View allAll Photos Tagged conceptualart
Submitted by
Heliane Wiesauer-Reiterer / A
heliane.wiesauer-reiterer @kunstfreiraum.com
www.heliane.wiesauer-reiterer.com
geboren am 11.07.1948 in Salzburg
1948 -1957 in Buenos Aires / Argentinen
1957 -1965 Schleswig/Holstein, Deutschland
1968-1973 Akademie der Bildenden Künste, Wien
Lebt und arbeitet in Neulengbach
Preise:1973 Förderungspreis der Österreichischen Nationalbank,
Auslandsstypendium Spanien, 1978 /1988 Graphikpreise bei dem 16. u. 21.
Graphikwettbewerb /Innsbruck, 1980 Förderungspreis des BMUK, 1982 1. Preis beim
Franz von Assisi - Heute Wettbewerb/ Krems, 1988 Förderungspreis der Stadt Wien,
1984/1985 Förderung - und Anerkennungspreis des Landes Niederösterreich, 1985
Länderbank - Würthle-Preis
Ausstellungen (Auswahl):
Secession Wien; Galerie Lang/ Wien; Niederösterreichisches Landesmuseum, Wien;
NÖ Dokumentationszentrum/St. Pölten; Kärntner Landesgalerie, Klagenfurt;
Künstlerhaus Ulm, D; Kunstraum Stuttgart, BRD; Haus auf der Freyung,Wien;
Festspielhaus Salzburg; Museumsquartier, Wien; Kulturhaus Graz; Kulturzentrum bei
den Miniriten/Graz; Galerie im Taxipalais,Innsbruck; BAWAG, Wien; Galerie der Stadt
Salzburg; Balanceakte, Donaufestival/ Amstetten;Kunstverein Würzburg, D; Austrian
Culture Institut London;Stadtgalerie im Elbeforum Brunsbüttel, D; Stadtmuseum St.
Pölten; Kulturstock 3, Pischelsdorf /Steiermark; [kunstwerk] krastal Kärnten;
Gutenberg/Arnshoop/ D; Haus der Kunst der Stadt Brno/ CZ; Galerie am Lidlweg,
Neulengbach; Galerie Göttlicher/Krems; Galerie Gans Wien; Galerie Rytmogram Bad Ischl/ OÖ;Galerie Artmark/ Wien; Zwergerlgarten Holzpavillon Galerie der Salzburg;Kunstmessen in Wien/Basel/ Düsseldorf/Dornbirn;
Ausstellungstätigkeit im Inland und im Ausland.
lasvegascitylife.com/blog/culture-alert/art-life-box-nick...
nickywattsinabox.blogspot.com/
gothamist.com/2013/10/02/photo_subway_rider_wears_box_on_...{%2210201422500263231%22%3A406158516174157}&action_type_map={%2210201422500263231%22%3A%22og.likes%22}&action_ref_map
Collection Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain.
Installation view: New York 1997. Wooster Gardens Gallery/Brent Sikkema.
The work is constructed from an edition of the same book, bought in New York as a readymade: Edith Wharton, Three Novels.
"In The Library real books are placed in wooden boxes, so that all the contents of the books would appear to be visible excerpt for the titles. Books are editions of novels in English. Real books used in this work are found objects, what does refer to ideas of Marcel Duchamp.
Pages shape in each case a unique form. Because of these differences in the shape, the viewer is able to see different fragments of the text from each book.
One is led to wonder where the various texts are connected to one another or not. The wooden boxes represent a kind of taken-apart library."
Svetlana Kopystiansky. 1990. (The year, when this group of work was initiated in the US)
Site: South east of Zernez, Fuorn Pass, eastern Switzerland, Europe.
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Found materials: Mountain stream water, high altitude standing water, snow, weathered rock minerals, chalk & lichens, flowering mountain heather.
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What am I looking at?
Michael Rawling’s Elemental Series uses traditional film combined with Found Materials at every photograph’s location to create a new way of representing the landscape.
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How do you do this??
Tiny amounts of water, windfall organic and mineral samples are collected from the very landscape depicted within each picture - and chemically bonded with the film over ~12 months. The result: a developed film and unedited, printed images that are somewhere between a classic photographs & a totally abstract image, depicting the interaction between fundamental chemical elements present at each place & time, representing a more visceral and literal experience of being present in landscapes in a constant state of natural or unnatural flux.
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(C) Copyright 2021. All Rights Reserved. Process Patent Pending.
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******** Next Exhibition! ********
Keep watching for news on my next exhibition!
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See & browse more at www.michaelrawling.com
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Saatchi Gallery: Buy this limited edition artwork from:
saatchigallery.michaelrawling.com/
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Or commission me via direct message.
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#instacool #instaart #film #modernart #35mm #artgallery #artcollector #chemical #art #artoftheday #filmsoup #alchemy #instagood #creative #contemporaryart #conceptualart #nophotoshop #nofilter #surreal #artwork #filmdestruction #experimentalfilm #landscape #artistsofinstagram #artistoninstagram #fineart #artist
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Submitted by
Heliane Wiesauer-Reiterer / A
heliane.wiesauer-reiterer @kunstfreiraum.com
www.heliane.wiesauer-reiterer.com
geboren am 11.07.1948 in Salzburg
1948 -1957 in Buenos Aires / Argentinen
1957 -1965 Schleswig/Holstein, Deutschland
1968-1973 Akademie der Bildenden Künste, Wien
Lebt und arbeitet in Neulengbach
Preise:1973 Förderungspreis der Österreichischen Nationalbank,
Auslandsstypendium Spanien, 1978 /1988 Graphikpreise bei dem 16. u. 21.
Graphikwettbewerb /Innsbruck, 1980 Förderungspreis des BMUK, 1982 1. Preis beim
Franz von Assisi - Heute Wettbewerb/ Krems, 1988 Förderungspreis der Stadt Wien,
1984/1985 Förderung - und Anerkennungspreis des Landes Niederösterreich, 1985
Länderbank - Würthle-Preis
Ausstellungen (Auswahl):
Secession Wien; Galerie Lang/ Wien; Niederösterreichisches Landesmuseum, Wien;
NÖ Dokumentationszentrum/St. Pölten; Kärntner Landesgalerie, Klagenfurt;
Künstlerhaus Ulm, D; Kunstraum Stuttgart, BRD; Haus auf der Freyung,Wien;
Festspielhaus Salzburg; Museumsquartier, Wien; Kulturhaus Graz; Kulturzentrum bei
den Miniriten/Graz; Galerie im Taxipalais,Innsbruck; BAWAG, Wien; Galerie der Stadt
Salzburg; Balanceakte, Donaufestival/ Amstetten;Kunstverein Würzburg, D; Austrian
Culture Institut London;Stadtgalerie im Elbeforum Brunsbüttel, D; Stadtmuseum St.
Pölten; Kulturstock 3, Pischelsdorf /Steiermark; [kunstwerk] krastal Kärnten;
Gutenberg/Arnshoop/ D; Haus der Kunst der Stadt Brno/ CZ; Galerie am Lidlweg,
Neulengbach; Galerie Göttlicher/Krems; Galerie Gans Wien; Galerie Rytmogram Bad Ischl/ OÖ;Galerie Artmark/ Wien; Zwergerlgarten Holzpavillon Galerie der Salzburg;Kunstmessen in Wien/Basel/ Düsseldorf/Dornbirn;
Ausstellungstätigkeit im Inland und im Ausland.
Michael Rawling’s Elemental Series: Miami uses Film and Found Materials at the pictures’ location to create a new types of land- & cityscapes.
Liquid, organic and mineral samples are collected at the site of the photograph - from the very place depicted within the photograph - and bonded with the film over 6-12 months: the resulting image created more deeply representative of the world we experience.
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(C) Copyright 2019. All Rights Reserved.
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Site
Views across the bay and around Miami, Florida, United States Of America
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Found materials
Miami bay water, sand, kelp, algae and local mineral samples
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******** Next exhibition!!!! **********
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See me in London! More news on my next exhibition coming soon!
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See more at: michaelrawling.com/project-elemental-series-miami-1
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Buy these artworks large and framed at: www.saatchiart.com/account/artworks/861831
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Buy prints at: etsy.me/2NnhRCB
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#instacool #instaart #film #filmisnotdead #35mm #analog #miami #chemical #art #ingrainwetrust #filmsoup #alchemy #instagood #color #contemporaryart #conceptualart #nophotoshop #nofilter #surreal #ishootfilm #landscape #experimentalfilm #cityscape #artistsofinstagram #artistoninstagram #fineart #artist
Michael Rawling’s Elemental Series uses Film, and Found Materials at the photographs’ location to create a new type of Landscape artwork.
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Tiny amounts of water, organic and mineral samples are collected at the site of the photograph, from the very landscape depicted within the picture - and chemically bonded with the film over 6-12 months....the resulting image created is more throughly representative of the visceral landscapes we really experience.
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(C) Copyright 2019. All Rights Reserved.
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Site
Bermuda Triangle (coordinates 29.4795561, -71.2772051 at 25,000ft), North Atlantic Ocean.
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Found materials
Atlantic Ocean seawater, kelp, algae.
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******** next exhibition! **********
More news on my next exhibition coming soon!
************************************
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See more: michaelrawling.com
.
Buy limited edition artworks in large sizes and framed at: www.saatchiart.com/account/artworks/861831
.
Buy prints at: etsy.me/2NnhRCB
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#instacool #instaart #film #filmisnotdead #35mm #analog #crystal #chemical #art #ingrainwetrust #filmsoup #alchemy #instagood #color #contemporaryart #conceptualart #nophotoshop #nofilter #surreal #ishootfilm #filmdestruction #experimentalfilm #landscape #artistsofinstagram #artistoninstagram #fineart #artist
UNICODE 5.1.0 meets Or-Omcode∞.1.0
Unicode represents the Tower ob Babel en.wikipedia.org/wiki/Tower_of_Babel In computing, Unicode is an industry standard allowing computers to consistently represent and manipulate text expressed in most of the world's writing systems. Developed in tandem with the Universal Character Set standard and published in book form as The Unicode Standard, Unicode consists of a repertoire of more than 100,000 characters, a set of code charts for visual reference, an encoding methodology and set of standard character encodings, an enumeration of character properties such as upper and lower case, a set of reference data computer files, and a number of related items, such as character properties, rules for normalization, decomposition, collation, rendering and bidirectional display order (for the correct display of text containing both right-to-left scripts, such as Arabic or Hebrew, and left-to-right scripts). en.wikipedia.org/wiki/UniCode
Or-Omcode∞.1.0 represents a new Universal Language de.wikipedia.org/wiki/Universalsprache derived within the Doctine Of Essense by
de.wikipedia.org/wiki/Karl_Christian_Friedrich_Krause
Encoding Unicode into the Or-Omcode∞.1.0 all traditional languages become semantically transformed within the new universal language parameters. portal.or-om.org/art/UnicodemeetsOrOmCode/tabid/6319/Defa...
30|52
Snow White
From this slumber she shall wake, when true love's kiss the spell shall break...
#Fineart #Photography #Conceptual #Conceptualphotography #Surrealism #Finearts #Squere #Photooftheday #Creative #Creativity #Art #Photographers #edit_perfection #Photoshop #Darkart #Project52 #surreal #promotingpassionchallenge #morneprinsloophotography #surrealphotography #conceptualart #southafricanphotographer #Nikon #adobephotoshop #liveforthestory
Produced in New York in 1990.
Oil on canvas, wood. Deconstructed handwritten text appropriated from classical novels.
Reproduced in: Igor & Svetlana Kopystiansky. DAAD 1990.
Berlin
www.worldcat.org/title/igor-svetlana-kopystiansky-23-augu...
“The basis of my works from the series “text-objects” is a literary text put onto canvas. For me the text has two aspects: firstly it is a reality (written words are part of the real world around us), and secondly the text delivers information about the reality outside it. In my works I use many different texts. I turn to literature: novels, stories, classical dramas. In one work, several works from various authors may be combined: the works are not always given completely and may be broken off at the edge of the canvas or be used fragmentarily.
I work directly with the material and exploit its specific physical characteristics: the elasticity of the weave makes it possible to shape it at will, and its thinness and flexibility let it bee torn into pieces of various sizes. I produce objects on which simple geometrical forms or landscapes are delineated or objects whose material is freely arranged in various large folds. In this way the original form of the text is changed, and the new form gives rise to a new sequence of letters and signs. The visual form takes precedence over the text, and the attention of the viewer springs from the drawing to the text, which, however, can no longer bee read simply, since the words disintegrate and then come together in unbelievable constructions. A game arises with the text-reality and the words, or rather with the visual form of the words (as distinct from their semantic and phonetic aspects).
I have arranged happenings, where the text-objects have been read out and tape-recordings made. Finally the text was printed, to document the happening.
In the series of works, where the texts and the depictions of landscapes interact, this series follows the intention of having two realities and two illusions appear together: the one of the picture with its physical reality and the illusion of the depiction, and the one of the text with the visual reality of its form and with the worlds which are described in it.”
Svetlana Kopystiansky, 1988.
Submitted by Christan Rupp
Exhibitions and Participations
2007
Bioforms2” - Cheapart-Gallery, Athen
Project "Reflecting Media" - Art Athina 2007 ArtFair in Athens
Organizer, CoCurator and participating Artist in ARTmART, viennaartweek, Künstlerhaus, Vienna
2006
"cheapart 12" - Cheapart-Gallery, Athen
ex_sampling European Month of Photography, Künstlerhaus, Vienna
WO[+]MAN, 5th Human Rights Arts Festival, Athen
://selfportrait - a show for Bethlehem
Betlehem Cologne Poland Naples Santa Fe (Argentina) Rosario (Argentina)
Körperchen, Medienwerkstatt, Vienna
SOHO in Ottakring 2006“, Vienna
26 Flags 4th European Social Forum , Athens
2005
"cheapart 11" - Antonopoulou-Gallery, Athen
"update" - Künstlerhaus, Vienna
SOHO in Ottakring 2005, Vienna
2004
"cheapart 10" - Cheapart-Gallery, Athen
Guest-Artist for the year 2004 with the group K.U.L.M.: steirischer herbst, Palais Attems, Graz, MAK-Nite, Vienna, FotoFluss Wolkersdorf, etc...
"RRF 2004", www.newmediafest.org/rrf2004 by Wilfried Agricola de Cologne
Grafist 8, Mimar Sinan Fine Arts University, Istanbul
2003
"Quo vadis Logo Freiraum/quartier21, MQ, Vienna
2001
"Expanding Realities“, Kulturgelände Nonntal, Salzburg
1998
"Intervention zur Situation der Erwerbslosen", being part of the group Wochenklausur, Kunstamt Kreuzberg and NGBK, Berlin
Education: University of applied Arts in Vienna, Austria / Högskolan
för Design och Konsthantverk in Göteborg, Sweden / Technical
University of Vienna, Austria / IFF Wien, University of Vienna,
Austria
39|52
Stuck in time...
It's almost 20:00 and I'm stuck...unable to move forward or escape its grasp. As the clock approaches 20:00, everything around me seems to blur, and the minutes leading up to it feel heavy with anticipation. When 20:00 finally arrives, it's as if the world stops turning, trapping me in that exact time, replaying the same thoughts, feelings, and memories over and over again.
Time continues to march on for everyone else, but for me, 20:00 is a moment where everything pauses. The rest of the evening fades into the background, and my mind fixates on the fact that 20:00 will forever be imprinted in my mind.
Breaking free from this cycle feels daunting, as if stepping beyond 20:00 means letting go of something I'm not ready to release. But I know until I do, I remain stuck, living the same hour again and again, as the world moves on without me...
#fineart #photography #conceptual #conceptualphotography #surrealism #finearts #photooftheday #creative #creativity #art #photoshop #project52 #darkart #surrealphotography #conceptualart #nikon #liveforthestory
“Untitled” 1988
Produced in New York City.
Collection Helyn Goldenberg, Chicago.
oil on canvas, handwritten text appropriated from classical novels
180 x 130 cm/ 51 x 71”
“The basis of my works from the series “text-objects” is a literary text put onto canvas. For me the text has two aspects: firstly it is a reality (written words are part of the real world around us), and secondly the text delivers information about the reality outside it. In my works I use many different texts. I turn to literature: novels, stories, classical dramas. In one work, several works from various authors may be combined: the works are not always given completely and may be broken off at the edge of the canvas or be used fragmentarily.
I work directly with the material and exploit its specific physical characteristics: the elasticity of the weave makes it possible to shape it at will, and its thinness and flexibility let it bee torn into pieces of various sizes. I produce objects on which simple geometrical forms or landscapes are delineated or objects whose material is freely arranged in various large folds. In this way the original form of the text is changed, and the new form gives rise to a new sequence of letters and signs. The visual form takes precedence over the text, and the attention of the viewer springs from the drawing to the text, which, however, can no longer bee read simply, since the words disintegrate and then come together in unbelievable constructions. A game arises with the text-reality and the words, or rather with the visual form of the words (as distinct from their semantic and phonetic aspects).
I have arranged happenings, where the text-objects have been read out and tape-recordings made. Finally the text was printed, to document the happening.
In the series of works, where the texts and the depictions of landscapes interact, this series follows the intention of having two realities and two illusions appear together: the one of the picture with its physical reality and the illusion of the depiction, and the one of the text with the visual reality of its form and with the worlds which are described in it.”
Svetlana Kopystiansky, 1988.
UNICODE 5.1.0 meets Or-Omcode∞.1.0
Unicode represents the Tower ob Babel en.wikipedia.org/wiki/Tower_of_Babel In computing, Unicode is an industry standard allowing computers to consistently represent and manipulate text expressed in most of the world's writing systems. Developed in tandem with the Universal Character Set standard and published in book form as The Unicode Standard, Unicode consists of a repertoire of more than 100,000 characters, a set of code charts for visual reference, an encoding methodology and set of standard character encodings, an enumeration of character properties such as upper and lower case, a set of reference data computer files, and a number of related items, such as character properties, rules for normalization, decomposition, collation, rendering and bidirectional display order (for the correct display of text containing both right-to-left scripts, such as Arabic or Hebrew, and left-to-right scripts). en.wikipedia.org/wiki/UniCode
Or-Omcode∞.1.0 represents a new Universal Language de.wikipedia.org/wiki/Universalsprache derived within the Doctine Of Essense by
de.wikipedia.org/wiki/Karl_Christian_Friedrich_Krause
Encoding Unicode into the Or-Omcode∞.1.0 all traditional languages become semantically transformed within the new universal language parameters. portal.or-om.org/art/UnicodemeetsOrOmCode/tabid/6319/Defa...
Black Lake Park, 2021
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Work from pandemic years.
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** Site of Photograph **
The Black Lake, Black Park, Surrey, Southern England, UK.
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** Found Materials at Location **
Standing water, lake water, pine needles & bark, lichen, reeds, algae. .
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How do I do this??
Minute amounts of water, windfall samples - organic and mineral - are collected from the very landscape depicted within each picture - and chemically bonded with the film over 12 months.
.
The result:
A nature-disrupted film process that creates unedited images that are inbetween a classic photograph and a totally abstract image, depicting the interaction between fundamental chemical elements present at each place & time, representing a more visceral and literal experience of being present in landscapes in a constant state of natural or unnatural flux.
.
.
(C) Copyright 2024. All Rights Reserved. Process Patent Pending.
.
******** Next Exhibition! ********
Keep watching for news on the next years upcoming exhibitions!
*********************************
.
See & browse more at www.michaelrawling.com/fine-art
.
Saatchi Gallery: Buy this limited edition artwork from:
saatchigallery.michaelrawling.com/
.
Or commission me via direct message.
.
.
.
.
.
.
.
.
.
.
.
.
.
#film #modernart #35mm #artgallery #artcollector #chemical #art #artoftheday #filmsoup #alchemy #creative #contemporaryart #conceptualart #nophotoshop #nofilter #surreal #artwork #filmdestruction #experimentalfilm #landscape #fineart #artist
UNICODE 5.1.0 meets Or-Omcode∞.1.0
Unicode represents the Tower ob Babel en.wikipedia.org/wiki/Tower_of_Babel In computing, Unicode is an industry standard allowing computers to consistently represent and manipulate text expressed in most of the world's writing systems. Developed in tandem with the Universal Character Set standard and published in book form as The Unicode Standard, Unicode consists of a repertoire of more than 100,000 characters, a set of code charts for visual reference, an encoding methodology and set of standard character encodings, an enumeration of character properties such as upper and lower case, a set of reference data computer files, and a number of related items, such as character properties, rules for normalization, decomposition, collation, rendering and bidirectional display order (for the correct display of text containing both right-to-left scripts, such as Arabic or Hebrew, and left-to-right scripts). en.wikipedia.org/wiki/UniCode
Or-Omcode∞.1.0 represents a new Universal Language de.wikipedia.org/wiki/Universalsprache derived within the Doctine Of Essense by
de.wikipedia.org/wiki/Karl_Christian_Friedrich_Krause
Encoding Unicode into the Or-Omcode∞.1.0 all traditional languages become semantically transformed within the new universal language parameters. portal.or-om.org/art/UnicodemeetsOrOmCode/tabid/6319/Defa...
lasvegascitylife.com/blog/culture-alert/art-life-box-nick...
nickywattsinabox.blogspot.com/
gothamist.com/2013/10/02/photo_subway_rider_wears_box_on_...{%2210201422500263231%22%3A406158516174157}&action_type_map={%2210201422500263231%22%3A%22og.likes%22}&action_ref_map
UNICODE 5.1.0 meets Or-Omcode∞.1.0
Unicode represents the Tower ob Babel en.wikipedia.org/wiki/Tower_of_Babel In computing, Unicode is an industry standard allowing computers to consistently represent and manipulate text expressed in most of the world's writing systems. Developed in tandem with the Universal Character Set standard and published in book form as The Unicode Standard, Unicode consists of a repertoire of more than 100,000 characters, a set of code charts for visual reference, an encoding methodology and set of standard character encodings, an enumeration of character properties such as upper and lower case, a set of reference data computer files, and a number of related items, such as character properties, rules for normalization, decomposition, collation, rendering and bidirectional display order (for the correct display of text containing both right-to-left scripts, such as Arabic or Hebrew, and left-to-right scripts). en.wikipedia.org/wiki/UniCode
Or-Omcode∞.1.0 represents a new Universal Language de.wikipedia.org/wiki/Universalsprache derived within the Doctine Of Essense by
de.wikipedia.org/wiki/Karl_Christian_Friedrich_Krause
Encoding Unicode into the Or-Omcode∞.1.0 all traditional languages become semantically transformed within the new universal language parameters. portal.or-om.org/art/UnicodemeetsOrOmCode/tabid/6319/Defa...