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A 76-year-old woman is in critical condition after a crash involving a midsize SUV and a garbage truck in unincorporated Marengo Wednesday afternoon, police said.
The McHenry County Sheriff’s Office, Union Fire and Rescue, McHenry County Conservation Police Department and Marengo Fire and Rescue responded to Route 176 and Dunham Road in unincorporated Seneca Township around 3:44 p.m. Wednesday.
The McHenry County Sheriff’s Office said that a 2018 Subaru Crosstrek, driven by a 76-year-old Naperville woman, was traveling northbound on Dunham Road approaching the stop sign at Route 176.
A 2017 Autocar garbage truck, driven by a 45-year-old Union man, was traveling westbound on Route 176 and did not have a stop sign. The Subaru failed to yield at the intersection and drove in front of the garbage truck, sheriff’s officials said.
The garbage truck struck the Subaru and both vehicles drove off the roadway where they struck the guardrail and two trees.
The driver and sole occupant of the Subaru was extricated by firefighters and flown by helicopter to Javon Bea Hospital in Rockford where she remains in critical condition, police said.
The driver and sole occupant of the garbage truck was transported by ambulance to Northwestern Medicine Huntley Hospital with minor injuries.
Airbags deployed in the Subaru and both drivers were wearing seatbelts. The roads around the crash were closed for around five hours while the McHenry County Sheriff’s Office Major Crash Investigation Unit conducted their investigation.
(Article Source: LMCS)
Condition: Used Car, Second Hand, Local Unit
Year Model: 2005
Engine: 3.0L D4D Diesel 4x4
Transmission: Automatic (A/T)
Features: All Power, Rear Seat LCD, Back up sensor
Mileage: 46,000 km
Price: 1,450,000 Pesos
Used Condition:
Moms in Mind (Singapore) Nursing Tank Top.
Material is cotton with spandex so it's stretchy and hugs the body.
To nurse just lift to access nursing slits. Size is L - not very sure cos the size label is missing. Note : thread has come loose on the hem at the back of the blouse - this can be easily sewn back and doesnt affect the nursing top's function at all.
Measurements : armpit-armpit is 40cm. length from shoulder to hem is 55cm. Check out all my other nursing wear for sale! Big clearout!
I was driving home on the freeway when my air-conditioning began to lose power. About a minute later, I started to have engine trouble so I looked for the nearest exit. My engine lost all power and the car rolled to a stop on an off ramp of the 110 freeway. As I called AAA, I saw a bit of smoke coming from under the hood. The smoke had begun to increase and I noticed a hot spot on my hood. That's when I woke up my sleeping 1-year-old and 4-year-old in the back seat. I quickly got them both out of the car and took them a safe distance away. With the help of some friendly strangers, I managed to keep the kids safe while I grabbed the stroller from the trunk. Flames began to appear around the front of the car and quickly it was entirely engulfed.
The Los Angeles Fire Dept. quickly arrived and the whole incident was over in about 5 very brief minutes. Nobody was hurt but it's a good reminder to follow your instincts and not take any chances in a fire. I don't know the cause of the fire, but I won't be buying another Volvo V40.
Aaron Buchan – Level 3 Senior Trainer
FF Trainer of the Year – 2011
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Since becoming a Personal Trainer, I have always had a passion towards helping people achieve their goals. I have often wondered what would be the best way to achieve the best results in the fastest possible way? That’s what prompted me to start developing Cross Training Systems – easy to follow structured programs suited to every individual’s needs.Aaron profile pic new
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This is a photograph from the seventh annual Donadea 50KM Ultramarathon which was held in Donadea Forest, Donadea, Naas, Co. Kildare, Ireland on Saturday 13th February 2016 at 10:00. The race was also an International Association of Ultrarunners Silver Label Event and the Athletics Association of Ireland (AAI) National 50KM Championships. The race completes 10 loops of a very well known 5KM trail around the circumference of the forest. Most of this trail is in very good condition with good conditions underfoot for the entire 5KM stretch. The start-finish area is located close to the coffee shop area in the center of the park beside the now ruined and abandoned Donadea Castle. This year, like all previous events, was a fantastic event with great support around the course for the athletes. However the structure of the course with the repeated loops makes a great atmosphere for the runners themselves with great camaraderie being shown amongst all of the competitors. This is one of the most popular 50KM races in Ireland. A garmin GPS link is available here [connect.garmin.com/activity/70206204]
Want to use this photograph or share it? Please read/scroll down a little further to find out how - it's very easy!
We have a full set of photographs from the event today on our Flickr photostream in the following album: [https://www.flickr.com/photos/peterm7/albums/72157664641851105]
Where is Donadea?. Donadea Forest Park is situated in rural north Kildare and is approximately 640 acres in size. The amenities at the forest include good walking trails, a diversity of natural habitats, a walled stream, a large natural lake, and the ruins of Donadea castle. The Park is a designated National Heritage Area. The basic designation for wildlife is the Natural Heritage Area (NHA). This is an area considered important for the habitats present or which holds species of plants and animals whose habitat needs protection. It is a special occasion to allow the 50KM to be held in this environment.
Donadea Forest on Facebook (requires Facebook access) [www.facebook.com/pages/Donadea-Forest-Park/42728436062858...]
Here is a stunning 4K Aerial Video of Donadea Castle & Lake on YouTube [www.youtube.com/watch?sns=fb&v=BG7LmBo2WlU&app=de...]
Timing, results, and event management was provided by RedTagTiming.com from Galway Ireland - results available at www.redtagtiming.com/
Our photographs of the Donadea 50KM 2015 are here on Flickr [https://www.flickr.com/photos/peterm7/sets/72157650821612375/]
USING OUR PHOTOGRAPHS - A QUICK GUIDE AND ANSWERS TO YOUR QUESTIONS
Can I use these photographs directly from Flickr on my social media account(s)?
Yes - of course you can! Flickr provides several ways to share this and other photographs in this Flickr set. You can share directly to: email, Facebook, Pinterest, Twitter, Tumblr, LiveJournal, and Wordpress and Blogger blog sites. Your mobile, tablet, or desktop device will also offer you several different options for sharing this photo page on your social media outlets.
BUT..... Wait there a minute....
We take these photographs as a hobby and as a contribution to the running community in Ireland. We do not charge for our photographs. Our only "cost" is that we request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, VK.com, Vine, Meetup, Tagged, Ask.fm,etc or (2) other websites, blogs, web multimedia, commercial/promotional material that you must provide a link back to our Flickr page to attribute us or acknowledge us as the original photographers.
This also extends to the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.
I want to download these pictures to my computer or device?
You can download this photographic image here directly to your computer or device. This version is the low resolution web-quality image. How to download will vary slight from device to device and from browser to browser. Have a look for a down-arrow symbol or the link to 'View/Download' all sizes. When you click on either of these you will be presented with the option to download the image. Remember just doing a right-click and "save target as" will not work on Flickr.
I want get full resolution, print-quality, copies of these photographs?
If you just need these photographs for online usage then they can be used directly once you respect their Creative Commons license and provide a link back to our Flickr set if you use them. For offline usage and printing all of the photographs posted here on this Flickr set are available free, at no cost, at full image resolution.
Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.
In summary please remember when requesting photographs from us - If you are using the photographs online all we ask is for you to provide a link back to our Flickr set or Flickr pages. You will find the link above clearly outlined in the description text which accompanies this photograph. Taking these photographs and preparing them for online posting takes a significant effort and time. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc. If you are using the photographs in newspapers or magazines we ask that you mention where the original photograph came from.
I would like to contribute something for your photograph(s)?
Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers or in other circumstances we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.
Let's get a bit technical: We use Creative Commons Licensing for these photographs
We use the Creative Commons Attribution-ShareAlike License for all our photographs here in this photograph set. What does this mean in reality?
The explaination is very simple.
Attribution- anyone using our photographs gives us an appropriate credit for it. This ensures that people aren't taking our photographs and passing them off as their own. This usually just mean putting a link to our photographs somewhere on your website, blog, or Facebook where other people can see it.
ShareAlike – anyone can use these photographs, and make changes if they like, or incorporate them into a bigger project, but they must make those changes available back to the community under the same terms.
Above all what Creative Commons aims to do is to encourage creative sharing. See some examples of Creative Commons photographs on Flickr: www.flickr.com/creativecommons/
I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?
As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:
►You were hidden behind another participant as you passed our camera
►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set
►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone
►We simply missed you - sorry about that - we did our best!
You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.
Don't like your photograph here?
That's OK! We understand!
If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.
I want to tell people about these great photographs!
Great! Thank you! The best link to spread the word around is probably http://www.flickr.com/peterm7/sets
Attendees of the convention come together to take part in SMACNA's SMAC PAC Diamond Saloon night. SMACNA's Annual Convention is its premier event that blends exceptional education with world-class networking and social events. This year’s convention held at JW Marriott in Austin Texas, October 20-23, 2019. The Sheet Metal and Air Conditioning Contractors’ National Association (SMACNA) is an international trade association representing 1,834 member firms in 97 chapters throughout the United States, Canada, Australia, and Brazil. A leader in promoting quality and excellence in the sheet metal and air conditioning industry, SMACNA has offices in Chantilly, VA. For more information go to smacna.org. Photography by Steve Exum & Nathan Richards of exumphoto.com
You're welcome to use this on condition that you link it back here. Otherwise don't!
Grădina Zoologică Brăila îi datorează acest nume de cârciumă unui beţiv din vremuri de demult care şi-a băgat mâna în cuşca leilor, care erau pe atunci în număr de doi. Cred că cei de la zoo s-au aliniat poreclei :) , tariful de intrare fiind de 2 lei pentru adulţi, dacă ţin bine minte.
Pe de altă parte, referirea la lei este foarte nimerită, pentru că leul este unul dintre primele "exponate" ale acesteia şi a rămas cel mai important.
Dacă nu mă înşeală memoria, au început înainte de 1989 cu un leu de circ scos la pensie pe motiv de vârstă, pe nume Nero, care a trăit încă mulţi ani. În 1998-1999, când am făcut armata la o unitate din cartierul Viziru din Brăila, încă mai trăia şi i se auzeau răgetele din unitate. Cel putin aşa comentau colegii, că s-ar auzi leul Nero.
În prezent au cel puţin 6 lei frumoşi. În 2008 au trimis în Africa 9 pui de leu, fiind prea mulţi pentru a se descurca cu ei.
Start the day with pickup by an air-conditioned bus. Head to Bayahibe Beach, a short drive from La Romana. Stop at shops along the way. Take a picture (own expense) that will be placed on a bottle of Mama Juana, a concoction of rum, wine, and honey-soaked in tree bark and herbs.
Ride a speed boat across the ocean to a natural pool. Go swimming in a pool of crystal clear water. Have your picture taken with a live starfish. Enjoy the open bar and lunch that includes lobster and fish. Play volleyball or lounge in a hammock. Treat yourself to a massage (own expense) before heading back to the catamaran.
Listen to Latin music and dance while on board. Enjoy the open bar while slowly sailing back to shore. Return to the dock where transportation will be waiting to take you back to your hotel.
Saona Island is located in the extreme southeast of the Dominican Republic. It is part of the Parque Nacional del Este and is known for its mangroves, coral reefs, and palm-fringed beaches, such as La Palmilla. The shallow waters of the island are home to starfish. Mano Juan is a quiet fishing village near the Laguna de los Flamencos, with colorful huts and a turtle sanctuary. To the west is the Cotubanamá Cave, with pre-Columbian art on rocks.
Relax with the convenience of hotel pickup and drop-off. Spend the day sailing and relaxing. Enjoy an open bar, Buffet lunch on Saona Island, Latin music, and dancing on this full-day tour with a catamaran cruise. The
www.folietrip.com/beauty-beaches/saona-island-tour-from-p...
Air Conditioning Repair In Hollywood Florida is unique since AC Repair is an almost every summer job because of the salt air getting into the air Conditioning repair units
October 27, 2018 at 12:00pmuntil November 11, 2018 at 5:00pm at GENERATOR Projects
The exhibition, “Flesh and Finitude”, has borrowed its title from Cary Wolfe’s book, What is Posthumanism (2010). It explores the boundaries of human life and body. What is the end of the human and where does something else begin? This year’s NEoN festival’s theme is ‘Lifespans’ and our exhibition’s aim is to investigate the ‘posthuman condition’, the lifespan of ‘human’ as we know it.
Five artists were invited to provide different points of enquiry into what it means to be human in relation to other species, Nature, objects, technology, and humanity itself.
“Not all of us can say, with any degree of certainty, that we have always been human, or that we are only that.” (Rosi Braidotti, The Posthuman (2013) p.1) Today, when artificial intelligence, 3D printed organs and genetic engineering are a reality, what it means to be human is extended and redesigned. At the same time, technological advancement also reflects on our relationship (and most importantly similarities) with the Other.
Digital and sculptural works reflect on different aspects of human and its boundaries, its uncanny symbiotic relationship with others, held together by a melancholic sense of uncertainty.
Curated by Zsofia Jakab
Artists:
Caitlin Dick (UK) – Caitlin Dick recently graduated from her Master’s in Contemporary Art from Edinburgh College of Art and previously studied a BA (Hons) in Contemporary Art Practice at Gray’s School of Art, Aberdeen. Caitlin’s most recent work The Problem Begins When…, shown in Embassy Gallery Edinburgh, has focussed on the fusion of the technological and the human, creating an uncomfortable hybrid through digital and kinetic sculpture.
Give in to that Easy Living expands upon this previous work, attempting to explore these matters in a playfully cynical way, experimentally introducing an object-based installation which highlights our relationship with the bizarre, posthuman form that technology has created. Mobility assistance devices, kinetic sculpture and film create a sad scene of near total technological integration. Technology has become an extension of ourselves, no longer a separate entity; we feel lost or uneasy without it. The expectation of connection to anything and anyone at any time and for it then to be reciprocated immediately is an assumed part of capitalist consumer culture. Not only do we need to be accessible 24/7, we also believe that it is essential to be constantly active as part of our techno-ego. Our technological addiction has melted into everyday life, becoming monotonously accepted as part of normality. Website
Caitlyn Main (UK) – Caitlyn Mains practice operates from a state of uncertainty: through sustained linguistic unravelling and temporal installation, she presents works that speak of intimacy, agitation and balance. She accommodates, and indeed, propagates conditions encouraging fragility: every piece has the potential to collapse in on itself, and contains obvious indications of temporality. The work is a physical manifestation of precariousness – the use of dangling, leaning, bound and suspended elements serves to underline the flimsiness of matter.
Mains compositions reverberate between a situation of familiarity and abstraction. As firm edges become dissolved, or ignored, the parameters of her work seem to become floppy, saggy, and fluid – seeping outward to be absolved into the daily mass of visual information that surrounds us. The flesh of her assemblages is that of the world – the bones and tendons extrapolated from the domestic and the detrital, from our illuminated back lit phone screens and the phrases uttered to one another. Her frantic constellations continually oscillate between contradictory states: they are simultaneously saturated and empty, humorous, pathetic, sexual, exquisite and insignificant. Website
Rodrigo Arteaga (CHILE) – Rodrigo’s work aims to redefine some notions and ideas around nature and culture, considering what sort of division can exist between them. He has used material culture that comes from science and its varied systematic methods in the form of books, maps, diagrams, furniture and tools. There is some inherent contradiction in this effort to bring together order and disorder, the useful and the useless, unearthing the coded enigmas of our relationship to the environment. He has responded to scientific culture in an attempt to embrace its limits, maybe turn it back onto itself, finding a crack, subjectivizing something meant to be objective. Website
Alicia Fidler (UK) – Alicia’s practice expands how aesthetics of an object can be used to allude to the presence of action and a premise for performance. Functionality and Agency are contexts, which she employs to transcend an object’s still state. Adopting motifs such as handles, hooks, hinges, nets, harnesses and hoops, she dips into our preexisting relationships with objects and actions. Using Function as a guide for how the body enters the work. ‘Where the handle meets the hand to produce the thing’.
The work’s interaction is the crux, the genesis. She is fascinated by the anticipation and desire for engagement with sculpture. Changing and twisting the nature of the body and the object, into a moment caught in time. She makes works, which in every sense give instructions and demand usage but are so still. Wrapped up in potentiality. Stalling the moment of activity, producing an object that screams its performative past and future out. Recently working with visual suggestion, she has begun to use photographs of past performances. Distorting them with pattern and abstraction. Absorbing images directly onto materials. Re-digesting the echoes of action, presenting a twisted instruction. Through self-referencing, function and performance my work has become anthropomorphic. The sculptures embody their own Agency through visual clues.
They play out their own situations and actions extending beyond the tools, objects and apparatus they resemble. She moves from the realms of interaction, into works that represent a single moment; Bodilyobjects. Website
Callum Johnstone (UK) Callum Johnstone’s practice explores environmental collapse and the implications it will have on humanity. Knowing that our environment is changing at an accelerated pace due to climate change, humanity must quickly adapt by re-imagining and re-designing the structures in which we live. Johnstone aims to show that it is not the physical structures alone which must change, by also the underlying structures of our society which need to be rethought.
Though his work is primarily understood as sculpture, it often verges on the boundaries of architecture and design. His structures often incorporate repeating modular elements which allow the potential for a continuation, acting simply as a beginning component to a much larger superstructure. These ideas can then extend to the actions of the individual which as a collective become a greater movement and have the potential to alter society as we know it. Johnstone sees himself not only as a commentator and illustrator of current events but also as a module of the superstructure we call society. As a catalyst of ideas, the artist intends to inspire a conversation on ways in which humanity may adapt to imminent environmental threats.
Image Credit: Kathryn Rattray Photography
A lampost near me, one of many similar.
I love the way the layers all show.
I expect some folk will think it should be repainted, but that will be a waste of council tax, as they will all eventually be replaced.
The longer that takes the better, I say!
I am visiting this store again, but the store is in a much different condition from when I saw this store back in 2024.
This store officially closed on February 19, 2026, but I decided to go back and see it one last time. This Safeway was the last store in the state to have this decor from the 90's, after another Safeway which I visit last year in Pinole shuttered. The cool thing is since the store is closing, there is no shame snapping a bunch of pics of the store with my phone since I certainly would not be the only person doing so during it's closing sales. I tried to get some angles and extra shots that I didn't get in 2024.
Based on recounts of this location, this is one of the last Safeway's that ever got this decor, since I learned that it had the Safeway Marketplace interior until at least 2001/2002. This Safeway has always been a weird store, since it obviously has never been remodeled to Pre-Lifestyle or Lifestyle, or even got any new Safeway signage after it's logo change, but it would get improvements such as self-checkout and the up-to-date produce displays. It's also interesting that it wasn't remodeled to Pre-Lifestyle instead of this decor for when it was remodeled.
Whether another grocery store will fill it's place, if it becomes just another fitness club, furniture store, or discount store, or if it just sits empty for decades is still up in the air.
Simply Cozy provides air conditioning and heating service for residential and commercial customers. We service and install all brands of equipment.For more details visit: www.simplycozy.com/
Once part of the defences for World War Two RAF Martlesham Heath airfield, the full height entrance and loopholes have been blocked up. All the external brickwork has gone, but the condition looks reasonably good.
The Type-22 Pillbox is a regular hexagon in plan with embrasures/loopholes in five of the six faces and a full or half-height entrance, sometimes with a porch to protect the entrance. The loopholes are suitable for either rifles or light machine gun. Some have a low entrance that allows an extra loophole above. Each wall is about 6ft long and was generally built to the bulletproof standard of 12 inch thick walls, although there is a shellproof versions with walls around 40 inches thick which is commonly found on airfields. Internally there is either a Y or T-shaped anti-ricochet wall (the top of the Y/T is nearest to the entrance) the internal wall also helps support the roof. The Type-22 Pillbox is the second most common pillbox type with 1,347 recorded as being extant. It is easily confused with the common Type-24 Pillbox, which is an irregular hexagon and the less common octagonal shape.
RAF Martlesham Heath airfield has very long history starting in World War I where the ''Royal Flying Corps Aeroplane Experimental Unit'' took up residence in 1917, this unit was renamed in 1924 to become the ''Aeroplane and Armament Experimental Establishment'' (A&AEE) and saw testing of the legendary Supermarine Spitfire, A&AEE remained at RAF Martlesham Heath until September 1939 when it moved to MoD Boscombe Down.
The Expansion era started in 1934 with more RAF stations being built, and existing stations upgraded to a set standard, permanent brick buildings were built to set designs along with standard hangar types and by the outbreak of World War II, RAF Martlesham Heath airfield had expanded and developed into a modern RAF Station. As part of RAF Fighter Command during the ''Battle of Britain'' RAF Martlesham Heath was the most northerly station in No. 11 Group. During the ''Battle of Britain'' the station found itself under attack by the Luftwaffe a number of times before the battle was won and suffered significant damage. A number of RAF aircraft types flew from here including Blenheim’s, Hurricane's, Spitfire's and Typhoon's and was home to famous characters such as ''Douglas Bader'' and ''Bob Stanford Tuck''.
Upon America’s entry into World War II, RAF Martlesham Heath was one of a number of established RAF stations made available to the USAAF becoming USAAF Station 369 and home to the 356th Fighter Group. The 356th had moved from RAF Goxhill to RAF Martlesham Heath on 5th October 1943 initially flying the P-47 Thunderbolt, but converting to the P-51 Mustang in November 1944 for long range missions deep into German territory. The 356th bombed and strafed enemy gun emplacements in the Arnhem area between 17th & 23rd September 1944 in support of ''Operation Market Garden'' and received a Distinguished Unit Citation for their contribution in this operation. As the war ended the 356th had flown 311 missions with the loss of 108 aircraft, the 356th returned to the USA and were finally inactivated on 10th November 1945.
Like many established pre-war stations, RAF Fighter Command returned to RAF Martlesham Heath, however flight operations were somewhat limited until the runway was extended in 1955 to safely operate jet types. a numer units served at RAF Martlesham Heath after World War II including the fledgling ''Battle of Britain Memorial Flight'' which moved to the airfield in 1958 and left in 1961. After this the airfield reverted to care and maintenance status before the Air Ministry closed the facility on 25th April 1963. Today many of the former RAF buildings still stand and are used by local businesses, the restored Control Tower is now surrounded by a housing estate but has been fully restored and is used as a museum containing a number of displays dedicated to the long and fascinating history of the base from before the war to the 1960’s, ''The Eighth in the East'' project was recently instrumental in uncovering the original Revetments next to the Control Tower used to protect parked aircraft.