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This is one lone frame in the Cheaters Uncensored Vol. 1 disc. It reads "Eat My Ass", and it isn't like a subtitle or anything. I think some bored disgruntled editor made a fashion statement while this truck stop hooker was getting pummeled by some old black trucker. Life is so good sometimes.
Take a look Large and Dark.
Another shot from an early morning stroll - I'll leave this one to Guess Where London before adding more...
... except to say the title refers to the seminal song of the same name by Chris Isaak.
So now it's been guessed the location here is the defunct service station on Clerkenwell road which I'm sure as soon as the economy picks up will be demolished to become more chi chi flats... as the location where I took this from is right next to the extremely chi chi Zettter dahling.
The building opposite always intrigues me but I can't find any information on it other than it's split into a lot of offices. I looks like it must have been quite a large office at some stage but which company is a mystery.
I'm still digging away so any information is greatly appreciate - I'll update later and in the meantime leave you to....
...enjoy
It's all very well bragging about the amazing 'ring lap-time your new Megane R26R achieved, but it looks to me like all the tasty/trick parts (in particular the sticky tyres and rollcage) are actually all optional extras, which isn't quite the same thing imvho...
When I was painting from a photograph, I used to draw the composition on the painting surface as best I could to try and get the perspective and proportions right. That was until Pam bought me a digital projector one Christmas.
Now, I connect the projector to my iPad and use that to make an accurate drawing ready for painting. Some may say it is cheating but is it?
David Hockney postulates in his book, "Secrets of the Old Masters" that artists going back to the 14th century made use of lenses and mirrors to create accurate drawings. Not all of course but many did and the evidence for his argument is entirely convincing.
Where an artist has drawn without such aids, there is usually evidence of a searching to get the form right. In drawings using optical devices, there is no such evidence.