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'Consideraciones sobre la configuración operativa y el diseño técnico de los buques de crucero y ferrys', a cargo de Andrés Molina Martí, y 'Cómo se opera un crucero', de Javier Llompart Burgos
Considero la vita una locanda, dove devo fermarmi fino all’arrivo della diligenza dell’abisso.
Il libro dell'inquietudine - Fernando Pessoa
Please always consider the sensitivity of birds, nearby humans, and the environment.
Don't lie & Den'y to try to cover up your bird listing misdeeds & mistakes. Locals who do are a continuing disgrace -- like the occupiers of Malheur and the White House. Don't trespass on Yakama land while chasing owls around in a field; don't trespass on Yakama Nation closed lands; don't take credit for others' finds; don't trespass on Priest Rapids Dam or on Simon Martinez private property or closed areas in the Yakima Training Center military area; don't claim a Red-necked Phalarope is a Red Phalarope; don't illegally harass Spotted Owls or quiz bird watchers about a rare bird sighting on your (invalid) Big Day; don't change your eBird locations to try to cover up your trespassing; don't try to get others to adopt or to excuse your illegal and unethical bird listing practices, or to believe your lies.
Please read, PRACTICE, and promote the ABA Code of Birding Ethics.
Considerado um dos principais eventos do mercado imobiliário regional, o Construindo o Grande ABC reuniu renomados profissionais da área para debaterem sobre os desafios diante do atual cenário econômico, além de apresentar dados sobre a força do mercado imobiliário do Grande ABC, análises sobre a economia brasileira, precificação de imóveis, alternativas de crédito e financiamento imobiliário e estratégias empresariais. A grande novidade deste ano foi o painel sobre o futuro das cidades do Grande ABC, com a presença de representantes dos municípios que compõem a região.
O evento aconteceu em 22 de outubro de 2015 e foi sediado pelo Instituto Mauá de Tecnologia – Campus de São Caetano do Sul.
Consider this as a candidate for 'the sublime' - Something that makes you stop and stare in awe and wonder because of its magnificence. Usually used to describe something that's truly a "Wonder" (like the 7Wonders of the world), or something majestically made from nature. However, this scene isn't something so obvious that it'll make you stop in your tracks. In fact, you may never even notice it unless you stopped to look up and see it through a frame. But once you do, you'd realize the sublime magnificence of concrete and nature combined and framing the sky. Actually, views like this are aplenty in any city. But did you notice it as you walked past?
....consider it an insult, haha! I usually see Japanese people doing this, while Chinese do the thumb between the pointer and middle finger thingy.
— Considera lo difícil que es cambiarte a tí mismo y entenderás la pequeña probabilidad que tienes al intentar cambiar a otros. La gente juzga rápido y con autoridad, pero se corrigen lentamente así mismos. Pero a tí nunca te importó cambiar a nadie ni juzgar.
Considerada a primeira mostra modernista realizada no país, a individual foi severamente criticada à época pelo escritor Monteiro Lobato (1882-1948), fato que viria a culminar na realização da Semana de Arte Moderna de 1922.
Dividida em três núcleos, a exposição reúne cerca de 70 obras, entre desenhos e pinturas, que abrangem diversos momentos da produção da paulistana, inclusive posteriores à mostra de 1917 (dez telas estavam nessa exposição, e oito na Semana de 1922).
A seleção é de Regina Teixeira de Barros, curadora independente e historiadora.
Em cartaz no MAM (Museu de Arte Moderna de São Paulo), a mostra "Anita Malfatti: 100 anos de Arte Moderna" é uma homenagem ao centenário da polêmica exposição de 1917 da pintora Anita Malfatti (1889-1964).
Adger Cowans b. 1936
Malcolm Speaks, 1960–1965
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Photography and the Black Arts Movement, 1955–1985
September 21, 2025 - January 11, 2026
The first exhibition to consider photography’s impact on a cultural and aesthetic movement that celebrated Black history, identity, and beauty.
Uniting around civil rights and freedom movements of the 1960s and 1970s, many visual artists, poets, playwrights, musicians, photographers, and filmmakers expressed hope and dignity through their art. These creative efforts became known as the Black Arts Movement.
Photography was central to the movement, attracting all kinds of artists—from street photographers and photojournalists to painters and graphic designers. This expansive exhibition presents 150 examples tracing the Black Arts Movement from its roots to its lingering impacts, from 1955 to 1985. Explore the bold vision shaped by generations of artists including Billy Abernathy, Romare Bearden, Kwame Brathwaite, Roy DeCarava, Doris Derby, Emory Douglas, Barkley Hendricks, Barbara McCullough, Betye Saar, and Ming Smith.
Poet Larry Neal, who coined the term Black Arts Movement, described it as “a cultural revolution in art and ideas.” This movement included poets, playwrights, musicians, filmmakers, photographers, and painters. They came together to make art that advanced civil rights and celebrated Black history, identity, and beauty.
This cultural revolution shook up the art world in the 1950s and ’60s. It embodied the struggle for self-determination championed by global freedom movements. New collectives, workshops, and collaborations emerged. Creatives made art that promoted Black dignity, hope, and freedom. They asked, how could art inspire social and political change? And what would it look like?
Photography was a driving force from the beginning, playing a critical role as both a communications tool and art form. Learn more about the movement and photography’s part in it—major themes in our exhibition Photography and the Black Arts Movement, 1955–1985.
Our exhibition begins in 1955, more than a decade before Larry Neal named the Black Arts Movement. That year, several events—and photographs of those events—helped catalyze the civil rights movement.
In September, Jet magazine was one of several publications that printed open-casket photographs of Emmett Till, a 14-year-old boy from Chicago who was lynched in Mississippi. Those disturbing images were seen across the country, including by a woman in Montgomery, Alabama: Rosa Parks. That December, Parks sat in the front, “white only” section of a segregated bus. The driver demanded that she give up her seat to a white passenger. She refused. As she later recounted, Emmett Till was on her mind in that moment.
Parks, in turn, was photographed sitting at the front of the segregated bus. Those images, and others like them, brought widespread awareness to the struggles for equal rights. Organizations like the Student Nonviolent Coordinating Committee (SNCC) encouraged photography of their marches, demonstrations, and acts of nonviolent civil disobedience. SNCC even taught some members to use a camera. Lifelong activist Maria Varela became a SNCC photographer after recognizing the need for more images of Black life to support the movement.
The beginning of the Black Arts Movement is often pinned to poet, playwright, and writer Amiri Baraka founding the Black Arts Repertory Theatre/School in New York City’s Harlem neighborhood in 1965. Nikki Giovanni, Gwendolyn Brooks, and Audre Lorde were among the many writers and poets active in the movement. Some collaborated with visual artists, even forming collectives such as the Organization of Black American Culture (OBAC) in Chicago.
OBAC writers, scholars, painters, and photographers collaborated to create the Wall of Respect community mural in 1967. It commemorated key figures in African American history, including W. E. B. Du Bois, Muhammad Ali, and Nina Simone. The mural was like a two-story collage that covered the facade of a building in the city’s South Side neighborhood. It incorporated paintings by several artists alongside mounted photographs by Roy Lewis and Darryl Cowherd. At the center was Amiri Baraka’s poem “SOS,” which opens, “Calling all black people.” The mural was demolished in 1972, but photographs by Roy Lewis and Robert Sengstacke continue to spread its message.
Music was an equally important part of the Black Arts Movement. Musicians John Coltrane and Sun Ra both performed at a fundraiser for Amiri Baraka’s Black Arts Repertory Theatre/School. Their experimental and expressive jazz inspired Black Arts Movement writers and artists.
In Coltrane at the Gate, photographer Adger Cowans depicted the saxophonist’s energy. Ming Smith captured the magic of a Sun Ra performance. For his homage to saxophonist Charlie Parker (who was commonly known as “Bird”), painter Raymond Saunders embraced the spontaneous spirit of jazz. Saunders collaged a newsprint photograph below the word “bird” written in a chalklike white script.
The Black Arts Movement celebrated the “beauty and goodness of being Black,” as Larry Neal put it. Photographer Kwame Brathwaite helped popularize the phrase “Black is beautiful.” Brathwaite was a pioneer of uplifting Black identity. He helped found groups that challenged conventional standards of beauty and celebrated African heritage. They organized fashion shows, created “Black is beautiful” products, and operated a photography studio.
In Untitled (Portrait, Reels as Necklace), Brathwaite adorned the model with a necklace made from film developing reels to “expose” her beauty. More than a decade later, Carla Williams created a self-portrait that echoed Brathwaite’s work. Showing herself in curlers, Williams challenged popular notions of beauty.
Small collectives of visual artists and photographers came together around the principles of the Black Arts Movement. In New York, the Kamoinge Workshop photography collective met regularly to critique each other’s work, debate photography’s purpose and aesthetics, and share tips. They created a space for their art by developing their own portfolios and exhibitions. The workshop also produced the groundbreaking Black Photographers Annual between 1973 and 1980.
A group of Chicago artists formed AfriCOBRA. The collective’s founders defined their own aesthetic principles, aimed at creating “images that jar the senses and cause movement” and “images designed for mass production.”
The Black Arts Movement made an impact beyond the United States. In Great Britain, Raphael Albert organized and photographed Black beauty pageants in London. James Barnor focused on style, migration, and Black city life in London and in Accra, Ghana. Horace Ové photographed the British Black Power Movement. He also captured scenes of the West African and West Indian communities in London, like his Walking Proud, Notting Hill Carnival.
Samuel Fosso opened his first photography studio in Bangui, Central African Republic, at age 13. After finishing with clients, Fosso would use his studio to experiment with self-portraits. He wore an array of costumes and adopted personas, often taking inspiration from the pictures of Black Americans he saw in magazines shared by American Peace Corps volunteers.
By the end of the 1970s, the literary arm of the Black Arts Movement had waned, but a new generation of artists and photographers carried on its spirit. Coming out of art school, photographers such as Carrie Mae Weems and Lorna Simpson explored more personal, metaphorical, and conceptual ideas.
In her Family Pictures and Stories series, Weems made her own family the subjects. The intimate photographs presented a counterargument to claims that many Black Americans faced poverty and struggle as a result of weak family structures. Weems paired the photographs with brief stories about each family member.
www.nga.gov/stories/articles/what-black-arts-movement-sev...
manpodcast.com/portfolio/no-725-photography-the-black-art...
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Se han reducido de manera considerable el número de tomas clandestinas detectadas a ductos de PEMEX, cuando en 2012 se dio cuenta de 18, este año van apenas 6, indicó el Secretario de Gobierno Jorge López Portillo Tostado.
Enviado por Agencia INQRO.COM.MX
Rutland County Council’s Planning and Licensing Committee met Tuesday 14 January to consider a planning application for a McDonald’s restaurant in Oakham 20190614FUL
Il est considéré par plusieurs comme l’artiste le plus polyvalent du Canada français. Suzor-Coté remporte plusieurs prix et distinctions, dont la médaille de bronze à l’Exposition universelle de Paris en 1900
www.beaux-arts.ca/collection/artiste/marc-aurele-de-foy-s...
Les contacts que sa famille entretient avec le chef du Parti libéral et futur premier ministre du Canada, Wilfrid Laurier, lui permettent d'obtenir des commandes qui lancent sa carrière d'artiste peintre. .
www.biographi.ca/fr/bio/suzor_cote_marc_aurele_de_foy_16F...
Le film de Serge Giguère (ONF) :
www.thecanadianencyclopedia.ca/fr/article/suzor-cote-marc...
This is what I consider myself to be...
A work in progress. Especially as far as photography goes. Just learning, and so new that I see progress in a positive direction almost every time I take or process another batch of pics (lots of room to improve, in other words :o))
Nothing showcase about any of them, but I get so silly happy when I feel like I've gotten a good one. :oD
Considerado patrimônio da advocacia, o prédio, localizado na Rua 1 com a Avenida Goiás, teve preservadas suas características originais históricas, no estilo Art Déco.
Considerada um dos maiores patrimônios histórico e arquitetônico do país, a Capela de Santo Antonio completou 330 anos de existência.
Parte integrante do conjunto arquitetônico do Sítio Santo Antônio, a capela foi construída por Fernão Paes de Barros em 1681, e é considerada, juntamente com a Casa Grande como a mais antiga edificação construída em taipa de pilão de todo o Estado de São Paulo.
Com 70 anos de tombamento concedido pelo IPHAN – Instituto do Patrimônio Histórico e Artístico Nacional, o conjunto arquitetônico foi descoberto em 1937 em situação precária, onde quase metade do prédio da Casa Grande já havia ruído.
A riqueza arquitetônica da edificação já foi objeto de estudos e teses acadêmicas. O arquiteto Lucio Costa, responsável pelo projeto do Plano Piloto de Brasília, foi um dos primeiros profissionais renomados a identificar as manifestações de arte genuinamente brasileira que o local apresenta.
Adquirida pelo escritor modernista Mário de Andrade, que em 1944 doou os imóveis ao Serviço de Patrimônio Histórico e Artístico Nacional, exigindo apenas uma condição para tal feito: ser o zelador deste patrimônio enquanto estivesse vivo.
Em critérios de conservação, a primeira restauração foi realizada durante quase toda a década de 40, sendo que em 1965 o interior da Capela sofreu uma nova intervenção para a reconstituição das tábuas do altar principal. No início dos anos 90 foi realizado um novo estudo para a conservação dos elementos decorativos, que vinham sendo deteriorados pela ação dos raios ultravioleta.
Inserido numa paisagem permeada por extenso gramado, lagos e grande porção de mata nativa, o conjunto arquitetônico já serviu de locação para a produção de filmes e documentários e faz parte de dois importantes roteiros turísticos do interior paulista: Roteiro Taypa de Pilão e o Roteiro dos Bandeirantes, devido a sua grande importância arquitetônica.
O sítio Santo Antônio está aberto à visitação pública aos sábados, domingo e feriados, das 9h30 às 16h30.
via Tumblr dancrider.tumblr.com/post/618580728774524928
You may be so enamored with the house that you fail to observe what’s going on in the surrounding area. It’s important that you take notice of the neighborhood you’re considering and determine if it’s the right fit for you and your family. Purchasing a home is an investment – usually for the long term, so take time to notice the pulse of the community. Talk to neighbors if possible and note if the area is perhaps in transition from being a bad neighborhood to an up-and-coming one – or has it already made the transition. One way to determine if the price of the home you’re considering is fair for the neighborhood is to research home values and foreclosures in the locality. Homes in transitional neighborhoods may be a good investment, but it could take time for that to happen. Considering the school system in the area is a major decision factor if you have children. You can get grades and ranks of schools in the area at some online sites such as GreatSchools.org. Y
via Blogger portlandvideomarketing.blogspot.com/2020/05/consider-neig...
Consider this: what would it be like to take Einstein with YOU for a day in your life? What about a roadtrip with him in the backseat?
27 Nov 2020 . El Gobernador del Estado, Enrique Alfaro, preside la firma del convenio del Programa de Rescate de Patrimonio Cultural 2020 para la restauración de templos considerados edificios patrimoniales.
Please, consider the following related publications:
Geist SJ, Nordhaus I, Hinrichs S (2012) Occurrence of species-rich crab fauna in a human-impacted mangrove forest questions the application of community analysis as an environmental assessment tool. Estuar Coast Shelf S 96:69–80
Diele, K., Tran Ngoc, D.M., Geist, S.J., Meyer, F.W., Pham, Q.H., Saint-Paul, U., Triet, T., Berger, U. (in press). Impact of typhoon disturbance on the diversity of key ecosystem engineers in a monocoluture mangrove forest plantation, Can Gio Biosphere Reserve, Vietnam. Global and Planetary Change. dx.doi.org/10.1016/j.gloplacha.2012.09.003
Hinrichs S, Nordhaus I, Geist SJ (2009) Status, diversity and distribution patterns of mangrove vegetation in the Segara Anakan lagoon, Java, Indonesia. Reg Environ Change 9:275–289
We consider this village's Well Dressings the best designed in Derbyshire, and we see a lot!
The accompanying description reads...
"Our theme this year is inspired by the poem Aftermath by Siegfried Sassoon. Sassoon wrote Aftermath' in 1919. He had served in action in the woods at Mametz and, haunted by the guilt of the survivor, the question he repeatedly asks is of himself.
The "War to End All Wars" seems a hollow joke today and we simply pose the question once more, one hundred years on....HAVE YOU FORGOTTEN YET?
Sadly, I think we all know the anser to that."
The entire poem is then quoted.
This Well Dressing remains in place until 29th July
Dragon Age: Origins è considerato a tutti gli effetti da BioWare come l'erede spirituale di Baldur's Gate, quindi un gioco di ruolo dall'approccio piuttosto classico e dall'ambientazione schiettamente fantasy ma che, a differenza proprio di Baldur's Gate, legato a doppia mandata con la licenza Dungeons & Dragons e il mondo dei Forgotten Realms, propone un universo completamente inedito e creato a tavolino da BioWare.
Il gioco all'inizio è ambientato in una delle cittadelle controllate dai Grey Wardens, una società militare composta dalla migliore elite di guerrieri, immersa nei preparativi per affrontare uno scontro imminente con i Blight, creature demoniache dai chiari intenti distruttivi evocate e, probabilmente comandate, da un archdemon in procinto di portare morte e distruzione attraverso tutta la regione.
Dragon Age: Origins si presenta con una telecamera che, di default, è posizionata perfettamente alle spalle del personaggio, con una visuale molto ravvicinata. L'interfaccia su schermo è composta dal ritratto del personaggio principale in alto a sinistra circondato da due barre, una rossa per i punti vita e una gialla o blu a seconda che il personaggio sia da combattimento melee (gialla per la stamina) o abbia poteri magici (blu per il mana).
Dragon Age: Origins successivamente alla sua uscita, sarà arricchito da contenuti scaricabili (a pagamento o gratuiti è ancora troppo presto per saperlo) che in qualche modo mitigheranno l'attesa per i successivi capitoli della serie. Dragon Age: Origins, come il titolo lascia intendere, è infatti solo l'inizio di un franchise che terrà occupati i giocatori per un lungo futuro a venire. - ping.fm/Oby2d