View allAll Photos Tagged computergraphics
Section through the Mandelbrot-Julia set, defined as the points (z,c) in C^2 where z_{n+1}=z_n^2+c does not diverge for z_0=z. This section corresponds to z_0 = a real number, plotted from above to show that the "equator" z_0=0 is the Mandelbrot set. The color denotes the magnitude of the smallest iterate.
Even in the age of nanotechnology construction is going to take time and supervision. And repair involves both deconstruction and reconstruction of damaged parts - if you can't simply replace something then the repair is going to take some effort.
"Give me modularity or give me death!" - but sometimes modularity cannot sustain life.
(This picture was used as the cover of Damien Broderick's novel The Hunger of Time)
aspen, colorado
1982
screenshot
aspen computer society
part of an archival project, featuring the photographs of nick dewolf
© the Nick DeWolf Foundation
Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com
Created using NASA/HiRISE Digital Terrain Model and Orthoimagery data in Autodesk Maya, Adobe Photoshop, gdal, and ffmpeg.
360˚ Video: www.youtube.com/watch?v=LJlRdOxJ7KY
Data Credit: NASA/JPL/University of Arizona/USGS
Data Source: www.uahirise.org/dtm/dtm.php?ID=ESP_034934_2155
Available at bortwein's DBH Collective Store. Boom Boom Boom is a technical typographic vector line art tribute to music pumping out your speakers.
The figure Photoshopped into this Terragen scene is from a royalty free stock photo. The trees are rendered in low quality as they are distant and shrowded in mist. A rock texture image map is X projected onto the cliff, giving a stratified appearance.
This is a personal illustration purchaseable through my online poster store: www.joemaguiredesign.com click on store if you want one!
The vessel that started it all.
M/V SuperFerry 1.
One of the foundations of today's shipping industry.
[Created using MS Paint]
I've finally finished the art for the Super Someone Children's Book. It kept me busy, along with teaching Photoshop, so I've not be here for awhile.
Section through the Mandelbrot-Julia set, defined as the points (z,c) in C^2 where z_{n+1}=z_n^2+c does not diverge for z_0=z. This section corresponds to a random hyperplane through the origin. The color denotes the magnitude of the smallest iterate.
Created using NASA/HiRISE Digital Terrain Model and Orthoimagery data in Autodesk Maya, Adobe Photoshop, gdal, and ffmpeg.
360˚ Video: www.youtube.com/watch?v=cR_E-AF3lsQ
Data Credit: NASA/JPL/University of Arizona/USGS
Data Sources:http://www.uahirise.org/dtm/dtm.php?ID=PSP_002047_1890
Created using NASA/HiRISE Digital Terrain Model and Orthoimagery data in Autodesk Maya, Adobe Photoshop, gdal, and ffmpeg.
360˚ Video: www.youtube.com/watch?v=ibm9GA2l5Ao
Large line is a seam between overlapping datasets.
Data Credit: NASA/JPL/University of Arizona/USGS
Data Sources:
www.uahirise.org/dtm/dtm.php?ID=ESP_016213_2315
Had a digital image assignment for comp. graphics, and I decided to go out to wixom and see what i could find. for this one i am just experimenting with different techniques, getting kinda bored in comp. graphics considering were still only learning how to use the magic wand tool..
aspen, colorado
1982
screenshot
aspen computer society
part of an archival project, featuring the photographs of nick dewolf
© the Nick DeWolf Foundation
Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com
シュールレアリストたちの謎めいた啓示ともなった、ロートレアモンの「ミシンとこうもり傘が解剖台の上で偶然に出会ったように美しい・・・・・・」
異質なものどうしの結合が、ブリコラージュが実現されたとき、人々はその意味を再解釈して、そこに以前の枠組みでつかみきれないものを見出し、もうそれ以前の状態にもどれないこ
とに気づくのである。
シュールレアリストたちが達成できなかった、ある種の完全に一様な＜でたらめ＞の自動記述の世界をコンピュータ・アートは作り出した。人間の深層意識から解放されたパターンの躍動がある。しかしそれは人間にとってどのような意味があるかは、全く別の評価基準が必要である。
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そのことは、おそらく、一つには、作家の関心事が個別の具体的なパターンそのものにはなく、そのパターンを生成するシステムにあることを表明しているのである。
幸村真佐男; エレクトロ・ランドスケープ - の過程との構造,
bit, vol.13, No.3, p.22, 共立出版, 1980
aspen, colorado
1982
screenshot
aspen computer society
part of an archival project, featuring the photographs of nick dewolf
© the Nick DeWolf Foundation
Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com
At one point we were thinking about producing a 40mm grenade launcher stock that accepted AR-15 buttstock and grip, and an LMT launcher. It would have been a machined forging.
Recently we saw something similar to this on display at the SHOT Show.
Dreaming through the night on floating fluffy clouds in shimmering starlight, waking up to the calls of singing birds amidst rainbow bed curtains on magical twilight mornings.
my official entry for the PSDG Challlenge
M/V Princess Of The Stars at sea...
drawn on september 3, 2010
finished on september 4, 2010
Famuzlazvhoi
A friend and I had been out shooting around West Hollywood and stopped in at a Norms for desert. While waiting for our booth, I grabbed a few images.
This is a digital abstract I created based off one of the snapshots taken that night.
Copyright © 2010 by Craig Paup. All rights reserved.
Any use, printed or digital, in whole or edited, requires my written permission.
Section through the Mandelbrot-Julia set, defined as the points (z,c) in C^2 where z_{n+1}=z_n^2+c does not diverge for z_0=z. This section corresponds to real c. The color denotes the magnitude of the smallest iterate.
Note the soft flat face, corresponding to the Julia set c=0.25 which suffers an implosion when c is increased, turning into rays of Fatou dust.
Own rendition of the Wilines Mabuhay 3.
An edit of my SuperFerry 8 drawing.
The former Sugbu of William Lines, she was refitted and lengthened in Singapore. When she returned to the country, she was "promoted" to the luxurious Mabuhay class. She was renamed as the Wilines Mabuhay 3.
This ship is the current SuperFerry 19.
aspen, colorado
1982
screenshot
aspen computer society
part of an archival project, featuring the photographs of nick dewolf
© the Nick DeWolf Foundation
Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com
Early in 1984, all I knew of a computer display was the obscure green text on a black background.
But I went to a computer expo here in Santa Cruz, and was riveted to see that the new- Macintosh- computer had a fish on the screen. That was my welcome into the digital world.
Thankyou, Steve and Steve.
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Thankyou, Bill Atkinson, Susan Kare, Andy Hertzfeld, Paul Foraker, Howard Pearlmutter, Dave Leffler.
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The fish image is not a screen shot so it is a little fuzzy. It is a scan of a printout of the fish, made with my ImageWriter printer. The printer was another first.
These are 72 dpi pixels: 72 of them fit into an inch. The highlight in the fish's eye is a twelve pixel rectangle of white. It is rough by today's standards but I found it workable and it was the sky over what had been available.
Screen dots are, usually, still 72 dpi pixels. But, today, those pixels can be millions of shades of grey or millions of colors. In the original Mac, the dots could only be dead black.
If the carp was rendered in modern resolution, it would look real enough to pick up. *
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The original, 'stand-up', Mac had 128 K of memory. ( I said K, not Megs or Gigs. )
The Commodore 64 that came before the Mac, had half as much (64 K).
The original computers, that filled several buildings, had maybe 2K of memory.
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Four pages on the Mac:
www.flickr.com/photos/doneastwest/3531900948/in/set-1132426/
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* - the fact that there can be such better quality, today, when the pixel size is not smaller, is related to the optical principals found in the work of George Seurat, the pointillist painter:
en.wikipedia.org/wiki/File:A_Sunday_on_La_Grande_Jatte,_G...
and
en.wikipedia.org/wiki/File:Seurat-La_Parade_detail.jpg
- it's not the dot size, but the fact that the dots can be different tones and colors. so there.
August 29, 2012.
- i should have admitted that- though i am explaining it now- i didn't get it at all when it first started to happen.
#computer, #fish, #carp, #Mac, #Macintosh,
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