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♥♥♥ Explore February 24, 2016 ♥♥♥

 

El municipio de Puebla de Sanabria es una de los más antiguos de la provincia de Zamora, cuenta con 1.523 habitantes (INE 2014) y destaca por el notable nivel de conservación de su patrimonio histórico artístico -reflejo de su antiguo poder civil, militar y eclesiástico- y por la cercanía del Parque natural del Lago de Sanabria. Aún conserva buena parte de las murallas que protegían la urbe, y pueden admirarse su magnífico castillo (segunda mitad del siglo XV), numerosas casonas solariegas y mansiones orladas con antiguos blasones que jalonan sus empinadas calles, y en la plaza Mayor, la iglesia parroquial de Nuestra Señora del Azogue (finales del siglo XII), la ermita de San Cayetano (barroca) y la Casa Consistorial (siglo XV), y en el recinto del arrabal un pequeño humilladero correspondiente a la capilla de San Pedro del siglo XVIII.

 

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Luosto is a picturesque ski village with a surprisingly large number of accommodations. Although there are a few hotels, you'll mostly find cozy bungalows here. Luosto is nestled in the heart of Pyhä-Luosto National Park, surrounded by ancient forests, rugged gorges, and peat bogs. It's a unique piece of nature rarely seen in our part of Europe. Finnish Lapland is far to the north, so there's usually plenty of snow here. Luosto offers a stunning landscape for adventurous activities and the opportunity to enjoy the tranquility and beauty of the Finnish wilderness. Our plan is to climb the spectacular fell (mountain). As we step out of the car, it feels like nature here is in a deep winter sleep. Our hike begins at dawn in the remote hamlet of Ukko-Luostontien. In Lapland, the colors of the sky during sunrise and sunset can be very intense due to the low position of the sun on the horizon. The long twilight periods can create unique colors in the sky, including green hues, due to various scattering effects of sunlight. The trees gently bend under the weight of the snow.

 

We walk along the ridge of the fells of Ukko-Luosto, passing through the surrounding primeval forest. The summer path to the top is closed due to avalanche danger, so we continue our journey and attempt to reach the summit via the northern ridge of Ukko-Luosto. The path ascends steeply through the enchanting ancient forests, where the trees covered in crown snow look magical. The last section to the top of the mountain has snow too deep for us. The path winds its way to the top of Pikku-Luosto Fell. We sink in and have to crawl to the top. Snowshoes are definitely necessary here. In the impressive Ukko-Luosto Scenic Hut, we can take a break, warm up, and admire the magnificent view. It's terribly cold up here on the 514-meter-high mountain, partly due to the biting polar wind. The sun reaches its highest point on this short January day and shines beautifully just over the mountain's peak. There's also a solar halo visible, an optical phenomenon caused by the refraction, reflection, and scattering of light by ice crystals in the atmosphere. We thaw out a bit and rest before starting our return journey. Walking in the snow is exhausting. We take the same route back because we don't want to get stuck in deep snow and aim to be back in Luosto before dark. In total, we walked more than 18,000 steps, but we enjoyed this special place in Lapland. In Luosto, we treated ourselves to delicious reindeer jerky and panna cotta, while BieJee savored a reindeer burger.

 

Luosto biedt een prachtig landschap voor avontuurlijke activiteiten en de mogelijkheid om te genieten van de rust en schoonheid van de Finse wildernis. Ons plan is om de spectaculaire fell (berg) te beklimmen. Wanneer we uit de auto stappen, lijkt de natuur hier in een diepe winterslaap te verkeren. Onze wandeling begint bij dageraad in het afgelegen gehucht Ukko-Luostontien. In Lapland kunnen de kleuren van de lucht tijdens zonsopkomst en zonsondergang zeer intens zijn door de lage stand van de zon aan de horizon. De lange schemerperiodes kunnen unieke kleuren in de lucht veroorzaken, inclusief groene tinten, door verschillende verstrooiingseffecten van het zonlicht. De bomen buigen zachtjes onder het gewicht van de sneeuw. We lopen op de rug van de fells van Ukko-Luosto langs het oerbos in de bijzondere omgeving. Het zomerpad naar de top is afgesloten vanwege lawinegevaar, dus we vervolgen onze weg en proberen de top te bereiken via de noordelijke bergkam van Ukko-Luosto. Het pad loopt steil door de betoverende oerbossen, waar de bomen bedekt met kroonsneeuw er magisch uitzien. Het laatste gedeelte naar de top van de berg is de sneeuwlaag te diep voor ons. Het pad slingert zich een weg naar de top van Pikku-Luosto Fell. We zakken weg en moeten kruipen naar de top. Sneeuwschoenen zijn hier dus echt nodig. In de indrukwekkende Ukko-Luosto Scenic Hut kunnen we even bijkomen, op temperatuur komen en het magnifieke uitzicht bewonderen. Het is verschrikkelijk koud hier op de 514 meter hoge berg, mede door de strakke poolwind. De zon bereikt zijn hoogste punt op deze korte januaridag en schijnt prachtig net over de top van de berg. Ook is er een zonnehalo te zien, een optisch fenomeen dat ontstaat door de breking, reflectie en verstrooiing van licht door ijskristallen in de atmosfeer. We ontdooien nog even en rusten uit voordat we beginnen aan onze terugreis. Wandelen in de sneeuw is zwaar. We nemen dezelfde route terug omdat we niet vast willen komen te zitten in de diepe sneeuw en we in ieder geval voor het donker terug willen zijn in Luosto. In totaal hebben we meer dan 18.000 stappen gezet, maar we hebben genoten van deze speciale plek in Lapland. In Luosto hebben we onszelf getrakteerd op heerlijke rendier-jerky en panna cotta, terwijl BieJee genoot van een rendierburger.

  

Excerpt from www.lifeinitaly.com:

 

There have been fortifications above Assisi even in pre-Roman times, it's location above the town is a natural defensive position. The earliest records of the current castle date back to the year 1174 when a German feudal castle had been erected in the town. The future Emperor Frederick II (Federico II) of Swabia had spent several years during his childhood here under the care of the Conrad of Urslingen. He had been baptized in Assisi's cathedral in the year 1197, not too long after Saints Francis and Claire were baptized from the same font.

 

In 1198, the people of Assisi had rebelled and reduced the Rocca Maggiore to ruins in Conrad's absence. In 1367, Cardinal Albornoz took the initiative to rebuild the castle using the western part of the outer walls and some of the inner fortifications of the original structure. By 1458, the Lord of Assisi erected the twelve sided tower and the curtain wall that connects the castle to Assisi.

 

The castle's keep was finally restored by Pope Sixtus IV in 1478. From 1535 to 1538 restoration work continued and Pope Paul III built the castle's round tower near its main gate.

"Risks must be taken because the greatest hazard in life is to risk nothing."- Leo Buscaglia

 

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....mein erster Fliegenpilz in 2008 .........

 

Explore am 11.10.2008

 

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Ironlak BBQ Burners - Netch Park - Auckland - New Zealand.

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This is Sophie. She is awesome! She started pursuing her modelling career just a couple of months ago, and she is a natural! She gave me a shout last week about expanding her portfolio and I was more than happy to help out. She has a unique background, for starters, she is scottish! She loves monkeys, all 3 Jackass movies, and now knows how to plank! (She did some planking for the first time! So epic! haha) She has a great personality and we had a great time shooting! We will definitely be meeting up again.

 

5D Mark II

35L

Ab1600 // Octabox // 1/32 Power // Cybersyncs

 

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Notre Dame de Paris - French for Our Lady of Paris, also known as Notre Dame Cathedral, is a Gothic, Catholic cathedral on the eastern half of the Île de la Cité in the fourth arrondissement of Paris, France. It is the cathedral of the Catholic Archdiocese of Paris: that is, it is the church that contains the cathedra (official chair) of the Archbishop of Paris, currently André Vingt-Trois. The cathedral treasury houses a reliquary with the purported Crown of Thorns. Notre Dame de Paris is widely considered one of the finest examples of French Gothic architecture in France and in Europe, and the naturalism of its sculptures and stained glass are in contrast with earlier Romanesque architecture. The first period of construction from 1163 into 1240s coincided with the musical experiments of the Notre Dame school.

 

Camera Model: Canon EOS 5D Mark II; Lens: EF24-105mm f/4L IS USM; Photo Focal length: 84.00 mm; Aperture: 10; Exposure time: 30.0 s; ISO: 160

 

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All images are exclusive property and may not be copied, downloaded, reproduced, transmitted, manipulated or used in any way without expressed, written permission of the photographer.

 

----------------------------- JESUS ✝️ SAVES-------------------------------

 

SALVATION THROUGH FAITH IN JESUS CHRIST - ALONE!

 

12 Salvation is found in no one else, for there is no other name under heaven given to men by which we must be saved."

 

❤️❤️ IT'S ALL JESUS AND NONE OF OURSELVES! ❤️❤️

 

16 I am not ashamed of the gospel, because it is the power of God for the SALVATION of everyone WHO BELIEVES: first for the Jew, then for the Gentile. 17 For in the gospel a RIGHTEOUSNESS FROM GOD IS REVEALED, a righteousness that is by FAITH FROM FIRST TO LAST, just as it is written: "THE RIGHTEOUS WILL LIVE BY FAITH." (Romans 1:16-17)

 

16 KNOW that a man is NOT justified by observing the law, but by FAITH IN JESUS CHRIST. So we, too, have put our faith in Christ Jesus that we may be JUSTIFIED BY FAITH in CHRIST and NOT by observing the law, BECAUSE BY OBSERVING THE LAW NO ONE WILL BE JUSTIFIED. (Galatians 2:16)

 

1. Now, brothers, I want to remind you of the gospel I preached to you, which you received and on which you have taken your stand. 2. BY THIS GOSPEL YOU ARE SAVED, if you hold firmly to the word I preached to you. Otherwise, you have believed in vain.

 

3. For what I received I passed on to you as of first importance: that Christ died for our sins according to the Scriptures, 4. that he was buried, that he was raised on the third day according to the Scriptures, 5. and that he appeared to Peter, and then to the Twelve. 6. After that, he appeared to more than five hundred of the brothers at the same time, most of whom are still living, though some have fallen asleep. 7. Then he appeared to James, then to all the apostles, 8. and last of all he appeared to me also, as to one abnormally born.

 

9. For I am the least of the apostles and do not even deserve to be called an apostle, because I persecuted the church of God. 10. But by the grace of God I am what I am, and his grace to me was not without effect. No, I worked harder than all of them--yet not I, but the grace of God that was with me. 11. Whether, then, it was I or they, this is what we preach, and this is what you believed. (1 Corinthians 15:1-11)

 

7. Therefore Jesus said again, "I tell you the truth, I am the gate for the sheep. 8. All who ever came before me were thieves and robbers, but the sheep did not listen to them. 9. I am the gate; whoever enters through me WILL BE SAVED. He will come in and go out, and find pasture. 10. The thief comes only to STEAL and KILL and DESTROY; I have come that they may have LIFE, and have it to the FULL. (John 10:7-10)

 

1 Brothers, my heart's desire and prayer to God for the Israelites is that they may be saved. 2 For I can testify about them that they are zealous for God, but their zeal is not based on knowledge. 3 Since they did not know the righteousness that comes from God and sought to establish their own, they did not submit to God's righteousness. 4 Christ is the end of the law so that there may be righteousness for everyone who believes.

 

5 Moses describes in this way the righteousness that is by the law: "The man who does these things will live by them." 6 But the righteousness that is by faith says: "Do not say in your heart, 'Who will ascend into heaven?'" (that is, to bring Christ down) 7 "or 'Who will descend into the deep?'" (that is, to bring Christ up from the dead). 8 But what does it say? "The word is near you; it is in your mouth and in your heart," that is, the word of faith we are proclaiming: 9 That if you confess with your mouth, "Jesus is Lord," and believe in your heart that God raised him from the dead, you will be saved. 10 For it is with your heart that you believe and are justified, and it is with your mouth that you confess and are saved. 11 As the Scripture says, "Anyone who trusts in him will never be put to shame." 12 For there is no difference between Jew and Gentile--the same Lord is Lord of all and richly blesses all who call on him, 13 for, "Everyone who calls on the name of the Lord will be saved." (Romans 10:1-13)

 

Jesus came to bring spiritual LIFE to the spiritually dead and set the captives FREE! FREE from RELIGION, ERROR and outright LIES, so WE might serve THE LIVING GOD! In SPIRIT and in TRUTH!

 

So you'll KNOW, and not think you're to bad for God to love. The Christian LIFE isn't about how good WE are, because NONE of us are! It's about how GOOD JESUS IS! Because JESUS LOVES US, so much he died in our place and took the punishment for all of our sins on himself. The wages of sin is DEATH, and Jesus took the death WE so richly deserved for us and died in our place. The good news is, there's no more punishment for sin left. WE, you and I were all born forgive as a result of the crucifixion of God himself on the cross that took away the sins of the whole world. All we have to do is believe it, and put your Faith in the finished work of Jesus Christ. That my friends is REAL UNCONDITIONAL LOVE! YOU ARE LOVED. ❤️ ✝️ ❤️

 

For the best Biblical teaching in the last 2 centuries! Please listen to and down load these FREE audio files that were created with YOU in mind. It's ALL FREE, if you like it, please share it with others. ❤️

 

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It`s an honor, and a pleasure it will be to follow my fellow photographers into the year of 2009, and I wish everybody happy shooting and to be blessed with natures magical light.

 

All rights reserved. © copyright by Seung Kye Lee

 

This was shot on December 20, the night before winter solstice.

I waited till the last light barely sweeped the horizon and highlighted the details on the waves and pebbles at Larkollen Bay, southern Norway.

My mission was to use the light in a specific way that only the objects just above water surface was lighted, while the body of water itself was cast in shadows.

A tribute to winter solstice you might say ;-)

 

The winter solstice (vintersolverv) occurs at the instant when the Sun's position in the sky is at it`s greatest angular distance on the other side of the equatorial plane from the observer's hemisphere. This means that from now, the days will be gradually have longer periods of daylight.

Worldwide, interpretation of the event has varied from culture to culture, but most cultures have held a recognition of rebirth, involving holidays, festivals, gatherings, rituals or other celebrations around that time.

 

The word solstice derives from Latin sol (sun) and sistere (to stand still).

 

I wish peace and happiness to every living being.

 

Canon 5D, 17-40mm f/4, polarizer, gnd filter.

 

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Después de un par de añitos tocaba un lavado de cara a la web.

Todavía me falta algún detalle y descubrir cómo se afinan algunas cosas, pero creo que las fotos ganan ;)

Espero que os guste!

 

WWW.INAKIBOLUMBURU.COM

O tempo é como um rio

Que caminha para o mar

Passa, como passa o passarinho

Passa o vento e o desespero

Passa como passa a agonia

Passa a noite, passa o dia

Mesmo o dia derradeiro

Ah, todo o tempo há de passar

...

Quem vive, luta partindo

Para um tempo de alegria

Que a dor de nosso tempo

É o caminho

Para a manhã que em seus olhos se anuncia

Apesar de tanta sombra, apesar de tanto medo.

(Edú Lobo/Capinam)

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This is captured on a small island in the Norwegian archipelago. The ice age shaped this landscape when the land was covered by glaciers. Another photo from the same island can be seen here. A b&w version with a different crop and treatment is available here.

 

The picture is inspired by the great works of valpopando.

 

Fine print available at: www.redbubble.com/people/hogne/art/1578731-1-smoot-lines-2

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Here's a desert shot, posted in anticipation of my upcoming Death Valley trip, taken in Snow Canyon State Park, UT, just outside of St. George. This state park is an interesting place, and worthwhile for a stop over on the way to the bigger name parks like Zion and Bryce. If you explore some in the state park, you'll find a lot of cool rock formations like this one, that aren't nearly as heavily photographed as others in the state.

 

I'll be in Death Valley all of next week, with plans to go to Badwater Basin (of course), the Racetrack (of course), and also several of the dune formations in the park (Eureka, Mesquite Flats, Panamint). Anyone been to the park for photography before and willign to share any advice? Thanks!

Τα έτη πολλά και Παναγιοσκέπαστα!

 

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Album

Ι.Μ.Παναγίας Πελεκητής H.M.Virgin Mary Rusticated

on my blog ΛΟΓΕΙΚΩΝ Logikon

 

Παναγία Πελεκητή: Η «βασίλισσα» των Αγράφων

Είναι ένα από τα μοναστήρια που ξεχωρίζουν. Το τοπίο, η αρχιτεκτονική του, η ιστορία του καθιστούν την Ιερά Μονή της Παναγίας Πελεκητής προσκυνηματικό κέντρο. Βρίσκεται κτισμένη πάνω από την τεχνητή λίμνη Πλαστήρα στην Καρδίτσα και υπάγεται διοικητικά στη Μητρόπολη Φαναριοφερσάλων. Σύμφωνα με τα τελευταία ιστορικά στοιχεία, κτίστηκε πριν από περίπου πέντε αιώνες σε μια απόκρημνη, βραχώδη πλαγιά των Αγράφων, σε υψόμετρο 1.400 μέτρων, βορειοδυτικά του χωριού Καρίτσα.

Η ιστορία της Ιεράς Μονής Παναγίας Πελεκητής έχει συνδεθεί με την πορεία της περιοχής, η οποία συμμετείχε σε όλους τους αγώνες του Έθνους. Κατά την επανάσταση του 1821 η Καρίτσα καταστράφηκε από τους Τούρκους, ενώ το 1943 από τους Γερμανούς. Οι μοναχοί της μονής ήταν εκ των πρωταγωνιστών κατά την απελευθέρωση της Καρίτσας από τους Τούρκους, δημιουργώντας μια διαφορετική σχέση με τους κατοίκους.

Από την ίδρυσή της η μονή δέσποζε στα εκκλησιαστικά πράγματα της περιοχής αφού είχε αναγνωριστεί ως σταυροπηγιακή το 1606 από τον Οικουμενικό Πατριάρχη Ραφαήλ Β΄.

Πελεκητή ονομάστηκε καθώς τα κελιά της δημιουργήθηκαν μέσα στους βράχους σε τέσσερα επίπεδα, όπου οι μοναχοί ζούσαν και λειτουργούσαν το μοναστήρι, ενώ υπήρχε ακόμη και κρυφό σχολειό.

 

Ο Πορφύριος

Όπως αναφέρει ο Φώτης Κερασιώτης, που έχει ασχοληθεί με την ιστορία της μονής, η ίδρυσή της άρχισε πιθανότατα στα τέλη του 15ου αιώνα από τον Πνευματικό Πορφύριο και ολοκληρώθηκε το 1529 στη σημερινή της μορφή από τον νέο Οσιομάρτυρα Δαμιανό, ο οποίος ιστορείται ως «κτήτωρ» σε δύο τοιχογραφίες της. Το μοναστήρι αγιογραφήθηκε στα μέσα του 17ου αιώνα και έχει δύο ναούς, τον Ναό της Αναλήψεως του Χριστού και τον Ναό της Παναγιάς Φανερωμένης (το Καθολικό).

Το Καθολικό είναι ο κεντρικός και αρχαιότερος ναός, αφιερωμένος στην Ανάληψη του Κυρίου. Είναι μονόκλιτη βασιλική με νάρθηκα, στεγασμένη με κυλινδρική καμάρα, με ενισχυτικό τόξο στο μέσο. Σύμφωνα με σχετική επιγραφή που υπάρχει εντός του ναού, αγιογραφήθηκε το 1654 από τους αγιογράφους Ιωάννη, Νικόλαο Ιερέα και Ιάκωβο Ιερομόναχο.

Ο δεύτερος ναός είναι αφιερωμένος στην Παναγία Φανερωμένη. Είναι αθωνικού ρυθμού, με τρούλο και πλευρικούς χορούς, χωρίς εσωτερικούς κίονες. Οι τοιχογραφίες, όπως προκύπτει από σχετική επιγραφή που υπάρχει επάνω από τη θύρα εισόδου, ιστορήθηκαν το 1666. Ανιστορήθηκαν το 1674 από τον αγιογράφο Ιάκωβο και τον γιο του Δημήτριο.

Γνωστή είναι η μικρή αλλά θαυματουργή εικόνα της Παναγίας Πελεκητής, στην οποία έχει ζωγραφιστεί η Παναγία με τον Χριστό στην αγκαλιά της. Η εικόνα δυστυχώς εκλάπη και αναζητείται για να επιστραφεί στη φυσική της θέση, το μοναστήρι. Ο Ευρυτάνας ιστορικός Πάνος Βασιλείου το 1929 έγραψε τα εξής: «Εκτός της αρίστης Βυζαντινής τέχνης σε τοιχογραφίες, υπάρχει εδώ μια εικόνα (ελαιογραφία 0,04Χ0,03) της Παναγίας με τον Χριστό στην αγκαλιά της, έργο Ραφαηλικής τέχνης. Δεν εξηγείται πώς η μικροσκοπική αυτή εικονίτσα, που θεωρείται και σαν παλαιότερη, αλλά θαυματουργός, βρέθηκε εδώ πάνω. Φέρει χρονολογία 1654.

Η τεχνοτροπία της θυμίζει τον Χριστό του Πρωτάτου του Αγίου Όρους, το γνωστό έργο του Πανσέληνου. Μάλιστα ήταν η εικονίτσα τούτη στολισμένη με 20 πολύτιμες πέτρες από τις οποίες οι 16 αφαιρέθηκαν από… αγνώστους, χωρίς φυσικά τούτου να σημειωθεί σε κανένα, ως τα σήμερα, αστυνομικό δελτίο. Μένουν ακόμα, ευτυχώς, 4 ερυθρόχρωμες πετρούλες στο επαργυρωμένο περίβλημά της που έχει μέγεθος 0,21Χ0,23 μ. και που φέρει επάνω του σκαλισμένα αγγελούδια. Μια απέραντη καλοσύνη ζωγραφίζεται στο χαμογελαστό πρόσωπο της Παναγίας, της οποίας το παιδάκι παρουσιάζει κάτι το αληθινά Θείο και αξιοθαύμαστο για τη χαρούμενη εκφραστικότητά του. Η θαυμάσια αυτή εικόνα της Παναγίας της Πελεκητής θυμίζει Αναγέννηση».

Το μοναστήρι λόγω της περίτεχνης κατασκευής του και της ένδοξης ιστορίας του έχει ανακηρυχθεί «Ιστορικό Διατηρητέο Μνημείο». Δυστυχώς, όμως, από τον πλούτο των εκκλησιαστικών κειμηλίων και της σπάνιας βιβλιοθήκης του ελάχιστα, σήμερα, διασώζονται.

Το μοναστήρι πανηγυρίζει στις 15 Αυγούστου, της Κοιμήσεως της Θεοτόκου. Τα τελευταία χρόνια, ύστερα από σημαντικές πρωτοβουλίες των τοπικών φορέων και άλλων παραγόντων, εξευρέθηκαν τα απαραίτητα χρηματικά ποσά και το μοναστήρι έχει ανακαινισθεί και αξιοποιηθεί, συγκεντρώνοντας πλήθος προσκυνητών από ολόκληρη την ελληνική επικράτεια.

 

Όταν οι μοναχοί μετακίνησαν τα σύνορα το 1831

Εντύπωση προκαλεί και το εξής περιστατικό: Μετά τη δημιουργία του ελληνικού Κράτους, το 1831, η Καρύτσα (είναι το χωριό κάτω από το μοναστήρι) και ο Μπελεκομύτης βρέθηκαν εκτός ελληνικών συνόρων γιατί καθορίστηκαν επί του Καρυτσιώτη ποταμού, ενώ αυτά τα δύο χωριά βρίσκονται μετά τον ποταμό. Τότε οι μοναχοί μαζί με τους κατοίκους των δύο χωριών μετακίνησαν αυθαίρετα τα σύνορα και τα τοποθέτησαν μετά το μοναστήρι, στο οροπέδιο του Καραμανώλη.

Panagia Pelekiti(rusticated): The "Queen" of Agrafa

It is one of the monasteries that stand out. The landscape, architecture, history make the Holy Monastery of Panayia Pelekiti a pilgrimage center. It is built above the artificial lake Plastira in Karditsa and is administratively subordinated to the Cathedral of Fanariers. According to the latest historical data, it was built about five centuries ago on a steep rocky slope of Agrafa, at an altitude of 1,400 meters, northwest of Karitsa village.

The history of the Holy Monastery of Panagia Pelekiti has been linked to the course of the region, which participated in all the struggles of the Nation. During the revolution of 1821 Karitsa was destroyed by the Turks, while in 1943 by the Germans. The monks of the monastery were among the protagonists in the liberation of Karitsa from the Turks, creating a different relationship with the inhabitants.

Since its founding, the monastery has dominated the ecclesiastical things of the region since it was recognized as a cruciform in 1606 by the Ecumenical Patriarch Raffael II.

Pelekiti was named as its cells were created in the rocks on four levels, where the monks lived and functioned the monastery, while there was even a hidden school.

Porphyrios

According to Fotis Kerassiotis, who has dealt with the history of the monastery, it was probably founded at the end of the 15th century by the Spiritual Porphyry and was completed in 1529 in its present form by the new Omar Martyr Damianos, who is described as a "builder" In two frescoes. The monastery was hagiographed in the middle of the 17th century and has two temples, the Church of the Ascension of Christ and the Church of Panagia Faneromeni (the Catholic).

The Katholikon is the central and most ancient temple, devoted to Ascension of the Lord. It is a one-aisled basilica with a narthex, sheltered by a cylindrical arch, with a reinforcement bow in the middle. According to a relevant inscription inside the temple, it was painted in 1654 by hagiographers Ioannis, Nicholas Priest and Iacob Ieromonas.

The second temple is dedicated to Panagia Faneromeni. It is of the Athonian style, with dome and side dances, without internal columns. The frescoes, as indicated by a relevant inscription above the entrance door, were discovered in 1666. They were painted in 1674 by the icon-painter Iakovos and his son Dimitrios.

Known is the small but miraculous icon of Panagia Pelekiti, in which the Virgin Mary is painted with Christ in her arms. The picture is unfortunately stolen and sought to be returned to its natural place, the monastery. Evrytanas historian Panos Vassiliou wrote in 1929: "In addition to the excellent Byzantine art in frescoes, there is an icon (oil painting 0,04x0,03) of the Virgin Mary with Christ in her arms, a work of Raphael art. It is not explained how this tiny icon, which is considered as an old but miraculous icon, was found here. It dates back to 1654.

The style reminiscent of the Christ of the Protaton of Mount Athos, the well-known work of the Full Moon. In fact, this icon was embellished with 20 precious stones, of which 16 were removed from ... strangers, of course not to mention to anyone, as today, a police record. There are still, fortunately, 4 red-colored petals in its silver-plated casing, which is 0.21 x 0.23 m in size and carved on it with carved angels. An immense kindness is painted on the smiling face of Our Lady, whose child presents something truly divine and admirable for his joyful expressiveness. This magnificent icon of Virgin Mary Pelekite reminds Renaissance. "

The monastery, due to its elaborate construction and its glorious history, has been declared "Historic Preserved Monument". Unfortunately, however, the wealth of ecclesiastical heirlooms and its rare library are scarcely preserved today.

The monastery celebrates on August 15, the Assumption of the Virgin Mary. In recent years, after significant initiatives by local actors and other actors, the necessary money has been found and the monastery has been renovated and exploited, gathering crowds of pilgrims from all over Greece.

 

When the monks moved the border in 1831

 

The following incident is also impressed: After the Greek State was founded in 1831, Karytsa (the village under the monastery) and Belekomytis were found outside the Greek border because they were established on the river Karytsiotis, and these two villages are afterwards River. Then the monks, along with the inhabitants of the two villages, arbitrarily moved the borders and placed them after the monastery, on the plateau of Karamanolis.

 

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Two hibiscus flowers—one red, one creamy white, they look less like flowers and more like feisty flamenco dancers mid-performance. The red one twirled with passion, the white responded with grace, and I joined their rhythm with a slow, intentional camera movement (ICM).

 

I tried to capture their fleeting duet—not sharp petals, but motion, mood, and music. The fact that you make pictures of what you visualise, rather than what you see, makes ICM photography both challenging and rewarding in equal measure.

 

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To dream the impossible dream

To fight the unbeatable foe

To bear with unbearable sorrow

To run where the brave dare not go

To right the unrightable wrong

To love pure and chaste from afar

To try when your arms are too weary

To reach the unreachable star

 

This is my quest

To follow that star

No matter how hopeless

No matter how far

 

To fight for the right

Without question or pause

To be willing to march into Hell

For a heavenly cause

 

And I know if I'll only be true

To this glorious quest

That my heart will lie peaceful and calm

When I'm laid to my rest

 

And the world will be better for this

That one man, scorned and covered with scars

Still strove with his last ounce of courage

To reach the unreachable star

 

HDR processing from 5 exposures in photomatix and then processed in photoshop. Blakemere Moss, Delamere Forest, Cheshire

   

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