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My drawing of the ill-fated ship.
The second largest local liner to ever sail in Philippine waters.
Dedicated to my princess, Rin-Rin, ♥ (not the sinking, though. lol)
Rendered using Autodesk Maya and Adobe Photoshop. HiRISE data processed using gdal.
Data:
NASA/JPL/University of Arizona/USGS
Rendered using Autodesk Maya and Adobe Photoshop. HiRISE data processed using HiView and gdal.
Data:
NASA/JPL/University of Arizona/USGS
An event horizon is a trapped surface: nothing can emerge from it, everything that exists on the inside will be unable to cross it. It is a prison with open doors.
One can throw anything one wants to get rid of into the event horizon and be sure it never returns. But what are the conditions on the inside? We cannot know.
Hawking radiation? Yes, the things that are inside are not truly lost. They still participate in the universe but now in another capacity. Maybe their information is not truly lost either. But we will not be able to read the alien encyclopaedias thrown into the M87 black hole.
The boundary of a boundary is zero.
\int_{\gamma} d\omega = \int_{\partial \gamma} \omega
Holographic principles. Matter becomes force. Secrets. Fundamental truths.
Mount Saint Helens, Washington with elevation data at 1/9 arc second (~4m per point) and West Washington satellite imagery with .5 meter resolution and taken in July, 2006. Elevation is exaggerated by 2x. Data derived from the USGS Seamless Server, model rendered using custom software developed in C++.
Created using a December 20, 2015 view of Enceladus as taken by Cassini, a model of Cassini rendered in Autodesk Maya, and a simulated space background.
Image Credit: Kevin M. Gill
Enceladus Image: NASA/JPL-Caltech/SSI/Kevin M. Gill
Cassini Model: Brian Kumanchik, Christian Lopez. NASA/JPL-Caltech
aspen, colorado
1982
screenshot
aspen computer society
part of an archival project, featuring the photographs of nick dewolf
© the Nick DeWolf Foundation
Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com
Rendered using Autodesk Maya and Adobe Photoshop. HiRISE data processed using HiView and gdal.
Data:
NASA/JPL/University of Arizona/USGS
Vikram and Shriya Saran starrer film Kandhasamy in the production of Kalaipuli S Thanu, directed by Sushi Ganeshan and music by Devi Shree Prasad is much awaited film of the year..,
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Just added some primitive support for ESRI shapefiles for adding layers such as transportation, hydrography, etc. The data is of Nashua, NH at 1/3 arc second resolution. Elevation data and shapefiles supplied by the USGS.
Rendered using Autodesk Maya and Adobe Photoshop. HiRISE data processed using HiView and gdal.
Data:
NASA/JPL/University of Arizona/USGS
Mount Saint Helens, Washington rendered at 1/3 arc second (~10 meters per point) with USGS Satellite imagery (1 meter resolution). Data derived from the USGS Seamless Server. Rendered using custom software written in C++.
The bright little cry pierces through our muddled thinking.
The little bird concentrates on one thing, one thought at a time. It must, because it has not much brain to do it with. But that single-minded consciousness is a pure ray of light pointing at something.
Pop-up effects: a 'B' in a sea of 'A's. A red square among a thousand blue. A bird among spheres. Our attention system allows certain information to 'pop up' effortlessly. Other information has to be searched for, a slow and error-prone process. But some things fit our mental architecture. Synesthetes can see a pattern of one digit among other digits that normal people cannot, because they see the colour.
"That Which Thou Art" – whatever we are.
Promethian hyperpraxia. Revealing the situation to be highly unstable. The emperor has no clothes! Zen realisation.
Rendered using Autodesk Maya and Adobe Photoshop. HiRISE data processed using gdal.
Data:
NASA/JPL/University of Arizona/USGS
Rendered using Autodesk Maya and Adobe Lightroom. HiRISE data processed using gdal.
Data:
NASA/JPL/University of Arizona/USGS
Matter is a process. Even the most inert piece of iron 56 or hydrogen gas just lying around is active. The electron wavefunctions form complex clouds around the nuclei, vibrating in response to the thermal motion of the atoms. Even at absolute zero the uncertainty principle makes matter dance. The nuclei are themselves just as active; dense wave functions where triads of quarks exchange gluons and other force carriers all the time. Interfere with the process and the atom breaks up.
The matter process is propagating forward in time. It is like the periodic configurations in Conway's Game of Life. We are privilegied to live in an universe where relatively stable matter can exist, able to store information for eons (or picoseconds), to channel energy and forces, to interact in complex ways that enables the formation of complex forms.
The stillness of matter is just like the stillness of vaccuum an illusion. Something perfectly static and unchanging would not be visible to our senses, would not impringe on our world. That is why the relative stability of matter is so amazing - it is almost unchanging, but not too much.
Rendered using Autodesk Maya and Adobe Photoshop. HiRISE data processed using HiView and gdal.
Data:
NASA/JPL/University of Arizona/USGS
The Lorenz attractor is the wheels of fortune. The system spirals outwards: will it miss the hyperbolic fixed point and continue another turn, or will it shift to the other side? It is entirely deterministic, but each circulation makes the future less certain. Laplace's demon sits in a corner, cursing lack of precision.
The future cannot be predicted exactly except in the boring special cases. In all other situationssmall differences in initial conditions grow and grow until they make the outcome completely unexpected. We can make forecasts a bit into the future, and we can know the general shape of the attractors and universality classes we belong to, but we cannot know where we will end up.
Every grain of sand was placed there by interactions with the surrounding sand, the wind or the steps of an animal. Each grain has a complex history, despite having no memory ofwhere it came from. And each grain will influence anything interacting with it, sending itto an entirely new path.
Is the approaching sandstorm the work of a butterfly somewhere? Yes. But it is the work of every butterfly, every bird, every sneeze and every past hurricane. There are no single causes.
Rendered using Autodesk Maya and Adobe Lightroom. HiRISE data processed using gdal.
Data:
NASA/JPL/University of Arizona/USGS
Rendered using Autodesk Maya 2017 and Adobe Photoshop. HiRISE data processed using gdal.
The position of the sun is actually not possible since it's located almost due South.
Data:
NASA/JPL/University of Arizona/USGS
Rendered using Autodesk Maya and Adobe Photoshop. HiRISE data processed using gdal.
Data:
NASA/JPL/University of Arizona/USGS
A computer graphic simulation of Novel Air Concept 2 showing prototype equipment of the future.
Gadgets and gizmos that could provide a front-line force for troops of the future helped to launch the MOD’s new Defence Technology Plan.
The Defence Technology Plan is the first time the MOD has unveiled its long-term research needs. It underlines the importance of science and technology in providing cutting-edge kit for the battlefield.
This image is available for non-commercial, high resolution download at www.defenceimages.mod.uk subject to terms and conditions. Search for image number 45149919.jpg
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Photographer: MoD
Image 45149919.jpg from www.defenceimages.mod.uk
Rendered using Autodesk Maya and Adobe Photoshop. HiRISE data processed using HiView and gdal.
Data:
NASA/JPL/University of Arizona/USGS
This is a frame from an animation project I was hired to help work on back in 2009.
Regal Entertainment Group, which owns Regal Theaters, Edwards Theaters, and United Artist Theaters, wanted to have their old Roller Coaster Policy and Presentation trailer modernized and upgraded to 4k resolution. The project was managed by SmithGroup Communications.
One of the elements I created was the (roller-coaster) train's dashboard, seen at the beginning of the animation. It was built and rendered using Lightwave 3D. All the animated screens and readouts were created in After Effects as animated sequences and UV mapped onto their given "screen" areas. The finished rendered dashboard element was then comped into the final animation via After Effects.
Regal has the project uploaded on their YouTube Channel. Some of you might recognize it if you live in an area that has REG theaters. www.youtube.com/watch?v=-6gon66jF8s
Image: Copyright © 2012 by Craig Paup. All rights reserved.
Any use, printed or digital, in whole or edited, requires my written permission.