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Drawing with borrowed lasers
Using straight laser lights shot during DLECTRICITY Light Art Event. (I altered my settings to grab a wider band of light.)
lemon sorbet, rosemary froth
A dinner with chefs Scott Anderson of Elements restaurant in Princeton New Jersey, Jeremiah Bullfrog, Conor Hanlon and Josh Gripper at The Dutch in Miami Beach, October 20, 2014.
twitter: @frodnesor
Augustus Saint-Gaudens, Born Dublin, Ireland 1848-
died Cornish, NH 1907
Violet Sargent, 1890, bronze relief, 50 x 34 in.
Violet Sargent came from Europe to New York in the company of her brother, the portraitist John Singer Sargent. At a party given at William Merritt Chase's studio, she met Augustus Saint-Gaudens, who asked to create her portrait. Her brother agreed, promising in return to paint the sculptor's son, Homer. This relief panel is slightly curved, so that it captures the light and the bronze takes on different colors.
Saint-Gaudens made unusual choices to create this work. This was part of an informal exchange of tokens between artists, but the sculptor gave the portrait the monumental and timeless gravity of a public memorial. The sculptor chose not to give Violet a conventional, formal pose, but caught her in the act of humming a pitch and tuning her guitar, as though she would shortly sing for her friends. Like an ancient Greek grave marker, this relief captures a fleeting and informal moment in Violet's life. It compresses into one image a love of music, learning, and art that characterized the circle of friends and fellow artists around the Sargents.
Sculptor who combined naturalism and monumentality in his works and was one of the best-known and influential sculptors of his day. Powerful in its restraint, his most distinctive piece, the Adams Memorial (1886–91), is a seated, draped, brooding figure. [SAAM 1970.11]
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The Smithsonian American Art Museum is the home to one of the most significant and most inclusive collections of American art in the world. Its artworks reveal America’s rich artistic and cultural history from the colonial period to today. The museum’s main building is located at Eighth and G streets N.W., above the Gallery Place/Chinatown Metrorail station. Admission is free.
The museum has been a leader in identifying and collecting significant aspects of American visual culture, including photography, modern folk and self-taught art, African American art, Latino art, and video games. The museum has the largest collection of New Deal art and exceptional collections of contemporary craft, American impressionist paintings and masterpieces from the Gilded Age. In recent years, the museum has focused on strengthening its contemporary art collection, and in particular media arts, through acquisitions, awards, curatorial appointments, endowments, and by commissioning new artworks.
Explore the sweep of the American imagination across four centuries at the nation's flagship museum for American art and craft. Dive into inspiring artworks, the reimagined collection, and an array of special exhibitions including Glenn Kaino: Bridge. Experience our offerings both online and in person at our two locations, including national educational programs, innovative research, video interviews with artists, virtual artist studio tours, lectures, audio guides, and more. Admission is always free.
Since 1968, the National Portrait Gallery has been housed in the former Patent Office building, a structure designed by Robert Mills in the neoclassical style and built between 1836-1867. This historic building, which is the third oldest government building in the city, is shared with another Smithsonian museum, the Smithsonian American Art Museum. The building's marble and granite porticos are inspired by those of the Parthenon in Athens, Greece.
An undulating steel and glass canopy wows visitors who enter the Kogod Courtyard. Inside you’ll find diners from the museum’s café, tourists soaking their weary feet in the shallow fountain running across the space, and students taking advantage of free Wi-Fi in the light and airy setting. The modern roof seals the center of the old Patent Office Building, currently shared by the National Portrait Gallery and American Art Museum. Architect Norman Foster designed the roof to have minimal impact on the building by creating a support system that prevents direct contact and weight placement on it. Unlike most of the other Smithsonian Museums located on the Mall, this gem is found in the busy Penn Quarter of downtown D.C. It is a favorite place to bring visitors, not only for the impressive courtyard space, but also for the preserved architecture of the patent offices on the top floor. Check the Smithsonian’s website for special courtyard workshops, concerts, or events. The museum is right near the Gallery Place/Chinatown Metro on the green, yellow, and red lines.
The Smithsonian American Art Museum showcases rotating exhibits, which have previously exposed visitors to work created in response to the Vietnam War, glasswork, native women artists and more. The Smithsonian American Art Museum also operates a separate branch, the Renwick Gallery, devoted to contemporary craft and decorative arts.