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DAVOS/SWITZERLAND, 23JAN15 - Sarah Jones , Playwright, Actress and Poet, USA captured during the session Comedy and Empathy in the congress centre at the Annual Meeting 2015 of the World Economic Forum in Davos, January 23, 2015.
WORLD ECONOMIC FORUM/Benedikt von Loebell
Dancers perform with Emmanuel Kembe during the “Comedy for Peace" event, supported by the United Nations Mission in South Sudan (UNMISS), at the Nyakuron Cultural Centre on Sunday, 23 April in Juba.
A close-up of the Comedy/Tragedy masks on the front of the former 1932 Granada cinema in Dovecot, Liverpool, designed by the prolific A E Shennan.
This wasn't one of the Bernstein Granada cinemas.
In fact, when it was at the planning stage it was called the Orpheum.
MSH0912-6 Eclectic
The Comedy Carpet in Blackpool. Made up from catchphrases, quotes and dialogue from British comedians and comedy throughout the years.
Divine Comedy 2010
Orgy
Director: Wiktor Rubin
It is not a tale of the body, the pleasure, and the delight, but a theatre study of Power. The monotonous and systematic chain of cruelty and violence that a man and a woman deal to each other is meant to illustrate the principle of supremacy over another human. Violence is the essence of power. In this play, Wiktor Rubin changes the foundations of his directing style, leaving the collages of alterations and formulas aside. He provokes a performance that should disrupt the spectators’ sense of security, and test the mechanisms of linguistic, carnal, and situational enthrallment. We do not understand what Power is until we are wronged, until we have realised how hurt we have been. Thus, every action of the two actors within the space of the play must be aimed not only against each other but also against the spectators. The reactions of the onlookers are filmed and shown on screens; actors take away women’s handbags and comment upon their contents; they search the men, and lock some in boxes on stage, forcing them into mock sexual intercourses. Eroticism becomes lined with fear, intimacy is exposed to the public eye. The Gdańsk staging evokes powerful emotions in an experiment that may be rejected, yet in which one may also get lost.
Photography: Grzegorz Ziemiański
A wonderful day in Blackpool. First visit in quite a while! Used to spend every summer holiday here when I was a girl and have avoided it for years since. Was inspired to go because of the new Promenade and Comedy Carpet. Definitely worth it and the weather helped a little.
Another lens test...This time it's the Canon EF 85mm f/1.8 USM.
Acquired this lens after having read Myla Kent's article, found at JPG Magazine.
This is a great weekly comedy night which supports women in comedy. A really fun night and a really good idea!
This was a promo shoot for local comedy team. Total improvisation. I love comedians.
Lighting:
1. 2 bare SB-26 from the left and right (you can see them in the frame) with CTB filter as kicker.
2. 2 SB-800 into Photek Softliter 60'' from the left and top, as fill light.
3. SB-800 into 41cm beauty dish from the same side as Photek, as key light.
Triggered via Radiopoppers PX and JrX via Nikon CLS and Wireless remote SU-800.
Divine Comedy 2010
Orgy
Director: Wiktor Rubin
It is not a tale of the body, the pleasure, and the delight, but a theatre study of Power. The monotonous and systematic chain of cruelty and violence that a man and a woman deal to each other is meant to illustrate the principle of supremacy over another human. Violence is the essence of power. In this play, Wiktor Rubin changes the foundations of his directing style, leaving the collages of alterations and formulas aside. He provokes a performance that should disrupt the spectators’ sense of security, and test the mechanisms of linguistic, carnal, and situational enthrallment. We do not understand what Power is until we are wronged, until we have realised how hurt we have been. Thus, every action of the two actors within the space of the play must be aimed not only against each other but also against the spectators. The reactions of the onlookers are filmed and shown on screens; actors take away women’s handbags and comment upon their contents; they search the men, and lock some in boxes on stage, forcing them into mock sexual intercourses. Eroticism becomes lined with fear, intimacy is exposed to the public eye. The Gdańsk staging evokes powerful emotions in an experiment that may be rejected, yet in which one may also get lost.
Photography: Tomasz Wiech
Divine Comedy 2010
Orgy
Director: Wiktor Rubin
It is not a tale of the body, the pleasure, and the delight, but a theatre study of Power. The monotonous and systematic chain of cruelty and violence that a man and a woman deal to each other is meant to illustrate the principle of supremacy over another human. Violence is the essence of power. In this play, Wiktor Rubin changes the foundations of his directing style, leaving the collages of alterations and formulas aside. He provokes a performance that should disrupt the spectators’ sense of security, and test the mechanisms of linguistic, carnal, and situational enthrallment. We do not understand what Power is until we are wronged, until we have realised how hurt we have been. Thus, every action of the two actors within the space of the play must be aimed not only against each other but also against the spectators. The reactions of the onlookers are filmed and shown on screens; actors take away women’s handbags and comment upon their contents; they search the men, and lock some in boxes on stage, forcing them into mock sexual intercourses. Eroticism becomes lined with fear, intimacy is exposed to the public eye. The Gdańsk staging evokes powerful emotions in an experiment that may be rejected, yet in which one may also get lost.
Photography: Grzegorz Ziemiański
Inspiring Comedy proves that comedians can be clean and funny! These hilarious performers provide non-stop laughter for the entire family.
Whether you like stand-up comedians, magicians, ventriloquists, jugglers or musical comedy, this DVD has something for everyone! You’ll enjoy nearly two full hours of entertainment.
Available now at www.filmbaby.com/films/4971
This was a promo shoot for local comedy team. Total improvisation. I love comedians.
Lighting:
1. 2 bare SB-26 from the left and right (you can see them in the frame) with CTB filter as kicker.
2. 2 SB-800 into Photek Softliter 60'' from the left and top, as fill light.
3. SB-800 into 41cm beauty dish from the same side as Photek, as key light.
Triggered via Radiopoppers PX and JrX via Nikon CLS and Wireless remote SU-800.
Mural seen at 1316 29th Street in the Five Points area of Denver, Colorado. Please tag if you know the artist.
Photo by James aka @urbanmuralhunter on that other photo site.
Edit by Teee.
THE 25TH ANNUAL PUTNAM COUNTY SPELLING BEE 12 - 15 June 2013 Mad Props Theatre present their inaugural production, the Glasgow premiere of this Tony Award-winning musical. Six young people in the throes of puberty, overseen by grownups who barely managed toescape childhood themselves, learn that winning isn’t everything and that losing doesn’t make you a loser. With profits going to Leukaemia Research and with laughs guaranteed, don’t miss out on this cult musical where anything can happen! Part of the West End Festival, tickets are £12 and available here: www.cottiers.com/theatre-programme/the-25th-annual-putnam... — with Niall Murray, Rachel Thomson, Erik Igelström, Alex Lyne, Paula Russell, Ronan Glam Radin and Laura McLuskey at Glasgow Premiere of The 25th Annual Putnam County Spelling Bee.
Lola and Eden doing a comedy act, one of many creative activities they came up during a sleepover at our house.
Divine Comedy 2010
Orgy
Director: Wiktor Rubin
It is not a tale of the body, the pleasure, and the delight, but a theatre study of Power. The monotonous and systematic chain of cruelty and violence that a man and a woman deal to each other is meant to illustrate the principle of supremacy over another human. Violence is the essence of power. In this play, Wiktor Rubin changes the foundations of his directing style, leaving the collages of alterations and formulas aside. He provokes a performance that should disrupt the spectators’ sense of security, and test the mechanisms of linguistic, carnal, and situational enthrallment. We do not understand what Power is until we are wronged, until we have realised how hurt we have been. Thus, every action of the two actors within the space of the play must be aimed not only against each other but also against the spectators. The reactions of the onlookers are filmed and shown on screens; actors take away women’s handbags and comment upon their contents; they search the men, and lock some in boxes on stage, forcing them into mock sexual intercourses. Eroticism becomes lined with fear, intimacy is exposed to the public eye. The Gdańsk staging evokes powerful emotions in an experiment that may be rejected, yet in which one may also get lost.
Photography: Grzegorz Ziemiański
THE 25TH ANNUAL PUTNAM COUNTY SPELLING BEE 12 - 15 June 2013 Mad Props Theatre present their inaugural production, the Glasgow premiere of this Tony Award-winning musical. Six young people in the throes of puberty, overseen by grownups who barely managed toescape childhood themselves, learn that winning isn’t everything and that losing doesn’t make you a loser. With profits going to Leukaemia Research and with laughs guaranteed, don’t miss out on this cult musical where anything can happen! Part of the West End Festival, tickets are £12 and available here: www.cottiers.com/theatre-programme/the-25th-annual-putnam... — with Niall Murray, Rachel Thomson, Erik Igelström, Alex Lyne, Paula Russell, Ronan Glam Radin and Laura McLuskey at Glasgow Premiere of The 25th Annual Putnam County Spelling Bee.