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Registration R147SCW
Make FORD
Model ESCORT LX
Date of Liability 01 08 2013
Date of First Registration 20 05 1998
Cylinder Capacity 1597cc PETROL
Vehicle Status Licence Not Due
Vehicle Colour BLUE
Build Date: 16.02.1998
Vehicle Line: Escort 1995-2001
Body Style: 5 Door Saloon
Version: CLX
Engine: 1.6L Zetec-E EFI(90PS)
Transmission: 5 Speed Manual Transaxle - B5/IB5
Drive: RHD FWD
Axle Ratio: 3.82
Emission: EEC 96 Car (EEC 1)
Air Conditioning: Manual Air Conditioning
Territory: (+)"GB"
Paint: Amparo Blue
Interior Colour: Raven Interior
Interior Fabric: Alpina
St Mary, Brome, Suffolk
When I first visited Brome back in the 1990s, this church had been a rather run-down and most often inaccessible building. But in the following decade there was a massive programme of restoration at St Mary, coupled with what felt like a reawakening of the Church in this part of Suffolk. The church is in excellent condition now, and open every day.
Brome, pronounced broom, sits just to the north of the pretty little town of Eye, and St Mary is essentially a Victorian rebuilding of an early medieval church. It must be said that it was somewhat unappreciated by the church explorers of the last century. How times have changed, especially with regard to our understanding and appreciation of what the Victorians did! For the church here is the work of none other than Thomas Jekyll, now recognised as one of the most innovative designers of the Victorian era. Jekyll almost completely rebuilt St Mary between the 1850s and the 1870s, and it would seem that little expense was spared. All that survives from the earlier church is the lower part of the tower, the font now beneath it, and a magnificent late medieval south porch which now acts as a vestry.
Jekyll's work was augmented by the largest known collection of the work of the Ipswich sculptor James Williams, whose workshop produced the long stone reredos, altar rails, prayer desk and now sadly battered pulpit. The project was bankrolled by two millionaires. One was Lord Kerrison, whose name is inescapable in this part of Suffolk, and the other was the Rector here for forty years, George John Mapletoft Paterson. Most of the stained glass is the work of Heaton, Butler and Bayne.
To start in the east, the great window is a sumptuous depiction of the Last Judgement, by the great Robert Bayne, a rather unusual choice of subject at the time perhaps. Christ sits on his orb near the top, flanked by Disciples laying down their crowns and angels holding open the books of judgement. Below, there are two images of St Michael, one of Mercy, showing him with his sword killing a dragon, and one of Justice, showing him with his scales. On the left, a smiling angel ushers the saved into Heaven. On the right, a frowning angel directs the damned into the mouth of hell.
In the north chancel aisle, the Works of Mercy are believed to have been produced to the design of Lady Kerrison the wife of Lord Kerrison. and perhaps Christ carrying his cross flanked by the Blessed Virgin and John the Baptist is also hers. The widow depicting Christ the Good Shepherd flanked by Mary Magdalene and Martha may be by William Wailes. The rest of the glass is by Heaton, Butler & Bayne, as is the window beneath the tower of Christ with the children, which is Lady Kerrison's memorial.
The major irritation of this church being inaccessible back in the 1990s was that it was impossible to see the Cornwallis tombs. The Cornwallis family was one of the most powerful in East Anglia towards the end of the medieval period, having no doubt taken full advantage of the old feudal order coming to an end as a consequence of the Black Death. Thomas Cornwallis was Comptroller of the Royal Household under Mary I, and was held in such high regard that Elizabeth I asked him to stay on to help oversee her cultural revolution. He is said to have replied that he was perfectly happy with the religion he already had, which was the religion of his ancestors, and had served them well. Instead, he retired to Brome to raise sheep, and pay the occasional extortionate fine imposed by the local Anglican jobsworths. He survived Elizabeth by a year, and died in 1604 at a time when many memorials reflect the Puritan temper of the time. However, Cornwallis's father Sir John Cornwallis, who had died as long ago as the reign of Henry VIII, lies with his wife on a glorious late medieval tombchest, and Thomas's tomb is a near copy of it. Other Cornwallises are also remembered in this corner.
I was so glad that I'd come back to Brome. I wandered around the graveyard, finding the elaborate memorial to George Paterson immediately to the east of the church. Thomas Jekyll would eventually go mad and die in a lunatic asylum, but not before pioneering the Chinoiserie revival in England. Lord Kerrison remained one of the most significant figures in Suffolk politics until his death, and his mark has been left all over the north of the county. If the three of them could come back to St Mary today, they would immediately recognise it. This is a wonderful church, an extraordinary labour of love, one of the finest documents in East Anglia of the piety, energy and wealth of mid-Victorian Anglicanism.
NCR Air Conditioning - Window AC on Rent and Split AC on Rent in Gurgaon.
Visit: www.rentalacgurgaon.com/
The wasp was acting as a natural air-conditioner, apparently they get their wings wet and then beat them to cool the air over the nest.
This condition is characterized by deposits of bone and cartilage in the submucosa of the trachea and large bronchi, This is well seen in the cross section of a large bronchus at the right side of the image (see note).
The Air-Conditioned Nightmare (Pittsburgh, December 2004) with artists: Jen Curry, J Fox, Scott Hug, Michael Magnan, Ben Greene, John Allen Gibel, Thommy Conroy, Karl Beck, Bob Bingham, Terry Young, Brian Dougherty, Seak M.A.C., Horsie, Leroy King of Art, Myles Lett, N.S.F., Soviet and Tom Hall. Edgar Um Bucholtz, curator.
In poor condition cosmetically but running strongly and actually keeping decent time!!
It needs a resto with a dial repaint and new hands :)
How to Tell If You Have Cancer Most of you are confused about how to tell if you have cancer. This is because cancer is considered as a deadly disease. There is a case that your family will not ready to hear this kind of information especially from you. Of course, you don't have to talk
Title: Chelsea North Bridge: General condition from channel
Creator: City of Boston Public Works Department
Date: 1934 July 22
Source: Collection 5010.004, Bridge and Ferry photographs
File name: 5010004_031_008
Rights: Public Domain
Citation: Bridge and Ferry photographs, Collection #5010.004, City of Boston Archives, Boston
NTMY Portable Air Conditioner Fan, Mini Evaporative Air Cooler with 7 Colors LED Light, 1/2/3 H Timer, 3 Wind Speeds and 3 Spray Modes for Office, Home, Dorm, Travel
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✅Adjustable Wind Speeds & Automatic Timing - 3 wind speeds (high,Medium,low) can be adjusted, manual up-down to adjust blowing direction within 60℃to meet your different needs.Three automatic timing (1/2/3H), you can choose the most suitable one to enjoy your leisure time,sleeping or working time.
✅7 Color Lights & Low Noise - The misting fan has 7 soft colors and 1 fade choices in all. Place in dining or coffee table to create a romantic atmosphere! Desktop air cooler fan can work powerfully at a low noise level, let you enjoy a comfortable sleep all night with suitable temperature.
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✅Power Supply Methods & Energy Saving - Simply connect the USB cable to the devices that support usb port. Besides, The portable air fan operates at a low energy consumption, much cheaper than running a Freon air conditioner. so you should not expect the same results as an air conditioner. Please Put it Beside You not over than 3ft-4ft.
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www.amazon.com/NTMY-Portable-Conditioner-Evaporative-Cool...
1997 Chaparral 2335 Special Edition. Boat is in good condition, the 7.4 Mercruiser runs but needs overhauled. Boat comes with an untitled galvanized tandem axle trailer in great condition. Boat has a custom canvas cover and bimini top in good condition.
This is a photograph from the seventh annual Donadea 50KM Ultramarathon which was held in Donadea Forest, Donadea, Naas, Co. Kildare, Ireland on Saturday 13th February 2016 at 10:00. The race was also an International Association of Ultrarunners Silver Label Event and the Athletics Association of Ireland (AAI) National 50KM Championships. The race completes 10 loops of a very well known 5KM trail around the circumference of the forest. Most of this trail is in very good condition with good conditions underfoot for the entire 5KM stretch. The start-finish area is located close to the coffee shop area in the center of the park beside the now ruined and abandoned Donadea Castle. This year, like all previous events, was a fantastic event with great support around the course for the athletes. However the structure of the course with the repeated loops makes a great atmosphere for the runners themselves with great camaraderie being shown amongst all of the competitors. This is one of the most popular 50KM races in Ireland. A garmin GPS link is available here [connect.garmin.com/activity/70206204]
Want to use this photograph or share it? Please read/scroll down a little further to find out how - it's very easy!
We have a full set of photographs from the event today on our Flickr photostream in the following album: [https://www.flickr.com/photos/peterm7/albums/72157664641851105]
Where is Donadea?. Donadea Forest Park is situated in rural north Kildare and is approximately 640 acres in size. The amenities at the forest include good walking trails, a diversity of natural habitats, a walled stream, a large natural lake, and the ruins of Donadea castle. The Park is a designated National Heritage Area. The basic designation for wildlife is the Natural Heritage Area (NHA). This is an area considered important for the habitats present or which holds species of plants and animals whose habitat needs protection. It is a special occasion to allow the 50KM to be held in this environment.
Donadea Forest on Facebook (requires Facebook access) [www.facebook.com/pages/Donadea-Forest-Park/42728436062858...]
Here is a stunning 4K Aerial Video of Donadea Castle & Lake on YouTube [www.youtube.com/watch?sns=fb&v=BG7LmBo2WlU&app=de...]
Timing, results, and event management was provided by RedTagTiming.com from Galway Ireland - results available at www.redtagtiming.com/
Our photographs of the Donadea 50KM 2015 are here on Flickr [https://www.flickr.com/photos/peterm7/sets/72157650821612375/]
USING OUR PHOTOGRAPHS - A QUICK GUIDE AND ANSWERS TO YOUR QUESTIONS
Can I use these photographs directly from Flickr on my social media account(s)?
Yes - of course you can! Flickr provides several ways to share this and other photographs in this Flickr set. You can share directly to: email, Facebook, Pinterest, Twitter, Tumblr, LiveJournal, and Wordpress and Blogger blog sites. Your mobile, tablet, or desktop device will also offer you several different options for sharing this photo page on your social media outlets.
BUT..... Wait there a minute....
We take these photographs as a hobby and as a contribution to the running community in Ireland. We do not charge for our photographs. Our only "cost" is that we request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, VK.com, Vine, Meetup, Tagged, Ask.fm,etc or (2) other websites, blogs, web multimedia, commercial/promotional material that you must provide a link back to our Flickr page to attribute us or acknowledge us as the original photographers.
This also extends to the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.
I want to download these pictures to my computer or device?
You can download this photographic image here directly to your computer or device. This version is the low resolution web-quality image. How to download will vary slight from device to device and from browser to browser. Have a look for a down-arrow symbol or the link to 'View/Download' all sizes. When you click on either of these you will be presented with the option to download the image. Remember just doing a right-click and "save target as" will not work on Flickr.
I want get full resolution, print-quality, copies of these photographs?
If you just need these photographs for online usage then they can be used directly once you respect their Creative Commons license and provide a link back to our Flickr set if you use them. For offline usage and printing all of the photographs posted here on this Flickr set are available free, at no cost, at full image resolution.
Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.
In summary please remember when requesting photographs from us - If you are using the photographs online all we ask is for you to provide a link back to our Flickr set or Flickr pages. You will find the link above clearly outlined in the description text which accompanies this photograph. Taking these photographs and preparing them for online posting takes a significant effort and time. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc. If you are using the photographs in newspapers or magazines we ask that you mention where the original photograph came from.
I would like to contribute something for your photograph(s)?
Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers or in other circumstances we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.
Let's get a bit technical: We use Creative Commons Licensing for these photographs
We use the Creative Commons Attribution-ShareAlike License for all our photographs here in this photograph set. What does this mean in reality?
The explaination is very simple.
Attribution- anyone using our photographs gives us an appropriate credit for it. This ensures that people aren't taking our photographs and passing them off as their own. This usually just mean putting a link to our photographs somewhere on your website, blog, or Facebook where other people can see it.
ShareAlike – anyone can use these photographs, and make changes if they like, or incorporate them into a bigger project, but they must make those changes available back to the community under the same terms.
Above all what Creative Commons aims to do is to encourage creative sharing. See some examples of Creative Commons photographs on Flickr: www.flickr.com/creativecommons/
I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?
As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:
►You were hidden behind another participant as you passed our camera
►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set
►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone
►We simply missed you - sorry about that - we did our best!
You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.
Don't like your photograph here?
That's OK! We understand!
If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.
I want to tell people about these great photographs!
Great! Thank you! The best link to spread the word around is probably http://www.flickr.com/peterm7/sets
I have been Tagged by Samia. I suppose that means I have to say some stuff about me. Here it goes:
1.I was born in Chittagong, Bangladesh and I spent the first 22 years of my life there.
2.Both of my parents were educators, my father a professor and mother a school teacher.
3.I’m the oldest of three brothers.
4.I have attended St. Placid’s School, Faujderhat Cadet College, Chittagong University, the University of Maine, and Auburn University (Go Tigers…the national champs!!).
5.I’m a professor, but I hate it when people call me “Dr.”, I’m not much for formality.
6.I had a streak going of not wearing a tie for over 3 years, which I finally had to break last year for my cousin’s wedding.
7.I’m a very liberal person and proud of it. I’m pro choice, pro gay marriage, and pro legalization of marijuana.
8.I’m a diehard supporter of free speech rights. I didn’t think the controversial Danish cartoons were particularly good (except for the one about running out of virgins, that was kinda funny!), but I will always defend the right of the cartoonist to create them and the rights of the paper to publish them.
9.I have known my wife since we were both 13 years old. She is Malaysian. We used to be penpals. Then gradually we became best friends. We didn’t think we would ever get married. We used to tell each other everything. So now we don’t have any skeletons in the closet. We know every intimate detail of each others’ exploits!
10.I am not a prolific photographer, nor do I wish I was one. I only shoot when I feel like it. I don’t want to create millions of photos. If I die having a hundred that are outstanding, I would be happy.
11.During the University of Maine years, my best friend was Chloe. She was a feminist, a lesbian, and a part-time stripper at a Boston club…that’s quite a combination! She was the second person to pose nude for me (the first was my dear friend Mary, who is now a big shot wedding photographer). I showed the photographs from that session to a UMaine art professor, who suggested that I should stick with nudes. I have done nudes on and off since then, so I guess I sort of took his advice. But I’m just too restless to stick to just one genre. And oh yeah, Chloe also spoke fluent French and Korean.
12.Judgmental people turn me off completely. I believe everyone has the right to live their life the way they choose, as long as they don’t infringe on anyone else’s rights.
13.Communal behavior among immigrants irritates me.
14.I think I consider myself a rather dull person. Which is why I surround myself with really interesting people.
15.I have a dog called Princess. After my wife, she is my best friend, my companion and every once in a while, my model. She is 10 years old and I simply cannot bear to think of the day when she might not be around.
16.My favorite color is blue.
17.I am very big on printing. I don't think a photograph can be considered excellent unless it can produce a compelling fine-art print. I consider myself a much better printer than a photographer. I do a lot of printing and use an Epson Stylus Pro 3880 and a Stylus Photo 2880 to make my prints.
18.I'm also an occasional collector of archival quality prints. I am, however, highly selective about what I collect. Usually, I tend to purchase works of female photographers, often from the developing world, and sometimes the photographs tend to have a sensual or erotic bend to them. My most recent purchase (not yet complete) is a self-portrait by a Swedish photographer called Mona Ӧhman (www.monartic.se).
19.I am not religious. Most people tend to assume that I am an atheist. I'm actually somewhat spiritual. I do think that there is a supreme creator. I just don't buy what the major religions are selling.
20.I believe women are generally smarter than men, but in most societies they have been conditioned not to show their intelligence.
Do you regret tagging me now, Samia??
Am I supposed to tag someone back? How about Towards Light?
En plus du rajeunissement de la piscine extérieure, le centre de conditionnement physique a été complètement rénové, incluant de nouveaux appareils et de nouveaux vestiaires. Le gym est maintenant accessible 24/7.
In addition to the rejuvenation of the outdoor pool, our fitness center has been completely renovated, including new equipment and new locker rooms. The fitness centre is now accessible 24/7.
thursday 5th february 2015
alter-universes and things
we came to the conclusion in part 1 of this text, that pure singleness is the condition prior to our being real in space and time, and if this conclusion is forced upon us by quantum entanglement, then we ourselves are always entangled with every other thing - we see things because we are those very things that we see.
in other words, i am actually not conscious of seeing you, being out there in the distance, rather i have extensive understandings-with you which are the basis of our shared reality. there is no space (or time) between us - i see you because i am you. each of these understandings-with the other we call an ‘entanglement of alter-universes’, and later we hope to show exactly how these alter-universes are entangled, and extend as the basis of everything. suffice to say, the more entangled we are, the closer you appear to be.
each real thing we see around us is actually an infinite complexity of entangled alter-universes of pure difference - each extending (-with us) as its own time and space. (later we hope to show how time and space come into being-with things.) this infinite entanglement of relative spacetimes has profound implications for our comprehending of gravity, light, and the constancy of light speed in particular.
let us assume that the speed of light is constant for all observers only because the infinite number of alter-universes which constitute the observers are entangled. in other words, light does not travel through space, rather it is a function of my symmetrical becoming-with the others with which i am entangled.
saturday 7th february 2015
pure singleness, symmetry and force
we asserted previously that the pure singleness of difference must be symmetrical. the reason we said this is simply because that for each extending of pure singleness which is ‘different from its other’, there must also be that very other from which it is different, and which is also ‘different from its other’.
this is our core comprehending of the pure singleness of difference, (on which is based the phenomenon of entanglement). in other words, we say that these two differentials are most profoundly entangled, because each is the very extending of the other. difference is the auto-entanglement of pure singleness.
if each differential that forms this simplest of all alter-universes is nothing but its difference from the other, then each must depend on the other for its very extending - its entire (pre)existence. this symmetrical extending out of the other we call their mutual understanding-with, and each differential feels this understanding-with the other as the force of its own otherness - its ‘self at a distance’ - its life force. all force is the force of otherness, the force of our own entanglement-with pure singleness.
wednesday 11th february 2015
alter-universes, strings and things
before we go any further, we need to re-emphasize this precept: that our comprehending of things is not isolated from that which we comprehend; and the means by which we comprehend the universe very much depends on how we comprehend the universe. plainly, it is because we comprehend the universe in a quantized way as ‘different things in time and space,’ that we must assume that our comprehending is quantized (packeted, grainy or particulate).
however, having said that, we have been considering pure singleness as the basis of this universe of things in time and space; and we have begun to think of things, not as separate particles, but as entangled alter-universes.
in other words, anything of any scale - from something the size of the universe, to something the size of a star, to something the size of a motor car, to something the size of an atom, to something the planck scale of a string (theory), is actually the extending of pure singleness as an entanglement of alter-universes. it's not that things don’t exist, it’s just that reality is quantized as we comprehend it.
we must also be clear that we do not mean to suggest that pure singleness is a thing which extends as subsidiary things. as yet we have few ideas actually about pure singleness, other than to assert that the basic condition of things is that we extend as pure singleness.
last saturday we touched briefly on the most primitive of all possible alter-universes - the symmetrical extending of two differentials. but we must admit that although it understands itself, there is no way for this primitive ‘twofold’ alter-universe to comprehend itself. the most primitive alter-universe - which can also comprehend itself - is a threefold alter-universe; simply because for any basic difference of two, there must also be a third entangled differential to comprehend the difference between the other two. this it does by extending as nothing but its difference from them. inasmuch as all three constitute a singular, symmetrical, threefold entanglement of alter-universes, the manner of their comprehending is identical; but each actually comprehends as its ownmost differentiated constitution - a product of the combined constitutions of the others.
to be clear, the reason that any threefold(+) entanglement of alter-universes comprehends itself as a thing, is because each of its constituent differentials comprehends this and nothing else - ‘i am nothing but my difference from you’. this is the identical manner of their comprehending, but the basic understanding of each with the others is as its ownmost difference from them. for example: a threefold entanglement of alter-universes whose understandings-with are A(BC) B(CA) C(AB) comprehends itself as the thing ABC{(BC)(CA)(AB)}.
understanding is the most primitive extending of difference. we call it 'understanding' because each differential extends ‘under the standing’ of the other - as the very extending of the other. this is what we mean by entanglement.
in concluding this section, let us assert that these primitive alter-universes are the purely single extending of the strings of string theory.
saturday 14th february 2015
force, energy, space and time
let us imagine that all things as we comprehend them (such as the moon) extend as nothing but their difference from every other thing; and that every different thing is an infinitely complex entanglement of alter-universes (each of which is constituted as an infinitely complex entanglement of alter-universes……∞) let us also imagine that this infinitely complex universe of things is based on the simple primitive n-fold entanglements of alter-universes that we have started discussing; primitives which are constituted as nothing but a differential extending of pure singleness.
although we have not so far been meditating on how time and space are proper to our quantized comprehending as things, later we will try to show how space and time are actually the differential extending of pure singleness.
but in the meantime, let us assume that, just as alter-universal things are infinitely entangled, so too must their proper times and spaces be infinitely entangled. in other words, we must assume that if the ‘particles of science’ are shown to be entangled, then so also are their times and spaces entangled - simply because their basic primitives propagate, and are propagated by, their own proper time and space.
in our earlier brief consideration of primitives, we said (of a twofold alter-universe) that if each of its constituent differentials is nothing but its difference from the other, then each must depend on the other for its very extending. this symmetrical extending out of the other we call their mutual understanding-with, and each differential feels this understanding-with the other as the force of its own otherness. all force is the force of otherness.
if that is the case, and taking proper time and space into account, let us say (provisionally) that energy is force - relative to time.
let us also say provisionally that space extends as the difference of pure singleness and that time extends as the reiteration of that difference
continued in part 3
the complete photo/video collection (1972-2016) of Stan Bonnar's artworks is accessible here :
A Porsche 356A Coupé at the Räderwerktreffen in Hameln.
© Dennis Matthies
My photographs are copyrighted and may not be altered, printed, published in any media and/or format, or re-posted in other websites/blogs.
The Air-Conditioned Nightmare (Pittsburgh, December 2004) with artists: Jen Curry, J Fox, Scott Hug, Michael Magnan, Ben Greene, John Allen Gibel, Thommy Conroy, Karl Beck, Bob Bingham, Terry Young, Brian Dougherty, Seak M.A.C., Horsie, Leroy King of Art, Myles Lett, N.S.F., Soviet and Tom Hall. Edgar Um Bucholtz, curator.
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Condition: Good/fair, some fading.; Title from reference sources, see file 203/09/00017-02.; Part of collection: The Geoffrey Ingram collection of ballet photographs from the Ballets Russes Australian tour, 1936-1940. Dancer: Olga Verchinina also known as Olga Morosova, see file 203/09/00017-02.
Persistent URL
Mint condition, folds to 22"
I have all of the original rubber feet, but this is photographed with new exact replacements
ordered with kit on 4/4/67 - see receipt:
www.flickr.com/photos/30559980@N07/6925762290/in/set-7215...
Has a functioning Zil-bell tip on top in perfect condition.
Rest of the 1967 Ludwig WMP Downbeat set:
www.flickr.com/photos/30559980@N07/sets/72157629432619022/
Feel free to Flickrmail me for any additional photos. I took a thousands during the complete detailing in 2012.
Here's the 1967 complete catalog I ordered it from: