where the father continued in the same line of industry as before. He disposed of his farm in the spring of 1884 and came to Kingman county, Kansas, purchasing a claim on section 30, Rural township, where he and his wife have since made their home, being among the most honored citizens of this section. He was a defender of our Union, belonging to the mounted horse infantry, called Merrill Horse, and enlisted in 1861, and fought till the close of the war. He is now retired, living at Wellington, Kansas. His six sons are all living, namely: Alonzo, a farmer in Oklahoma; W. Pierce, to whom individual reference is made on other pages of this work; Oscar, who is likewise a farmer in Oklahoma; L. Douglas, the subject of this sketch; Francis M., of Oklahoma; and David A., a farmer of Rural township. Adam, the grandfather of our subject, was born in Pennsylvania of Pennsylvania-German descent, as was also his wife.
L. Douglas Nossama was reared on the old home farm in Missouri, receiving his early educational training in the public schools, and when seventeen years of age he accompanied his brother, Pierce, on his removal to Kansas, where he remained two years, at the expiration of which he returned to Missouri. Two years later he again left his native state and came to Kingman county, Kansas, pre-empting a claim of a quarter section in Rural township and at once instituting the work of development and improvement. This was the northwest quarter of section 31, and here he has ever since made his home, having added to his holdings until he now has one of the best farms in this section of the state, the same comprising eight hundred acres, as was noted in the initial paragraph of this sketch. He continued to reside in the parental home in Rural township, until his marriage, and since that important event has lived on his own farm.
On the 1st of November, 1886, Mr. Nossaman was united in marriage to Miss Nancy C. Ratclief, who was born in Harrison county, Missouri, the daughter of Eleana and Kate (Pruett) Ratclief, who removed to Kansas at the same time as did the subject of this review. Mr. Ratclief improved a farm in Rural township, and later removed to Oklahoma. He died at the home of Mr. Nossaman, on the 9th of November, 1896, his widow being now seventy-four years old and makes her home with her youngest daughter, Francis Hall. Our subject's first domicile on his farm was a dug-out, ten by twelve feet in dimensions, and eventually he left this to take up his abode in a box house, fourteen by eighteen feet, which he erected on the place. This building is a portion of his present commodious and comfortable residence of seven rooms and in addition to thus improving his dwelling he has erected other excellent buildings on the farm, having good barns, sheds, etc. The farm is one of the most fertile and productive in this section, is well fenced, has a good orchard of about fifteen acres, and in every respect betokens the prosperity which has attended the efforts of a progressive and energetic owner. In addition to following out a judicious system of diversified farming Mr. Nossaman is also successfully engaged in the raising of high grade live stock, having a fine herd of Hereford cattle and having also devoted considerable attention to the raising of Duroc-Jersey swine.
In politics Mr. Nossaman gives his support to the People's party, and in 1901 he was a candidate of his party for the office of township treasurer. Previously he was elected justice of the peace and also overseer of highways, but feeling that the demands of his private business would not permit him to give proper attention to official duties he has declined to serve, though ever manifesting a deep interest in all that touches the welfare of the community. Fraternally he is identified with Cunningham Lodge, No. 431, I. O. O. F, and with the adjunct chapter of the Rebekah degree. His religious belief was that of the Christian church, but he was not a member of the body, while his wife is a member of the Methodist Episcopal church at Lawndale and active in its work. They are the parents of five children, namely: Howard T., Ruby A., Albertha, Laura Edna and Lulu H.
Mr. Nossaman is one of the successful farmers and representative citizens of Kingman county and is to be considered as essentially entitled to the honor which comes to the one who has been the architect of his own fortunes. He came to Kansas without other equipment than a stout heart, willing hands, a good constitution and a determination to make for himself a place of independence, and it is gratifying to note the independence, and it is gratifying to note the results which have attended his energetic and discriminating efforts, since thus are shown the advantages which this section of the sovereign state of Kansas offers to the man who is willing to apply his energies and abilities.
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www.washingtonpost.com/health/2022/04/14/coronavirus-in-w...
To find out where the covid pandemic is headed, look here: The sewer
The first clues appear in sewer water. And those clues are piling up.
As the United States enters year three of the coronavirus pandemic, disease trackers are trying to stay one step ahead of the constantly evolving virus — by hunting for it in feces.
In Maine, hospitals are on alert for a potential surge of patients, tipped off by consistently rising levels of the coronavirus in wastewater. In Ohio, which has used sewage surveillance to identify new variants, authorities are tracking substantial increases at a dozen of the state’s 71 monitoring sites, including south of Columbus. In Houston, steady increases have not been accompanied by a rise in hospitalizations, the first time in almost two years, suggesting that vaccinations and previous infection may be keeping people out of hospitals.
The secrets of the virus can be found in wastewater because most infected people shed tiny pieces of virus when they use the toilet. So regularly analyzing wastewater from sewage treatment plants allows scientists to measure when those levels are rising or falling — and what variants are present — about four to six days before people start testing positive.
Wastewater surveillance has long been used to contain polio outbreaks, and its potential for helping stanch the coronavirus was recognized at the start of the pandemic. Now, sewage monitoring has gained increasing importance as prevention measures — mask mandates and social distancing, for instance — vanish in much of the country at the same time that the highly transmissible omicron subvariant known as BA.2 fuels a rise in coronavirus cases in some regions, including the Northeast.
With official reporting of cases and testing data becoming less frequent and less reliable, especially as people test at home, officials need other ways to track the virus.
A reporting network that the Centers for Disease Control and Prevention set up in fall 2020 monitors wastewater from hundreds of sites covering about 100 million people. About two-thirds of the sites that regularly send data have reported sustained increases in virus levels in recent weeks.
In some communities, virus levels have doubled, but even with those increases, overall presence of the virus in water remains at a low level, said Amy Kirby, who heads the CDC system. Still, in some communities, Kirby said, “We’ve seen increases consistently over the past few weeks, and we’re following those more closely.”
That includes states in the Northeast, primarily Rhode Island and parts of Maine, Kirby said. But they’re not the only ones showing increases — so are cities, colleges, companies and states that also monitor virus levels in sewer water outside of the CDC network.
“The only behavior that wastewater surveillance is dependent on is that you’re using the bathroom in a toilet that’s connected to a sewer system, right? And in 80 percent of households in the U.S., they are on sewer systems,” Kirby said. “So that gives us great power to be able to understand what’s going on.”
It has many advantages. It is anonymous. It is efficient — instead of an individual test, a single wastewater sample tests a population that could represent millions of people. It can also be cost-effective: The average price for a single PCR-based coronavirus test at a U.S. hospital is about $140 vs. about $300 for a lab to analyze a wastewater sample representing a whole community.
Wastewater sampling detects virus from people who have no symptoms and may not even know they are infected, and does not depend on people seeking medical care or testing. Sampling can be done anywhere there’s a public sewage system. (The virus’s genetic material in the sewer water can’t make you sick.)
Perhaps the biggest advantage: “It’s fast. We can have data in hand five to seven days after that toilet is flushed,” Kirby said. “That means that wastewater data is often the first indication that cases are going up in a community.”
The surveillance system is also coming fully on line at just the right time, Kirby said. Even though hospitalizations are falling, a large number of cases can still be a huge health-care burden, not to mention the potentially devastating consequences of long covid.
Maine has been reporting uniform increases in wastewater levels statewide, a big difference from previous episodic spikes, said Nirav Shah, director of the Maine Center for Disease Control and Prevention. He alerted hospitals recently to prepare for a rise in cases. If beds start filling up, Northern Light Health, a Brewer-based system with 10 hospitals, says it will limit elective surgeries, as it has done in previous surges.
Whether another wave happens remains to be seen. But James Jarvis, who heads the health system’s pandemic response, wants to be ready.
“We fear that it is coming,” said Jarvis, highlighting the potential exposures from travel related to spring break and Easter, Passover and Ramadan that could lead to hospitalizations by the end of April or early May. “We’re preparing for that to be what we will see as we get further on into spring.”
Rhode Island officials are watching to see if hospital beds fill up; hospitalizations are about half of what they were a month ago, said state health department spokesman Joseph Wendelken.
In Houston, virus levels have increased “in a pretty straight line,” but hospitalizations are still falling “ever so gently,” said David Persse, the city’s chief medical officer. “This is the first time wastewater is going in one direction and hospitalization is going in another,” Persse said. His hope is that vaccinations, coupled with previous infections, may be preventing severe illness.
In the past two weeks, Ohio has sent alerts to about a dozen city and county health departments informing them of short-term virus level increases. The state also shares what variants have been detected.
“There’s no question that our vaccination rates bumped up significantly after we shared information about the arrival of those variants,” state health director Bruce Vanderhoff said.
But even as wastewater monitoring takes on greater importance in some parts of the country, using it as a national surveillance system faces obstacles.
The CDC system is only partially in place, with fewer than half of states regularly reporting data to the agency. In some states, only one or two sites are included.
Setting up a monitoring system “is not a simple process where you flip a switch and the data is there,” said Heather Bischel, an assistant professor in the Department of Civil and Environmental Engineering at the University of California at Davis. Bischel and Davis city officials are tracking virus levels for the city and the university campus.
Even with funding from the CDC, the monitoring programs take time, labor, equipment and coordination with wastewater treatment plants.
For some communities, the early warning in sewers has helped target hotspots. In Tempe, Ariz., city officials were already using wastewater to track opioid overdoses. Then, the pandemic struck.
“We didn’t have any way to identify asymptomatic people,” said Rosa Inchausti, Tempe’s deputy city manager. That’s where wastewater monitoring came in. Virus levels shot up in one neighborhood where many generations live in large apartment buildings. Officials rushed to build ad hoc coronavirus testing sites. They posted fliers in laundromats to explain how to quarantine in small spaces.
“Wastewater was our leading indicator,” Inchausti said.
In mid-February, a drop in those levels was one reason the city lifted its indoor mask mandate, Inchausti said.
But others say it is too early to know how useful wastewater monitoring will prove.
“We really struggled over how much time and effort that we [want to] put into wastewater testing versus what will be the long-term benefits. I don’t think we quite know yet,” said Anne Zink, chief medical officer for Alaska’s health department. A handful of sites are doing wastewater monitoring, but the state, with its many rural areas, relies heavily on septic tanks.
As a physician, Zink can test dozens of people and know from PCR results who might qualify for treatment and prescribe antivirals, she said. But if wastewater levels are increasing, “how do I action that information?” she asked.
To be sure, Zink and others say sewer monitoring can be a useful tool at this stage in the pandemic.
“The pandemic picture is best when it has a lot of pixels,” Zink said. Now, pixels are missing because of a lack of testing data, she said. “So it’s perfect to think about wastewater as an additional piece to that so you don’t lose visibility of the [big] picture.”
Maine’s Shah said more states are likely to change their approach with time.
“It’s important to view wastewater screening as an additional tool in our pandemic response, not a replacement for something we’ve been using,” Shah said.
Sewage samples are typically collected a few times a week and sent to a laboratory where scientists concentrate the virus from the wastewater.
“It doesn’t really smell that bad,” said Jen Mou, a molecular biologist at Kent State University who heads a lab that tests samples. The liquid — the color varies from yellow to black — is poured into tiny test tubes and spun in a centrifuge to separate liquid from solids. Genetic material is extracted from the solids for analysis. A separate review takes place to identify variants.
It typically takes a few days from collection to results. LuminUltra, which was awarded a contract by the CDC to help states and localities set up wastewater surveillance systems, is reporting results to the agency three to four days after sample collection.
The process allows scientists to see increases in virus levels, but if sewer water tests positive for the pathogen, the data can’t tell you “if it’s one, 10 or 100 cases,” the CDC’s Kirby said. But if there is a doubling in wastewater levels of virus, “then there’s roughly a doubling of cases in that community.”
Temperature, rainfall, a big influx of tourists, even the time and distance waste spends traveling through sewer pipes can affect outcome.
“Every wastewater treatment plant is its own animal,” said Mike Abbott, environmental health director at Maine’s CDC. In smaller towns, “it may only take a handful of cases to change the concentration.”
Some experts are discovering that sewer data can be surprisingly useful in building trust among the vaccine-hesitant.
After the CDC changed its guidance on pandemic measures in late February, many people no longer had to wear masks. That’s because the agency’s formula for assessing the threat posed by the virus focused on hospitalizations. Previously, cases were the paramount metric. Overnight, that turned the map of the United States from mostly red (high risk) to almost all green (low risk).
“People think that everything is fine, but the map is green because hospitalizations have gone down,” said Jarvis, of Northern Light Health. “The map is not green because there is no disease out there. ... Wastewater data, that can be a helpful tool in saying, ‘Look, this is showing there is still virus out in your community.’”
In Chautauqua County in western New York, which relies heavily on tourism, the health department recently posted on its website that “it is difficult for our department to monitor COVID-19 levels in the general community,” but wastewater surveillance showed low levels for three weeks.
Sharing good news builds trust, said David Larsen, associate professor of public health at Syracuse University and a member of the state’s wastewater monitoring team. At the dawn of the pandemic, Chautauqua and other rural New York counties shut down before recording a single covid-19 case, Larsen said.
“If we had this system in place back then, they could have stayed open for at least a little while longer,” Larsen said.
Albert Hsu, an obstetrician-gynecologist in Columbia, Mo., said the Missouri health department’s wastewater monitoring has helped persuade some pregnant patients to get vaccinated.
“For my more hesitant patients, I sometimes say, ‘Hey, I don’t want you to get the next variant,’ and sometimes I present … quite a few surveillance images,” Hsu said.
At least 64 other countries are monitoring wastewater virus levels, according to COVIDPoops19, a dashboard operated by Colleen Naughton and colleagues at the University of California at Merced. The Netherlands has used sewage monitoring for decades.
A microbiologist who used to study norovirus, Kirby has long wanted the CDC to put in place a broader monitoring system to detect outbreaks.
“But it’s hard to build this capacity across the country,” Kirby said. “The return on investment for any pathogen was never high enough to warrant that. Covid changed that calculus.”
Eventually, the CDC plans to use wastewater surveillance to gather data on other pathogens, such as antibiotic-resistant bacteria, norovirus, influenza, a deadly fungal pathogen called Candida auris and food-borne infections caused by E. coli and salmonella.
Tempe has approved money for tracking at least a dozen pathogens or biomarkers in addition to SARS-CoV-2. One of them is the asthma rescue medication albuterol — which people shed in their waste — to pinpoint where more trees can be planted to improve air quality.
The Arizona city has hired an arborist to expand the tree canopy to help improve air quality and diminish asthma.
“I never thought I would be sitting down with an arborist to talk about wastewater,” Inchausti said. “This is how local government should be thinking about public health … not just responding to emergency calls on your worst day.”
La siesta es una costumbre consistente en descansar algunos minutos (entre veinte y treinta, por lo general, aunque puede durar un par de horas) después de haber tomado el almuerzo. Está presente en algunas partes de España y Latinoamérica, pero también en China, Taiwán, Filipinas, India, Grecia, Oriente Medio y África del Norte. Entablando un corto sueño con el propósito de reunir energías para el resto de la jornada. Esta palabra viene de la expresión latina hora sexta, que designa al lapso del día comprendido entre las 12 y las 15 horas, momento en el cual se hacía una pausa de las labores cotidianas para descansar y reponer fuerzas. La lengua española fue la que creó el término.
The Japanese spent the 1970s and 80 consistently improving quality and features in the cars they produced. This led Toyota to introduce a new marque to sit above their mainstream cars, named Lexus. Nissan did the same with Infinti, Mazda with Amati, and Honda with Acura.
The first model to wear the Acura badge was the Legend - also sold globally under the Honda badge. The Legend was laucned in 1985, with a Coupe model following in 1987. The Legend was the first Honda to feature on V6 engines, initially of 2.5L , then 2.7L capacity, producing 165 PS and 180 PS respectively. The powertrain was mounted longitudinally, and drove the front wheels only - Honda had not yet marketed a rear-drive saloon car.
Though the US was considered the primary market for the car, and this showed strongly in the styling of the Coupe model.
The second generation Honda / Acura Legend was launched in 1990, again featuring both Saloon and Coupe models.
When not scaring off beasties, Fujifilm GFX 50R, with Fujinon GF63mmF2.8 R WR lens attached, produced consistently better portraits for this series than Leica Q2. The 51.4-megapixel, 43.8 x 32.9 mm medium-format sensor matched to 50mm film-equivalent glass delivers fantastic detail and dynamic range, allowing the shooter to crop-in during post-production. The more compact, 28mm, fixed-lens, 47.3-megapixel full-frame (24 x 36 mm sensor) Q2 needs to be closer to subjects because of focal length, which cannot be physically changed. Proximity often isn’t an option for felines, particularly one suspected of belonging to a feral colony.
This portrait of a tabby that I nickname Keen for alertness, is example. While good enough, it is less than what I’ve come to expect from using the 50R. But the Fuji is sold, and the Leica better fits my shooting style. It's nearly a one-size-fits-all camera, and that's a bucketload of usability benefits.
joewilcox.com/2020/02/06/the-cats-of-university-heights-k...
New Auditiorium Building 2001
The University of Aarhus, which dates from 1931, is a unique and coherent university campus with consistent architecture, homogenous use of yellow brickwork and adaptation to the landscape. The university has won renown and praise as an integrated complex which unites the best aspects of functionalism with solid Danish traditions in form and materials.
The competition for the university was won by the architects Kay Fisker, C. F. Møller og Povl Stegmann in 1931. Stegman left the partnership in 1937, Fisker in 1942 and C. F. Møller Architects has been in charge of the continued architectural development and building design of the university until today.
The University of Aarhus, with its extensive park in central Aarhus, includes teaching rooms, offices, libraries, workshops and student accommodation. The university has a distinct homogeneous building style and utilises the natural contours of the landscape. The campus has emerged around a distinct moraine gorge and the buildings for the departments and faculties are placed on the slopes, from the main buildings alongside the ring road to the center of the city at Nørreport. All throughout the campus, the buildings are variations of the same clear-cut prismatic volume with pitched roofs, oriented orthogonally to form individual architectural clusters sharing the same vocabulary. The way the buildings emerge from the landscape makes them seem to grow from it, rather than being superimposed on the site.
The original scheme for the campus park was made by the famous Danish landscape architect C. Th. Sørensen. Until the death of C. Th. Sørensens in 1979 the development of the park areas were conducted in a close cooperation between C. Th. Sørensen, C. F. Møller and the local park authorities. Since 1979 C. F. Møller Architects - in cooperation with the staff at the university - has continued the intentions of the original scheme for the park, and today the park is a beautiful, green area and an immense contribution to both the university and the city in general.
In 2001, C. F. Møller Architects prepared a new masterplan for the long and short term development of the university. Although the university has been extended continuously for more than 75 years, the original masterplan and design principles have been maintained, and have proven a simple yet versatile tool to create a timeless and coherent architectural expression adaptable to changing programs. Today, the university is officially recognized as a Danish national architectural treasure and is internationally renowned as an excellent example of early modern university campus planning.
"Frida Mekari along with renowned los angeles talent manager Kathleen Checki" "President of Simply Consistent"
"-Kathleen Checki."
"-Checki."
"-Simply Consistent."
"-Simply Consistent Management."
Etta James and Beyonce's Mom Tina Knowles at LA Premier for Cadillac Records. Etta James arrived with her manager Kathleen Checki of Simply Consistent Management.
"-Etta James."
"-Kathleen Checki."
"-Checki."
"-Simply Consistent."
"Simply Consistent Management."
"-Etta James and her manager Kathleen Checki."
Singapore Zoo ranks consistently (after San Diego Zoo) as one of the best in the world.
“… and what with the slippery-slidy shadows of the trees falling on them, the Giraffe grew blotchy, and the Zebra grew stripy …”
– Rudyard Kipling, Just-So Stories
For the story, please visit: www.ursulasweeklywanders.com/travel/teeth-claws-and-colou...
" IMAGINE PEACE
Yoko Ono, among the earliest of artists working in the genre known
Conceptual Arts, has consistently employed the theme of peace
and used the medium of advertising in her work since the early 1960s.
Yoko Ono Imagine Peace Featuring John & Yoko's Year of Peace
explores these aspects of her work over the course of more than
forty years.
Three recent pieces - Imagine Peace (Map) (2003/2007); Onochord
(2003/2007); and Imagine Peace Tower (2006/2007) - offer gallery
visitors to an opportunity to participate individually and collectively
with the artist in the realization of work. Consider the world with
fresh eyes as you stamp the phrase "Imagine Peace" on the location
of your choice on maps provided for this purpose. Using postcards
provided send your wishes to the Imagine Peace
Tower in Reykjavik, where they will shine on with eternally more than
900,000 others. Or beam the message "I Love You" to one and all
using the Onochord flashlights. Take a flashlight and an Imagine
Peace button, the artist's gift to you, and carry the message out into the
world. As Ono has often observed, "the dream you dream alone is
just the dream, but the dream we dream together is reality."
The exhibition continues in nine locations with Imagine
Peace/Imaginate La Paz billboards across the San Antonio region.
YOKO ONO IMAGINE PEACE Featuring John & Yoko's Year of Peace is made
possible by the generosity by Bjom's Audio Video-Home Theater, Colleen
Casey and Tim Maloney, Clear Channel Outdoor, Rick Liberto, Smothers
Foundation, and Twin Sisters Bakery & Cafe. "
" John & Yoko's Year of Peace (1969 - 70)
Ono's Imagine Peace project carries conceptual and formal
strategies the artist had employer from the earliest years of her
career, not only in her seminal solo works, but in her collaborations
with John Lennon. In 1965, she created works specifically for the
advertising pages of The New York Arts Calendar. Picking up from
her Instructions for Paintings, a 1962 exhibition at Tokyo's Sogetsu Art
Center in which she exhibited written texts on the gallery walls
designed to inspire viewers to create the described images in their
minds, Ono created purely conceptual exhibitions with her
Is Real Gallery works.
The theme of peace is also evident in works sush as White Chess Set,
recreated here as Play It By Trust (Garden Set version) (1966/2007).
Lennon's songwriting during this period had shifted from more
conventional themes of romantic love to grander anthems for the
Flower Power generation. The Baetles' worldwide satellite broadcast
of Lennon's "All You Need Is Love" in the summer of 1967 featured a
parade of signs with the word "love" in multiple languages.
The couple's most famous collaborative works, the Bed-Ins (1969)
and the War Is Over! campaign (1969 - 1970), were conceived as
elements of a large peace advertising campaign. The Bed-Ins took
advantage of the inordinate amount of press attention the couple
received by inviting the world press to their honeymoon suite where
they talked about peace! Ono told Penthouse magazine's Charles
Childs: "Many other people who are rich are using their money for
something they want. They promote soap, use advertising
propaganda, what have you. We intend to do the same."
In December of 1969, they launched their War Is Over! campaign, a
project that included billboards and posters in 11 cities of the world
simply declaring "War Is Over! If You Want It. Happy Christmas from
John & Yoko." As with Ono's earliest instruction pieces, viewers were
invited to transform their dreams into reality. Ono has explained,
"All my work is a form of wishing." "
YOKO ONO: IMAGINE PEACE Featuring John & Yoko's Year of Peace
September 26th - October 28th, 2007
UTSA Art Gallery / Department of Art and Art History
The University of Texas at San Antonio
Toronto, Ontario, Canada
Toronto is Canada's largest city, the fourth largest in North America, and home to a diverse population of about 2.8 million people. It's a global centre for business, finance, arts and culture and is consistently ranked one of the world's most livable cities.
Toronto is a city in Canada and the provincial capital of Ontario. It is located in Southern Ontario on the northwestern shore of Lake Ontario, with the original city area lying between the Don and Humber rivers.
For more information on visiting Toronto visit:
For more information on visiting Canada visit:
us-keepexploring.canada.travel/
********
About this day of the trip:
Day 2
Niagara Falls - Niagara Falls Canada - Toronto (83 miles)
We will continue our tour Niagara Falls by heading into Canada to take the Hornblower Cruise boat ride and see an informational movie at the IMAX Theater. We will also ascend the Skylon Tower. The tour then departs for Toronto, ON, one of Canada's largest cities. There we will visit the CN Tower and guests will have the option to take a Lake Ontario Cruise. During the winter when the cruise is not running, we will instead visit Casa Loma. We will have dinner in historical Chinatown.
Niagara Falls Canada, Canada
Skylon Tower This observation tower on the Canadian side of Niagara Falls offers a bird's-eye views of one of the world's favorite natural wonders. The tower stands 520 feet from street level and 775 feet from the bottom of the falls.
Rainbow Bridge The Rainbow Bridge across the Niagara River connects Niagara, Ontario to Niagara, New York. It is an international landmark and impressive architectural feat. In addition to private vehicles, pedestrians and bikes can cross the bridge for a small toll.
Niagara Falls IMAX This amazing movie experience, presented on an unbelievable IMAX screen, chronicles more than 12,000 years of history and examines human interaction with the falls from ancient time through the people-- like you-- who come to see them today.
Hornblower Niagara Cruise Get ready to get wet: this world-famous boat ride takes passengers as close to the falls as it is possible to get. Formerly Maid of the Mist, Hornblower now runs Niagara cruise operations on the Canadian side of the Falls.
Skylon Revolving Restaurant Lunch The impressive Skylon Tower, jutting into the air above Niagara Falls, features the Revolving Dining Room, a one-of-a-kind eatery the makes a full revolution every hour. Sitting just below the observation deck, guests can enjoy views and food!
Toronto, ON
Lake Ontario Cruise Lake Ontario Cruises offer gorgeous views of the city of Toronto from the waters of Lake Ontario, one of the famous Great Lakes of North America. See the city of Toronto and the surrounding area in a new way!
Toronto City Hall This unique building complex is one of the most famous in Toronto, and also the home of the city's municipal government. The Toronto City Hall offers self-guided tours which are available in five languages (including English).
University of Toronto Routinely placed in the top 30 institutions of higher learning in the world, the University of Toronto has been educating the masses since 1827. Widely considered the best university in Canada, it is known for its pioneering research.
Casa Loma This century-old Gothic-style house in Toronto was originally the home of financier Sir Henry Mill Pellatt. Today, it serves as a museum that showcases the history of life in Toronto and what life was like in the early 1900s.
CN Tower Toronto's CN Tower is a Canadian icon and one of the most recognizable North American buildings. Made entirely of concrete, this massive monolith was the tallest structure in the world at the time of its completion in 1976.
Ontario Legislative Building The Ontario Legislative Building in Toronto, Ontario, Canada is the seventh structure to function as the parliamentary building of the province of Ontario. This impressive building is in the Richardsonian Romanesque architectural style and was built in 1893.
Chinatown One of the largest Chinatowns in North America is located in downtown Toronto, Ontario. Toronto contains several Chinatowns. This one is the oldest, dating back to the 1870s, and the historical area features many authentic groceries, restaurants, and shops.
Toronto Chinese Dinner Treat yourself to a specialty dinner in one of the largest Chinatowns in the Western Hemisphere! Freshly-cooked meats and vegetables decorate the windows of the esteemed restaurants, from whole cooked ducks to beef ribs and so much more. Enjoy!
Deluxe Hotel: Crowne Plaza or similar
**************************
3-Day Niagara Falls, Toronto Canada Tour from New York
Tour Code: 655-68
July 11th, 12th, 13th 2014
Visit:
Watkins Glen State Park New York
Niagara Falls, NY USA
Thundering Water Cultural Show
USA / Canada international border crossing on Rainbow Bridge from New York United States of America to Ontario Canada
Niagara Falls, Ontario Canada
Skylon Tower
Niagara Falls IMAX
Hornblower Niagara Cruise
Skylon Revolving Restaurant Lunch
Toronto which is the largest city in Canada
Lake Ontario Cruise
Toronto City Hall
University of Toronto
CN Tower
Ontario Legislative Building
Chinatown
Toronto Chinese Dinner
Thousand Islands, Ontario Canada
Thousand Islands Cruise
Thousand Islands Cruise Breakfast
Thousand Islands Tax and Duty Free Store in Lansdowne, Ontario Canada
Canada / USA international border crossing Thousand Islands Bridge from Hill Island, Ontario, Canada across the Saint Lawrence River to Wellesley Island, New York, United States of America
For more information on the 3-Day Niagara Falls, Toronto Canada Tour from New York visit:
www.taketours.com/new-york-ny/3-day-toronto-niagara-falls...
**********
Hashtag metadata tag
#Canada #Canadian #Toronto #TorontoCanada #CityofToronto #TorontoCity #CityToronto #Ontario #TorontoOntario #TorontoOntarioCanada #LakeOntario #The416 #HollywoodNorth #TO #T.O. #Tee-Oh #TeeOh #T-dot #Tdot #CNTower #VisitToronto #VisitCanada
Photo
Toronto city, Ontario province, Canada country, North America continent
July 12th 2014
Visita nuestro Blog de Semana Santa en:
asociacionredobles.blogspot.com
Actos que se van a desarrollar durante la conmemoración del 200º aniversario del
rescate del Cristo de la Cama, consistente en el traslado de la Imagen desde la Iglesia
de Santa Isabel de Portugal (vulgo San Cayetano) a la Basílica del Pilar.
El rescate se produjo el 17 de febrero de 1809 del Convento de San Francisco, lo que
actualmente es la Diputación Provincial. El día 10 los franceses volaron el Convento,
que era defendido por unos cuantos aragoneses y por los voluntarios de Valencia. El
día 17, María Blánquez entro en el convento y vio que todos los pasos que
procesionan en Semana santa, quince en total, estaban destruidos, salvo el Santísimo
Cristo de la Cama, que estaba indemne en su Capilla de la Hermandad. Salió a la
calle, cogió a cuatro hombres, volvió a entrar al convento y todos ellos cogieron al
Cristo de la cama. Lo llevaron primero a la parroquia de la santa Cruz, después a la
de Santiago y finalmente al Palacio Arzobispal, lugar en donde vivía el general
Palafox, que enfermo lo venero y ordeno fuera llevado al interior de la Basílica del
Pilar, siendo colocado en el Altar de los convertido mirando a su Madre, la virgen del
Pilar.
Este hecho es el que conmemoramos.
A las 18´00 horas se oirá en la Ciudad de Zaragoza a los Artilleros de Aragón
anunciando el comienzo de la procesión cívico religiosa.
Con la salida desde San Cayetano de la Bandera de la Hermandad de la Sangre de
Cristo dará comienzo la procesión, encontrándose el resto de participantes ubicados
en la plaza. Seguidamente saldrá la peana, portada a varal, del Cristo de la Cama. Lo
hará con un toque preparado para la ocasión por la Sección de Tambores de la
Hermandad de San Joaquín y Virgen de los Dolores. Una vez que nuestro Cristo de la
Cama este en la plaza sonara el Himno Nacional interpretado al órgano por Ignacio
Navarro Gil.
Finalizado el himno, se descubrirá una placa en cerámica de Muel, promovida por la
Asociación Cultural Redobles. Dicha placa será descubierta por el Ilmo. Sr. D.
Francisco Javier Lambán Montañés, o persona en quien en delegue, acompañado por
el Hermano Mayor de la Hermandad de la Sangre de Cristo. A la vez que se descubre
la placa, don José Antonio Armillas, Comisario del Bicentenario glosara brevemente
la figura de María Blánquez y lo que ella significo.
Finalizado este acto, dará comienzo en sí el desfile.
Por la calle Manifestación, calle Alfonso y calle Coso, nos dirigiremos a la plaza de
España, en donde se realiza el segundo acto del desfile. Este consiste en depositar dos
coronas de laurel. La primera en la placa que recuerda al Convento de San Francisco
y la segunda en el monumento a los Mártires.
La del Convento de San Francisco será portada por mujeres ataviadas con el traje
regional, en recuerdo y homenaje a María Blánquez. Entregada por don Francisco
Javier Lambán Montañés (o persona en quién delegue), le acompañaran el
Comandante Militar de Zaragoza, General Juan Pinto y el Hermano Mayor de la
Sangre de Cristo. La recibirán dos soldados del Batallón Pardos de Aragón.
La segunda corona, la entregara don Juan Alberto Belloch Julve (o persona en quién
delegue), acompañado también por el Comandante Militar y el Hermano Mayor,
siendo recibida por dos soldados del Batallón de Infantería Voluntarios de Aragón.
Durante este acto sonara en la plaza el Carillón de la Diputación Provincial con
marchas alusivas a los Sitios.
Finalizado el acto, continuaremos el desfile en dirección a la Plaza de la Seo por calle
don Jaime, calle Mayor, calle Dormer, calle Cisne y calle Cuellar.
En la plaza de la Seo se realiza el tercer y último acto. Consiste en una breve
alocución del General Pinto, Comandante Militar de Zaragoza y Teruel, en recuerdo
y homenaje del General Palafox. A Su conclusión, el Batallón de Infantería
Voluntarios de Aragón hará una descarga de fusilería.
Ya para finalizar, nos encaminaremos a la plaza del Pilar, finalizando el desfile,
alrededor de las 20´30 horas, con la entrada del Cristo de la Cama en la Basílica, en
donde permanecerá hasta el miércoles 25 de febrero.
Finalizado el desfile y por lo tanto el traslado, la Hermandad de la Sangre de Cristo
realizara una ofrenda a la Virgen del Pilar.
La Hermandad de la Sangre de Cristo, con el fin de dar mayor realce a este
acontecimiento histórico, ha invitado a participar a todos aquellos Ayuntamientos e
Instituciones galardonados con la Medalla del Bicentenario “Defensor de Zaragoza”,
distinción que también ha obtenido la propia Hermandad. Han confirmado su
asistencia una representación de los Ayuntamientos de Alcañiz, Barbastro, Calatayud,
Cariñena, Chelva, Huesca, Jaca, monzón y Valencia. También han confirmado su
participación los Artilleros de Aragón, Batallón Pardos de Aragón, Batallón de
Infantería Ligera Voluntarios de Aragón, la Asociación Cultural Royo del Rabal
(ronda y escenificación de personajes históricos de la época), la Asociación Cultural
Los Sitios (personajes históricos de la época), la Hermandad de San Juan de la Peña,
la Cofradía del Santo Sepulcro, la Hermandad del santo Refugio, la Real Ilustre
Congregación de Nuestra Señora de la Soledad de Madrid y la Real Maestranza de
Caballería.
La parte musical durante el desfile correrá a cargo de la Banda de Guerra de la
Brigada de Caballería Castillejos II, de la Banda Música de la Academia General
Militar y la Ronda de jotas de la Asociación Cultural el Rabal. Durante el desfile y
con el fin de que los peaneros lleven el ritmo adecuado, les acompaña un piquete de
diez instrumentos, cuyos miembros son de la cofradía de la Institución de la Sagrada
Eucaristía, que lo harán sin los distintivos propios de la Cofradía.
Cabe destacar el estreno de una marcha procesional en las calles de Zaragoza. La
primera y ultima pieza que interprete la Banda de Música será la Marcha al Cristo de
la Cama, cuyo autor es don Abel Moreno y que fue donada a la Hermandad por la
Asociación para el Estudio de la Semana Santa.
Ernesto Millán Lázaro
Hermano Mayor
Hermandad Sangre de Cristo
Visita nuestro Blog de Semana Santa en:
asociacionredobles.blogspot.com
Actos que se van a desarrollar durante la conmemoración del 200º aniversario del
rescate del Cristo de la Cama, consistente en el traslado de la Imagen desde la Iglesia
de Santa Isabel de Portugal (vulgo San Cayetano) a la Basílica del Pilar.
El rescate se produjo el 17 de febrero de 1809 del Convento de San Francisco, lo que
actualmente es la Diputación Provincial. El día 10 los franceses volaron el Convento,
que era defendido por unos cuantos aragoneses y por los voluntarios de Valencia. El
día 17, María Blánquez entro en el convento y vio que todos los pasos que
procesionan en Semana santa, quince en total, estaban destruidos, salvo el Santísimo
Cristo de la Cama, que estaba indemne en su Capilla de la Hermandad. Salió a la
calle, cogió a cuatro hombres, volvió a entrar al convento y todos ellos cogieron al
Cristo de la cama. Lo llevaron primero a la parroquia de la santa Cruz, después a la
de Santiago y finalmente al Palacio Arzobispal, lugar en donde vivía el general
Palafox, que enfermo lo venero y ordeno fuera llevado al interior de la Basílica del
Pilar, siendo colocado en el Altar de los convertido mirando a su Madre, la virgen del
Pilar.
Este hecho es el que conmemoramos.
A las 18´00 horas se oirá en la Ciudad de Zaragoza a los Artilleros de Aragón
anunciando el comienzo de la procesión cívico religiosa.
Con la salida desde San Cayetano de la Bandera de la Hermandad de la Sangre de
Cristo dará comienzo la procesión, encontrándose el resto de participantes ubicados
en la plaza. Seguidamente saldrá la peana, portada a varal, del Cristo de la Cama. Lo
hará con un toque preparado para la ocasión por la Sección de Tambores de la
Hermandad de San Joaquín y Virgen de los Dolores. Una vez que nuestro Cristo de la
Cama este en la plaza sonara el Himno Nacional interpretado al órgano por Ignacio
Navarro Gil.
Finalizado el himno, se descubrirá una placa en cerámica de Muel, promovida por la
Asociación Cultural Redobles. Dicha placa será descubierta por el Ilmo. Sr. D.
Francisco Javier Lambán Montañés, o persona en quien en delegue, acompañado por
el Hermano Mayor de la Hermandad de la Sangre de Cristo. A la vez que se descubre
la placa, don José Antonio Armillas, Comisario del Bicentenario glosara brevemente
la figura de María Blánquez y lo que ella significo.
Finalizado este acto, dará comienzo en sí el desfile.
Por la calle Manifestación, calle Alfonso y calle Coso, nos dirigiremos a la plaza de
España, en donde se realiza el segundo acto del desfile. Este consiste en depositar dos
coronas de laurel. La primera en la placa que recuerda al Convento de San Francisco
y la segunda en el monumento a los Mártires.
La del Convento de San Francisco será portada por mujeres ataviadas con el traje
regional, en recuerdo y homenaje a María Blánquez. Entregada por don Francisco
Javier Lambán Montañés (o persona en quién delegue), le acompañaran el
Comandante Militar de Zaragoza, General Juan Pinto y el Hermano Mayor de la
Sangre de Cristo. La recibirán dos soldados del Batallón Pardos de Aragón.
La segunda corona, la entregara don Juan Alberto Belloch Julve (o persona en quién
delegue), acompañado también por el Comandante Militar y el Hermano Mayor,
siendo recibida por dos soldados del Batallón de Infantería Voluntarios de Aragón.
Durante este acto sonara en la plaza el Carillón de la Diputación Provincial con
marchas alusivas a los Sitios.
Finalizado el acto, continuaremos el desfile en dirección a la Plaza de la Seo por calle
don Jaime, calle Mayor, calle Dormer, calle Cisne y calle Cuellar.
En la plaza de la Seo se realiza el tercer y último acto. Consiste en una breve
alocución del General Pinto, Comandante Militar de Zaragoza y Teruel, en recuerdo
y homenaje del General Palafox. A Su conclusión, el Batallón de Infantería
Voluntarios de Aragón hará una descarga de fusilería.
Ya para finalizar, nos encaminaremos a la plaza del Pilar, finalizando el desfile,
alrededor de las 20´30 horas, con la entrada del Cristo de la Cama en la Basílica, en
donde permanecerá hasta el miércoles 25 de febrero.
Finalizado el desfile y por lo tanto el traslado, la Hermandad de la Sangre de Cristo
realizara una ofrenda a la Virgen del Pilar.
La Hermandad de la Sangre de Cristo, con el fin de dar mayor realce a este
acontecimiento histórico, ha invitado a participar a todos aquellos Ayuntamientos e
Instituciones galardonados con la Medalla del Bicentenario “Defensor de Zaragoza”,
distinción que también ha obtenido la propia Hermandad. Han confirmado su
asistencia una representación de los Ayuntamientos de Alcañiz, Barbastro, Calatayud,
Cariñena, Chelva, Huesca, Jaca, monzón y Valencia. También han confirmado su
participación los Artilleros de Aragón, Batallón Pardos de Aragón, Batallón de
Infantería Ligera Voluntarios de Aragón, la Asociación Cultural Royo del Rabal
(ronda y escenificación de personajes históricos de la época), la Asociación Cultural
Los Sitios (personajes históricos de la época), la Hermandad de San Juan de la Peña,
la Cofradía del Santo Sepulcro, la Hermandad del santo Refugio, la Real Ilustre
Congregación de Nuestra Señora de la Soledad de Madrid y la Real Maestranza de
Caballería.
La parte musical durante el desfile correrá a cargo de la Banda de Guerra de la
Brigada de Caballería Castillejos II, de la Banda Música de la Academia General
Militar y la Ronda de jotas de la Asociación Cultural el Rabal. Durante el desfile y
con el fin de que los peaneros lleven el ritmo adecuado, les acompaña un piquete de
diez instrumentos, cuyos miembros son de la cofradía de la Institución de la Sagrada
Eucaristía, que lo harán sin los distintivos propios de la Cofradía.
Cabe destacar el estreno de una marcha procesional en las calles de Zaragoza. La
primera y ultima pieza que interprete la Banda de Música será la Marcha al Cristo de
la Cama, cuyo autor es don Abel Moreno y que fue donada a la Hermandad por la
Asociación para el Estudio de la Semana Santa.
Ernesto Millán Lázaro
Hermano Mayor
Hermandad Sangre de Cristo
via WordPress ift.tt/2hkUDL9
Wolfenfiiiiiiiine
Game: Wolfenstein 2: The New ColossusDeveloper: Machine GamesPublisher: Bethesda SoftworksReviewed on: PS4 (Review copy provided)
Captain ‘BJ’ Blazkowicz, star of Wolfenstein’s newest reboot, is not a great protagonist on paper. He has an annoyingly square head, like a child’s drawing of Superman, and consistently speaks so gruffly as to be borderline unintelligible, as if words just get tangled up in all his testosterone. It’s like Solid Snake and Christian Bale’s Batman had a really phlegmy child. He’s nothing new. Big, handsome white guys with guns and difficulty conveying emotions are not original in the world of videogames.
Ol’ BJ has one redeeming feature though. He properly hates Nazis, like an X-rated Captain American pre-heel turn. I don’t mean ‘nazi’ in the way your mate Karen from Twitter uses it to describe everyone who disagrees with her because she once followed a vegan account for a week and thinks she’s basically a communist for voting Labour. I don’t even mean a pejorative term for people who point out you can’t use basic English so you try to cover up for it by comparing your corrector to the literal third reich. No, I mean proper Nazis.
It used to always be that Nazis were a pretty stock villain. You knew where you were with a Nazi. Even Britain, a country that can’t make a single decision that doesn’t send us further down shit creek at the moment, used to be united behind one thing; Nazis are shit, mate. Recently things got a bit muddied, though. Nazis got twitter and tiki torches and started acting like they were real people who should be listened to. Some people got confused by this; are Nazis human after all? Should we hear them out?
But Nazis aren’t for listening to, lads. Nazis are for punching.
Enter Wolfenstein 2: The New Colossus. Much of the build-up to this has been Bethesda happily trolling alt-right mouth-breathers online through their promo materials and trailers, so much so that these stings may have even stolen some attention away from the game itself. The rebooted Wolfenstein series is not only here to remind everyone what Nazis are for, though. I fully expected predecessor The New Order to be a by-numbers FPS, like CoD: Steampunk Edition. What I found instead was a game full of fun ideas and set-pieces with a strong identity, trying it’s best to do something with a fairly tired genre. Picking up directly after this, The New Colossus sees our man BJ not feeling exactly 100%. He’s frail, literally in a wheelchair at one point, and having quite a serious think about death and that.
I want to start with the less enjoyable parts of the game. This is because Wolfy 2 is indeed (spoiler alert) a great experience worthy of attention; a single player game (something that’s practically on the endangered species list these days) that isn’t demanding any money from you during the gameplay, and with a strong story and excellent characters.
First of all… the game is hard. Some of this is undoubtedly intentional; Blazkowicz believes he is on his way out from the off, and he’s a weaker soldier for it for a significant part of the game. Find yourself in a room full of Nazis and it’s easy to come a cropper unless you’re super careful with cover, which is at odds with the game constantly urging you on to be gung-ho and batter every Nazi as soon as they appear. The aforementioned wheelchair section, in which your turning speed is reduced and you’re not able to hold a gun ready at all times, is the FIRST SECTION. At least give us a warm-up here, guys. Without ruining things, he does regain some of his old strength in later parts, but by then the enemies have gotten a little stronger as well.
Some of those enemies are far tougher than they have any right to be, too. Despite wearing minimal armour, some standard-issue assailants can take a serious amount of bullets before they take a nap, while some of the bigger behemoths are total bullet sponges. Add into that the airborne drones that dart around unpredictably during every mass brawl and things can get frustrating quite quickly, even on a lower difficulty setting. To confuse things further, the game decides not to opt for the mechanic most of it’s cousins use these days; slowing down time while you choose your next gun on the weapon wheel selector. That said, you can now use the weapon wheel to dual-wield whatever you’re carrying, which is a nice touch, but a few seconds grace to navigate the sometimes sticky gun selector would have been quite nice, thanks.
What’s great about those enemies, though, is how you can just completely avoid some of them. On occasion, you’ll be confronted by a huge, Nazi behemoth robot, only to realise you can run away from it easily because they’re big and slow. I really liked having the choice that most people would probably make when confronted with a 20ft right-wing robot; to get out of there and leave it to whatever it was doing before you turned up.
The stealth doesn’t quite add up, either. On occasion while sneaking up behind a grunt they’d turn at the very last second, and spot me for all of a millisecond before I busted them up with my hatchet, which is an animation triggered by a single button press. Yet in that wordless moment they would somehow be able to raise an alarm that summons Nazis faster than a woman having an opinion online. It didn’t really wash, and seems quite unforgiving in what was already quite a tricky experience. Despite it’s protestations, Wolfy 2 is definitely a shooter; the stealth is there, but it may as well not be.
Finally, there is BJ’s vocal cords. He’s so low and gruff it’s unintentionally comical; mid-action quips and lines may as well just be fucking gargled for all the sense they make, particularly when fighting for decibels against the game’s improbably loud techno soundtrack. When the scenes arise in which the mother of his unborn children says she can’t understand him, I think she means emotionally, but she may well be talking about his appalling annunciation. Stop mumbling, you square-headed prick.
But that is the negative done with. I promise. It’s all downhill from here, or uphill depending on how you read that analogy. Because the characters and casting (even BJ with his RIDICULOUS voice) are wonderful. Following on from my time in The New Order, I chose the Fergus timeline, and was thrilled to have the hardest yet most nonchalant Scotsman (quite the achievement) in all of videogames back in my life. All of the main cast are voiced and acted beautifully, and the culmination of every caustic first meeting is a solid group of personalities you’ll miss once the credits roll.
Frau Engel takes the role of main target this time. Right from the first encounter she’s established as a completely hateful psychopath, and this is where the new Wolfy’s have always done brilliantly. They’re more than adept at eliciting the perfect emotional response; rather than being presented with cookie-cutter villains who you have to kill because the developers say so, you *really* want to take these people down, and that’s the difference between being propelled through a game rather than being dragged through it. This is built upon even further with flashbacks to BJ’s childhood, one of which was distressing in a way only cruelty to animals can be. These flashback sections are surprisingly good; rather than being poorly-aimed schmaltz they’re well acted and often funny insights into what made BJ the world’s premiere Nazi killer. Indeed, there’s even delightful new characters being introduced 4/5 of the way through, a particular favourite introduction of mine involving a fist-fight and a sniping session to the sounds of jazz clarinet.
And even beyond the characters themselves, the game oozes personality all over the gaffe. Set in an alternative reality where Hitler and his gang of pricks won the second world war, forcing the USA to surrender by way of an atom bomb, it’s a little steam-punk in places, the mesh of an old world with as-yet unknown technology. Feeling somewhat under the weather, Blazkowicz can only get around by the aid of a suit of armour that looks like something from Silent Hill in 2049. There are big, far-right robots that resemble Warhammer’s Ultramarines to contend with on a regular basis. The game is also bizarrely crude and humorous at points, something much needed in amongst all the dying and reflections on mortality. Fairly happy to have you wading through hoards of genocidal maniacs one minute and make obscene references the next, it’s a jarring sense of humour that is too rarely seen in the often po-faced world of FPS. The diaries and passing dialogue you find amongst the environments is often hilarious and most importantly brief; nobody wants to read a four page extract from a journal during a shoot-em-up, but a brief excerpt here and there to build the world is largely welcome.
The problem with the world of Wolfenstein 2 is that the good bits make the bad bits far more apparent. For example, an area many of you may have seen is the Roswell town setting. Y’know, it’s the bit from the footage where everything looks like a perfect 50’s sitcom town, all Cadillacs and ice cream parlours. But in amongst that facade, there are Nazis and KKK members rolling around, sewn in amongst everything like shit in a flan. It’s an area I;d have loved to have spent more time in, but alas, immediately from this part you’re sent packing off to yet more tunnels and grey corridors, and that’s a running theme throughout; corridors and murky, dull areas. The locales do indeed ‘go places’ and by the time the finale rolls around you’ll have laid out Nazis in quite a surprising range of places, but more often than not these are a bit standard-looking. Nevertheless, MachineWorks produces a couple of surprising ways to navigate these environments at least. Rather than showing its hand right at the start, it’s over halfway through the game before you’re suddenly thrown something of a curve ball which results in BJ’s skills expanding.
VERDICT
What we have here, then, is a game contrary to the developing trend. Whereas for other big developers, the main focus is on perfecting open world environments, online communities and loot boxes *vomits*, Wolfenstein flies in the face of that. It’s a contained single-player game that’s real strength is story and personality, but also has solid and satisfying gun-feel and cathartic shooting. There are numerous set-pieces to bring a smile to your face that show real invention, all of which adds up to mean this is well worth checking out, particularly if you want to fuck up some Nazis.
And if you don’t? Well, you definitely wouldn’t want to be on the wrong side of Captain Blazkowicz…
9/10
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bauhaus building, dessau, germany, 1925-1926, architect: walter gropius
Gropius consistently separated the parts of the Bauhaus building according to their functions and designed each differently. He thereby arranged the different wings asymmetrically – in relation to what is today the Bauhausstraße and the Gropiusallee respectively. In order to appreciate the overall design of the complex, the observer must therefore move around the whole building. There is no central viewpoint.
The glazed, three-storey workshop wing, the block for the vocational school (also three storeys high) with its unostentatious rows of windows, and the five-storey studio building with its conspicuous, projecting balconies are the main elements of the complex. A two-storey bridge which housed, e.g., the administration department and, until 1928, Gropius’s architectural practice, connects the workshop wing with the vocational school. A single-storey building with a hall, stage and refectory, the so-called Festive Area, connects the workshop wing to the studio building. The latter originally featured 28 studio flats for students and junior masters, each measuring 20 m². The ingenious design of the portals between the foyer and the hall and a folding partition between the stage and the refectory, along with the ceiling design and colour design, impart a grandiose spatial coalescence to the sequence of foyer-hall-stage-refectory, shaping the so-called Festive Area. The façade of the students’ dormitory is distinguished in the east by individual balconies and in the south by long balconies that continue around the corner of the building.
The entire complex is rendered and painted mainly in light tones, creating an attractive contrast to the window frames, which are dark. For the interior, the junior master of the mural workshop, Hinnerk Scheper, designed a detailed colour plan that, by differentiating between supporting and masking elements through the use of colour, aimed to accentuate the construction of the building.
June 19th 2009
Fish Fry, Cookies, Rain and a little Research.
Hopefully I will get more consistent about writing these entries, things have been a little chaotic here!
SO - Thursday (yesterday) the SSF boys (all 9 of them), who all live in "the barn" hosted a fish fry. Basically, one of their guys fishes like a mad man, so they decided to host a little party. It was pretty fun, and good food. There were probably 50 people in a building that is designed to house about 12, so it was a little chaotic, but it was a good excuse to mingle and make an effort to meet some of the other summer students. I still feel kinda out of place - everyone else knows whats going on when the genetics of micro-organisms comes up... uh... right.
For the Fish Fry, Or house (6 girls) decided to make cookies - or rather, I decided that making a billion cookies would be a good idea. So, wednesday night we made lots of cookies, not uneventfully. For some reason the cookie sheets we have are oversize, which prompted a trip to the grocery store. Our apartment was quite festive, it was Jordan's (my roomie) birthday, so we had cake, the neighbors over and it was fun! (The fish fry liked the cookies!)
Research:
My project is progressing. As I said before, the goal is to create a reflector which will optimize deep sea LED lighting for the deep sea photography. I have succesfully simulated the reflection of a coffee cup (perfectly circular reflector) in matlab, and now I am moving on to modeling a parabola. Basically, I need to get comfortable with the math and the optical properties, then the "reflector" or surfaces will become more complex. Then when we find a surface which creates a high intensity uniform light field - we will send it to the 3-d printer and test!
I will leave you with a very insightful quote of the day - found in a paper on ocean optics:
"Because of its spectral characteristics and constant output power, the sun is the light source of choice of optical oceanographers"
Paul Rohrlich, the Science Attache at the Embassy and several Embassy staff members visited two schools, at the invitation of Mr. Farid Hamdan, National Coordinator for GLOBE (Global Learning and Observations to Benefit the Environment) program in Israel. The schools, Al-Biader elementary School, in Hure Village, and Ramon Elementary School, in Mitzpe Ramon were chosen due to their continued excellence in providing consistent meteorological, ecological data to the GLOBE program. The official guests received a warm welcome by the mayors of both towns, the principals, teachers and students. They were then shown how the GLOBE program impacts the schools and the communities as a whole.
The GLOBE program is a worldwide hands-on school science and education program sponsored by the U.S. Government in partnership with NASA and the National Science Foundation. It supports student, teacher, and scientist collaborative "Earth System Science Projects" that study and record geophysical indicators in their country. The students’ results are uploaded into a NASA-operated database available to the global science research community.
In support of the program, the Embassy recently provided a small grant for schools to acquire data-collecting equipment. Upon visiting, both schools had the forward vision of making environmental stewardship a multi-disciplinary, affective objective. The visit left Embassy staff optimistic that future generations will make the necessary lifestyle changes to keep our planet healthy.
Paul Rohrlich, the Science Attache at the Embassy and several Embassy staff members visited two schools, at the invitation of Mr. Farid Hamdan, National Coordinator for GLOBE (Global Learning and Observations to Benefit the Environment) program in Israel. The schools, Al-Biader elementary School, in Hure Village, and Ramon Elementary School, in Mitzpe Ramon were chosen due to their continued excellence in providing consistent meteorological, ecological data to the GLOBE program. The official guests received a warm welcome by the mayors of both towns, the principals, teachers and students. They were then shown how the GLOBE program impacts the schools and the communities as a whole.
The GLOBE program is a worldwide hands-on school science and education program sponsored by the U.S. Government in partnership with NASA and the National Science Foundation. It supports student, teacher, and scientist collaborative "Earth System Science Projects" that study and record geophysical indicators in their country. The students’ results are uploaded into a NASA-operated database available to the global science research community.
In support of the program, the Embassy recently provided a small grant for schools to acquire data-collecting equipment. Upon visiting, both schools had the forward vision of making environmental stewardship a multi-disciplinary, affective objective. The visit left Embassy staff optimistic that future generations will make the necessary lifestyle changes to keep our planet healthy.
Paul Rohrlich, the Science Attache at the Embassy and several Embassy staff members visited two schools, at the invitation of Mr. Farid Hamdan, National Coordinator for GLOBE (Global Learning and Observations to Benefit the Environment) program in Israel. The schools, Al-Biader elementary School, in Hure Village, and Ramon Elementary School, in Mitzpe Ramon were chosen due to their continued excellence in providing consistent meteorological, ecological data to the GLOBE program. The official guests received a warm welcome by the mayors of both towns, the principals, teachers and students. They were then shown how the GLOBE program impacts the schools and the communities as a whole.
The GLOBE program is a worldwide hands-on school science and education program sponsored by the U.S. Government in partnership with NASA and the National Science Foundation. It supports student, teacher, and scientist collaborative "Earth System Science Projects" that study and record geophysical indicators in their country. The students’ results are uploaded into a NASA-operated database available to the global science research community.
In support of the program, the Embassy recently provided a small grant for schools to acquire data-collecting equipment. Upon visiting, both schools had the forward vision of making environmental stewardship a multi-disciplinary, affective objective. The visit left Embassy staff optimistic that future generations will make the necessary lifestyle changes to keep our planet healthy.
The New Chanel Boutique Opening and Charity Event hosted by SIMPLY CONSISTENT INC.
www.simplyconsistent.com/management
www.simplyconsistent.com/non-profit/childhood-obesity
"-Chanel Boutique."
"-Kathleen Checki."
"-Checki."
"-Simply Consistent."
"-Simply Consistent Management."
"-Kathleen Checki and Kathleen Hilton."