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Oatley Park, Oatley, Sydney, Australia
Lovely Autumn Prewedding photos on 19th of March 2014.
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Falcon with prey | Falke mit Beute
Here are the right exif-informations:
MZuiko 300mm f/4.0 Pro + MC-14 Teleconverter (eg. 840mm 35mm equiv.)
ISO1000 / f5,6 / 1/2000sec.
I don't know...sometimes I get in a texture mood ;-)
Model: Erika
MUA: Shanna Gruenstein
Thank you so much for your views, favs, and encouragement...
From Anzio, Villa Pamphili
I1st-2nd century AD
White marble
Height 155 cm.
cat. 22840
Statue of the god Anubis, here represented according to the Roman style as a personage clad in a toga, but following an "Egyptian" iconography. In his right hand he holds a sistrum, while in the left he has the caduceus of Hermes. Source: mv.vatican.va/3_EN/pages/x-Schede/MEZs/MEZs_Sala04_07_014...
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7426-2 | MECONOPSIS BETONICIFOLIA
Visit : www.refordgardens.com/
Visit : en.wikipedia.org/wiki/Elsie_Reford
From Wikipedia:
Elsie Stephen Meighen - born January 22, 1872, Perth, Ontario - and Robert Wilson Reford - born in 1867, Montreal - got married on June 12, 1894.
Elsie Reford was a pioneer of Canadian horticulture, creating one of the largest private gardens in Canada on her estate, Estevan Lodge in eastern Québec. Located in Grand-Métis on the south shore of the St. Lawrence River, her gardens have been open to the public since 1962 and operate under the name Les Jardins de Métis and Reford Gardens.
Born January 22, 1872 at Perth, Ontario, Elsie Reford was the eldest of three children born to Robert Meighen and Elsie Stephen. Coming from modest backgrounds themselves, Elsie’s parents ensured that their children received a good education. After being educated in Montreal, she was sent to finishing school in Dresden and Paris, returning to Montreal fluent in both German and French, and ready to take her place in society.
She married Robert Wilson Reford on June 12, 1894. She gave birth to two sons, Bruce in 1895 and Eric in 1900. Robert and Elsie Reford were, by many accounts, an ideal couple. In 1902, they built a house on Drummond Street in Montreal. They both loved the outdoors and they spend several weeks a year in a log cabin they built at Lac Caribou, south of Rimouski. In the autumn they hunted for caribou, deer, and ducks. They returned in winter to ski and snowshoe. Elsie Reford also liked to ride. She had learned as a girl and spent many hours riding on the slopes of Mount Royal. And of course, there was salmon-fishing – a sport at which she excelled.
In her day, she was known for her civic, social, and political activism. She was engaged in philanthropic activities, particularly for the Montreal Maternity Hospital and she was also the moving force behind the creation of the Women’s Canadian Club of Montreal, the first women club in Canada. She believed it important that the women become involved in debates over the great issues of the day, « something beyond the local gossip of the hour ». Her acquaintance with Lord Grey, the Governor-General of Canada from 1904 to 1911, led to her involvement in organizing, in 1908, Québec City’s tercentennial celebrations. The event was one of many to which she devoted herself in building bridges with French-Canadian community.
During the First World War, she joined her two sons in England and did volunteer work at the War Office, translating documents from German into English. After the war, she was active in the Victorian Order of Nurses, the Montreal Council of Social Agencies, and the National Association of Conservative Women.
In 1925 at the age of 53 years, Elsie Reford was operated for appendicitis and during her convalescence, her doctor counselled against fishing, fearing that she did not have the strength to return to the river.”Why not take up gardening?” he said, thinking this a more suitable pastime for a convalescent woman of a certain age. That is why she began laying out the gardens and supervising their construction. The gardens would take ten years to build, and would extend over more than twenty acres.
Elsie Reford had to overcome many difficulties in bringing her garden to life. First among them were the allergies that sometimes left her bedridden for days on end. The second obstacle was the property itself. Estevan was first and foremost a fishing lodge. The site was chosen because of its proximity to a salmon river and its dramatic views – not for the quality of the soil.
To counter-act nature’s deficiencies, she created soil for each of the plants she had selected, bringing peat and sand from nearby farms. This exchange was fortuitous to the local farmers, suffering through the Great Depression. Then, as now, the gardens provided much-needed work to an area with high unemployment. Elsie Reford’s genius as a gardener was born of the knowledge she developed of the needs of plants. Over the course of her long life, she became an expert plantsman. By the end of her life, Elsie Reford was able to counsel other gardeners, writing in the journals of the Royal Horticultural Society and the North American Lily Society. Elsie Reford was not a landscape architect and had no training of any kind as a garden designer. While she collected and appreciated art, she claimed no talents as an artist.
Elsie Stephen Reford died at her Drummond Street home on November 8, 1967 in her ninety-sixth year.
In 1995, the Reford Gardens ("Jardins de Métis") in Grand-Métis were designated a National Historic Site of Canada, as being an excellent Canadian example of the English-inspired garden.(Wikipedia)
LES JARDINS DE MÉTIS
Créés par Elsie Reford de 1926 à 1958, ces jardins témoignent de façon remarquable de l’art paysager à l’anglaise. Disposés dans un cadre naturel, un ensemble de jardins exhibent fleurs vivaces, arbres et arbustes. Le jardin des pommetiers, les rocailles et l’Allée royale évoquent l’œuvre de cette dame passionnée d’horticulture. Agrémenté d’un ruisseau et de sentiers sinueux, ce site jouit d’un microclimat favorable à la croissance d’espèces uniques au Canada. Les pavots bleus et les lis, privilégiés par Mme Reford, y fleurissent toujours et contribuent , avec d’autres plantes exotiques et indigènes, à l’harmonie de ces lieux.
Created by Elsie Reford between 1926 and 1958, these gardens are an inspired example of the English art of the garden. Woven into a natural setting, a series of gardens display perennials, trees and shrubs. A crab-apple orchard, a rock garden, and the Long Walk are also the legacy of this dedicated horticulturist. A microclimate favours the growth of species found nowhere else in Canada, while the stream and winding paths add to the charm. Elsie Reford’s beloved blue poppies and lilies still bloom and contribute, with other exotic and indigenous plants, to the harmony of the site.
Commission des lieux et monuments historiques du Canada
Historic Sites and Monuments Board of Canada.
Gouvernement du Canada – Government of Canada
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East Tunnel along the Going to the Sun Road in Glacier National Park.
Post by Stephen Ball Photography.
Please don't use this image on websites, or other media without my explicit permission, blogs OK with notification and a link back, thanks! ©2017 Stephen Ball Photography, All rights reserved.
when i'm gone in my voyages... i have a habit.. cause i'm up before others.. or simply don't like to stay all day in one place.. i grab my camera and i'm gone.. walking and making pictures.. one time i arouse myself in another holiday centre at 5 km of the one where i stood.. and didn't really know which is my way back and my phone had no battery :))).. but i still have this habit :)
funny fact: in Bulgaria i found myself in the middle of the "nude" beach... wasn't to funny in that moment, first i got really scared.. then i realise what is happening around :))))
been explored.. thank you!
Jun 2, 2010 #89, dropped
Como a casca do pão Ultra Rápido é maravilhosa, resolvi seguir a sugestão do meu pai e retirei a massa antes de começar a assar, fiz bolinhas e fiz cortes pra dar um toque especial rsrsrsrsrs
Assei no forno e ficou muito bom!
Pão Ultra Rápido
Fonte: Livro de Receitas Britânia
Avaliação
Casca: Firme e crocante
Miolo: Muito macio
Receita
600gr
1 copo de água morna
2 colheres (sopa) açúcar
2 colheres (sopa) leite em pó
2 colheres (sopa) margarina
1 colher (chá) sal
3 copos de farinha de trigo
1 colher (sopa) de fermento biológico seco instantâneo
Modo de preparo
1. Retirar a forma de assar de dentro da panificadora
2. Adicionar todos os ingredientes na ordem acima.
3. Recolocar a forma de assar na panificadora
4. Escolher o ciclo: Opções 6(ultra rápido I)
5. Selecionar o tamanho do pão: I (600gr)
6. Escolher a cor da casca do pão (no meu caso escolhi clara)
7. Fechar a tampa
8. Pressionar o botão Iniciar/Parar
--------------------------------------------------------------------------------------------
We hug and yes, we make love
And always just say "Goodnight" (la-la-la-la-la)
And we cuddle, sure, I do love it
But I need your lips on mine
Can you kiss me more?
We're so young, boy
We ain't got nothin' to lose, oh, oh
It's just principle
Baby, hold me
'Cause I like the way you groove, oh, oh
Boy, you write your name, I can do the same
Ooh, I love the taste, la-la-la-la
All on my tongue, I want it (la-la-la-la)
Boy, you write your name, I can do the same
Ooh, I love the taste, la-la-la-la-la
All on my tongue, I want it
I, I feel like fuckin' somethin'
But we could be corny, fuck it
Sugar, I ain't no dummy, dummy
I like to say, "What if?", but if
We could kiss and just cut the rubbish
Then I might be on to somethin'
I ain't givin' you one in public
I'm givin' you hundreds, fuck it
Somethin' we just gotta get into
Sign first, middle, last, on the wisdom tooth
Niggas wishin' that the pussy was a kissin' booth
Taste breakfast, lunch and gin and juice
And that dinner just like dessert too
And when we French, refresh, gimme two
When I bite that lip, come get me too
He want lipstick, lip gloss, hickeys too, huh
Can you kiss me more?
Here it is another night shot, long exposure, portraying the righteously world famous Swiss side of the Matterhorn mirroring in the calm waters of lake Stellisee (2.537 m).
I have already posted a few shots taken during the very same night.
Although these may look similar, each shot is a new scenario in itself, thanks to the movement of the clouds, which are stretched due to their movements during the exposure.
In this case I liked how they formed a sort of eye, within which lies the Matterhorn.
Actually, you can never exactly predict how the clouds will look like at the end of a long exposure, and this is certainly one of the most fascinating aspects of this photographic technique.
_____________________
©Roberto Bertero, All Rights Reserved. This image is not available for use on websites, blogs or other media without the explicit written permission of the photographer.
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Website and photos of my aquariums
© 2024 Mikko Leinonen. All Photos are copyrighted. All rights reserved. Pictures can not be used without explicit permission by the creator.
Este grudou na tela que não saiu por nenhum decreto, ai fica dificil tirar a tela da frente.
Alem da paciencia de ficar no foco da tela e esperar o animal ficar quieto um pouco, a Luz tambem ajuda ou atrapalha para tirar essas telas.
Infelizmente como falei ja alguns meses o nosso Zoo aqui do Rio não é exemplo de um Zoologico para visitar.
As Jaulas são pessimas e ha algumas novas como fizeram da Arara Azul que supostamente parece com seu habit natural, mas são pequenas demais, parecendo ate um passar num viveiro pequeno.
Alem disto ha o fato de agora estarem vendendo cachorro quente, salgadinhos e batata frita em barraquinhas dentro do Zoo, algumas em frente as Jaulas dos macacos,
eu vi varias vezes adultos e criancas jogando comiga para eles..
Lamentavem que a administracao do nosso Zoo tenha permitido isto...
Agora a novidade foi ter uma cerca eletrica em volta da Jaula do Urso esta realmente foi nova para mim...
Foto: Tucano - RioZoo - Rio de Janeiro - Brasil
"The desire to reach for the stars is ambitious. The desire to reach hearts is wise."- Maya Angelou
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