View allAll Photos Tagged conceptualart
youtu.be/S-Xm7s9eGxU
The word was in a musical dictionary Eric Satie had at home, and the given definition was “An event at a greek festival wherein maidens danced in the nude.”
Most of my images are made under the influence… of music!
SILK WHITE CYCLAMENS
This is only a small plant, but on the windowsill in my kitchen, it seems to thrive in the Northern light, these beauties here seem to fight for the light.
Cyclamen are native to the Mediterranean region from Spain east to Iran, and also in northeast Africa South to Somalia.
The name Cyclamen is presumed to come from Greek 'kyclos', a circle referring to the round tubers, or leaves.
Lovely inverted flowers rise out of fantastically patterned rounded or heart-shaped leaves.
Some of the patterns, particularly the silver leaved varieties are exquisite and can truly be described as a wonder of nature.
From the family Primulaceae, they come in beautiful colours from white, pink, purple, red and combinations of these.
Cyclamen like the cool; the smaller the leaves, the cooler they can stand it.
The tubers are regarded as the favourite food for pigs in the South of France, Sicily and Italy, hence a rather uncommon common name Sowbread.
Cyclamen are poisonous; they have been used medicinally as a powerful purgative, but their toxicity makes this risky.
Have a glorious day and thank you, M, (*_*)
For more: www.indigo2photography.com
IT IS STRICTLY FORBIDDEN (BY LAW!!!) TO USE ANY OF MY image or TEXT on websites, blogs or any other media without my explicit permission. © All rights reserved
white, cyclamen, conceptual art, flowers, design, colour, leaves, black-background, studio, square, planter, "Magda indigo"
Mail day 🐙
Catalog HEY! modern art & pop culture 4 exhibition in Paris, France, Halle Saint Pierre Museum.
Beautiful hard cover book, many interesting artists.
130 x 180 x 50 cm, oil on canvas, handwritten text.
This work was produced in New York City. The work was sold by Phyllis Kind gallery to James and Mireille Levy from Lausanne. Later Mr. and Mrs Levy re-sold this work to Mr. Bernd Bierfreund from Germany who in his turn re-sold this work and the present location of this work is unknown.
Exhibited: "A la découverte…de collections romandes I” (cur. Chantal Michetti-Prod’Hom), including: Josef Albers, Geog Baselitz, Guillaume Bijl, Christian Boltanski, Luciano Fabro, Dan Flavin, Lucio Fontana, Franz Gertsch, Keith Haring, Anselm Kiefer, Igor Kopystiansky, Svetlana Kopystiansky, Jannis Kounellis, Ange Leccia, Robert Mangold, Allan McCollum, Mario Merz, Mimmo Paladino, Giulio Paolini, Guiseppe Penone, Jaume Plensa, Mel Ramos, Lorna Simpson, Keith Sonier, Cy Twombly, Andy Warhol, Tom Wesselmann. Pierre et Gilles. FAE Museum of Contemporary Art, Pully, Lausanne (cat.)
“The basis of my works from the series “text-objects” is a literary text put onto canvas. For me the text has two aspects: firstly it is a reality (written words are part of the real world around us), and secondly the text delivers information about the reality outside it. In my works I use many different texts. I turn to literature: novels, stories, classical dramas. In one work, several works from various authors may be combined: the works are not always given completely and may be broken off at the edge of the canvas or be used fragmentarily.
I work directly with the material and exploit its specific physical characteristics: the elasticity of the weave makes it possible to shape it at will, and its thinness and flexibility let it bee torn into pieces of various sizes. I produce objects on which simple geometrical forms or landscapes are delineated or objects whose material is freely arranged in various large folds. In this way the original form of the text is changed, and the new form gives rise to a new sequence of letters and signs. The visual form takes precedence over the text, and the attention of the viewer springs from the drawing to the text, which, however, can no longer be read simply, since the words disintegrate and then come together in unbelievable constructions. A game arises with the text-reality and the words, or rather with the visual form of the words (as distinct from their semantic and phonetic aspects).
I have arranged happenings, where the text-objects have been read out and tape-recordings made. Finally the text was printed, to document the happening.
In the series of works, where the texts and the depictions of landscapes interact, this series follows the intention of having two realities and two illusions appear together: the one of the picture with its physical reality and the illusion of the depiction, and the one of the text with the visual reality of its form and with the worlds which are described in it.”
Svetlana Kopystiansky, 1988.
My theme for this week is unbranding. I came up with the idea to create product "skins" that mask the identity of various everyday products. I am creating a series of downloadble pdf's playing with the concept. This is the first test.
Varitas alzadas hoy por John Hurt (Garrick Ollivander) Siempre te recordaremos. Te mando mi Patronus Pine Marten para que te cuida desde el cielo.
Pd: Y si, es mi patronus hecho en Pottermore haha y también, esta bufanda es muy larga, lo sé xD, es así!
#RIPJohnHurt #SadDayForThePotterheads #RIPGarrickOllivander #Ollivander #HarryPotter #ConceptualArt #ConceptualPicture
20|52
You are in my soul...
"You're in my bones and my blood and my heart. I'd have to tear myself open to let you go"
#Fineart #Photography #Conceptual #Conceptualphotography #Surrealism #Finearts #Squere #Photooftheday #Creative #Creativity #Art #Photographers #edit_perfection #Photoshop #Darkart #surrealism #Project52 #art #fineart #surreal #promotingpassionchallenge #morneprinsloophotography #conceptualphotography #surrealphotography #conceptualart #photoshop #southafricanphotographer #Nikon #adobephotoshop #liveforthestory #selfportrait
Work from the lockdown years.
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** Site of Photograph **
Chess valley, North Hertfordshire, Southeast United Kingdom.
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** Found Materials at location **
Lake water, local minerals, reeds, windfall moss, watercress, minute River Chess stream bed & water samples.
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How do I do this??
Minute amounts of water, windfall samples - organic and mineral - are collected from the very landscape depicted within each picture - and chemically bonded with the film over 12 months. The result: a developed film and unedited, printed images that are somewhere between a classic photograph and a totally abstract image, depicting the interaction between fundamental chemical elements present at each place & time, representing a more visceral and literal experience of being present in landscapes in a constant state of natural or unnatural flux.
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(C) Copyright 2022. All Rights Reserved. Process Patent Pending.
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******** Next Exhibition! ********
Keep watching for news on the next years upcoming exhibitions!
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See & browse more at www.michaelrawling.com/fine-art
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Saatchi Gallery: Buy this and other limited edition artworks from:
saatchigallery.michaelrawling.com/
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Or commission me via direct message.
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#instacool #instaart #film #modernart #35mm #artgallery #artcollector #chemical #art #artoftheday #filmsoup #alchemy #instagood #creative #contemporaryart #conceptualart #nophotoshop #nofilter #surreal #artwork #filmdestruction #experimentalfilm #landscape #artistsofinstagram #artistoninstagram #fineart #artist
Work from the lockdown years.
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.
** Site of Photograph **
Chess valley, North Hertfordshire, Southeast United Kingdom.
.
** Found Materials at location **
Lake water, local minerals, reeds, windfall moss, watercress, minute River Chess stream bed & water samples.
.
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.
.
.
.
How do I do this??
Minute amounts of water, windfall samples - organic and mineral - are collected from the very landscape depicted within each picture - and chemically bonded with the film over 12 months. The result: a developed film and unedited, printed images that are somewhere between a classic photograph and a totally abstract image, depicting the interaction between fundamental chemical elements present at each place & time, representing a more visceral and literal experience of being present in landscapes in a constant state of natural or unnatural flux.
.
.
(C) Copyright 2022. All Rights Reserved. Process Patent Pending.
.
******** Next Exhibition! ********
Keep watching for news on the next years upcoming exhibitions!
*********************************
.
See & browse more at www.michaelrawling.com/fine-art
.
Saatchi Gallery: Buy this and other limited edition artworks from:
saatchigallery.michaelrawling.com/
.
Or commission me via direct message.
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.
.
.
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#instacool #instaart #film #modernart #35mm #artgallery #artcollector #chemical #art #artoftheday #filmsoup #alchemy #instagood #creative #contemporaryart #conceptualart #nophotoshop #nofilter #surreal #artwork #filmdestruction #experimentalfilm #landscape #artistsofinstagram #artistoninstagram #fineart #artist
Series from the Pandemic Years.
Limited Edition of 5.
Using a 24 month film process.
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** Site of Photograph **
Cassiobury Nature Reserve, Hertfordshire, southern United Kingdom.
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** Found Materials at location **
Gade River samples, local minerals, reeds, silt.
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How do I do this??
Minute amounts of water, windfall samples - organic and mineral - are collected from the very landscape depicted within each picture - and chemically bonded with the film over 9 to 24 months. The result: a developed film and unedited, printed images that are somewhere between a classic photograph and a totally abstract image, depicting the interaction between fundamental chemical elements present at each place & time, representing a more visceral and literal experience of being present in landscapes in a constant state of natural or unnatural flux.
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.
(C) Copyright 2020. All Rights Reserved. Process Patent Pending.
.
******** Next Exhibition! ********
Keep watching for news on the next years upcoming exhibitions!
*********************************
.
See & browse more at www.michaelrawling.com/fine-art
.
Saatchi Gallery: Buy this and other limited edition artworks from:
saatchigallery.michaelrawling.com/
.
Or commission me via direct message.
.
.
.
.
.
.
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#instacool #instaart #film #modernart #35mm #artgallery #artcollector #chemical #art #artoftheday #filmsoup #alchemy #instagood #creative #contemporaryart #conceptualart #nophotoshop #nofilter #surreal #artwork #filmdestruction #experimentalfilm #landscape #artistsofinstagram #artistoninstagram #fineart #artist
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Site: Pettanasco-Crabbia, Lago d’Orta, Northern Italy.
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Found Materials: Lake water, summer storm rain, pine needles, reeds, algae.
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What am I looking at?
Michael Rawling’s Elemental Series uses traditional film combined with Found Materials at every photograph’s location to create a new way of representing the landscape.
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How do you do this??
Tiny amounts of water, windfall organic and mineral samples are collected from the very landscape depicted within each picture - and chemically bonded with the film over ~12 months. The result: a developed film and unedited, printed images that are somewhere between a classic photographs & a totally abstract image, depicting the interaction between fundamental chemical elements present at each place & time, representing a more visceral and literal experience of being present in landscapes in a constant state of natural or unnatural flux.
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.
(C) Copyright 2021. All Rights Reserved. Process Patent Pending.
.
******** Next Exhibition! ********
Keep watching for news on my next exhibition!
*********************************
.
See & browse more at www.michaelrawling.com
.
Saatchi Gallery: Buy this limited edition artwork from:
saatchigallery.michaelrawling.com/
.
Or commission me via direct message.
.
.
.
.
.
.
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#instacool #instaart #film #modernart #35mm #artgallery #artcollector #chemical #art #artoftheday #filmsoup #alchemy #instagood #creative #contemporaryart #conceptualart #nophotoshop #nofilter #surreal #artwork #filmdestruction #experimentalfilm #landscape #artistsofinstagram #artistoninstagram #fineart #artist
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Work from the lockdown years.
.
.
** Site of Photograph **
Chess valley, North Hertfordshire, Southeast United Kingdom.
.
** Found Materials at location **
Lake water, local minerals, reeds, windfall moss, watercress, minute River Chess stream bed & water samples.
.
.
.
.
.
.
How do I do this??
Minute amounts of water, windfall samples - organic and mineral - are collected from the very landscape depicted within each picture - and chemically bonded with the film over 12 months. The result: a developed film and unedited, printed images that are somewhere between a classic photograph and a totally abstract image, depicting the interaction between fundamental chemical elements present at each place & time, representing a more visceral and literal experience of being present in landscapes in a constant state of natural or unnatural flux.
.
.
(C) Copyright 2022. All Rights Reserved. Process Patent Pending.
.
******** Next Exhibition! ********
Keep watching for news on the next years upcoming exhibitions!
*********************************
.
See & browse more at www.michaelrawling.com/fine-art
.
Saatchi Gallery: Buy this and other limited edition artworks from:
saatchigallery.michaelrawling.com/
.
Or commission me via direct message.
.
.
.
.
.
.
.
.
.
.
.
.
.
#instacool #instaart #film #modernart #35mm #artgallery #artcollector #chemical #art #artoftheday #filmsoup #alchemy #instagood #creative #contemporaryart #conceptualart #nophotoshop #nofilter #surreal #artwork #filmdestruction #experimentalfilm #landscape #artistsofinstagram #artistoninstagram #fineart #artist
#AbFav_ABSTRACT_MINIMALISM_ ♋️
I could stand there for hours and admire these works of Art.
It stimulates my imagination! FUERTEVENTURA.
On our first free afternoon, we decided to explore the local harbour of Morro Jable.
The ferry to Lanzarote and the other islands, leaves from it, for the rest it moors a few yachts, some catamarans, a place for jet skis, but best of all the local colourful fishing boats, we were too late to catch them with the people, it was siesta time!
Wandering around, I discovered at the bottom of the rocks the tiniest 'beach', only a sandy corner.
Climbing and jumping down, I saw all the patterns the small lapping sea waves had painted in the sand.
I felt like I had struck gold, this was photography paradise.
Needless to say I have MANY???
But I find this a SUPER that will go on the wall, it made me think of charcoal drawings on coarse grainy paper.
I fact Fuerteventura is a volcanic island, and THAT is what ‘paints’ the sand.
Please let me know what you think? Hope you like it?
Have a great day and thanks for your visit, M, (*_*)
For more: www.indigo2photography.com
IT IS STRICTLY FORBIDDEN (BY LAW!!!) TO USE ANY OF MY image or TEXT on websites, blogs or any other media without my explicit permission. © All rights reserved
"conceptual art", "Magda indigo", black, beach, sand, lines, colour, horizontal, volcanic, painting, abstract, Fuerteventura, NikonD200
From photographs at the PS1 exhibit. The photographer paid homeless fellows to show off the same temporary tattoo in exchange for a taco.
To answer Celticvoice: This is my presentation of a 2 dimensional dyptych of fotos.
Like I said: I have to mess with stuff.
Submitted by
Heliane Wiesauer-Reiterer / A
heliane.wiesauer-reiterer @kunstfreiraum.com
www.heliane.wiesauer-reiterer.com
geboren am 11.07.1948 in Salzburg
1948 -1957 in Buenos Aires / Argentinen
1957 -1965 Schleswig/Holstein, Deutschland
1968-1973 Akademie der Bildenden Künste, Wien
Lebt und arbeitet in Neulengbach
Preise:1973 Förderungspreis der Österreichischen Nationalbank,
Auslandsstypendium Spanien, 1978 /1988 Graphikpreise bei dem 16. u. 21.
Graphikwettbewerb /Innsbruck, 1980 Förderungspreis des BMUK, 1982 1. Preis beim
Franz von Assisi - Heute Wettbewerb/ Krems, 1988 Förderungspreis der Stadt Wien,
1984/1985 Förderung - und Anerkennungspreis des Landes Niederösterreich, 1985
Länderbank - Würthle-Preis
Ausstellungen (Auswahl):
Secession Wien; Galerie Lang/ Wien; Niederösterreichisches Landesmuseum, Wien;
NÖ Dokumentationszentrum/St. Pölten; Kärntner Landesgalerie, Klagenfurt;
Künstlerhaus Ulm, D; Kunstraum Stuttgart, BRD; Haus auf der Freyung,Wien;
Festspielhaus Salzburg; Museumsquartier, Wien; Kulturhaus Graz; Kulturzentrum bei
den Miniriten/Graz; Galerie im Taxipalais,Innsbruck; BAWAG, Wien; Galerie der Stadt
Salzburg; Balanceakte, Donaufestival/ Amstetten;Kunstverein Würzburg, D; Austrian
Culture Institut London;Stadtgalerie im Elbeforum Brunsbüttel, D; Stadtmuseum St.
Pölten; Kulturstock 3, Pischelsdorf /Steiermark; [kunstwerk] krastal Kärnten;
Gutenberg/Arnshoop/ D; Haus der Kunst der Stadt Brno/ CZ; Galerie am Lidlweg,
Neulengbach; Galerie Göttlicher/Krems; Galerie Gans Wien; Galerie Rytmogram Bad Ischl/ OÖ;Galerie Artmark/ Wien; Zwergerlgarten Holzpavillon Galerie der Salzburg;Kunstmessen in Wien/Basel/ Düsseldorf/Dornbirn;
Ausstellungstätigkeit im Inland und im Ausland.
9 parts, wood, oil on canvas, handwritten text
This work was produced in New York City. The work was sold by Phyllis Kind gallery to James and Mireille Levy from Lausanne. Later Mr. and Mrs Levy re-sold this work to Mr. Bernd Bierfreund from Germany who in his turn re-sold this work and the present location of this work is unknown.
Exhibited: "A la découverte…de collections romandes I” (cur. Chantal Michetti-Prod’Hom), including: Josef Albers, Geog Baselitz, Guillaume Bijl, Christian Boltanski, Luciano Fabro, Dan Flavin, Lucio Fontana, Franz Gertsch, Keith Haring, Anselm Kiefer, Igor and Svetlana Kopystiansky, Jannis Kounellis, Ange Leccia, Robert Mangold, Allan McCollum, Mario Merz, Mimmo Paladino, Giulio Paolini, Guiseppe Penone, Jaume Plensa, Mel Ramos, Lorna Simpson, Keith Sonier, Cy Twombly, Andy Warhol, Tom Wesselmann. Pierre et Gilles. FAE Museum of Contemporary Art, Pully, Lausanne (cat.)
“The basis of my works from the series “text-objects” is a literary text put onto canvas. For me the text has two aspects: firstly it is a reality (written words are part of the real world around us), and secondly the text delivers information about the reality outside it. In my works I use many different texts. I turn to literature: novels, stories, classical dramas. In one work, several works from various authors may be combined: the works are not always given completely and may be broken off at the edge of the canvas or be used fragmentarily.
I work directly with the material and exploit its specific physical characteristics: the elasticity of the weave makes it possible to shape it at will, and its thinness and flexibility let it bee torn into pieces of various sizes. I produce objects on which simple geometrical forms or landscapes are delineated or objects whose material is freely arranged in various large folds. In this way the original form of the text is changed, and the new form gives rise to a new sequence of letters and signs. The visual form takes precedence over the text, and the attention of the viewer springs from the drawing to the text, which, however, can no longer be read simply, since the words disintegrate and then come together in unbelievable constructions. A game arises with the text-reality and the words, or rather with the visual form of the words (as distinct from their semantic and phonetic aspects).
I have arranged happenings, where the text-objects have been read out and tape-recordings made. Finally the text was printed, to document the happening.
In the series of works, where the texts and the depictions of landscapes interact, this series follows the intention of having two realities and two illusions appear together: the one of the picture with its physical reality and the illusion of the depiction, and the one of the text with the visual reality of its form and with the worlds which are described in it.”
Svetlana Kopystiansky, 1988.
Cuando nos enamoramos comenzamos a sentir mariposas en el estómago. A veces, según pasa el tiempo, las mariposas se escapan y cuando nos damos cuenta ya no queda ninguna.
El amor se ha ido.
A few years ago, this pretty house packed in a yellow box came to me by overseas mail . It was an unexpected gift from my friend living in Milan :-D
"I built the house of 2,000 Italian liras" 2000
material : notes, size: 3x3.2x3.7cm
広瀬智央『私は、2,000リラで家を建てた』 2000
紙幣 3x3.2x3.7cm
My new exhibition - a series of photographs of security company signs, called "fear no evil". I see these signs as a new form of folk art - the authentic folk art of the white suburbs in post-apartheid South Africa. Invitation design by Vincent Truter.
The exhibition will be in Smithfield. A small central Free State dorp, about 150km from Bloemfontein.