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We visited Great falls National Park on a cloudless, cold, sunny day, when this guy showed up and did a few waterfall runs in prime view from the observation point. Pretty convenient.

 

Please view large by pressing 'L' or clicking the image.

 

Thanks for looking, and as always, your comments are appreciated.

U.S. Department of Agriculture USDA Animal Care Inspector observes San Antonio Zoo staff handle a guinea pig at the San Antonio Zoo in San Antonio, TX, on July 26, 2022.

For more information about the USDA Animal Care Inspections, please go to aphis.usda.gov/aphis/ourfocus/animalwelfare/usda-animal-care-overview. The San Antonio Zoo is operated by the San Antonio Zoological Society, and is a non-profit organization committed to securing a future for wildlife. The zoo’s mission is to inspire its community to love, engage with, act for and protect animals and the places they live. The zoo welcomes more than a million visitors annually and is open year-round. San Antonio Zoo is accredited by the Association of Zoos and Aquariums, the Zoological Association of America, and Humane Certified by American Humane.

In November 1929, the zoo opened two of the first cage-less exhibits offering visitors unprecedented views of animals.

The facility sits on more than 50 acres. The zoo is home to more than 750 species, some of which are endangered or extinct in the wild.

USDA media by Lance Cheung.

An American Goldfinch (Spinus tristis - Washington State's bird) committed to seed extraction on a fluffy branch. Photographed at Union Bay Natural Area (aka Montlake Fill) in Seattle.

 

Olympus OM-D E-M5 + Lumix 100-300mm

On Rescuer's Day, President Volodymyr Zelenskyy met with the personnel of the State Emergency Service of Ukraine, congratulated them on their professional holiday, and awarded state honors.

He emphasized that today is the professional holiday of all those whose job and calling is to save lives.

"Whatever happens, the SES of Ukraine is always there to help, and always promptly. They remain fully committed to their most important mission: saving lives," said the President.

The President inspected samples of automotive and robotic equipment. In particular, Interior Minister Ihor Klymenko and SES Head Andriy Danyk reported on the use of surface drones and robotic systems for mine disposal.

Volodymyr Zelenskyy noted that since the beginning of Russia’s full-scale invasion, Ukrainian rescuers have responded to over 170,000 shelling occasions and extinguished more than 20,000 fires. SES sappers have neutralized over half a million explosive devices.

As a result of Russian aggression, 97 SES personnel have been killed, 395 injured, and 4 are currently held in Russian captivity.

The attendees observed a minute of silence to honor all those Ukraine has lost due to the war.

The President presented the Order of the Golden Star to the family of the fallen Hero of Ukraine, Lieutenant Colonel of the Civil Protection Service Artem Kostyria. The Lieutenant Colonel participated in over 70 operations to mitigate the consequences of Russian attacks. After the liberation of the Kharkiv region, he organized the restoration of nearly 100 damaged fire and rescue units. Thanks to his efforts, over 2,400 people were evacuated. Artem Kostyria was killed on July 13 this year while responding to the aftermath of an enemy missile strike when Russian forces launched a second ballistic missile attack.

The President also awarded SES employees the Orders "For Courage", II and III class, and the Order of Danylo Halytskyi.

Additionally, in Volodymyr Zelenskyy’s presence, the winners of the nationwide "Hero – Rescuer of the Year" campaign were honored. Eight Ukrainians received awards:

Oleh Holubchenko, a maxillofacial surgeon from the Okhmatdyt Children’s Hospital. On July 8 of this year, during a Russian missile strike, he was performing surgery. Medical equipment failed, but he found alternative ways to maintain breathing and carried the child to shelter. Despite his injuries, he assisted rescuers and volunteers in clearing the hospital’s rubble.

Artem Makarov, a cadet at Kharkiv National University of Internal Affairs. In April of this year, he saved an eight-year-old boy whom his own mother tried to drown.

Andriy Bibik, a police officer in the Novopillia community. In one of the villages, he noticed thick smoke near the houses. An outbuilding was on fire, and the flames were spreading toward homes. Andriy rescued a 13-year-old girl, an infant, and two dogs.

Yuliia Oholikhina, a personnel specialist at the SES in the Zaporizhzhia region. While on vacation, she saw a child drowning in a pool. She pulled the girl out of the water and provided first aid.

Andriy Lubenets, a Ukrainian Armed Forces serviceman. Severely wounded in the war, last September, near a pond, he heard a 17-year-old boy’s cry for help. Despite his injured leg, Andriy swam to the boy and pushed him 20 meters to safety with one arm. Patrol police officers helped pull the boy out of the water and resuscitate him.

Ihor Kalashnyk, an electrician at a construction hypermarket. In May of this year, after Russian aerial bombs hit the hypermarket, he fully shut down the power to the building and helped evacuate four visitors from a smoke-filled area. He also removed generator barrels with fuel from the premises to prevent another explosion.

Polina Sholokh, a SES signaller. While at a car wash, she heard a woman screaming. Next to her was a boy with no signs of life, who had been pulled out of a drainage pit. Polina immediately began CPR, and after several minutes, the boy was breathing again.

Oleksandr Zhuk, a physical education teacher. Near a lake, he heard cries for help and saw three girls in the water. One had already lost consciousness and was pulling another down. Oleksandr rescued two of the girls from the water, while the third made it to the shore on her own.

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For me the crucifix is a constant reminder of God's unconditional love and Jesus' ultimate sacrifice. I created a triptych as I wanted each image to focus on a different aspect of the crucifix but together tell a story.

 

Natural Light, Macro lens, f2.8, Canon 5DMkII, Lightroom for colour editing

We are committed to this project as our shop car. We are under the process of conducting the following:

-S52 engine swap

-body work (wrap/repaint, body kit, etc.)

-suspension (Lead Tech, Jason will be making one for this project)

-Tires/Rims

 

and we are open to suggestions, give us your feedback here or under the "Review" tab on our fan page www.facebook.com/brianjesselautohaus

 

Stay tuned for the latest updates on our launch party, and many exciting events.

Also a chance to vote and win prizes throughout the building process.

This woman makes a reference to the holocaust committed against the Jews by the Nazis during World War 2, with her "Never Again Is Now" sign at a Denver protest against Trump adminstration policies on reffugees seeking asylum.

I'm afraid i have committed a cardinal sin, and done something i would never normally do - i removed the lovely original amber hair from one of my bird trolls, as i wanted a dark haired one! That's so bad, but i do love the results! I only usually take off a trolls hair when it is completely rotton and needs to be replaced, but the birds are so rare, it is almost impossible to find just what you want, and when you do, there are so many people also after the same thing! :O( So, as i badly need some amber mohair for one of my new bald trolls, i carefully removed it from one of my birds. This has killed two birds with one stone - so to speak! LOL! Additionally, having experimented sorting out the slightly damaged air-brushing on my other bird i have enhanced the dark birds spots. His original spots didn't show up in photos, only in certain lighting. So, the newly dark guy has had a bit of a designer makeover! Terrible! I am chuffed though to now have two birds again, and they are now quite different! :O)

Governments committed to Ireland RWC 2023 Bid - Taoiseach

Leading global companies and foundations committed millions in additional financing for gender equality at the Business and Philanthropy Leaders’ Forum organized by UN Women on 26 September 2016 and held at UN Women headquarters in New York.

 

Achieving gender equality is fundamental to realizing the transformative promise of the historic 2030 Agenda and its Sustainable Development Goals. But deep financing gaps for women and girls pose significant barriers to rapid progress.

 

Commitments at the Forum are aimed at closing these. They back a major global drive, championed by UN Women, to “Step It Up” for gender equality.

 

UN Women co-hosted the Forum with the Alibaba Group and the Bill & Melinda Gates Foundation. Jack Yun Ma, Executive Chair of the Alibaba Group; Melinda Gates, Co-Chair and Trustee of the Gates Foundation; and UN Under-Secretary-General and UN Women Executive Director Phumzile Mlambo-Ngcuka opened the event.

 

Read More: www.unwomen.org/en/news/stories/2015/9/press-release-busi...

 

Photo: UN Women/Ryan Brown

After Compliments,

 

Dear Prospective Student,

 

Academy of Art & Design offers several professional courses in art, design and allied fields. We are committed to providing our students with quality & professional educational experience. Many opportunities to enhance your education are provided beyond the traditional classroom experience. You'll have the opportunity to participate in profession related organizations, specialized workshops, guest lectures, field trips, and study programs.

 

Selecting a career in ART & DESIGN can be the correct choice for you if you desire to be in a creative field that combines artistic abilities with technical knowledge and skills.

 

These are exhilarating times. Life moves fast and is ever-changing. Everyday we are bombarded with information and images that stimulates and energizes our imagination. In this exciting climate, design professionals are being called upon to bring order to the environments that we experience daily-the places we live, work and play. Academy of Art & Design is devoted to preparing students and professionals to respond and compete in this expanding field. This is an exciting time. You are on the threshold of an important decision. Clearly one of the most important decisions that you'll ever have to make. Your " CAREER."

 

We have also started short-term professional courses, which may be of your interest. You can take admission in any of our professional course and avail the best education in the field. We recommend that you apply early no matter what course you are interested. Call on 9987002023 / 2771 4343 to discuss getting started today or for further details, SMS your name & email id on 9892521443.

 

Our expert core faculties :

 

Prof. Salam Khan, Director - Interior Design & Space Management - Responsible for achieving the set target and developing new designs & layouts. He is a visiting lecturer at L. S. Raheja School of Architecture (Bandra), Istituti Callegari Milano (Chandivali), INIFD (Bandra), Garodia School of Professional Studies (Ghatkopar), Late Bhau Saheb Hiray College of Architecture (Bandra), S. N. D. T. (Juhu), CKT (Panvel), Bharatiya Vidyapeeth College of Architecture (Belapur) and many more reputed colleges in Mumbai & Navi Mumbai.

 

Ms. Shabnam Deshmukh, Director – Fashion Design & Technology – Responsible for generating good clientele for our ever growing business. She is a visiting faculty in Indian Fashion Academy (Dadar/Thane), CKT (Panvel), INIFD (Vashi) and many more reputed colleges in Mumbai & Navi Mumbai.

 

Kindly check our Academys details on :

 

www.designcareer.in

www.facebook.com/academyofartanddesign

labs.google.co.in/smschannels/subscribe/DesignEducation

www.lsraheja.com/architecture/faculty.asp

  

Sincerely,

Ms. S. Deshmukh. - 9987002023

(Director - Academy of Art & Design )

 

Creative Educational & Charitable Trust’s (Govt. Regd.)

Academy of Art & Design (Govt. Regd.)

College of Fashion Design & Interior Design

C-212, 2nd Floor, Nerul Railway Station Complex,

Nerul (E), Navi Mumbai – 400706.

Tel. : +91 22 27714343 Cell. : +91 9987002023

Email : academyenquiry@yahoo.com

Website : www.designcareer.in

www.facebook.com/academyofartanddesign

Office Timings : All 7 Days of the week from 10 am to 6:30 pm

  

UGC Govt. of India Approved Degree Offered :

 

Bachelor of Science in Interior Design (3 Years)

Bachelor of Science in Fashion Design (3 Years)

 

Autonomous Professional Diploma Courses Offered :

 

Department of Interior Design & Space Management :

 

3 Years Professional Diploma in Interior Designing & Space Management

2 Years Advance Diploma in Interior Designing & Decoration.

1 Year Diploma in Interior Designing.

 

Department of Fashion Design & Apparel Management :

 

3 Years Professional Diploma in Fashion Designing & Apparel Management

2 Years Advance Diploma in Fashion Designing & Technology.

1 Year Diploma in Fashion Designing.

3 Months Certificate in Fashion Tailoring

3 Months Diploma in Fashion Tailoring

We are committed to this project as our shop car. We are under the process of conducting the following:

-S52 engine swap

-body work (wrap/repaint, body kit, etc.)

-suspension (Lead Tech, Jason will be making one for this project)

-Tires/Rims

 

and we are open to suggestions, give us your feedback here or under the "Review" tab on our fan page www.facebook.com/brianjesselautohaus

 

Stay tuned for the latest updates on our launch party, and many exciting events.

Also a chance to vote and win prizes throughout the building process.

We are committed to this project as our shop car. We are under the process of conducting the following:

-S52 engine swap

-body work (wrap/repaint, body kit, etc.)

-suspension (Lead Tech, Jason will be making one for this project)

-Tires/Rims

 

and we are open to suggestions, give us your feedback here or under the "Review" tab on our fan page www.facebook.com/brianjesselautohaus

 

Stay tuned for the latest updates on our launch party, and many exciting events.

Also a chance to vote and win prizes throughout the building process.

Greek Prime Minister Alexis Tsipras, stating that they are extremely committed to preventing irregular migration flows to Europe, "we will in this issue is absolutely full," he said. Tsipras, made in Turkey, hosted by the Prime Minister's office in Izmir Turkey-Greece High Level Cooperation Council meeting of 4 and then held a joint press conference with his Turkish counterpart Ahmet Davutoglu. Tsipras, the refugee crisis in the negotiations said also on the agenda, of any other country in a better drama they live in the Aegean Sea, the road to the immigrants to find life in terms of cultural values of both countries stressed that shame. "What one of us does not dictate how to solve. Solving extremely passionate about," said Tsipras, who organized to dry the sources of illegal immigration was underlined their commitment to take all necessary steps in.

Read Coventry City Council's 2016/17 End of Year Performance report online at smarturl.it/CovPerf1617

 

Highway maintenance has improved, with increased public satisfaction for speed and quality of repair. The number of potholes reported has also reduced.

 

Fly-tipping has increased, which may be due to a combination of easier reporting, reduced enforcement action and increased disposal fees.

 

The city continues to have low rates of recycling for household waste and the recent growth in volume has seen a greater proportion sent to the waste-to-energy incinerator or to landfill.

 

Crime rates have gone up in the city, as has happened across the region. However, the city continues to have lower crime rates than Birmingham and Wolverhampton and the rate of increase has been lower than these areas.

 

There has been a decrease in the number of repeat incidents of domestic violence, suggesting that the support provided by the police and partner agencies and the management of repeat offenders is having an impact.

 

Coventry’s schools have made good progress, with primary schools being better than average and secondary schools having closed much of the gap and are more similar to comparator areas but there remain challenges to reach our target of being at or above the national average.

 

Healthy life expectancy is increasing. More adults are physically active. However, there are still challenges around levels of smoking and increasing rates of child obesity.

 

Children’s social care have seen fewer re-referrals and fewer children re-entering care. The recent Ofsted inspection highlighted the progress made, moving from ‘inadequate’ to ‘requires improvement’.

 

More adults using social care are receiving self-directed support and more people are receiving direct payments. Additionally, the number of regulated services rated as inadequate has reduced and more adult social care service users feel the service makes them feel safe.

Gautama Buddha, also known as Siddhārtha Gautama,[note 3] Shakyamuni,[note 4] or simply the Buddha, was a sage[3] on whose teachings Buddhism was founded.[web 2] He is believed to have lived and taught mostly in eastern India sometime between the sixth and fourth centuries BCE.[4][note 5]

 

The word Buddha means "awakened one" or "the enlightened one". "Buddha" is also used as a title for the first awakened being in an era. In most Buddhist traditions, Siddhartha Gautama is regarded as the Supreme Buddha (Pali sammāsambuddha, Sanskrit samyaksaṃbuddha) of our age.[note 6] Gautama taught a Middle Way between sensual indulgence and the severe asceticism found in the Sramana (renunciation) movement[5] common in his region. He later taught throughout regions of eastern India such as Magadha and Kośala.[4][6]

 

Gautama is the primary figure in Buddhism and accounts of his life, discourses, and monastic rules are believed by Buddhists to have been summarized after his death and memorized by his followers. Various collections of teachings attributed to him were passed down by oral tradition and first committed to writing about 400 years later.Scholars are hesitant to make unqualified claims about the historical facts of the Buddha's life. Most accept that he lived, taught and founded a monastic order during the Mahajanapada era in India during the reign of Bimbisara, the ruler of the Magadha empire, and died during the early years of the reign of Ajatshatru who was the successor of Bimbisara, thus making him a younger contemporary of Mahavira, the Jain teacher.[7] Apart from the Vedic Brahmins, Buddha's lifetime coincided with the flourishing of other influential sramana schools of thoughts like Ājīvika, Cārvāka, Jain, and Ajñana. It was also the age of influential thinkers like Mahāvīra, Pūraṇa Kassapa , Makkhali Gosāla, Ajita Kesakambalī, Pakudha Kaccāyana, and Sañjaya Belaṭṭhaputta, whose viewpoints Buddha most certainly must have been acquainted with and influenced by.[8][9][note 7] There is also evidence to suggest that the two masters, Alara Kalama and Udaka Ramaputta, were indeed historical figures and they most probably taught Buddha two different forms of meditative techniques.[10] While the most general outline of "birth, maturity, renunciation, search, awakening and liberation, teaching, death" must be true,[11] most scholars do not consistently accept all of the details contained in traditional biographies.[12][13]

 

The times of Gautama's birth and death are uncertain. Most historians in the early 20th century dated his lifetime as circa 563 BCE to 483 BCE.[1][14] More recently his death is dated later, between 411 and 400 BCE, while at a symposium on this question held in 1988, the majority of those who presented definite opinions gave dates within 20 years either side of 400 BCE for the Buddha's death.[1][15][note 5] These alternative chronologies, however, have not yet been accepted by all historians.[20][21][note 9]

 

The evidence of the early texts suggests that Siddhārtha Gautama was born into the Shakya clan, a community that was on the periphery, both geographically and culturally, of the northeastern Indian subcontinent in the 5th century BCE.[23] It was either a small republic, in which case his father was an elected chieftain, or an oligarchy, in which case his father was an oligarch.[23] According to the Buddhist tradition, Gautama was born in Lumbini, nowadays in modern-day Nepal, and raised in Kapilavastu, which may either be in present day Tilaurakot, Nepal or Piprahwa, India.[note 1] He obtained his enlightenment in Bodh Gaya, gave his first sermon in Sarnath, and died in Kushinagara.

 

No written records about Gautama have been found from his lifetime or some centuries thereafter. One edict of Emperor Ashoka, who reigned from circa 269 BCE to 232 BCE, commemorates the Emperor's pilgrimage to the Buddha's birthplace in Lumbini. Another one of his edict mentions several Dhamma texts, establishing the existence of a written Buddhist tradition at least by the time of the Mauryan era and which may be the precursors of the Pāli Canon.[34][note 11] The oldest surviving Buddhist manuscripts are the Gandhāran Buddhist texts, reported to have been found in or around Haḍḍa near Jalalabad in eastern Afghanistan and now preserved in the British Library. They are written in the Kharoṣṭhī script and the Gāndhārī language on twenty-seven birch bark scrolls, and they date from the first century BCE to the third century CE.[web 10]The sources for the life of Siddhārtha Gautama are a variety of different, and sometimes conflicting, traditional biographies. These include the Buddhacarita, Lalitavistara Sūtra, Mahāvastu, and the Nidānakathā.[35] Of these, the Buddhacarita[36][37][38] is the earliest full biography, an epic poem written by the poet Aśvaghoṣa, and dating around the beginning of the 2nd century CE.[35] The Lalitavistara Sūtra is the next oldest biography, a Mahāyāna/Sarvāstivāda biography dating to the 3rd century CE.[39] The Mahāvastu from the Mahāsāṃghika Lokottaravāda tradition is another major biography, composed incrementally until perhaps the 4th century CE.[39] The Dharmaguptaka biography of the Buddha is the most exhaustive, and is entitled the Abhiniṣkramaṇa Sūtra,[40] and various Chinese translations of this date between the 3rd and 6th century CE. Lastly, the Nidānakathā is from the Theravāda tradition in Sri Lanka and was composed in the 5th century CE by Buddhaghoṣa.[41]

 

From canonical sources, the Jātakas, the Mahapadana Sutta (DN 14), and the Achariyabhuta Sutta (MN 123) which include selective accounts that may be older, but are not full biographies. The Jātakas retell previous lives of Gautama as a bodhisattva, and the first collection of these can be dated among the earliest Buddhist texts.[42] The Mahāpadāna Sutta and Achariyabhuta Sutta both recount miraculous events surrounding Gautama's birth, such as the bodhisattva's descent from Tuṣita Heaven into his mother's womb.Traditional biographies of Gautama generally include numerous miracles, omens, and supernatural events. The character of the Buddha in these traditional biographies is often that of a fully transcendent (Skt. lokottara) and perfected being who is unencumbered by the mundane world. In the Mahāvastu, over the course of many lives, Gautama is said to have developed supramundane abilities including: a painless birth conceived without intercourse; no need for sleep, food, medicine, or bathing, although engaging in such "in conformity with the world"; omniscience, and the ability to "suppress karma".[43][44][45] Nevertheless, some of the more ordinary details of his life have been gathered from these traditional sources. In modern times there has been an attempt to form a secular understanding of Siddhārtha Gautama's life by omitting the traditional supernatural elements of his early biographies.

 

Andrew Skilton writes that the Buddha was never historically regarded by Buddhist traditions as being merely human:[46]

 

It is important to stress that, despite modern Theravada teachings to the contrary (often a sop to skeptical Western pupils), he was never seen as being merely human. For instance, he is often described as having the thirty-two major and eighty minor marks or signs of a mahāpuruṣa, "superman"; the Buddha himself denied that he was either a man or a god; and in the Mahāparinibbāna Sutta he states that he could live for an aeon were he asked to do so.

 

The ancient Indians were generally unconcerned with chronologies, being more focused on philosophy. Buddhist texts reflect this tendency, providing a clearer picture of what Gautama may have taught than of the dates of the events in his life. These texts contain descriptions of the culture and daily life of ancient India which can be corroborated from the Jain scriptures, and make the Buddha's time the earliest period in Indian history for which significant accounts exist.[47] British author Karen Armstrong writes that although there is very little information that can be considered historically sound, we can be reasonably confident that Siddhārtha Gautama did exist as a historical figure.[48] Michael Carrithers goes a bit further by stating that the most general outline of "birth, maturity, renunciation, search, awakening and liberation, teaching, death" must be true.[11]The Buddhist tradition regards Lumbini, present-day Nepal, to be the birthplace of the Buddha.[49][note 1] He grew up in Kapilavastu.[note 1] The exact site of ancient Kapilavastu is unknown. It may have been either Piprahwa, Uttar Pradesh, present-day India,[32] or Tilaurakot, present-day Nepal.[50] Both places belonged to the Sakya territory, and are located only 15 miles apart from each other.[50]

 

Siddharta Gautama was born as a Kshatriya,[51][note 13] the son of Śuddhodana, "an elected chief of the Shakya clan",[4] whose capital was Kapilavastu, and who were later annexed by the growing Kingdom of Kosala during the Buddha's lifetime. Gautama was the family name. His mother, Queen Maha Maya (Māyādevī) and Suddhodana's wife, was a Koliyan princess. Legend has it that, on the night Siddhartha was conceived, Queen Maya dreamt that a white elephant with six white tusks entered her right side,[53][54] and ten months later[55] Siddhartha was born. As was the Shakya tradition, when his mother Queen Maya became pregnant, she left Kapilvastu for her father's kingdom to give birth. However, her son is said to have been born on the way, at Lumbini, in a garden beneath a sal tree.

 

The day of the Buddha's birth is widely celebrated in Theravada countries as Vesak.[56] Buddha's birth anniversary holiday is called "Buddha Purnima" in Nepal and India as Buddha is believed to have been born on a full moon day. Various sources hold that the Buddha's mother died at his birth, a few days or seven days later. The infant was given the name Siddhartha (Pāli: Siddhattha), meaning "he who achieves his aim". During the birth celebrations, the hermit seer Asita journeyed from his mountain abode and announced that the child would either become a great king (chakravartin) or a great holy man.[57] By traditional account,[which?] this occurred after Siddhartha placed his feet in Asita's hair and Asita examined the birthmarks. Suddhodana held a naming ceremony on the fifth day, and invited eight Brahmin scholars to read the future. All gave a dual prediction that the baby would either become a great king or a great holy man.[57] Kaundinya (Pali: Kondañña), the youngest, and later to be the first arahant other than the Buddha, was reputed to be the only one who unequivocally predicted that Siddhartha would become a Buddha.[58]

 

While later tradition and legend characterized Śuddhodana as a hereditary monarch, the descendant of the Solar Dynasty of Ikṣvāku (Pāli: Okkāka), many scholars think that Śuddhodana was the elected chief of a tribal confederacy.

 

Early texts suggest that Gautama was not familiar with the dominant religious teachings of his time until he left on his religious quest, which is said to have been motivated by existential concern for the human condition.[59] The state of the Shakya clan was not a monarchy, and seems to have been structured either as an oligarchy, or as a form of republic.[60] The more egalitarian gana-sangha form of government, as a political alternative to the strongly hierarchical kingdoms, may have influenced the development of the Shramana-type Jain and Buddhist sanghas, where monarchies tended toward Vedic Brahmanism.[61]Siddhartha was brought up by his mother's younger sister, Maha Pajapati.[62] By tradition, he is said to have been destined by birth to the life of a prince, and had three palaces (for seasonal occupation) built for him. Although more recent scholarship doubts this status, his father, said to be King Śuddhodana, wishing for his son to be a great king, is said to have shielded him from religious teachings and from knowledge of human suffering.

 

When he reached the age of 16, his father reputedly arranged his marriage to a cousin of the same age named Yaśodharā (Pāli: Yasodharā). According to the traditional account,[which?] she gave birth to a son, named Rāhula. Siddhartha is said to have spent 29 years as a prince in Kapilavastu. Although his father ensured that Siddhartha was provided with everything he could want or need, Buddhist scriptures say that the future Buddha felt that material wealth was not life's ultimate goal.[62]According to the early Buddhist texts,[web 11] after realizing that meditative dhyana was the right path to awakening, but that extreme asceticism didn't work, Gautama discovered what Buddhists call the Middle Way[web 11]—a path of moderation away from the extremes of self-indulgence and self-mortification, or the Noble Eightfold Path, as was identified and described by the Buddha in his first discourse, the Dhammacakkappavattana Sutta.[web 11] In a famous incident, after becoming starved and weakened, he is said to have accepted milk and rice pudding from a village girl named Sujata.[web 12] Such was his emaciated appearance that she wrongly believed him to be a spirit that had granted her a wish.[web 12]

 

Following this incident, Gautama was famously seated under a pipal tree—now known as the Bodhi tree—in Bodh Gaya, India, when he vowed never to arise until he had found the truth.[70] Kaundinya and four other companions, believing that he had abandoned his search and become undisciplined, left. After a reputed 49 days of meditation, at the age of 35, he is said to have attained Enlightenment.[70][web 13] According to some traditions, this occurred in approximately the fifth lunar month, while, according to others, it was in the twelfth month. From that time, Gautama was known to his followers as the Buddha or "Awakened One" ("Buddha" is also sometimes translated as "The Enlightened One").

 

According to Buddhism, at the time of his awakening he realized complete insight into the cause of suffering, and the steps necessary to eliminate it. These discoveries became known as the "Four Noble Truths",[web 13] which are at the heart of Buddhist teaching. Through mastery of these truths, a state of supreme liberation, or Nirvana, is believed to be possible for any being. The Buddha described Nirvāna as the perfect peace of a mind that's free from ignorance, greed, hatred and other afflictive states,[web 13] or "defilements" (kilesas). Nirvana is also regarded as the "end of the world", in that no personal identity or boundaries of the mind remain. In such a state, a being is said to possess the Ten Characteristics, belonging to every Buddha.

 

According to a story in the Āyācana Sutta (Samyutta Nikaya VI.1) — a scripture found in the Pāli and other canons — immediately after his awakening, the Buddha debated whether or not he should teach the Dharma to others. He was concerned that humans were so overpowered by ignorance, greed and hatred that they could never recognise the path, which is subtle, deep and hard to grasp. However, in the story, Brahmā Sahampati convinced him, arguing that at least some will understand it. The Buddha relented, and agreed to teach.After his awakening, the Buddha met Taphussa and Bhallika — two merchant brothers from the city of Balkh in what is currently Afghanistan — who became his first lay disciples. It is said that each was given hairs from his head, which are now claimed to be enshrined as relics in the Shwe Dagon Temple in Rangoon, Burma. The Buddha intended to visit Asita, and his former teachers, Alara Kalama and Udaka Ramaputta, to explain his findings, but they had already died.

 

He then travelled to the Deer Park near Varanasi (Benares) in northern India, where he set in motion what Buddhists call the Wheel of Dharma by delivering his first sermon to the five companions with whom he had sought enlightenment. Together with him, they formed the first saṅgha: the company of Buddhist monks.

 

All five become arahants, and within the first two months, with the conversion of Yasa and fifty four of his friends, the number of such arahants is said to have grown to 60. The conversion of three brothers named Kassapa followed, with their reputed 200, 300 and 500 disciples, respectively. This swelled the sangha to more than 1,000.For the remaining 45 years of his life, the Buddha is said to have traveled in the Gangetic Plain, in what is now Uttar Pradesh, Bihar and southern Nepal, teaching a diverse range of people: from nobles to servants, murderers such as Angulimala, and cannibals such as Alavaka. Although the Buddha's language remains unknown, it's likely that he taught in one or more of a variety of closely related Middle Indo-Aryan dialects, of which Pali may be a standardization.

 

The sangha traveled through the subcontinent, expounding the dharma. This continued throughout the year, except during the four months of the Vāsanā rainy season when ascetics of all religions rarely traveled. One reason was that it was more difficult to do so without causing harm to animal life. At this time of year, the sangha would retreat to monasteries, public parks or forests, where people would come to them.The first vassana was spent at Varanasi when the sangha was formed. After this, the Buddha kept a promise to travel to Rajagaha, capital of Magadha, to visit King Bimbisara. During this visit, Sariputta and Maudgalyayana were converted by Assaji, one of the first five disciples, after which they were to become the Buddha's two foremost followers. The Buddha spent the next three seasons at Veluvana Bamboo Grove monastery in Rajagaha, capital of Magadha.

 

Upon hearing of his son's awakening, Suddhodana sent, over a period, ten delegations to ask him to return to Kapilavastu. On the first nine occasions, the delegates failed to deliver the message, and instead joined the sangha to become arahants. The tenth delegation, led by Kaludayi, a childhood friend of Gautama's (who also became an arahant), however, delivered the message.

 

Now two years after his awakening, the Buddha agreed to return, and made a two-month journey by foot to Kapilavastu, teaching the dharma as he went. At his return, the royal palace prepared a midday meal, but the sangha was making an alms round in Kapilavastu. Hearing this, Suddhodana approached his son, the Buddha, saying:

 

"Ours is the warrior lineage of Mahamassata, and not a single warrior has gone seeking alms."

 

The Buddha is said to have replied:

 

"That is not the custom of your royal lineage. But it is the custom of my Buddha lineage. Several thousands of Buddhas have gone by seeking alms."

 

Buddhist texts say that Suddhodana invited the sangha into the palace for the meal, followed by a dharma talk. After this he is said to have become a sotapanna. During the visit, many members of the royal family joined the sangha. The Buddha's cousins Ananda and Anuruddha became two of his five chief disciples. At the age of seven, his son Rahula also joined, and became one of his ten chief disciples. His half-brother Nanda also joined and became an arahant.

 

Of the Buddha's disciples, Sariputta, Maudgalyayana, Mahakasyapa, Ananda and Anuruddha are believed to have been the five closest to him. His ten foremost disciples were reputedly completed by the quintet of Upali, Subhoti, Rahula, Mahakaccana and Punna.

 

In the fifth vassana, the Buddha was staying at Mahavana near Vesali when he heard news of the impending death of his father. He is said to have gone to Suddhodana and taught the dharma, after which his father became an arahant.

 

The king's death and cremation was to inspire the creation of an order of nuns. Buddhist texts record that the Buddha was reluctant to ordain women. His foster mother Maha Pajapati, for example, approached him, asking to join the sangha, but he refused. Maha Pajapati, however, was so intent on the path of awakening that she led a group of royal Sakyan and Koliyan ladies, which followed the sangha on a long journey to Rajagaha. In time, after Ananda championed their cause, the Buddha is said to have reconsidered and, five years after the formation of the sangha, agreed to the ordination of women as nuns. He reasoned that males and females had an equal capacity for awakening. But he gave women additional rules (Vinaya) to follow.Dhyana and insight[edit]

A core problem in the study of early Buddhism is the relation between dhyana and insight.[82][95][84] Schmithausen, in his often-cited article On some Aspects of Descriptions or Theories of 'Liberating Insight' and 'Enlightenment' in Early Buddhism notes that the mention of the four noble truths as constituting "liberating insight", which is attained after mastering the Rupa Jhanas, is a later addition to texts such as Majjhima Nikaya 36.[85][81][82]

Rik Poot (1924 Vilvoorde - 2006 Jette ) is a strongly socially committed Flemish artist. In the initial period, his work was more abstract. Later on, he used a more figurative art form, within classical modernism. Essential to Rik Poot's formal language are the hollow spaces between the bronze parts from which his sculptures are constructed. By creating these openings, his monumental sculptures simultaneously acquire something light and a certain fragility. This gives his works a powerful and expressive rhythm. He was a great advocate of craftsmanship. He stated: "Without craftsmanship you cannot make art. An artist is a craftsman."

Title of the work: the great ammonite

This work of art can be admired at the Middelheim open air museum at Antwerp: www.middelheimmuseum.be/en

 

Rik Poot (1924 Vilvoorde - 2006 Jette ) is een sociaal sterk geëngageerde Vlaamse kunstenaar. In de beginperiode werkte hij meer abstract. Later hanteerde hij een meer figuratieve kunstvorm, binnen het klassiek modernisme. Essentieel in de vormentaal van Rik Poot zijn de holle ruimten tussen de bronzen delen waaruit zijn beelden zijn opgebouwd. Door die openingen te creëren krijgen zijn monumentale beelden tegelijk iets lichts en een zekere fragiliteit. Zijn werken kregen daarmee een krachtig en expressief ritme mee. Hij was een groot voorvechter van vakmanschap. Zij stelde hij: “Zonder vakmanschap kan je onmogelijk kunst maken. Een kunstenaar is een stielman.”

Meer over dit werk: search.middelheimmuseum.be/details/collect/148114

Dit werk kan bewonderd worden in het openlucht museum Middelheim in Antwerpen: www.middelheimmuseum.be/nl

 

Rik Poot (1924 Vilvoorde - 2006 Jette ) est un artiste flamand fortement engagé socialement. Dans la période initiale, son travail était plus abstrait. Plus tard, il a utilisé une forme d'art plus figurative, dans le cadre du modernisme classique. Les espaces creux entre les pièces de bronze dont sont constituées ses sculptures sont essentiels au langage formel de Rik Poot. En créant ces ouvertures, ses sculptures monumentales acquièrent simultanément quelque chose de léger et une certaine fragilité. Cela donne à ses œuvres un rythme puissant et expressif. Il était un grand défenseur de l'artisanat. Il a déclaré : "Sans artisanat, on ne peut pas faire d'art. Un artiste est un artisan."

Titre de l'œuvre: la grande ammonite

Cette œuvre peut être admirée au musée en plein air Middelheim à Anvers: www.middelheimmuseum.be/fr

 

I committed a cardinal sin today.. finally we had some clear weather and even some sunshine and i forgot my camera when we visited the allotment... i was hoping for some nice flare or bokeh shots. However the evening sunset always hits the front of our house and i decided to use the light to capture some shots of the kids. This is my 14month old 'reading' her ABC book.

With plans to invest R$1.2 billion to build 80 new units, Walmart Brazil found a way to help women and, at the same time, address the lack of skilled labor in the civil construction industry. Walmart Brazil has committed to hiring women for construction projects who are graduates of “Women Building Autonomy,” a program developed by the city of Sao Bernardo do Campo Department of Policies for Women and the federal government. The first construction site under this new program is a Sam’s Club in Sao Paulo. Of the 200 bricklayer positions for this project, more than 50 have already been filled by women workers.

To find out how Walmart supports women’s economic empowerment around the world, visit walmartstores.com/women

We are committed to this project as our shop car. We are under the process of conducting the following:

-S52 engine swap

-body work (wrap/repaint, body kit, etc.)

-suspension (Lead Tech, Jason will be making one for this project)

-Tires/Rims

 

and we are open to suggestions, give us your feedback here or under the "Review" tab on our fan page www.facebook.com/brianjesselautohaus

 

Stay tuned for the latest updates on our launch party, and many exciting events.

Also a chance to vote and win prizes throughout the building process.

Cyclone Pam, a weather event of extreme proportions, wiped out Vanuatu's infrastructure in 2015. Solar companies in Australia, represented by the Solar Energy Industries Association (SEIA), were quick to offer to lend a hand.

 

More than a year on, they were still working at it, and 350 committed to deliver a consignment of 600 second-hand solar panels to the islands of Efate and Tongoa to help power health clinics, homes and mobile networks. Along the way we made some big statements using the panels, spelling out a strong message calling for climate action.

 

It was the lead up to the UN Climate Change Conference (COP23), with Fiji holding the Presidency this year, this was an important time to send a strong message about the effects of climate change on the Pacific and the need for the world to act.

 

Starting with a resounding “Have your Sei,” in line with the 350’s Pacific Warrior petition for action, "Solar Now", and "#StopAdani" we used the panels to spell out the the need to end fossil fuel use in Australia and around the world, and to reference our current campaign to stop the mega Adani coal mine from being being built in northern Australia.

After Compliments,

  

Dear Prospective Student,

 

Academy of Art & Design offers several professional courses in art, design and allied fields. We are committed to providing our students with quality & professional educational experience. Many opportunities to enhance your education are provided beyond the traditional classroom experience. You'll have the opportunity to participate in profession related organizations, specialized workshops, guest lectures, field trips, and study programs.

 

Selecting a career in ART & DESIGN can be the correct choice for you if you desire to be in a creative field that combines artistic abilities with technical knowledge and skills.

 

These are exhilarating times. Life moves fast and is ever-changing. Every day we are bombarded with information and images that stimulates and energizes our imagination. In this exciting climate, design professionals are being called upon to bring order to the environments that we experience daily-the places we live, work and play. Academy of Art & Design is devoted to preparing students and professionals to respond and compete in this expanding field. This is an exciting time.You are on the threshold of an important decision. Clearly one of the most important decisions that you'll ever have to make. Your "CAREER."

 

We have also started short-term professional courses, which may be of your interest. You can take admission in any of our professional course and avail the best education in the field. We recommend that you apply early no matter what course you are interested. Call on 0091 9987002023 / 2771 4343 to discuss getting started today or for further details, WhatsApp your name, course, location & email id on 00919987002023.

 

Our expert core faculties :

 

Ms. Shabnam Deshmukh, Director – Fashion Design & Technology –

 

Responsible for generating good clientele for our ever-growing business. She is a visiting faculty in many reputed colleges in Mumbai & Navi Mumbai.

 

Prof. Salam Khan, HOD - Interior Design & Space Management –

 

Responsible for achieving the set target and developing new designs & layouts. He is a visiting lecturer many reputed colleges in Mumbai & Navi Mumbai.

 

Kindly check our Academys details on :

 

www.designcareer.co.in

www.facebook.com/Institute.of.InteriorDesign.FashionDesign

 

Sincerely,

Ms. S. Deshmukh. – 9987002023

(Director - Academy of Art & Design )

 

Creative Educational & Charitable Trust (Govt. Regd.)

Academy of Art & Design - Institute of Interior Design & Fashion Design

C-212, 2nd Floor, Nerul Railway Station Complex,

Near Mahesh Tutorials, Nerul (E), Navi Mumbai – 400706.

Tel. : +91 22 27714343 Cell. : +91 9987002023

Email : academyenquiry@gmail.com

Website : www.designcareer.co.in

Facebook : www.facebook.com/Institute.of.InteriorDesign.FashionDesign

 

Office Timings : All 7 Days of the week from 10 am to 6:30 pm

The university committed to the higher education of Micropolis citizens.

After Compliments,

 

Dear Prospective Student,

 

Academy of Art & Design offers several professional courses in art, design and allied fields. We are committed to providing our students with quality & professional educational experience. Many opportunities to enhance your education are provided beyond the traditional classroom experience. You'll have the opportunity to participate in profession related organizations, specialized workshops, guest lectures, field trips, and study programs.

 

Selecting a career in ART & DESIGN can be the correct choice for you if you desire to be in a creative field that combines artistic abilities with technical knowledge and skills.

 

These are exhilarating times. Life moves fast and is ever-changing. Everyday we are bombarded with information and images that stimulates and energizes our imagination. In this exciting climate, design professionals are being called upon to bring order to the environments that we experience daily-the places we live, work and play. Academy of Art & Design is devoted to preparing students and professionals to respond and compete in this expanding field. This is an exciting time. You are on the threshold of an important decision. Clearly one of the most important decisions that you'll ever have to make. Your " CAREER."

 

We have also started short-term professional courses, which may be of your interest. You can take admission in any of our professional course and avail the best education in the field. We recommend that you apply early no matter what course you are interested. Call on 9987002023 / 2771 4343 to discuss getting started today or for further details, SMS your name & email id on 9892521443.

 

Our expert core faculties :

 

Prof. Salam Khan, Director - Interior Design & Space Management - Responsible for achieving the set target and developing new designs & layouts. He is a visiting lecturer at L. S. Raheja School of Architecture (Bandra), Istituti Callegari Milano (Chandivali), INIFD (Bandra), Garodia School of Professional Studies (Ghatkopar), Late Bhau Saheb Hiray College of Architecture (Bandra), S. N. D. T. (Juhu), CKT (Panvel), Bharatiya Vidyapeeth College of Architecture (Belapur) and many more reputed colleges in Mumbai & Navi Mumbai.

 

Ms. Shabnam Deshmukh, Director – Fashion Design & Technology – Responsible for generating good clientele for our ever growing business. She is a visiting faculty in Indian Fashion Academy (Dadar/Thane), CKT (Panvel), INIFD (Vashi) and many more reputed colleges in Mumbai & Navi Mumbai.

 

Kindly check our Academys details on :

 

www.designcareer.in

www.facebook.com/academyofartanddesign

labs.google.co.in/smschannels/subscribe/DesignEducation

www.lsraheja.com/architecture/faculty.asp

  

Sincerely,

Ms. S. Deshmukh. - 9987002023

(Director - Academy of Art & Design )

 

Creative Educational & Charitable Trust’s (Govt. Regd.)

Academy of Art & Design (Govt. Regd.)

College of Fashion Design & Interior Design

C-212, 2nd Floor, Nerul Railway Station Complex,

Nerul (E), Navi Mumbai – 400706.

Tel. : +91 22 27714343 Cell. : +91 9987002023

Email : academyenquiry@yahoo.com

Website : www.designcareer.in

www.facebook.com/academyofartanddesign

Office Timings : All 7 Days of the week from 10 am to 6:30 pm

  

UGC Govt. of India Approved Degree Offered :

 

Bachelor of Science in Interior Design (3 Years)

Bachelor of Science in Fashion Design (3 Years)

 

Autonomous Professional Diploma Courses Offered :

 

Department of Interior Design & Space Management :

 

3 Years Professional Diploma in Interior Designing & Space Management

2 Years Advance Diploma in Interior Designing & Decoration.

1 Year Diploma in Interior Designing.

 

Department of Fashion Design & Apparel Management :

 

3 Years Professional Diploma in Fashion Designing & Apparel Management

2 Years Advance Diploma in Fashion Designing & Technology.

1 Year Diploma in Fashion Designing.

3 Months Certificate in Fashion Tailoring

3 Months Diploma in Fashion Tailoring

St Baldricks Brevard at The Avenue Viera by commercial photographer Rich Johnson of Spectacle Photo. Dedicated to the St. Baldrick's Foundation Events on the Space Coast of FL and raising awareness for Childhood Cancer. The St. Baldrick's Foundation is a volunteer-driven charity committed to funding the most promising research to find cures for childhood cancers and give survivors long and healthy lives.

Reading Elizabeth Gilbert's sequel to 'Eat Pray Love'. Liz's thoughts on getting married a 2nd time.

I begin by congratulating each one of you for having been selected for a very prestigious organized service in our system of government. The foreign service occupies a unique place in our system of governance and with every passage of time the importance of having a foreign service which is committed to our national objectives which has the requisite skills and motivation to carry out the task of implementing our foreign policy in diverse areas of activity – its importance is only going to grow in the years to come. We live today in an increasingly integrated, globalised world, and the growing interdependence of nations creates new challenges for the management of global economy, global polity and foreign policy is essentially a projection of our national interest abroad.

 

And therefore the starting point of every good foreign service training must be a thorough grounding of what are our national concerns, what are our national objectives and ever since India became independent the foremost task before our country has been to accelerate the pace of social and economic development to ensure that our economy grows at a rapid rate, that with it we can generate more wealth in our country with which we can wash away the tears from the marginalized sections of our society and in internal domestic policies have an important role to play as to what will happen to the pace of development in our country. But as I said in an increasingly interdependent world that we live in we need an external environment which is conducive to the promotion of rapid economic development in our country. And when I talk about international environment, I have in mind the fact that what happens to the world trading system impinges on our capacity to grow at a faster pace. International trade particularly in the globalised world we live in has emerged as an important engine of growth of nations. And therefore we have to create an environment with which India’s trade can grow, India’s economy will benefit enormously if our exports are given a level playing field if we don’t face barriers to increase exports of our country and therefore what happens to the multilateral trading systems, what happens to barriers to trade, barriers of commerce, is a very important indicator of what will be the pace of development of our country.

 

In the same way we are now today faced with situation where there are new challenges. Never before in the history of the world capital flows have emerged as major determinant of international system. Today financial liberalization has taken roots although many countries , even our own country, maintain some controls on capital movements but as far as inward movements of capitalist concerned by and large, we have a very liberal system which encourages the import of capital. As a part of our strategy to accelerate this tempo of development we need a rapid increase of savings and investments. If we want to grow at the rate of 9 to 10 per cent we need an investment rate of 35 to 40%. The bulk of savings needed to sustain this investment have been generated domestically. And fortunately our savings rate today is as high as 35%. We invest about 37% of our GDP and we save about 35% and therefore the net capital inflow from abroad is about 2% of our GDP. It is small but it is important. It is also important because capital inflows are harbingers of transfer of technology, management skills and therefore we have been trying to create over time a congenial atmosphere for investment in our country, both for domestic capital formation as well as in our ability to attract foreign capital.

 

In addition to the liberalization of trade and financial services, we are today faced with new challenges. There are environmental challenges. There is the growing concern of global warming. There is a growing concern about pandemics. Disease today knows no national barriers. Avian flu can travel from one country to another and this is yet another aspect of growing inter-dependence of nations. There are problems which no nation acting alone can solve and therefore we need regional cooperation, we need multilateral cooperation to deal with this new challenges.

 

I mentioned global warming. The world is not a morality play. The world’s political and economic system is a power play and those who have greater power use it to their advantage. And therefore those who are less powerful are always at a disadvantage. Our effort has been through collective strategies working towards with various coalitions of developing counties, sometimes with coalitions of like-minded developed countries to create an environment where power factor does not work to our disadvantage. Because even though when we recognize that the global warming is common concern. The whole world shares a single environment and therefore if the environment deteriorates if climate change becomes a reality we will also suffer. But it is also important that in devising solutions to these formidable new challenges that are on the horizon, we must protect our essential national interests. And for a poor country like ours, development and the eradication of poverty is the supreme concern. So we have to marry the concern of management of global climate with the concern for development, for removal of poverty.

 

Now in the international systems, there is going to be an immense pressure. And counties like India, countries like China – people are blaming them for global warming, for global food crises. Also blaming us for the rapid growth in demand of hydrocarbons as factor in the global crisis with regards to energy. All these are projections of national interests of various countries and our effort has to be that while we recognize the world is an increasingly inter-dependent entity, the management of this inter-dependence must be equitable, it must operate in a manner which will protect our national interest. These interests are that India need a long period of peaceful development to sustain the tempo of social and economic development so that over a period of time, in our lifetime, we can get rid of chronic poverty, ignorance and disease, which has been the lot of a majority of our people for centuries. There are opportunities, but there are challenges. So when we deal with global issues like managemnt of international economic system, world trading system, the management of international financial system, the world monetary system, the world system for the regulation of international flows, the how to handle issues like climate change, how to handle issues like growth of pandemics and how nations of the world can cooperate in research and development. An early warning system is also need to deal with challenges like Tsunami. In this one world that we live in, interdependence of nations is a fact. Peace and prosperity are indivisible. But as Jawaharlal Nehru said as early as 1947 in his famous speech on midnight of 15th of August, disaster is also an indication of interdependence. This is also indivisible, and therefore though there are new challenges our effort has to be that in dealing with them India’s national interest must be protected to the fullest possible extent. And that is where the foreign service comes in and therefore your awareness for national concerns and how best we can achieve our objectives in an increasingly interdependent world that we live in is the biggest single challenge facing our foreign policy establishment.

 

There are other areas – the growing menace of terrorism. Until 9-11 the world probably did not pay as much attention to the fact that countries like India have been the victim of terror for the last 20-25 years. After 9-11 the world situation has canged, and has changed to a certain degree to our advantage. But terrorism today is an international phenomenon, that there are still states who are sometimes actively backing the terrorist elements, and that there is a growing importance of the non-state actors in areas relating to terror. I think this gives our national security a new dimension. Also there is a growing fear that the security of nations can be threatened by nuclear weapons and sensitive technologies falling into the hands of terrorist elements. All this we have to conscious of, we have to handle our approach to dealing with these global issues in a manner which will project and protect our national interest.

 

What we have been trying to do is to create an international environment conducive to the achievement of our national goals of sustained economic and social development. We need a peaceful neighborhood. And that is why it is very important that our relations with our neighbours whether they are China, Pakistan, Bangla Desh, Nepal, Sri Lanka- they are of critical importance in realizing our national ambitions. With regard to China we have this whole problem of the border. We have in the last four years actively engaged through our special representatives to find pragmatic pathways to handle this complicated issue. Some progress is being made but I think there is a long arduous journey ahead of us. In the meanwhile both the Chinese and our government have appreciated that we cannot allow the border dispute to affect the pace of cooperation in other areas and that is why our trade with China has grown at a handsome rate. There is a scope for further expansion of trade and cultural relations.

 

The soft power of India in some ways can be a very important instrument of foreign policy. Cultural relations, India’s film industry- Bolly-wood I find wherever I go in Middle-East, in Africa – people talk about Indian films. So that is a new way of influencing of world about the growing importance of India. Soft power is equally important in the new world of diplomacy.

 

With our neighbours - particularly with neighbours like Bangladesh, Sri Lanka, Nepal – we have a vested interest in their stability, in their progress because if they do not progress many of their problems can become our problems. If Bangladesh suffers from global warming, I think a large number of people will willy-nilly migrate, legally or illegally, into our country. India and Nepal have a very porous border and if the Nepali system does not provide adequate opportunity to Nepali youths – willy-nilly there will be migration. In the same way, there is a conflict in Sri Lanka, tragic though it is, it has given a lot of worries because many times it happens that when ethnic tensions increase, there is a tendency of increased inflow of refugees in our country and this creates both domestic problems as well as foreign policy problems. So our relations with our neighbours is of critical importance. In some ways the most aspect of our foreign policy is our management of our relations with our neighbours. I would encourage each one of you to take a lot more interest in our neighbourhood. We know a great deal of what goes on in the West – in Europe, in America. But we don’t know adequately enough of what goes on in our neighbourhood. And many a times our own thinking about these countries is influenced excessively by western perceptions of what is going on in these countries. I would like our diplomats to develop and Indian perspective on what is happening in our neighbourhood and use it as an important analytical tool for, I think, telling us what are the meaningful foreign policy and domestic policy options before us in dealing with the neighbouring countries.

 

But in the world in which science and technology have created a situation where distances have lost their old significant, the concept of neighbourhood is no longer the immediate neighbourhood that we know of. And that is why in the last 15-20 years , we have been trying to look East-ward to South-east Asia, to East Asia. This is where in the last 20 years there has been the most rapid economic and social growth. And that is why we are trying to work very closely to find new avenues of cooperation between India and the ASEAN countries. Also we are trying to expand our cooperation with other countries of East Asia. We have now an East Asia summit in which we are partners, which consists of Asean and three countries. It meets every year and discusses issues which have growing importance for the future of East Asia as a whole. The aspiration is, which we are projecting, that we all should work towards a flourishing East Asian community which will give new meaning to our inter-dependence with countries of South East Asia and East Asia.

 

At the same time the countries of West Asia are also of great importance. Those of you who have studied economics, our balance of payments depends a great deal from the flow of remittances of Indian workers – a large part of these comes from Middle East. We have about five million Indian citizens working in these countries and their earnings are very important for our balance of payments. And therefore the peace and prosperity in East Asia and the Gulf countries is of equal importance to us. Not only for that reason but also because the concerns with energy security is now assuming a new dimension. Since the 1970s when the world woke in 1973 that the world of cheap oil was dead and gone – there has been several phases of crises in the management of hydrocarbon economy. We now have a similar situation whereby the price of hydrocarbons, particularly petroleum products, have quadrupled in the last two years. This has created new problems. The world is not able to grapple that the crises that it faces. In the last three or four years, the average production of crude oil in the world has been about 85 million barrels a day. The demand is increasing faster than ever before and the quest for access to the oil resources is going to become another major factor of power play in the world. The Chinese have seized the opportunities and have been going around the world in Africa, in Latin America, investing and exploring and developing the natural resources for increased oil production – this tension will increase in the years to come. So the quest for sensitive natural resources, oil security, energy security will emerge as a major source of interplay of forces in the evolving world economy.

 

Now competition and cooperation have to be the watchwords. We have to cooperate but have also to recognize that there will be increasing competition from China, from other countries and also those who are in entrenched would not like to make way for others – the new comers. So therefore tensions will be a part of the evolving world systems and how we handle our problems, how we project our national interests, will be a crucial determinant of our capacity to be successful in the race for development.

 

For us Europe and United States matter a great deal because our trade and capital flows have a very large element coming from these countries. And that is why we were the first country who recognized the great important of European integration. So when the European economy community came to existence, India was one of the first few developing countries to establish diplomatic relations. Now the European integration process has gained new momentum and it has potential for good and it has potential to create new tensions. And therefore our effort has been to find new way of working together with the European Union – we are trying to negotiate a broad base trade and investment agreement to use the resources of Europe to promote our development objective. The process has been on for last three or four years and we have made progress but we have to concentrate a lot more.

 

In recent years our government has sought a new dimension to our relationship with the United States in the form of a nuclear deal. I don’t want to talk a great deal about it. But I think it is for the first time we got the US to appreciate that India is a nuclear weapons state, that India has the right to develop nuclear power to protect it’s strategic interests, and that it is a decision that must be made by the people of India not subject to any international supervision or any international interference. And despite the fact that we are not a signatory to the NPT, and we have also said that if the CTBT came into being we will not sign it, there is no pressure from the US on India to sign the NPT or any other international arrangement of that sort to enter into nuclear cooperation for civil energy. So as I see it this nuclear agreement that we signed with the US it has run into some difficulties, but it protects our national interest, it protects our capacity to use the nuclear power to protect our strategic interests. At the same time it opens us new opportunities for civilian cooperation and without that, I think, the trade in dual technologies – sensitive advanced technologies – can not become a reality. But our domestic politics has prevented us from going ahead, I still continued to hope that we will make progress in the months that lie ahead. But it is very important for us to move forward to end this nuclear apartheid that the world has sought to impose on India. This agreement, if it materializes, if it sees the light of day, it will open up new possibilities of cooperation, not only with the US but all other nuclear powers like Russia, France, who are very keen that once we have this deal through, that India should become eligible for civil nuclear cooperation.

 

These are some of the areas where I would shared my thoughts with you. All I can say is that you have an exciting career ahead of you. The service of India is the service of teeming millions of our people. You are privileged that you have this unique opportunity to be instruments for implementing our national vision, our national objectives, our national goal in the field of foreign policies. With these words, I once again congratulate you for being selected for this prestigious service of our country.

 

Courtesy :Government of India

Published Thursday, 19 June, 2008

www.egovmonitor.com/node/19489

 

Committed To Memory: A History of Johnstown in Objects

 

Heritage Discovery Center, Johnstown PA 2016

 

Johnstown Area Heritage Association (JAHA)

BPD added this phrase a few weeks back, and I have several shots of vehicles with it, but none with a close-up view. No idea why they went with it or why it's in a script font, but can't say I'm a huge fan.

A rushed shoot for my photography class assignment. All photos were shot in broad daylight with one single remote flash using Nikon CLS system. Special thanks to Kevin Lee (the criminal) and David Kim (my VAS)

President Agius opens exhibition in Pula on crimes committed in Ahmići - Photo © Ajdin Kamber

“My dad committed suicide a few years ago. It was a difficult thing to go through as I’ve got a sister and he left her to deal with everything. Hate is a strong word, but it was one of those torn situations where you love someone, but you also hate them for being so selfish at the same time. Afterwards, I did a lot of soul searching and read a lot of studies on suicide and happiness. One particular case led me to my current philosophy. It compared children’s happiness in parts of Africa against here, and found those children to be far happier. My philosophy is that if I have a roof over my head, food in the fridge and someone to love at home - that’s all I need. Everything else is a bonus.”

Press / The International Fiber Collaborative Projects

 

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★What IS THE INTERNATIONAL FIBER COLLABORATIVE?

As the leading voice for collaborative public art projects around the world, the International Fiber Collaborative is dedicated to promoting understanding and appreciation of contemporary art & craft through educational experiences. We are committed to developing vital education programs that elevate, expand, modernize and enhance the image of collaboration and education today.

 

★WHAT IS THE DREAM ROCKET PROJECT?

The Dream Rocket Team is collecting nearly 8,000 artworks from participants around the globe. The artwork will be assembled together to create a massive cover in which will wrap a 37 story Saturn V Moon Rocket at the U.S. Space & Rocket Center in Huntsville, Alabama. We will also be displaying submitted artwork in dozens of national venues prior to the wrapping of the Saturn V. Additionally, we are posting images of submitted artwork & their stories on our Website, Flickr, and Facebook.The Dream Rocket project uses the Saturn V Moon Rocket as a symbolism of universal values of the human spirit. Optimism, hope,

caring for our natural resources, scientific exploration, and harnessing technological advancements for a better quality of life while safeguarding our communities, are all common desires across national and international boundaries. Participants are able to express and learn about these values through this creative collaboration. With the completion of each artwork, participants are asked to write an essay explaining their artwork, and the dream theme in which they chose.

 

★How can I Participate & Have my Artwork Displayed?

The Dream Rocket project would like to challenge you to ‘Dare to Dream’. To dream about your future and the future of our world through dream themes such as health, community, conservation, science, technology, space, peace, and so on. We would like you to use your selected Dream Theme to express, explore, and create your vision on your section of the wrap. We hope that you are able to express and learn through this creative collaboration. With the completion of each artwork, you are asked to write a brief essay explaining your artwork, and the dream theme in which you chose.

 

“The Saturn V is the ideal icon to represent a big dream. This rocket was designed and built as a collaboration of nearly half-a-million people and allowed our human species to venture beyond our world and stand on ANOTHER - SURELY one of the biggest dreams of all time. ENABLING THE DREAMS of young people to touch this mighty rocket sends a powerful message in conjunction with creating an educational curriculum to engage students to embrace the power of learning through many important subjects”

-Neil deGrasse Tyson, Director of the Hayden Planetarium, New York

 

★I VALUE THE ARTS!!!!

The International Fiber Collaborative is able to share the power of a collaboration and art, thanks to the support of generous individual donors. We welcome any amount of donations and remember the International Fiber Collaborative is exempt under Section 501(c)(3) of the Internal Revenue Code, making this gift tax deductible.

 

Donate Today at: www.thedreamrocket.com/support-the-dream-rocket

 

See our Online Flickr Photo Album at: www.flickr.com/photos/thedreamrocket/

 

★★★SIGN UP AT WWW.THEDREAMROCKET.COM

 

my first page of my 2008 art journal!

using the word committed. created digitally, as a lot of my art and photos are these days!

The groom, a signature dashing debonair, Sherwin. Proudly sporting his ring of commitment and love.

 

I have to hand it to this guy. Sherwin is a true gentleman. A very good friend who, through thick or thin will be right by you. Ava is blessed to have him. (And vice-versa, of course!).

 

Hardworking, faithful and loyal - truly deserving to be loved and to have found his soulmate. Ava. Certainly a good man. A very good man who can carry on and live up to his role as husband, and of course, as father to their children.

 

Here is Ava and Sherwin's wedding album.

The Chennakeshava Temple, (Kannada: ಶ್ರೀ ಚೆನ್ನಕೇಶವ ದೇವಸ್ಥಾನ) originally called Vijayanarayana Temple (Kannada: ವಿಜಯನಾರಾಯಣ ದೇವಸ್ಥಾನ), was built on the banks of the Yagachi River in Belur, by the Hoysala Empire King Vishnuvardhana. Belur, which was an early Hoysala capital is in the Hassan district of Karnataka state, India. It is 40 km from Hassan city and 220 km from Bangalore. Chennakesava (lit, "handsome Kesava") is a form of the Hindu god Vishnu. Belur is well known for its marvelous temples built during the rule of the Hoysala dynasty, making it and nearby Halebidu favored tourist destinations in Karnataka state. These temple complexes have been proposed to be listed under UNESCO World Heritage Sites.

 

HISTORY

The temple was commissioned by King Vishnuvardhana in 1117 AD. Scholars are divided about the reasons for the construction of the temple. The military successes of Vishnuvardhana is considered a probable reason. Some scholars believe Vishnuvardhana commissioned the temple to surpass his overlord, King Vikramaditya VI of the Western Chalukya Empire (who ruled from Basavakalyan), after his initial military victories against the Chalukyas. According to another theory, Vishnuvardhana was celebrating his famous victory against the Chola dynasty of Tamil country in the battle of Talakad (1116 AD), which resulted in the annexation of Gangavadi (modern southern Karnataka) by the Hoysalas. Another theory points to Vishnuvardhana's conversion from Jainism to Vaishnavism (a sect of Hinduism) after coming under the influence of saint Ramanujacharya, considering this is a predominantly Vaishnava temple in sculptural iconography. The Hoysalas employed many noted architects and artisans who developed a new architectural tradition, which art critic Adam Hardy called the Karnata Dravida tradition. In all 118 inscriptions have been recovered from the temple complex, covering the period 1117 AD to the 18th century, giving historians details of the artists employed, grants made to the temple and renovations committed during later times.

 

TEMPLE COMPLEX

The main entrance to the complex is crowned by a Rayagopura (superstructure over entrance) built during the days of the Vijayanagar empire. Within the complex, the Chennakesava temple is at the centre, facing east, and is flanked by the Kappe Channigraya temple on its right, and a small Sowmyanayaki (form of the goddess Lakshmi) temple set slightly back. On its left, also set slightly back is the Ranganayaki (Andal) temple. Two main sthambha (pillar) exist here. The pillar facing the main temple, the Garuda (eagle) sthambha was erected in the Vijayanagar period while the pillar on the right, the Deepa sthambha (pillar with lamp) dates from the Hoysala period. This is the first great Hoysala temple, though according to the art critic and historian Settar, the artistic idiom and signature is still Western Chalukyan. Hence, the over-decoration which is seen in later Hoysala temples (including the Hoysaleswara temple at Halebidu and the Keshava temple at Somanathapura) is not visible here. According to Settar, during later years, the Hoysala art took an inclination towards craftsmanship, with a weakness for minutia. The Chennakesava temple has three entrances and their doorways have decorated sculptures called dvarapalaka (doorkeepers) on either side. While the Kappe Channigraya temple is smaller than the Chennakesava temple, it is architecturally significant, though it lacks any sculptural features. The Kappe Chennigraya temple became a dvikuta (two shrined temple) with the later addition of a shrine to its original plan. The original shrine has a star-shaped plan while the additional shrine is a simple square. The image inside is also that of Kesava ( a form of the god Krishna) and was commissioned by Shantala Devi, the noted queen of King Vishnuvardhana.

 

TEMPLE PLAN

The building material used in the Chennakesava temple is chloritic schist, more commonly known as (soapstone) or potstone, and is essentially a simple Hoysala plan built with extraordinary detail. What differentiates this temple from other Hoysala temples of the same plan is the unusually large size of the basic parts of the temple. The temple is a ekakuta vimana design (single shrine) of 10.5 m by 10.5 m size. A large vestibule connects the shrine to the mandapa (hall) which is one of the main attractions of the temple. The mandapa has 60 "bays" (compartments). The superstructure (tower or Sikhara) on top of the vimana has been lost over time. The temple is built on a jagati (platform for circumabulation). There is one flight of steps leading to the jagati and another flight of steps to the mantapa. The jagati provides the devotee the opportunity to do a pradakshina (circumambulation) around the temple before entering it. The jagati carefully follows the staggered square design of the mantapa and the star shape of the shrine. The mantapa here was originally an open one. A visitor would have been able to see the ornate pillars of the open mantapa from the platform. According to art critic Gerard Foekema, the mantapa is perhaps the most magnificent one in all of medieval India. The open mantapa was converted into a closed one after about fifty years, during the Hoysala rule. This was done by erecting walls with pierced window screens. The window screens are on top of 2 m high walls. There are twenty eight such windows, with star-shaped perforations and bands of foliage, figures and mythological subjects. On one such screen, King Vishnuvardhana and his queen Shanatala Devi are depicted. Another icon depicts the king in a standing posture.

 

SHRINE

The vimana (shrine) is at the back of the mantapa. Each side of the vimana measures 10.5 m and has five vertical sections. Each vertical section comprises a large double storeyed niche in the centre and two heavy pillar-like sections on either side. The two pillar-like sections adjoining the niche are rotated about their vertical axis to produce a star-shaped plan for the shrine. The pillar-like section and the niche bear many ornate sculptures, belonging to an earlier style. There are some sixty large sculptures of deities from both Vaishnava and Shaiva faiths. From the shape of the vimana it has been inferred that the tower above it would have been of the Bhumija style when it existed and not the regular star shaped tower that followed the shape of the vimana. The Bhumija towers, which are intact on the miniature shrines at the entrance of the hall are actually a type of nagara (North Indian) tower, being curvilinear in shape. This shape of tower is quite uncommon in pure dravidian architecture. The shrine has a life size (about 6 ft) image of Keshava (a form of Vishnu) with four hands. Each hand holds an attribute; the discus (chakra), the mace (gadha), the lotus-flower (padma) and the conch (Shanka), in clockwise direction. The entrance to the shrine is flanked by life size sculptures of door guardians (dvarapalaka).

 

PILLARS & SCULPTURES

The pillars inside the hall are an attraction and the most popular one is the Narasimha pillar which at one time could have revolved on its ball bearings. According to the historian Kamath, there is a rich diversity about the pillar styles here. While all the forty eight pillars are unique and the many ceiling sections are well decorated, nothing surpasses the finish of the four central pillars and the ceiling they support. These pillars may have been hand chiseled while the others were lathe turned. All of these four pillars bear madanikas (Salabhanjika–celestial damsels). There are 42 of them in the temple complex, one each on the four central pillars inside the hall and the remaining 38 are outside, between the eaves on the outer walls of the hall. They are also called shilabalika and represent the ideal female form. They are depicted in various forms, such as dancers, musicians and drummers, and are rarely erotic in nature. Some madanikas that usually are popular with tourists are the Darpana Sundari (lit,"beauty with mirror"), "The lady with the parrot", "The huntress" and Bhasma mohini. Other interesting sculptures inside the mantapa are Sthamba buttalika (pillar with an image in frieze) which is more in the Chola style indicating that the Hoysalas may have employed Chola craftsman along with locals. These images have less decor than regular Hoysala sculptures, the mohini pillar being an example.

 

At the base of the outer walls are friezes of charging elephants (six hundred and fifty of them) which symbolize stability and strength, above which are lions which symbolize courage, and further up are horses which symbolize speed. Above the horses are panels with floral designs signifying beauty above which are sculptures with depictions from the Hindu epics, the Ramayana and the Mahabharata. According to Kamath, this style of articulation is called horizontal treatment with friezes. Hoysala artisans preferred to be discreet about eroticism, mingling miniature erotic sculptures in not so conspicuous places such as recesses and niches. Sculptures depict daily life in a broad sense.

 

The doorways to the mantapa have on both sides an image of "Sala" slaying a lion. Historian Kamath claims this is a tiger. Though Sala is known to be the founder of the Hoysala empire in popular legend, there is no support for this theory from scholars such as D.M. Durrett, B.R. Joshi and Hayavadhana Rao. Normally this image is placed on the sukanasi (tower over the vestibule) adjoining the main tower. Legend has it that Sala killed the lion (or tiger) which was about to pounce on a meditating saint who sought Sala's help. Some historians speculate that the legend may have gained importance after King Vishnuvardhana's victory over the Chola dynasty in the battle of Talakad, the tiger being the royal emblem of the Cholas.

 

Other important sculptures here are the Narasimha (a form of Vishnu) image in the south western corner, Gajasurasamhara (Hindu god Shiva slaying demon in form of elephant) on the western side, the winged Garuda, a consort of the god Vishnu standing facing the temple, dancing Kali (a form of Durga), a seated Ganesha (son of Shiva), a boy with an umbrella and a king (the Vamana Avatar or incarnation of Vishnu), Ravana shaking Mount Kailash, Durga slaying demon Mahishasura, standing Brahma, Varaha (avatar of Vishnu), Shiva dancing on demon (Andhakasura), Bhairava (avatar of Shiva), Pandava prince Arjuna shooting a fish seeing its reflection, and the Sun god Surya. The sculptural style of the wall images bear similarities with wall sculptures in contemporary temples of northern Karnataka and adjacent Maharashtra.

 

ARTISTS

The Hoysala artists, unlike other medieval artists, preferred to sign their work in the form of inscriptions. In doing so, they sometimes revealed details about themselves, their families, guilds and place of origin. Stone inscriptions and copper plate inscriptions provide more information about them. Ruvari Mallitamma was a prolific artist to whom more than 40 sculptures are attributed. Dasoja and his son Chavana who were from Balligavi in modern Shimoga district made important contributions. Chavana is credited with the work on five madanikas and Dasoja accomplished four of them. Malliyanna and Nagoja created birds and animals in their sculptures. Artists such as Chikkahampa and Malloja are credited with some of the sculptures in the mantapa.

 

WIKIPEDIA

PACIFIC OCEAN (July 31, 2017) Boatswains Mate 2nd Class Alonzo Bender heaves the shot line from fleet replenishment oiler USNS Henry J. Kaiser (T-AO-187) during an underway replenishment. Rushmore is underway off the coast of Southern California participating in a series of qualifications and certifications as part of the basic phase of training in preparation for future operations and deployments. (U.S. Navy photo by Mass Communication Specialist 2nd Class Jesse Monford/Released)

Committed to keeping Taiwanese traditional art of shoemaking alive, O’Ringo ensures all its shoes are handmade by shoemaking masters as part of the bid to promote their excellent skills.

 

林果良品一直堅持由台灣製鞋師傅純手工製作的原則,致力保留台灣製鞋傳統工藝,宣傳台灣製鞋師傅精良的技術。

  

A Photographic Digital Art Composition. This image is available to purchase as a greeting card, print, poster, framed or canvass artwork via my RedBubble web site.

www.redbubble.com/people/davidelder/works/8780363-leonard...

 

Leonardo Wilhelm DiCaprio ( born November 11, 1974) is an American actor and film producer. As an actor, he has been nominated for the Golden Globe Award eight times and won the Golden Globe Award for Best Actor for his performance in The Aviator (2004). He has also been nominated by the Academy Awards, Screen Actors Guild and the British Academy of Film and Television Arts.

 

Born and raised in Los Angeles, California, DiCaprio started his career by appearing in television commercials prior to landing recurring roles in TV series such as the soap opera Santa Barbara and the sitcom Growing Pains in the early 1990s. He made his film debut in the comedic sci-fi horror film Critters 3 (1991) and received first notable critical praise for his performance in This Boy's Life (1993). DiCaprio obtained recognition for his subsequent work in supporting roles in What's Eating Gilbert Grape (1993) and Marvin's Room (1996), as well as leading roles in The Basketball Diaries (1995) and Romeo + Juliet (1996), before achieving international fame in James Cameron's Titanic (1997).

 

Since the 2000s, DiCaprio has been nominated for awards for his work in such films as Catch Me If You Can (2002), Gangs of New York (2002), The Aviator (2004), Blood Diamond (2006), The Departed (2006), and Revolutionary Road (2008). His latest films Shutter Island (2010) and Inception (2010) rank among the biggest commercial successes of his career. DiCaprio owns a production company named Appian Way Productions, whose productions include the films Gardener of Eden (2007) and Orphan (2009). A committed environmentalist, DiCaprio has received praise from environmental groups for his activism.

William Dunlop

 

2010 Southern 100 road races held on the Billown circuit in the Isle of Man

The EBRD is committed to supporting the Green Energy Transition in its countries of operations. As more variable renewable energy sources are incorporated into the generation mix, new solutions are needed to ensure the stability of the electricity grid and the provision of reliable, high quality electricity supply. Additionally, the rise of distributed, consumer-led energy generation models may increase demand for solutions that decrease end users’ reliance on a centralized grid. Energy storage is likely to play a key role in providing such solutions to grid operators, generators and consumers alike.

 

This event brought together stakeholders from the private, public and financial sector to discuss the future of energy storage and its role in creating resilient, green economies. The panel explored the potential disruptive effect of storage on the energy industry, and how businesses and governments can contribute to and benefit from investment in energy storage solutions.

 

Moderator

 

Mattia Romani

 

Managing Director, Economics, Policy & Governance, EBRD

 

Speakers

 

Jason Channell

 

Managing Director, Citigroup

 

Guy Doyle

 

Chief Economist, Energy and Carbon, Mott MacDonald

 

Peter Kuijs

 

Managing Director, AES Jordan

 

Risto Paldanius

 

Director Energy Storage, Solar and Integration, Wärtsilä Corporation

  

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