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MSH0912-6 Eclectic
The Comedy Carpet in Blackpool. Made up from catchphrases, quotes and dialogue from British comedians and comedy throughout the years.
Divine Comedy 2010
Orgy
Director: Wiktor Rubin
It is not a tale of the body, the pleasure, and the delight, but a theatre study of Power. The monotonous and systematic chain of cruelty and violence that a man and a woman deal to each other is meant to illustrate the principle of supremacy over another human. Violence is the essence of power. In this play, Wiktor Rubin changes the foundations of his directing style, leaving the collages of alterations and formulas aside. He provokes a performance that should disrupt the spectators’ sense of security, and test the mechanisms of linguistic, carnal, and situational enthrallment. We do not understand what Power is until we are wronged, until we have realised how hurt we have been. Thus, every action of the two actors within the space of the play must be aimed not only against each other but also against the spectators. The reactions of the onlookers are filmed and shown on screens; actors take away women’s handbags and comment upon their contents; they search the men, and lock some in boxes on stage, forcing them into mock sexual intercourses. Eroticism becomes lined with fear, intimacy is exposed to the public eye. The Gdańsk staging evokes powerful emotions in an experiment that may be rejected, yet in which one may also get lost.
Photography: Grzegorz Ziemiański
Street Photography..
As we know,we only Live once.We all must try to live our lives as much as we can.This picture might give you an example,how to live your life the way you want..
This was a promo shoot for local comedy team. Total improvisation. I love comedians.
Lighting:
1. 2 bare SB-26 from the left and right (you can see them in the frame) with CTB filter as kicker.
2. 2 SB-800 into Photek Softliter 60'' from the left and top, as fill light.
3. SB-800 into 41cm beauty dish from the same side as Photek, as key light.
Triggered via Radiopoppers PX and JrX via Nikon CLS and Wireless remote SU-800.
Divine Comedy 2010
Orgy
Director: Wiktor Rubin
It is not a tale of the body, the pleasure, and the delight, but a theatre study of Power. The monotonous and systematic chain of cruelty and violence that a man and a woman deal to each other is meant to illustrate the principle of supremacy over another human. Violence is the essence of power. In this play, Wiktor Rubin changes the foundations of his directing style, leaving the collages of alterations and formulas aside. He provokes a performance that should disrupt the spectators’ sense of security, and test the mechanisms of linguistic, carnal, and situational enthrallment. We do not understand what Power is until we are wronged, until we have realised how hurt we have been. Thus, every action of the two actors within the space of the play must be aimed not only against each other but also against the spectators. The reactions of the onlookers are filmed and shown on screens; actors take away women’s handbags and comment upon their contents; they search the men, and lock some in boxes on stage, forcing them into mock sexual intercourses. Eroticism becomes lined with fear, intimacy is exposed to the public eye. The Gdańsk staging evokes powerful emotions in an experiment that may be rejected, yet in which one may also get lost.
Photography: Tomasz Wiech
Inspiring Comedy proves that comedians can be clean and funny! These hilarious performers provide non-stop laughter for the entire family.
Whether you like stand-up comedians, magicians, ventriloquists, jugglers or musical comedy, this DVD has something for everyone! You’ll enjoy nearly two full hours of entertainment.
Available now at www.filmbaby.com/films/4971
Divine Comedy 2010
Orgy
Director: Wiktor Rubin
It is not a tale of the body, the pleasure, and the delight, but a theatre study of Power. The monotonous and systematic chain of cruelty and violence that a man and a woman deal to each other is meant to illustrate the principle of supremacy over another human. Violence is the essence of power. In this play, Wiktor Rubin changes the foundations of his directing style, leaving the collages of alterations and formulas aside. He provokes a performance that should disrupt the spectators’ sense of security, and test the mechanisms of linguistic, carnal, and situational enthrallment. We do not understand what Power is until we are wronged, until we have realised how hurt we have been. Thus, every action of the two actors within the space of the play must be aimed not only against each other but also against the spectators. The reactions of the onlookers are filmed and shown on screens; actors take away women’s handbags and comment upon their contents; they search the men, and lock some in boxes on stage, forcing them into mock sexual intercourses. Eroticism becomes lined with fear, intimacy is exposed to the public eye. The Gdańsk staging evokes powerful emotions in an experiment that may be rejected, yet in which one may also get lost.
Photography: Grzegorz Ziemiański
DAVOS/SWITZERLAND, 23JAN15 - particpants captured during the session Comedy and Empathy in the congress centre at the Annual Meeting 2015 of the World Economic Forum in Davos, January 23, 2015.
WORLD ECONOMIC FORUM/Benedikt von Loebell
American White Pelicans - it seems that the one on the right is saying "howdy" to the one on the left?!
Divine Comedy 2010
Orgy
Director: Wiktor Rubin
It is not a tale of the body, the pleasure, and the delight, but a theatre study of Power. The monotonous and systematic chain of cruelty and violence that a man and a woman deal to each other is meant to illustrate the principle of supremacy over another human. Violence is the essence of power. In this play, Wiktor Rubin changes the foundations of his directing style, leaving the collages of alterations and formulas aside. He provokes a performance that should disrupt the spectators’ sense of security, and test the mechanisms of linguistic, carnal, and situational enthrallment. We do not understand what Power is until we are wronged, until we have realised how hurt we have been. Thus, every action of the two actors within the space of the play must be aimed not only against each other but also against the spectators. The reactions of the onlookers are filmed and shown on screens; actors take away women’s handbags and comment upon their contents; they search the men, and lock some in boxes on stage, forcing them into mock sexual intercourses. Eroticism becomes lined with fear, intimacy is exposed to the public eye. The Gdańsk staging evokes powerful emotions in an experiment that may be rejected, yet in which one may also get lost.
Photography: Grzegorz Ziemiański
THE 25TH ANNUAL PUTNAM COUNTY SPELLING BEE 12 - 15 June 2013 Mad Props Theatre present their inaugural production, the Glasgow premiere of this Tony Award-winning musical. Six young people in the throes of puberty, overseen by grownups who barely managed toescape childhood themselves, learn that winning isn’t everything and that losing doesn’t make you a loser. With profits going to Leukaemia Research and with laughs guaranteed, don’t miss out on this cult musical where anything can happen! Part of the West End Festival, tickets are £12 and available here: www.cottiers.com/theatre-programme/the-25th-annual-putnam... — with Niall Murray, Rachel Thomson, Erik Igelström, Alex Lyne, Paula Russell, Ronan Glam Radin and Laura McLuskey at Glasgow Premiere of The 25th Annual Putnam County Spelling Bee.
I think comedy, and by extension comedy clubs, is the best thing in life.
Nothing else can have such an effect on people, causing some to go from their saddest state ever to their happiest... or the reverse possibly ;)
But one of the great benefits of comedy is a look into culture and how certain people live.
I think when tourists visit a country that is not their own, that if they don't have the time to talk to a mass amount of residents to become one with their new city, that paying to see a comedy show should be mandatory. Nothing else can introduce a tourist into another's culture quite like a comedy club can.
And that's what Sonia and I did.
I had never been to the UK before a few weeks ago, and Sonia had only been there a few weeks herself when I got there. While she and I both had been talking to a few British on our own time, there's no way we could've grasped the culture as quickly as when went to the show -- it was probably my greatest experience in the whole trip.
Everything that we already had learned over those four days were regurgitated quite hilariously, and we learned oh so much more about the British psyche. Their uptightness, their semi-racism, their attitude towards the government... it was all too enlightening!
And because we went to the midnight show (9 pounds) that got out at around 2 or 3 in the morning when the Tube is closed, we got to take the bus back to our hotel... and, if it's possible, the buses were better organized than the subways.... That city was awesome :D
Gray sweater, Wet Seal. Striped dress, Mossimo. Green long-sleeved tee, Forever 21. Dark denim, Express. Gray hat, nine west. Bird medallion, Xhilaration. Cowboy boots, Playhouse.
Mike and I sold tickets for Wyoming Players’ production of Comedy of Errors this evening. I am continuing with my resolution to wear my casual dresses, despite the snow.
THE 25TH ANNUAL PUTNAM COUNTY SPELLING BEE 12 - 15 June 2013 Mad Props Theatre present their inaugural production, the Glasgow premiere of this Tony Award-winning musical. Six young people in the throes of puberty, overseen by grownups who barely managed toescape childhood themselves, learn that winning isn’t everything and that losing doesn’t make you a loser. With profits going to Leukaemia Research and with laughs guaranteed, don’t miss out on this cult musical where anything can happen! Part of the West End Festival, tickets are £12 and available here: www.cottiers.com/theatre-programme/the-25th-annual-putnam... — with Niall Murray, Rachel Thomson, Erik Igelström, Alex Lyne, Paula Russell, Ronan Glam Radin and Laura McLuskey at Glasgow Premiere of The 25th Annual Putnam County Spelling Bee.
THE 25TH ANNUAL PUTNAM COUNTY SPELLING BEE 12 - 15 June 2013 Mad Props Theatre present their inaugural production, the Glasgow premiere of this Tony Award-winning musical. Six young people in the throes of puberty, overseen by grownups who barely managed toescape childhood themselves, learn that winning isn’t everything and that losing doesn’t make you a loser. With profits going to Leukaemia Research and with laughs guaranteed, don’t miss out on this cult musical where anything can happen! Part of the West End Festival, tickets are £12 and available here: www.cottiers.com/theatre-programme/the-25th-annual-putnam... — with Niall Murray, Rachel Thomson, Erik Igelström, Alex Lyne, Paula Russell, Ronan Glam Radin and Laura McLuskey at Glasgow Premiere of The 25th Annual Putnam County Spelling Bee.
City Opera House manager Sidney Van Slyke before the Saturday panel discussion titled "Saturday All-Star Comedy Panel" included with Michael Moore, director Michael Schreder, John Lyons of Focus Films, director Sabina Guzzanti, and Larry Charles. Image by Gary L Howe
Okay, quick 411: Bob (older man on left) was picked out by Kirk, the entertainment director (on right) to come up on stage whenever "California" was mentioned. He would introduce himself and said that he loved his wife and the audience replied back, "Prove it!" At this point he'd sing a little song to her.
Diane Ford, a professional comedienne, didn't know about this and was totally baffled and taken off-guard by Bob coming up on stage, taking her microphone, and going thru his routine. It was a total scream to watch.